Tomás Muñoz y Lucena Paintings & Artwork for Sale | Tomás Muñoz y Lucena Art Value Price Guide

Oct. 26, 2024
MUÑOZ LUCENA, TOMAS (1860 CORDOBA - 1943 MADRID). MARKT IN AVILA.
Est: -
MUÑOZ LUCENA, Tomas(1860 Cordoba - 1943 Madrid) Markt in Avila Öl/Leinwand. Links unten signiert. 37 x 57 cm. Gerahmt : 50 x 70 cm (Goldrahmen). Reges Treiben auf dem Platz vor der Kirche im hellen Sonnenschein . Leinwand doubliert. Spanischer Maler, studierte an der Akademie in Madrid sowie an der Kunstschule von Barros. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 14:30 Uhr (CET) MUÑOZ LUCENA, Tomas(1860 Cordoba - 1943 Madrid) Market in Avila Oil/canvas. Signed lower left. 37 x 57 cm. Framed : 50 x 70 cm (gold frame). Lively activity on the square in front of the church in the bright sunshine . Canvas mounted. Spanish painter, studied at the academy in Madrid and at the Barros art school. Literature : Thieme/Becker. Aufrufzeit 26. | Oct. 2024 | probably 14:30 (CET) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Auktionshaus Wendl
Sep. 25, 2024
Thomas Munoz Lucena.
Est: -
Oil on canvas attached to board. Signed in the lower left corner.
Duran Arte y Subastas
Sep. 24, 2024
TOMAS MUÑOZ LUCENA Cordoba (1860) / Madrid (1943) "Portrait of Andres Segovia", c.1919
Est: €270 - €360
Charcoal and clarion on paper Dedicated and signed in the upper left corner by the artist "A Segovia/T. Muñoz Lucena". In the lower left corner dedicated, signed and dated by the sitter "For Miguel/Segovia/October 9, 1919" Measurements: 63 x 47 cm
Ansorena
Apr. 10, 2024
TOMAS MUÑOZ LUCENA Cordoba (1860) / Madrid (1943) "Old Woman"
Est: €300 - €400
"Old Woman" Oil on panel Signed and dedicated on the left side Measurements: 15.5 x 9 cm
Ansorena
Jan. 25, 2024
Woman Next to a Still Life of Fruit, Tomás Muñoz Lucena (Córdoba, 1860-Madrid, 1943), 19th-century Spanish school
Est: €6,000 - €8,000
(Cordoba, 1860-Madrid, 1943). Spanish painter and illustrator. He would soon move to Madrid on a scholarship from the Córdoba Provincial Council to study at the San Fernando School of Fine Arts, being a disciple of Federico de Madrazo. Later, he went to Rome on a pension from the same institution and, from 1881, participated in the National Exhibitions of Fine Arts, where he obtained a second class medal in 1887 with the painting The Corpse of Álvarez de Castro. He received the same award in 1890 and the first medal in 1901 with the painting Prayer in the hermitages of Córdoba, for which he is considered the first impressionist from Córdoba. In 1894 he was appointed professor of drawing at the Córdoba Institute and six years later at the Granada Institute, later moving to Seville. After his retirement, in 1930 he settled in Madrid. As an illustrator he worked for Blanco y Negro. Oil on canvas. Framed measurements: 120 x 88 cm, canvas measurements: 101 x 68 cm
Templum Fine Art Auctions
Dec. 20, 2023
Woman Next to a Still Life of Fruit, Tomás Muñoz Lucena (Córdoba, 1860-Madrid, 1943), 19th-century Spanish school
Est: €6,000 - €8,000
(Cordoba, 1860-Madrid, 1943). Spanish painter and illustrator. He would soon move to Madrid on a scholarship from the Córdoba Provincial Council to study at the San Fernando School of Fine Arts, being a disciple of Federico de Madrazo. Later, he went to Rome on a pension from the same institution and, from 1881, participated in the National Exhibitions of Fine Arts, where he obtained a second class medal in 1887 with the painting The Corpse of Álvarez de Castro. He received the same award in 1890 and the first medal in 1901 with the painting Prayer in the hermitages of Córdoba, for which he is considered the first impressionist from Córdoba. In 1894 he was appointed professor of drawing at the Córdoba Institute and six years later at the Granada Institute, later moving to Seville. After his retirement, in 1930 he settled in Madrid. As an illustrator he worked for Blanco y Negro. Oil on canvas. Framed measurements: 120 x 88 cm, canvas measurements: 101 x 68 cm
