Girolamo Muziano Paintings & Artwork for Sale | Girolamo Muziano Art Value Price Guide

Dec. 12, 2024
Jan Sadeler, Girolamo Muziano - Magdalene in the desert
Est: €280 - €360
Engraving signed Jan Sadeler excudit, showing Magdalena in the desert. She is shut in by a rocky ravine, bridged by a natural arch on which grow great forest trees. The play of the sunlight gives beauty and vitality to this scene of solitude. This work, made by Jan Sadeler (1550-1600) or someone from his near circle, is based on the larger format engraving made by Cort for Girolamo Muziano (1532-1592) as part of his set of' Six Penitent Saints'. The landscape is largerly copied but instead of a standing Magdalene in front of a crucifix, we see here a kneeling Magdalene holding a crucifix in here right hand and reading a book.
Old Master Print
Dec. 05, 2024
Girolamo Muziano, 1532 Brescia – 1592 Rom, zugeschrieben und Werkstatt
Est: €15,000 - €25,000
DER HEILIGE FRANZISKUS EMPFÄNGT SEINE STIGMATA Öl auf Leinwand. Doubliert. 111 x 84 cm. In mit Blattwerk reliefiertem Rahmen. Beigegeben ein ausführliches konservatorisches Gutachten von Piotr Fraczek, Cultural Heritage Conservation, Pekowice, 2024. Ebenso eine Materialanalyse vom Laboratory for Analysis and Non-Destructive Testing of Historical Objekts, National Museum, Krakau, ohne Datum. Im Vordergrund inmitten einer schroff-felsigen Landschaft mit Quelle kniend der Heilige Franziskus nach links gerichtet. Im Mittelgrund erkennt man Leo von Assisi, der in der Heiligen Schrift liest; er begleitete Franziskus oft während dessen Zeiten des Fastens und Betens in der Einsiedelei. Im Hintergrund ist eine Kirche zu sehen, wo Franziskus die Vision Christi hatte. Muziano ergänzte seine figürlichen Szenen, wie hier, häufig mit Landschaftsdarstellungen, die von seiner Heimat Brescia inspiriert sind, auch wenn er ab 1550 überwiegend in Rom tätig war. Nach seiner Ausbildung bei Domenico Campagnola (um 1500-1564) und Lambert Sustris (1515/16 - um 1595) in Padua in den Jahren 1544-1546 wurde er in Rom hochgeschätzt. Zahlreiche Werke Muzianos finden sich nicht nur in Kirchen wie der Chiesa Nuova, Santa Maria ai Monti, der Basilika Santi Silvestro e Martino ai Monti und der Basilika Sant’Agostino, sondern auch in der Galleria Colonna, der Galleria Doria Pamphili, der Pinacoteca Vaticana und den Gallerie Nazionali d’Arte Antica. (1420692) (13) Girolamo Muziano, 1532 Brescia – 1592 Rome, attributed and workshop SAINT FRANCIS RECEIVING THE STIGMATA Oil on canvas. Relined. 111 x 84 cm. Accompanied by a detailed conservation report by Piotr Fraczek, Cultural Heritage Conservation, Pekowice, 2024. Furthermore, a material analysis by the Laboratory for Analysis and Non-Destructive Testing of Historical Objects, National Museum, Krakow, n.d.
Hampel Fine Art Auctions
Nov. 27, 2024
GASPARE REM
Est: €2,000 - €3,000
(Anversa 1542 - Venezia dopo 1616) San Girolamo Olio su tela, cm 84X73,5 Provenienza: Londra, Bonhams, 29 settembre 2003, lotto 102 (come seguace di Girolamo Muziano) Bibliografia: P. Tosini, Girolamo Muziano, 1532-1592, dalla maniera alla natura, Roma 2008, p. 504, n. E39 (citata e riferita a Gaspare Rem) Già attribuita a un seguace di Girolamo Muziano, la tela è stata ricondotta al catalogo di Gaspare Rem da Patrizia Tosini. L'artista di origini fiamminghe si trasferì a Venezia nel 1574, ispirandosi idealmente sui modelli di Tintoretto e del Veronese ma altresì guardando ai lombardi come Fede Galizia, Simone Peterzano e ai più recenti esiti lagunari di Michele Parrasio e Palma il Giovane. Queste influenze ben si avvertono nell'opera qui esaminata, che coniuga gli esiti del rinascimento bresciano con lo sfumare degli allievi del Vecellio. A confronto possiamo citare l'opera di medesimo soggetto conservata al Kunsthistorisches Museum di Vienna (fig. 1). Bibliografia di riferimento: G. T. Foggin, Su Gaspar Rem e altri pittori neerlandesi-veneziani del Cinquecento, in 'Emporium' CXL, 1964, 840, pp. 242-43 V. Mancini, Gaspar Rem: un veneziano di Anversa e una Giuditta ritrovata, Firenze 2010, ad vocem
Wannenes Art Auctions
Oct. 16, 2024
GIROLAMO MUZIANO (1528 BRESCIA - 1592 ROME) (IN THE STYLE OF), SAINT JEROME IN THE FOREST, 16TH/17TH CENTURY
Est: €550 - €650
Girolamo Muziano (1528 Brescia - 1592 Rome) (in the style of), Saint Jerome in the forest, 16th/17th century, Oil on copper plate. 25.0 x 18.6 cm (plate), 34.0 x 27.5 cm (frame). Framed. ,
Quittenbaum Kunstauktionen GmbH
Jul. 22, 2024
ATTRIBUTED TO GIROLAMO MUZIANO Brescia, Italy (1532) / Rome, Italy (1592) "Saint Mary Magdalene" and "Saint Agnes"
Est: €2,250 - €3,000
Pair of oil paintings on copper. On the reverse, on the plate, ancient inscriptions engraved on each of the supports: "Originali di /Girolamo / Muziano". Framed forming the same set. Measurements: 34 x 10 cm. each
Ansorena
May. 09, 2024
St. Francis in Penance
Est: €5,000 - €6,000
16th century, oil on canvas, damaged 17th century frame
Arte Investimenti
Apr. 18, 2024
Anonymous region Sadeler, Girolamo Muziano Saint Onuphrius penitent in the wilderness.
