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Katsumi Nakai Art for Sale and Sold Prices

b. 1927 -

Katsumi Nakai (1927-2013 Hirakata, Osaka, Japan) studied painting at the Institute of Fine Arts Osaka, Japan, and was already active in the Japanese art scene with several successful shows in his native land when he moved to Milan in 1964. This period in Milan was one of the most stimulating and defining moments in contemporary art history, which further developed Nakai’s remarkable oeuvre and unique point of view.


Ronchini Gallery is proud to present the first UK solo exhibition of Japanese artist Katsumi Nakai. With works spanning from the 1960’s to 2012 this exhibition presents a comprehensive overview of this critical figure whose artistic achievements have yet to be fully appreciated on a grand scale.

Nakai’s multi-coloured wooden structures probe the pictorial surface and its levels of dimensionality, which are delicately raised and projected into the viewer’s space. In this sense, Nakai’s work exceeds the limits of the flat canvas, by staging an interplay between outward projections, form, and volumes.

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About Katsumi Nakai

b. 1927 -

Biography

Katsumi Nakai (1927-2013 Hirakata, Osaka, Japan) studied painting at the Institute of Fine Arts Osaka, Japan, and was already active in the Japanese art scene with several successful shows in his native land when he moved to Milan in 1964. This period in Milan was one of the most stimulating and defining moments in contemporary art history, which further developed Nakai’s remarkable oeuvre and unique point of view.


Ronchini Gallery is proud to present the first UK solo exhibition of Japanese artist Katsumi Nakai. With works spanning from the 1960’s to 2012 this exhibition presents a comprehensive overview of this critical figure whose artistic achievements have yet to be fully appreciated on a grand scale.

Nakai’s multi-coloured wooden structures probe the pictorial surface and its levels of dimensionality, which are delicately raised and projected into the viewer’s space. In this sense, Nakai’s work exceeds the limits of the flat canvas, by staging an interplay between outward projections, form, and volumes.

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