Joh. Nepomuk Muxel Sold at Auction Prices

Painter, Etcher, Lithographer

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    • J. MUXEL (*1790) after GIOTTO (*), Head of a Pharisee, around 1810, Lithography
      Jul. 27, 2024

      J. MUXEL (*1790) after GIOTTO (*), Head of a Pharisee, around 1810, Lithography

      Est: €75 - €125

      Johann Nepomuk Muxel (1790 Munich - 1780 Landshut) after Giotto: Giotto di Bondone (unkn. -1337 Florence): Head of a Pharisee from a fresco by Giotto in Padua, c. 1810, Lithography Technique: Lithography on Paper Watermark: Letters/Digits - more than three letters (words/names) - M. IA. Huber - Date: 19th century Date: c. 1810 Description: Inscribed and signed below the depiction: "15th & Giotto. Pupil of Cimabue (..) d: 1336. & A Pharisee from the Raising of Lazarus (..) at Padua & Drawn after the original by R: Langer. & On stone by N: Muxel". Sheet 15 of 105 lithographs: Collection of drawings for reproduction in the secondary and grammar schools of the Kingdom of Bavaria. (..) Munich 1810-1813. Literature: Winkler, 1975, p. 169, no. 573, 2 (15) & p. 374, no. 975 | Watermark: M. de I.A. HUBER Keywords: 19th century, Figurative, Portraits, Italy, Size: Paper: 52,5 cm x 42,5 cm (20,7 x 16,7 in), Depiction: 28,0 cm x 26,0 cm (11 x 10,2 in)

      Fichter Kunsthandel
    • J. MUXEL (*1790) after STIELER (*1781), Maximiliane Karoline of Bavaria, around 1825, Lithography
      Apr. 27, 2024

      J. MUXEL (*1790) after STIELER (*1781), Maximiliane Karoline of Bavaria, around 1825, Lithography

      Est: €1,050 - €1,400

      Johann Nepomuk Muxel (1790 Munich - 1780 Landshut) after Joseph Karl Stieler (1781 Mainz - 1858 Munich): Apotheosis of Maximiliane Josepha Karoline of Bavaria, c. 1825, Lithography Technique: Lithography over tinted stone on Paper Stamp: Collector's stamp, Lugt no.: 971. Friedrich August II. von Sachsen (1797-1854). Dresden. 19th century Inscription: At the lower part signed in the printing plate: "Stiller [sic] pinx. / Gedruckt von Jos. Selb. / Nep. Muxel del.". Date: c. 1825 Description: The princess is dead. Died of typhoid fever. King Maximilian I of Bavaria and his wife Karoline have lost their youngest child. The depiction of a divine ascension of their daughter is intended to help them grieve. The court painter Joseph Karl Stieler sensitively took on this task: Wearing a flowing robe with a garland of roses, he depicts the girl ascending to heaven. Five angel heads await her on the celestial ceiling. She holds her arm out into the light-filled night to receive the wreath of stars handed to her by the angel in the centre. It is the brother who died in childhood. Below on the ground we see the Munich Residenz and the Theatinerkirche, where the girl was buried. The tower of the imperial court marks the hour of the princess's death. The sheet has a clear chiaroscuro structure. The lower part of the depiction with the earthly elements, the palace and the church are hidden in the darkness of the night. The upper part is brightly lit by the heavenly rays. A comforting image: the daughter who died too early to ascend to heaven like Mary. Joseph Karl Stieler studied under François Gérard in Paris and was considered one of the most representative representatives of Napoleonic classicism. As court painter to the Bavarian kings Max I and Ludwig I, he became one of the most sought-after portrait painters in Germany. This touching piece proves that Stieler knew how to depict sad strokes of fate both sentimentally and representatively. It was not without reason that he was described as "the last representative painter of princes in Europe who had honestly fulfilled his courtly office". Person: Maximiliane Josepha Karoline von Bayern (1810 - 1821 ) Literature: Nagler, G. K.: Neues allgemeines Künstler-Lexikon (Bd.1-25). Nachrichten von dem Leben und de Werken der Maler, Bildhauer, Baumeister, Kupferstecher, Lithographen, Formschneider, Zeichner, Medailleire, Elfenbeinarbeiter etc.; Wien 1924; vol. XIX. Cat. Rais. No.: 443. Bonhams Knightsbridge: Masters of the Lithograph. The Winkler Collection Part I; London 1998. Cat. Rais. No.: 573.104. Keywords: Assumption, child, death, Munich, king, princess, Bavaria, lithograph, 19th century, Romanticism, People, Germany, Munich,

      Fichter Kunsthandel
    • J. MUXEL (*1790) after STIELER (*1781), Maximiliane Karoline of Bavaria, around 1825, Lithography
      Aug. 26, 2023