Est: €350 - €450
Saint Onuphrius penitent in the wilderness, engraved by an anonymous engraver , published by Sadeler ca 1600-1665. After a painting/drawing of Girolamo Muziano (1532-1592), after an engraving of Cornelis Cort . References: New Hollstein Dutch 134-copy 2(2). In very good condition. good dark impression on laid paper with 2- 3 cm margins.
Old Master Print
Apr. 10, 2024
ATTRIBUTED TO GIROLAMO MUZIANO Brescia, Italy (1532) / Rome, Italy (1592) "Saint Mary Magdalene" and "Saint Agnes"
Est: €4,500 - €6,000
Pair of oil paintings on copper. On the reverse, on the plate, ancient inscriptions engraved on each of the supports: "Originali di /Girolamo / Muziano". Framed forming the same set. Measurements: 34 x 10 cm. each
Ansorena
Mar. 20, 2024
GIROLAMO MUZIANO (1528 BRESCIA - 1592 ROME) (IN THE STYLE OF), SAINT JEROME IN THE FOREST, 16TH/17TH CENTURY
Est: €600 - €800
Girolamo Muziano (1528 Brescia - 1592 Rome) (in the style of), Saint Jerome in the forest, 16th/17th century, Oil on copper plate. 25.0 x 18.6 cm (plate), 34.0 x 27.5 cm (frame). Framed. ,
Quittenbaum Kunstauktionen GmbH
Nov. 29, 2023
Exceptional Saint Jerome in Meditation, attributed to Girolamo Muziano (1528 - 1592), Italian Renaissance school of the 16th century
Est: €4,000 - €5,000
Small oil on canvas, possibly a private devotional commission, this magnificent Saint Jerome of bright colors, careful composition and very fine details directs his sorrowful gaze to the crucifix that he holds in his arms as a sign of Redemption against the sin of men, while that different iconographic elements such as the skull and the trumpet allude to the end of time. Accompanying the composition, the lion and the Patron's characteristic red hat. Canvas measurements: 45 x 37 cm, framed measurements: 65 x 54 cm. Girolamo Muziano was born in Acquafredda, near Brescia, on a date that is not precisely known but that indirect sources place around 1528-1532. After an initial training in local tradition, in the years 1544-1546 he studied in Padua, where he had to learn the art of Lambert Sustris, and then went to Venice, where he would remain until 1549. Appointed superintendent of the Holy See, Muziano received numerous commissioned by Pope Gregory XIII and designs mosaics, with which he achieves surprising pictorial qualities. Mention may be made of those of the Cappella Gregoriana of St. Peter's Basilica. With abundant works in Spain, the Cerralbo Museum in Madrid houses a large-format canvas of his, Saint Augustine and Saint Monica, while the Resurrection of Jairus's daughter and an album of drawings of the reliefs are preserved in the monastery of El Escorial. of Trajan's Column. Provenance: important Andalusian private collection, Spain.
Templum Fine Art Auctions
Nov. 14, 2023
Gouaches MUZIANO Girolamo (1528 - 1592). D'après. "Saint Jérôme pénit
Est: €600 - €800
Gouaches MUZIANO Girolamo (1528 - 1592). D'après. "Saint Jérôme pénitent" gouache sur vélin (?). Anonyme. D'après une œuvre de Girolamo Muziano. Ecole flamande. Epoque: XVIIème. Dim.:+/-15,5x21cm.
Vanderkindere
Oct. 17, 2023
GIROLAMO MUZIANO (Acquafredda, 1528- Rome, 1592). "San Francisco". Oil on canvas. Relining.
Est: €20,000 - €25,000
GIROLAMO MUZIANO (Acquafredda, 1528 - Rome, 1592). "Saint Francis. Oil on canvas. Relined. Size: 100 x 73,5 cm; 120 x 93 cm (frame). In this sober and devotional scene, the painter represents St. Francis in an exterior that can hardly be appreciated due to the tenebrism of the scene. The saint is kneeling in prayer with his hands folded on his chest. The thick brushstrokes define a rounded figure of profound humanity, with great economy of colour, limited to the range of browns, which only serves to emphasise the message of humility and mystical simplicity that the saint advocated throughout his life. A twilight light emerges from the distance, modelling the elements of the landscape, but giving prominence to the figure which seems unique in the solitude and stillness of divinity. The subject of the Saint of Assisi receiving the stigmata was one of Mutienzio's favourites and was reproduced several times with the collaboration of his assistants, beginning with the version now in the Roman church of Santa Maria della Concezione, which Patrizia Tosini dates to around 1575 in her monograph on the painter. Aesthetically, Gerolamo Muziano was incisively and lastingly seduced by the invention of the great master Sebastiano del Piombo, to whose dissemination various replicas produced in his workshop contributed. In addition to reworking the same compositional scheme in many paintings on different themes. Muziano was born in Acquafredda near Brescia but worked principally in Rome. According to accounts from the 16th to 20th centuries, Muziano began to work under the tutelage of Romanino, an imitator of Titian. However, a quasi-autobiographical account of Muziano written by his confessor (unpublished until 1954) indicates instead that Muziano was born in Brescia, left that city as a young man and that his first apprenticeship was under the tutelage of Domenico Campagnola and Lambert Sustris in 1544-46 in the city of Padua. He then spent some time in Venice until 1549, but moved permanently to Rome around 1550. Landscapes figured prominently in Muziano's early works, leading the Romans to nickname him Il giovane dei paesi (the young man of landscapes). Although he produced drawings and paintings in this genre throughout his career, his interest shifted towards large-format figure painting. Muziano painted religious and historical subjects in a style largely based on Michelangelo, emphasising the monumental anatomy of his figures, even in works depicting ascetic saints. Michelangelo himself declared him to be one of the "first artists of that time". Muziano became the most important artist in Rome in the 1570s and 80s, painting in a style that appealed to Counter-Reformation patrons.