Templum Fine Art Auctions
Dec. 12, 2023
TOMÁS MUÑÓZ LUCENA Córdoba 1860 - Madrid 1943 Young water carrier from Granada. 1888
Est: -
TOMÁS MUÑÓZ LUCENA Córdoba 1860 - Madrid 1943 Young water carrier from Granada. 1888 Oil on panel Signed and dated in Granada Measurements 20.5 x 14 cm
Subastas Segre
Jul. 26, 2023
Woman Next to a Still Life of Fruit, Tomás Muñoz Lucena (Córdoba, 1860-Madrid, 1943), 19th-century Spanish school
Est: €6,000 - €8,000
(Cordoba, 1860-Madrid, 1943). Spanish painter and illustrator. He would soon move to Madrid on a scholarship from the Córdoba Provincial Council to study at the San Fernando School of Fine Arts, being a disciple of Federico de Madrazo. Later, he went to Rome on a pension from the same institution and, from 1881, participated in the National Exhibitions of Fine Arts, where he obtained a second class medal in 1887 with the painting The Corpse of Álvarez de Castro. He received the same award in 1890 and the first medal in 1901 with the painting Prayer in the hermitages of Córdoba, for which he is considered the first impressionist from Córdoba. In 1894 he was appointed professor of drawing at the Córdoba Institute and six years later at the Granada Institute, later moving to Seville. After his retirement, in 1930 he settled in Madrid. As an illustrator he worked for Blanco y Negro. Oil on canvas. Framed measurements: 120 x 88 cm, canvas measurements: 101 x 68 cm
Templum Fine Art Auctions
Sep. 28, 2022
TOMÁS MUÑOZ LUCENA Córdoba (1860) / Madrid (1943) "Peasant", 1888
Est: €1,050 - €1,400
Oil on canvas Signed, located "Granada" and dated in the lower right corner Measurements: 35 x 25 cm
Ansorena
Jul. 14, 2022
WOMAN NEXT TO A STILL LIFE OF FRUIT, TOMÁS MUÑOZ LUCENA (CÓRDOBA, 1860-MADRID, 1943), 19TH-CENTURY SPANISH SCHOOL
Est: €6,000 - €8,000
(Cordoba, 1860-Madrid, 1943). Spanish painter and illustrator. He would soon move to Madrid on a scholarship from the Córdoba Provincial Council to study at the San Fernando School of Fine Arts, being a disciple of Federico de Madrazo. Later, he went to Rome on a pension from the same institution and, from 1881, participated in the National Exhibitions of Fine Arts, where he obtained a second class medal in 1887 with the painting The Corpse of Álvarez de Castro. He received the same award in 1890 and the first medal in 1901 with the painting Prayer in the hermitages of Córdoba, for which he is considered the first impressionist from Córdoba. In 1894 he was appointed professor of drawing at the Córdoba Institute and six years later at the Granada Institute, later moving to Seville. After his retirement, in 1930 he settled in Madrid. As an illustrator he worked for Blanco y Negro. Oil on canvas. Framed measurements: 120 x 88 cm, canvas measurements: 101 x 68 cm
Templum Fine Art Auctions
Jun. 22, 2022
Paisaje con personaje
Est: -
firmado y dedicado en el margen izquierdo
Isbilya Subastas
Feb. 18, 2022
Tomás Muñoz Lucena, Markt vor einer Kathedrale, signiertes Ölgemälde, gerahmt
Est: €1,600 - €1,800
Tomás Muñoz Lucena, Markt vor einer Kathedrale, signiertes Ölgemälde, gerahmt Tomás Muñoz Lucena, 1860 Cordoba - 1943 Madrid, Studium an der Kunstschule des Malers Rafael Romero Barros, später studierte er Kunst in Madrid als Schüler der Königlichen Akademie von San Fernando und des Malers Frederico de Madrazo, ab 1884 Aufenthalt in Rom, Teilnahme an Ausstellungen u.a. in Rom und an der Pariser Weltausstellung von 1900. Hier: Markttreiben auf einem spanischen Kirchplatz mit zahlreichen Figuren, impressionistische Malweise, Öl/Lw., 36 x 57 cm, li. u. sign., im Goldrahmen
K&K – Auktionen in Heidelberg
Dec. 21, 2021
TOMÁS MUÑOZ LUCENA (Andalusia, 1860- Madrid, 1943). "Portrait of lady as 1600". Oil on canvas.