      J. MUXEL (*1790) after STIELER (*1781), Maximiliane Karoline of Bavaria, around 1825, Lithography

      Est: €1,200 - €1,600

      Johann Nepomuk Muxel (1790 Munich - 1780 Landshut) after Joseph Karl Stieler (1781 Mainz - 1858 Munich): Apotheosis of Maximiliane Josepha Karoline of Bavaria, c. 1825, Lithography Technique: Lithography over tinted stone on Paper Stamp: Collector's stamp, Lugt no.: 971. Friedrich August II. von Sachsen (1797-1854). Dresden. 19th century Inscription: At the lower part signed in the printing plate: "Stiller [sic] pinx. / Gedruckt von Jos. Selb. / Nep. Muxel del.". Date: c. 1825 Description: The princess is dead. Died of typhoid fever. King Maximilian I of Bavaria and his wife Karoline have lost their youngest child. The depiction of a divine ascension of the daughter is supposed to help the mourning. The court painter Joseph Karl Stieler sensitively takes on this task: In a flowing robe with a garland of roses, he lets the girl ascend to heaven. Five angels' heads await her on the ceiling. She holds out her arm into the light-filled night to receive the wreath of stars handed to her by the angel in the middle. It is the brother who died in infancy. Below on the earth we see the Munich Residence and the Theatinerkirche, where the girl was buried. The tower of the imperial court strikes the hour of the princess' death. The print has a clear chiaroscuro structure. The lower part of the depiction with the earthly elements, the palace and the church lie hidden in the darkness of the night. The upper part is brightly illuminated by the heavenly rays. A comforting image: the daughter who died too soon to ascend to heaven like Mary. Joseph Karl Stieler studied under François Gérard in Paris and was considered one of the representative representatives of Napoleonic Classicism. As court painter to the Bavarian kings Max I and Ludwig I, he became one of the most sought-after portrait painters in Germany. The fact that Stieler knew how to stage sad strokes of fate in a sentimental as well as representative way is proven to us by this touching piece. It is not without reason that he was described as "the last representative painter of princes in Europe, who performed his courtly duties with integrity". Person: Maximiliane Josepha Karoline von Bayern (1810 - 1821 ) Literature: Nagler, G. K.: Neues allgemeines Künstler-Lexikon (Bd.1-25). Nachrichten von dem Leben und de Werken der Maler, Bildhauer, Baumeister, Kupferstecher, Lithographen, Formschneider, Zeichner, Medailleire, Elfenbeinarbeiter etc.; Wien 1924; vol. XIX. Cat. Rais. No.: 443. Bonhams Knightsbridge: Masters of the Lithograph. The Winkler Collection Part I; London 1998. Cat. Rais. No.: 573.104. Keywords: Assumption, Child, Death, Munich, King, Princess, Bavaria, Lithograph, 19th century, Romanticism, People, Germany, Munich,

      Fichter Kunsthandel
    • J.MUXEL (*1790) after GIOTTO (*), Head of a Pharisee, around 1810, Lithography
      Oct. 22, 2022

      J.MUXEL (*1790) after GIOTTO (*), Head of a Pharisee, around 1810, Lithography

      Est: €75 - €125

      Johann Nepomuk Muxel (1790 Munich - 1780 Landshut) after Giotto: Giotto di Bondone (unkn. -1337 Florence): Head of a Pharisee from a fresco by Giotto in Padua, c. 1810, Lithography Technique: Lithography on Paper Watermark: Letters/Digits - more than three letters (words/names) - M. IA. Huber - 19th century Date: c. 1810 Description: Inscribed and signed below the depiction: "15th & Giotto. Pupil of Cimabue (..) d: 1336. & A Pharisee from the Raising of Lazarus (..) at Padua & Drawn from the original by R: Langer. & On stone by N: Muxel". Sheet 15 of 105 lithographs: Collection of drawings for reproduction in the secondary and grammar schools of the Kingdom of Bavaria. (..) Munich 1810-1813. Literature: Winkler, 1975, p. 169, no. 573, 2 (15) & p. 374, no. 975 | Watermark: M. de I.A. HUBER Keywords: 19th century, Figurative, Portraits, Italy,

      Fichter Kunsthandel
    • Alte Meister -
      Nov. 09, 2019

      Alte Meister -

      Est: €100 - €200

      46 Umrißradierungen von Adrian Schleich (1812-1894) nach Alten Meistern. Selten sign., alle Blätter bezeichnet, nicht dat. (um 1870). Blattmaße: ca. 23,5 x 31 cm. -172 - Aus einem Mappenwerk. - Die Vorlage zu den Radierungen lieferte Johann Nepomuk Muxel (1790-1870). Die Blätter sind jeweils mit dem Künstlernamen bezeichnet, darunter van Dyck, Mieris, Ribalta und Rubens.

      Zisska & Lacher
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