Setdart Auction House
Jun. 29, 2023
Attributed to Girolamo Muziano (1528 Ð 1592), A wooded landscape
Est: £800 - £1,200
Property of a ladyAttributed to Girolamo Muziano (1528 Ð 1592)A wooded landscapeBrown ink on paperInscribed extensivelyÐversoProvenance:Sotheby's 1976Dimensions:12 in. (H) x 17 in. (W)
Sloane Street Auctions
Dec. 14, 2022
Muziano Girolamo ambito di, Resurrezione di Lazzaro
Est: €3,000 - €4,000
olio su tela, W. 123 - H. 110 Cm
Cambi Casa d'Aste
Dec. 08, 2022
Girolamo Muziano, 1532 Brescia – 1592 Rom, zugeschrieben
Est: €4,000 - €6,000
Franz von Assisi empfängt die Stigmata Öl auf Holz. Parkettiert. 115 x 81 cm. In ornamental verziertem Rahmen. Inmitten einer hügeligen Landschaft, die links und rechts von verästelten Bäumen gerahmt wird, kniet der Heilige vor einem kleinen Altar mit Holzkreuz, Schädel, geöffnetem Buch und Geissel. Einsiedler und betende Heilige kommen im Werk des genannten Künstlers öfter vor. So befindet sich etwa in der Galeria Colonna in Rom ebenfalls ein Heiliger Franziskus aus seiner Hand. (1341157) (13)
Hampel Fine Art Auctions
Nov. 09, 2022
Girolamo Muziano
Est: €30,000 - €40,000
(Brescia 1532–1592 Rome) The Holy Family, inscribed lower left with an inventory number: 529, oil on canvas, 100.5 x 76.5 cm, framed Inscribed on the back of the canvas with the letters ‘C.C.B.’ Provenance: Private European collection We are grateful to Patrizia Tosini for confirming the attribution of the present painting and for her help in cataloguing this lot. Tosini dates the present to between the mid-1550s and the early 1560s, and it therefore belongs to the period of his first Roman commissions. There are close points of comparison with his other work of these years, and especially those executed for Orvieto: the altarpiece with the Resurrection of Lazarus for the city’s cathedral (1555–1556; see P. Tosini, Girolamo Muziano, 1532–1592, dalla maniera alla natura, Rome 2008, cat. no. A7, p. 86, fig. 70) and the frescoes for the palace of bishop Girolamo Simoncelli in the nearby Torre San Severo (1556–1559). These are works which display the same monumental and ‘stony’ pictorial language as in the present Holy Family. The Virgin’s profile compares to that of the two women at the centre of the altarpiece for Orvieto, in which the colouring of the robes is also echoed, while the head of Saint Joseph is modelled after that of Winter in the ceiling of the Salone della Caminata of the Palazzo Simocelli (see P. Tosini, Ibid., 2008, cat. no. A9, pp. 340–343, fig. 9.1.3), even down to the pulsing vein in the old man’s temple, which also reoccurs in the profile of Saint Jerome in the Ruiz chapel in Santa Caterina dei Funari, Rome (see P. Tosini, Ibid., 2008, cat. A15, p. 184, fig. 168). The subject of the painting, the Holy Family in the company of the Infant Saint John the Baptist, prefiguring the Passion of Christ, must have been particularly successful in the artist’s repertoire, since he replicated it in various compositional arrangements, some of which are documented in engravings created to Muziano’s designs (P. Tosini, Ibid., 2008, p. 55 fig. 45). In Muziano’s biography it is stated that ‘A Madonna, life size, with Saint Joseph, Saint John and our Saviour which would move stone to devotion’ (‘Una Madonna come al naturale con San Giosef S. Giovanni e il nostro Salvatore che muoverebbe le pietre a devozione’) (see U. Procacci, Una ‘vita’ inedita di Girolamo Muziano, in: Arte Veneta, 1954, pp. 251–252; see. P. Tosini, Ibid., 2008, cat. no. D61, p. 487). A painting with the same iconography is also recorded in 1686 in the collection of Maffeo Barberini, in his family’s Roman palace at the Quattro Fontane (this also has the same dimensions as the present painting, which is only slightly smaller, possibly owing to its having been relined; see Getty Provenance Index) and another of the same subject was at Villa Medici during the nineteenth century (see P. Tosini, Ibid., 2008, cat. D55, p. 485). In addition to that under discussion, at present two other versions of this composition are known: the first is identical in all its parts and is manifestly an autograph replica, taken from the same cartoon (see P. Tosini, Ibid., 2018, cat. A2, p. 23). The second is in the Galleria Borghese and is also an autograph work by Muziano, but it has suffered a singular ‘camouflaging’ owing to the intervention of a late seventeenth century painter (see P. Tosini, Palinsesto borghesiano: un Muziano ‘seicentesco’, in: Amica Veritas. Studi di storia dell’arte in onore di Claudio Strinati, ed. by A. Vannugli, Rome 2020, pp. 525–532). As yet it has not been possible to identify the number ‘529’ painted lower left, which is evidently the record of its belonging in a collection. The sculptural composition of the painting and its cool palette, reveal Muziano’s understanding of Roman mannerist culture of the 1540s and 1550s, incarnated by its emerging protagonists Daniele da Volterra, Girolamo Siciolante and Taddeo Zuccari; meanwhile, the elegant head of Saint Joseph with his rippling veins and soft hair, modelled after the naturalistic paintings of Girolamo Savoldo and Domenico Campagnola, with its Lombard and Venetian mood, fully reveals the inheritance of the artist’s training. Girolamo Muziano (1532–1592) is one of the leading exponents of later sixteenth century Roman painting. He trained in Brescia, Padua and Venice in the studios of Lambert Sustris and Domenico Campagnola, and he arrived in Rome in the 1550s, probably thanks to the protection of the Venetian Cardinals Barbaro, Corner and Pisani. His positive reception in the city gained him many prestigious commissions in the churches and palaces of the leading aristocratic families in the city: the Colonna, Gabrielli, Ruiz, Mattei, and Della Valle. During the 1560s he became court painter to Ippolito II d’Este, for whom he frescoed the celebrated Villa d’Este in Tivoli. With the advent of Pope Gregory XIII Boncompagni (1572–1585) he became the organiser and author of all the most important commissions of the pontificate, including the Cappella Gregoriana in Saint Peter’s and the Galleria delle Carte Geografiche in the Vatican Palace. His singular style of counterreformation painting tempered by a soft Venetian realism was to open the way for the most innovative aspects of early seventeenth century painting.