Est: €3,500 - €4,000
TOMÁS MUÑOZ LUCENA (Andalusia, 1860- Madrid, 1943). "Portrait of lady as 1600". Oil on canvas. It has frame of the twentieth century. Signed in the lower right corner. Measurements: 52 x 53 cm; 73 x 73 cm (frame). Tomás Muñoz Lucena begins his formation in the Cordovan school of painting of Rafael Romero Barros. Then, he enters the recently inaugurated School of Fine Arts of Cordoba, where he coincides with Julio Romero de Torres and Mateo Inurria. Thanks to his talent, he obtained a scholarship from the Provincial Council to study at the San Fernando School in Madrid in 1879. There he will be a disciple of Federico de Madrazo. Again with a scholarship from the Diputación, Muñoz Lucena made a trip to Rome, where he acquired the new impressionist tendency, being in fact considered the first Cordovan painter in this style. In 1881, he took part for the first time in the National Exhibition in Madrid, and three years later he sent from Rome his work "Ofelia", which caused admiration, but was not awarded a prize. Frustrated by this unjust marginalization, undoubtedly due to the fact that his works were not the themes sought by the jury of the National Exhibitions, which valued history themes above all, Muñoz Lucena seriously reconsidered the theme of the works he would send to these competitions. Thus, entering the game of history painting, he sent to the National Exhibition of Fine Arts of 1887 his contribution to the genre, giving it also the "necrophiliac" air that was so much to the taste of the jurors. The painting, magnificent, was entitled "The corpse of Alvarez de Castro", exalting the general who resisted for months the siege of Girona by the French, and was finally awarded a second medal. With this official recognition, Muñoz Lucena's prestige increased considerably, and his successes followed. Again he obtained a second medal in 1890 and, finally, a first medal in 1901 for his painting "Plegaria en la ermita de Córdoba". He also took part in foreign competitions, and in 1900 he was awarded a bronze medal at the Universal Exposition in Paris. He was a teacher from 1894, the year in which he was appointed director of drawing at the Institute of Cordoba, and later he also taught in Granada and Seville. In the last years of the 19th century he also began to collaborate with magazines such as "Blanco y Negro" and "La Ilustración Española y Americana", forming part of the group of illustrators who marked a new path in the graphic arts at the beginning of the 20th century. He retired in 1930, and decided to move to Madrid, where he lived until his death in 1943. In addition to painting, he also devoted himself to illustration, collaborating with magazines such as "Blanco y Negro", to whose first generation he belonged. Works by Muñoz Lucena are kept in the Prado Museum, the Museum of Fine Arts of La Coruña, the Diputación de Córdoba, the University of Granada and the Romantic Museum of Madrid.
Setdart Auction House
Dec. 21, 2021
TOMÁS MUÑOZ LUCENA (Córdoba, 1860- Madrid, 1943). "La siesta". Oil on canvas.
Est: €5,500 - €6,500
TOMÁS MUÑOZ LUCENA (Córdoba, 1860- Madrid, 1943). "La siesta". Oil on canvas. Presents period frame. Signed in the lower left corner. Measurements: 23.5 x 40.5 cm; 48 x 64 cm (frame). The author of this work offers us an image of romantic and idyllic character, in which a young woman sleeps peacefully in a wooded landscape, which becomes a stain that manages to emphasize more the monumentality of the figure. The young woman is in the foreground, oblivious to the viewer's gaze, wearing a neat white dress that stands out for its brightness in relation to the landscape. During the 19th century, this type of scenes of young sleeping girls were developed, in some cases they were presented naked in allusion to a popular superstition of the time that believed that men could cure their venereal diseases by having relations with a young virgin. Tomás Muñoz Lucena began his training in the Cordovan school of painting of Rafael Romero Barros. He then entered the recently inaugurated School of Fine Arts in Cordoba, where he coincided with Julio Romero de Torres and Mateo Inurria. Thanks to his talent, he obtained a scholarship from the Provincial Council to study at the San Fernando School in Madrid in 1879. There he will be a disciple of Federico de Madrazo. Again with a scholarship from the Diputación, Muñoz Lucena made a trip to Rome, where he acquired the new impressionist tendency, being in fact considered the first Cordovan painter in this style. In 1881, he took part for the first time in the National Exhibition in Madrid, and three years later he sent from Rome his work "Ofelia", which caused admiration but was not awarded a prize. Frustrated by this unjust marginalization, undoubtedly due to the fact that his works were not the themes sought by the jury of the National Exhibitions, which valued history themes above all, Muñoz Lucena seriously reconsidered the theme of the works he would send to these competitions. Thus, entering the game of history painting, he sent to the National Exhibition of Fine Arts of 1887 his contribution to the genre, giving it also the "necrophiliac" air that was so much to the taste of the jurors. The painting, magnificent, was entitled "The corpse of Alvarez de Castro", exalting the general who resisted for months the siege of Girona by the French, and was finally awarded a second medal. With this official recognition, Muñoz Lucena's prestige increased considerably, and his successes followed. Again he obtained a second medal in 1890 and, finally, a first medal in 1901 for his painting "Plegaria en la ermita de Córdoba". He also took part in foreign competitions, and in 1900 he was awarded a bronze medal at the Universal Exposition in Paris. He was a teacher from 1894, the year in which he was appointed director of drawing at the Institute of Cordoba, and later he also taught in Granada and Seville. In the last years of the 19th century he also began to collaborate with magazines such as "Blanco y Negro" and "La Ilustración Española y Americana", forming part of the group of illustrators who marked a new path in the graphic arts at the beginning of the 20th century. He retired in 1930, and decided to move to Madrid, where he lived until his death in 1943. In addition to painting, he also devoted himself to illustration, collaborating with magazines such as "Blanco y Negro", to whose first generation he belonged. Works by Muñoz Lucena are kept in the Prado Museum, the Museum of Fine Arts of La Coruña, the Diputación de Córdoba, the University of Granada and the Romantic Museum of Madrid.