Dorotheum
May. 20, 2022
Attribué à Girolamo MUZIANO (1532-1592) Study of two saints in niches
Est: €400 - €800
Attribué à Girolamo MUZIANO (1532-1592) Study of two saints in niches Black stone, traces of red chalk. Mounted. Annotated in pen, in the center, lower part: "Muziano" Attribuito a Girolamo MUZIANO Studio di due santi entro due nicchie Carboncino, tracce di sanguigna. Controcollato 18,5 x 13 cm Provenance: Sale, 10 July 1973, London, Christie's, lot 85, repr. (as Girolamo Muziano) Étude de deux saints dans des niches Pierre noire, traces de sanguine. Contrecollé. Annoté à la plume, au centre, partie inférieure : « Muziano » Attribuito a Girolamo MUZIANO Studio di due santi entro due nicchie Carboncino, tracce di sanguigna. Controcollato 18,5 x 13 cm Provenance : Vente, 10 juillet 1973, Londres, Christie's, lot 85, répr. (comme Girolamo Muziano)
Pierre Bergé & Associés
Jan. 19, 2022
Attribuito a Girolamo MUZIANO (1532-1592)
Est: €1,000 - €2,000
Attribuito a Girolamo MUZIANO (1532-1592) The Virgin and Child Jesus Black stone on squared paper (restorations) Inscription on verso : "Io. Ales. Maggiori comprai a di... 1795" Attribué à Girolamo MUZIANO (1532-1592) La Vierge et l'Enfant Jésus Pierre noire, mis au carreau (restaurations) Inscription au verso : "Io. Ales. Maggiori comprai a di... 1795" H_28,2 cm L_19,3 cm Provenance : - Alessandro Maggiori Collection (XVIII-XIX century) (L.3005b) - Claudio Argenlieu Collection, stamp at lower left (L.486b) - G.P. Breschi Collection (1874-1937), stamp at lower right (L.2079b) Exhibition : 1978, New York, Herbert Feist Gallery, Master Drawings through five century La Vergine e il Bambin Gesù Pietra nera su carta quadrettata (restauri) Iscrizione al verso : «Io. Ales. Maggiori comprai a di... 1795» Attribué à Girolamo MUZIANO (1532-1592) La Vierge et l'Enfant Jésus Pierre noire, mis au carreau (restaurations) Inscription au verso : «Io. Ales. Maggiori comprai a di... 1795» H_28,2 cm L_19,3 cm Provenienza : - Collezione Alessandro Maggiori (XVIII-XIX secolo) (L.3005b) - Collezione Claudio Argenlieu, timbro in basso a sinistra (L.486b) - Collezione G.P. Breschi (1874-1937), timbro in basso a destra (L.2079b) Esposizione : 1978, New York, Herbert Feist Gallery, Master Drawings through five century
Pierre Bergé & Associés
Nov. 30, 2021
Girolamo Muziano ( Acquafredda 1528 - Roma 1592) bottega/seguace
Est: €1,200 - €1,800
Girolamo Muziano (Acquafredda 1528 - Roma 1592) bottega/seguace San Girolamo penitente Olio su rame 22,5 x 16,5 cm Girolamo Muziano inizia con un apprendistato presso il Romanino, quindi con influenze del Tiziano e della scuola veneta. In seguito si sposta a Padova, ove accresce la sua conoscenza con Domenico Campagnola e Lambert Sustris: da quest’ultimo ricava le sue influenze nordiche, soprattutto nei paesaggi. Dopo un passaggio a Venezia, si trasferisce definitivamente a Roma, ove raggiunge la fama intorno agli anni 1570-1580. Con la sua pittura interpreta le istanze che compiacevano la tendenza della Controriforma, ispirandosi alla gentilezza raffaellesca e alle reminiscenze compositive e cromatiche venete. Il nostro dipinto incarna il linguaggio di Muziano, in cui il paesaggio, sintesi tra esperienze venete, fiamminghe e romane, assume valore espressivo rappresentando la dura e lodevole privazione inflittasi dal santo. Per l’evidente qualità, a nostro giudizio l'opera è da ritenersi realizzata dalla bottega del maestro, ovvero sotto la sua direzione e senza escluderne un suo parziale intervento, oppure realizzata dopo la sua morte da uno dei suoi allievi o seguaci più abili. Girolamo Muziano (Acquafredda 1528 - Rome 1592) workshop/ follower Penitent St. Jerome Oil on copper 22,5 x 16,5 cm
Lucas Aste
Nov. 24, 2021
Girolamo Muziano (1532 Acquafredda-1592 Roma), Paesaggio nei pressi del Castello di Rocca Sinibalda
Est: €6,000 - €8,000
affresco riportato su tela, W. 215 - H. 167 cm
Cambi Casa d'Aste
Nov. 18, 2021
Girolamo Muziano: Building of a Temple
Est: €600 - €800
MUZIANO, GIROLAMO 1532 Brescia - 1592 Rome attributed Title: Building of a Temple. Technique: Pen, brown ink and aqaurelle, wash and heightened with white on paper. Mounting: Laminated on thin cardboard. Measurement: 40 x 46,3cm. Provenance: Private ownership, Germany.
Van Ham Kunstauktionen
Jun. 16, 2021
Girolamo Muziano (Acquafredda, 1532 - Roma, 1592), Paesaggio nei pressi del Castello di Rocca Sinibalda
Est: €10,000 - €15,000
affresco riportato su tela, cm 162x215
Cambi Casa d'Aste
Mar. 18, 2021
GIROLAMO MUZIANO (cerchia di)
Est: €2,000 - €3,000
(Acquafredda, 1528/1532 - Roma, 1592) San Gerolamo Olio su tavola, cm 58X44 Girolamo Muziano, bresciano di nascita, ma romano d'adozione, nel 1560 entrava al servizio del cardinale Ippolito II d'Este, come responsabile dei grandi cantieri pittorici del Quirinale, di Montegiordano e di Villa d'Este a Tivoli. Questo breve indizio biografico è sufficiente per comprendere l'importante ruolo che ricoprì il pittore nel vivace ambiente artistico capitolino, con Federico Zuccari, Livio Agresti e Cesare Nebbia. A Roma il Muziano lascia testimonianze nei principali edifici di culto ed è indubbia la sua influenza sugli artefici contemporanei e delle successive generazioni, come Sebastiano del Piombo, Tiziano e Annibale Carracci. La tela in esame, d'alta qualità estetica ed esecutiva, raffigura un soggetto assai frequentato dal pittore e confacente al suo naturalismo di derivazione lombarda. Il protagonista è colto a figura intera, con il crocifisso e la pietra penitenziale. In basso a sinistra, scorgiamo i principali attributi iconografici: il leone e il cappello cardinalizio rosso porpora. Il rilievo plastico del santo inginocchiato al centro della scena si esprime attraverso un'attenta resa dei dettagli anatomici, secondo i principi del buon disegno tosco-romano, mentre il panneggio, che avvolge parte del busto e le gambe, presenta tonalità cangianti memori delle cromie di Girolamo Romanino e Alessandro Bonvicino; altresì il volto è desunto dai modelli di Girolamo Savoldo che del Muziano fu maestro. Si ricordano altre composizioni simili create dal pittore, prima fra tutte il San Gerolamo nel deserto dipinto per la Basilica Vaticana e ora in Santa Maria degli Angeli, ma la redazione più vicina è senz'altro quella proveniente dalla Chiesa di Santa Marta in Vaticano, datato dalla critica ai primi anni del sesto decennio per le strette analogie con le composizioni di Daniele da Volterra (cfr. P. Tosini, Girolamo Muziano, 1532-1592, dalla maniera alla natura, Roma 2008, pp. 320-323, n. A2).
Wannenes Art Auctions
May. 27, 2020
GIROLAMO MUZIANO (BRESCIA 1528-1592 ROME) Étude pour La Décapitation de saint Jean Baptiste pierre noire, estompe, mise au carreau à la pierre noire 40,7 x 28,3 cm. (16 x 11 7/8 in.)
Est: €7,000 - €10,000
GIROLAMO MUZIANO (BRESCIA 1528-1592 ROME) Étude pour La Décapitation de saint Jean Baptiste pierre noire, estompe, mise au carreau à la pierre noire 40,7 x 28,3 cm. (16 x 11 7/8 in.)
Christie's
Dec. 06, 2019
Girolamo Muziano (Italian, 1528-1592) Study after Michelangelo's Rachel on the t
Est: $10,000 - $15,000
Girolamo Muziano (Italian, 1528-1592) Study after Michelangelo's Rachel on the tomb of Julius II; An ancient Roman holding fasces (recto and verso) Black chalk heightened with white on blue paper (recto); Black chalk (verso) 9-1/2 x 6-1/8 inches (24.3 x 15.6 cm) PROPERTY OF A NEW YORK ESTATE PROVENANCE: Nathaniel Hone (1718-1784) (his mark lower right corner); Sir Joshua Reynolds (1723-1792) (his mark lower right corner); Michael Miller Lucy Vivante Fine Arts, Inc., New York, New York. LITERATURE: Lugt no. 2793 and no. 2364. The two collectors' marks stamped in the lower right corner of this sheet prove that two arch-enemies in the art world of 18th-century England once had something in common. Portraitists Nathaniel Hone and Sir Joshua Reynolds both admired this handsome drawing by Muziano enough to include it in their respective (sizable) drawing collections. Hone created a cause célèbre in 1775 when he submitted to the jury of the Royal Academy a painting called The Conjurer (Dublin, The National Gallery of Ireland), depicting a bearded Reynolds pointing a wand towards a fire which was kindled by an assortment of Old Master prints from which a framed oil painting emerged. Hone's meaning was that Reynolds cribbed motifs from Old Master sources to try and elevate his own work. Leaning over the Conjurer's knee was a portrait of a young girl meant to depict fellow Academician Angelica Kauffman, allegedly Reynolds' lover, and also an artist involved in various ambitious Reynolds' projects including the scheme to decorate St. Paul's Cathedral. The Academy rejected the painting on the grounds it was offensive to Kauffman. Hone's reputation suffered since many viewed his scandalous prank as basically sour grapes. HID01801242017
Heritage Auctions
Nov. 13, 2019
DESSINS
Est: €1,500 - €2,000
"Sainte en prière" fusain rehaussé de craie blanche sur papier collé sur carton. Attribué à Girolamo Muziano. Ecole italienne, Rome. Epoque: XVIème. Portant en bas à droite le cachet de collection d'Hubert Marignane, L.5120. (*). Dim.:290x220mm.
Vanderkindere
Oct. 19, 2019
CORT, Cornelis. After Girolamo Muziano St Francis receives the stigmata in
Est: €200 - €250
CORT, Cornelis. After Girolamo Muziano St Francis receives the stigmata in the wilderness. Rome A. Lafreri; I. Orlandi 1567; 1602 Engraving, 42 x 54 cm, signed "C. Cort. f." and "Ioannis Orlandi formis Roma" (wide margins, sl. spotted, centerfold, 2 small perforations). Stuck by corners under passe-partout. Scenic landscape with cascading waterfalls functioning as the topographic setting for this religious subject. Later edition by Orlandi after Lafreri's first edition in 1567. Ref. New Hollstein (Cornelis Cort), 109.IV.
Arenberg Auctions
Jun. 12, 2019
Girolamo Muziano (Acquafredda, 1532 - Roma, 1592), Paesaggio nei pressi del Castello di Rocca Sinibalda
Est: €14,000 - €16,000
Affresco riportato su tela, cm 162x215
Cambi Casa d'Aste
Nov. 14, 2018
Girolamo Muziano (Acquafredda 1532 – Roma 1592), Sacra Famiglia con San Giovannino
Est: €25,000 - €30,000
olio su tela, cm 117x88,5, "La tela in esame è un autografo sinora inedito di Girolamo Muziano, opera di ottima fattura e tra le più tipiche di questo artista per composizione e stesura pittorica. (...) L'opera appartiene senza dubbio a un periodo giovanile dell'artista, ai suoi esordi romani intorno alla metà degli anni Cinquanta: lo attestano gli stringenti confronti con le prime opere eseguite a Orvieto (...)" , nelle quali si ritrova "il medesimo linguaggio 'petroso' e monumentale della Sacra Famiglia. (...) La composizione e il tema dell'opera mostrano infine decise somiglianze con una incisione di Nicolas Beatrizet concepita su invenzione di Muziano, forse tratta da un dipinto perduto." Expertise Dott.ssa Patrizia Tosini
Cambi Casa d'Aste
May. 28, 2018
GIROLAMO MUZIANO CERCHIA GIROLAMO MUZIANO CERCHIA Brescia 1532-Roma 1592 SANTANTONIO ABATE IN PREGHIERA | SANT'ANTONIO ABATE IN PRAYER
Est: €800 - €1,200
SantAntonio Abate in preghiera. Olio su tela, cm 114x91 | Saint Anthony Abbot in prayer. Oil on canvas, 114x91 cm
Casa d'aste ARCADIA
Mar. 23, 2018
MUZIANO, GIROLAMO
Est: CHF700 - CHF900
MUZIANO, GIROLAMO (Brescia 1528 - 1592 Rome), WORKSHOP OF Tree study. Pen and brown ink on laid paper, old mount on canvas. Inscribed in brown pen lower right: Claude Lorraine. 43.5 x 36 cm. Cf. Christie's catalogue, London, Old Master drawing sale. 07.07.1989, lot 67. Provenance: - Unknown collection stamp, not in Lugt. --------------- MUZIANO, GIROLAMO (Brescia 1528 - 1592 Rom), WERKSTATT Baumstudie. Feder in Braun auf Bütten, auf Leinwand alt aufgezogen. Unten rechts mit brauner Feder bezeichnet: Claude Lorraine. 43,5 x 36 cm. Vgl. Katalog Christie's, London, Old master drawing sale. 07.07.1989, Lot 67. Provenienz: - unbekannter Sammlungsstempel, nicht bei Lugt.
Koller Auctions
Feb. 13, 2018
After Girolamo Muziano
Est: €12,000 - €18,000
Da Girolamo Muziano VISIONE DI SANT'EUSTACHIO SAN GIOVANNI BATTISTA IN PREGHIERA NEL DESERTO coppia di dipinti a olio su tela, cm 132x101 (2) Bibliografia di riferimento P. Tosini, Girolamo Muziano. Dalla maniera alla natura, Roma 2008, pp. 261-269. I due dipinti derivano dalle incisioni di Cornelis Cort su invenzione di Girolamo Muziano facenti parte di una serie di almeno sei tavole con figure di santi eremiti in un paesaggio, eseguiti tra il 1573 e il 1577. Gia Karel van Mander nel suo Schilder-Boeck, ovvero il " Libro della Pittura' , pubblicato per la prima volta in Olanda nel 1604, attesta la grandissima diffusione di queste stampe soprattutto tra gli artisti, informazione confermata anche da Giovanni Baglione nella sua biografia dedicata a Girolamo Muziano, dove ricorda come fosse chiamato da tutti i pittori di Roma " il giovane de' paesi" (G. Baglione, Le vite de' pittori, scultori et architetti dal pontificato di Gregorio XIII del 1572 in fino a' tempi di Papa Urbano Ottavo nel 1642, Roma: Andrea Fei, 1642, p. ). E proprio tra gli specialisti di paesaggio attivi tra la fine del Cinquecento e l' inizio del Seicento va ricercato l' autore di questa coppia di dipinti, in particolare nell' ambito della colonia di fiamminghi gravitanti intorno a Paul Brill. I variopinti volatili, non presenti nelle stampe del Cort, e che vediamo invece inseriti in maniera un poco maldestra tra la vegetazione che fa da quinta scenica ai santi in preghiera, sono evidenti aggiunte, posteriori alla data di esecuzione del dipinto. After Girolamo Muziano vision of saint eustachio saint john baptist couple of paintings oil on canvas, cm 132x101 (2) Bibliografia di riferimento P. Tosini, Girolamo Muziano. Dalla maniera alla natura, Roma 2008, pp. 261-269. I due dipinti derivano dalle incisioni di Cornelis Cort su invenzione di Girolamo Muziano facenti parte di una serie di almeno sei tavole con figure di santi eremiti in un paesaggio, eseguiti tra il 1573 e il 1577. Gia Karel van Mander nel suo Schilder-Boeck, ovvero il "Libro della Pittura", pubblicato per la prima volta in Olanda nel 1604, attesta la grandissima diffusione di queste stampe soprattutto tra gli artisti, informazione confermata anche da Giovanni Baglione nella sua biografia dedicata a Girolamo Muziano, dove ricorda come fosse chiamato da tutti i pittori di Roma "il young man de' paesi" (G. Baglione, Le vite de' pittori, scultori et architetti dal pontificato di Gregorio XIII del 1572 in fino a' tempi di Papa Urbano Ottavo nel 1642, Roma: Andrea Fei, 1642, p. ). E proprio tra gli specialisti di paesaggio attivi tra la fine del Cinquecento e l'inizio del Seicento va ricercato l'autore di questa coppia di dipinti, in particolare nell'ambito della colonia di fiamminghi gravitanti intorno a Paul Brill. I variopinti volatili, non presenti nelle stampe del Cort, e che vediamo invece inseriti in maniera un poco maldestra tra la vegetazione che fa da quinta scenica ai santi in preghiera, sono evidenti aggiunte, posteriori alla data di esecuzione del dipinto.
Pandolfini Casa d'Aste
Jan. 31, 2018
GIROLAMO MUZIANO | Study of a male nude, his head tilted downwards and his right hand partly outstretched
Est: $15,000 - $20,000
Red chalk and stumping, squared for transfer in red chalk; bears numbering in black chalk, lower left: 69
Sotheby's
Jan. 30, 2018
Girolamo Muziano (Brescia 1528-1592 Rome) Saint Agatha
Est: $10,000 - $15,000
Girolamo Muziano (Brescia 1528-1592 Rome) Saint Agatha red chalk 7 ¾ x 4 ¾ in. (19.6 x 12 cm)
Christie's
Dec. 04, 2017
Girolamo Muziano - Contemplation of saint Francis
Est: €6,000 - €8,000
Girolamo Muziano (Brescia, 1532 - Rome, 1592) Contemplation of saint Francis oil on canvas, cm 118x98. Framed
Bertolami Fine Art s.r.l.
Nov. 14, 2017
Girolamo Muziano Brescia, 1532 - Rome, 1592 La Pentecôte Huile sur toile
Est: €60,000 - €80,000
Girolamo Muziano Brescia, 1532 - Rome, 1592 La Pentecôte Huile sur toile The Pentecost, oil on canvas, by G. Muziano h: 113 w: 156 cm Provenance : Famille de Jack Brown, soeur de l'hôpital de la Providence, Springfield (MA), 1961 ; Collection Charles Wagner ; Vente anonyme ; Seattle, Pacific Galleries, 12 février 2011, n° 582 ; Acquis lors de cette vente par l'actuel propriétaire Bibliographie : Patrizia Tosini, "Some newly identified drawings by Girolamo Muziano", in 'Master Drawings', 52, 2, été 2014, p. 192-197, fig. 19 Commentaire : Bozzetto pour un grand décor commandé par le pape Grégoire XIII au Vatican, notre tableau est la preuve que des œuvres d'importance historique peuvent encore réapparaître de nos jours dans des circonstances imprévisibles. Originaire de Brescia, formé à Padoue chez Lambert Sustris et à Venise chez Domenico Campagnola, Girolamo Muziano arrive à Rome en 1549 dans les derniers jours du pontificat de Paul III. Il ne quittera plus la ville et y réalisera de nombreux chantiers parmi lesquels La Pentecôte, immense huile sur toile (375 x 588 cm) commandée par le pape Grégoire XIII (1572-1585) et encastrée à la manière des décors vénitiens dans un plafond à caissons de la salle du Consistoire secret (fig.1, actuellement salle des Parements). Selon Patrizia Tosini notre toile est le bozzetto mentionné au XVIIIe siècle par Agostino Taja1 et localisé par Giovan Pietro Chattard2 au-dessus de la cheminée de la pièce entre deux des tapisseries tissées d'après les cartons de Raphaël. Contrairement au dessin du musée du Louvre (Inv. 5104) notre toile présente d'importantes variantes par rapport à la composition définitive : La colombe sera remplacée par une mandorle rougeoyante d'où s'échapperont les flammes du Saint-Esprit, les saints personnages disposés en fer à cheval seront représentés plus en frise et enfin de nombreuses modifications dans les attitudes des figures auront lieu dans l'œuvre définitive. Plusieurs repentirs visibles sur notre toile témoignent de la fonction d'étude de notre tableau qui constitue une importante redécouverte pour l'histoire des décors du Vatican. 1. Agostino Taja, Descrizione del Palazzo Apostolico Vaticano, Rome, 1750, p. 476 2 . Giovan Pietro Chattard, Nuova descrizione del Vaticano, 1762-1767, vol. II, p. 167 Estimation 60 000 - 80 000 €
Artcurial
Nov. 15, 2016
Girolamo Muziano (Acquafredda, 1532 Roma, 1592), Paesaggio nei pressi del Castello di Rocca Sinibalda
Est: €20,000 - €25,000
Affresco riportato su tela, cm 165x215
Cambi Casa d'Aste
Jun. 15, 2016
GIROLAMO MUZIANO "Paesaggio nei pressi del Castello di Rocca Sinibalda"
Est: €25,000 - €35,000
GIROLAMO MUZIANO Brescia 1528 - Roma 1592 Landscape near Rocca Sinibalda Castle Affresco on thin canvas on panel cm 165 x 215 Defects Provenance Private collection Rome
Arte Roma Auctions
Jun. 14, 2016
Girolamo Muziano (1528 - 1592)[ambito di], San Francesco in meditazione.
Est: €700 - €1,400
Olio su tela. cm 73,5x60,5.
Gonnelli Casa d'Aste
Jun. 14, 2016
Girolamo Muziano (1528 - 1592)[attribuito a], Compianto ai piedi della croce.
Est: €480 - €960
Matita rossa e sfumino su carta beige con filigrana "colomba su tre monti in cerchio singolo sormontato da lettera R". mm 293x204.
Gonnelli Casa d'Aste
May. 26, 2016
Attribuito a Girolamo Muziano (Acquafredda 1532 – Roma 1592
Est: €5,000 - €8,000
San Francesco in meditazione in un paesaggio
Finarte Roma
May. 19, 2015
Cerchia di Gerolamo Muziano (Brescia 1532 - Roma 1592)
Est: €700 - €1,000
San Francesco d’Assisi riceve le Stigmate olio su tela, cm 78 x 56, entro antica cornice reca sigillo in cera lacca con stemma nobiliare non identificabile sul retro CIRCLE OF GIROLAMO MUZIANO (BRESCIA 1532 - ROME 1592) SAINT FRANCIS, OIL ON CANVAS 78 x 56 CM, WITH AN OLD FRAME
Finarte Roma
Mar. 28, 2014
Girolamo Muziano, 1528 - 1592, zug.
Est: €5,000 - €7,000
HEILIGER FRANZ VON ASSISI Öl auf Holz. 115 x 81 cm. Die hochformatige Tafel zeigt den Heiligen inmittein einer Waldlichtung an einer Tischplatte mit aufragendem Kreuz, welcher die Heilige Schrift, eine Geißel und einen Schädel trägt. Der Heilige mit seinen Stigmata aufweisenden Handflächen nach oben gerichtet vor diesem Altar stehend und in seiner Franziskanerkutte den Blick nach oben links richtend. Der Hintergrund als hügelige Landschaft mit dem die Heilige Schrift lesenden Franziskus, den Blick auf Christus als Seraphen im Himmel gerichtet. Weiter im Hintergrund eine kleine Kirche, wohl San Damiano in Assisi, wo dem Heiligen Franziskus Christus erschienen ist, der ihm gesagt haben soll „Franziskus, geh hin und stelle mein Haus wieder her, das, wie du siehst, schon ganz verfallen ist". (9500610)
Hampel Fine Art Auctions
Dec. 12, 2013
Girolamo Muziano, 1528 - 1592, zug.
Est: €6,000 - €8,000
HEILIGER FRANZ VON ASSISI Öl auf Holz. 115 x 81 cm. Die hochformatige Tafel zeigt den Heiligen inmittein einer Waldlichtung an einer Tischplatte mit aufragendem Kreuz, welcher die Heilige Schrift, eine Geißel und einen Schädel trägt. Der Heilige mit seinen Stigmata aufweisenden Handflächen nach oben gerichtet vor diesem Altar stehend und in seiner Franziskanerkutte den Blick nach oben links richtend. Der Hintergrund als hügelige Landschaft mit dem die Heilige Schrift lesenden Franziskus, den Blick auf Christus als Seraphen im Himmel gerichtet. Weiter im Hintergrund eine kleine Kirche, wohl San Damiano in Assisi, wo dem Heiligen Franziskus Christus erschienen ist, der ihm gesagt haben soll "Franziskus, geh hin und stelle mein Haus wieder her, das, wie du siehst, schon ganz verfallen ist". (9500610)
Hampel Fine Art Auctions
Jan. 29, 2013
GIROLAMO MUZIANO (CIRCLE OF) (Acquafredda circa 1532-1592 Rome) St. Jerome.
Est: $700 - $1,000
GIROLAMO MUZIANO (CIRCLE OF) (Acquafredda circa 1532-1592 Rome) St. Jerome. Pen and brown ink and light violet wash on cream laid paper. 145x85 mm; 5 3/4x3 3/8 inches. Ex-collection unknown collector, indiscernible ink stamp lower left recto.
Swann Auction Galleries
Jun. 06, 2012
Atelier de Gerolamo MUZIANO (Brescia 1532-Rome
Est: €5,000 - €8,000
Atelier de Gerolamo MUZIANO (Brescia 1532-Rome 1592) Saint Jérôme dans le désert Huile sur panneau. 94 x 65 cm Oeuvres en rapport: Le tableau «Saint Jérôme pénitent» Bologne, Pinacothèque Nationale Les gravures de...
Fraysse
Jul. 16, 2010
Girolamo Muziano (Brescia 1528-1592 Rome)
Est: £5,000 - £8,000
Girolamo Muziano (Brescia 1528-1592 Rome) The Flagellation of Christ red chalk, partly squared in red chalk 8½ x 5¼ in. (20.5 x 13.5 cm.)
Christie's
Nov. 24, 2009
Circle of Girolamo Muziano (Acquafredda 1532-1592 Rome) Scenes from the life of Saint Francis of Assisi
Est: -
Scenes from the life of Saint Francis of Assisi oil on copper 35.6 x 27.7cm (14 x 10 7/8in).
Bonhams