Setdart Auction House
Dec. 21, 2021
TOMÁS MUÑOZ LUCENA (Córdoba, 1860- Madrid, 1943). "Lady by the window". Oil on canvas.
Est: €3,000 - €4,000
TOMÁS MUÑOZ LUCENA (Córdoba, 1860- Madrid, 1943). "Lady by the window". Oil on canvas. Signed in the lower right corner. Measurements: 55 x 39,7 cm. Tomás Muñoz Lucena begins his formation in the Cordovan school of painting of Rafael Romero Barros. Then, he enters the recently inaugurated School of Fine Arts of Cordoba, where he coincides with Julio Romero de Torres and Mateo Inurria. Thanks to his talent, he obtained a scholarship from the Provincial Council to study at the San Fernando School in Madrid in 1879. There he will be a disciple of Federico de Madrazo. Again with a scholarship from the Diputación, Muñoz Lucena made a trip to Rome, where he acquired the new impressionist tendency, being in fact considered the first Cordovan painter in this style. In 1881, he took part for the first time in the National Exhibition in Madrid, and three years later he sent from Rome his work "Ofelia", which caused admiration, but was not awarded a prize. Frustrated by this unjust marginalization, undoubtedly due to the fact that his works were not the themes sought by the jury of the National Exhibitions, which valued history themes above all, Muñoz Lucena seriously reconsidered the theme of the works he would send to these competitions. Thus, entering the game of history painting, he sent to the National Exhibition of Fine Arts of 1887 his contribution to the genre, giving it also the "necrophiliac" air that was so much to the taste of the jurors. The painting, magnificent, was entitled "The corpse of Alvarez de Castro", exalting the general who resisted for months the siege of Girona by the French, and was finally awarded a second medal. With this official recognition, Muñoz Lucena's prestige increased considerably, and his successes followed. Again he obtained a second medal in 1890 and, finally, a first medal in 1901 for his painting "Plegaria en la ermita de Córdoba". He also took part in foreign competitions, and in 1900 he was awarded a bronze medal at the Universal Exposition in Paris. He was a teacher from 1894, the year in which he was appointed director of drawing at the Institute of Cordoba, and later he also taught in Granada and Seville. In the last years of the 19th century he also began to collaborate with magazines such as "Blanco y Negro" and "La Ilustración Española y Americana", forming part of the group of illustrators who marked a new path in the graphic arts at the beginning of the 20th century. He retired in 1930, and decided to move to Madrid, where he lived until his death in 1943. In addition to painting, he also devoted himself to illustration, collaborating with magazines such as "Blanco y Negro", to whose first generation he belonged. Works by Muñoz Lucena are kept in the Prado Museum, the Museum of Fine Arts of La Coruña, the Diputación de Córdoba, the University of Granada and the Romantic Museum of Madrid.
Setdart Auction House
Dec. 21, 2021
TOMÁS MUÑOZ LUCENA (Córdoba, 1860- Madrid, 1943). "Family in a courtyard". Oil on canvas.
Est: €7,000 - €9,000
TOMÁS MUÑOZ LUCENA (Córdoba, 1860- Madrid, 1943). "Family in a courtyard". Oil on canvas. Presents slight restorations and period frame. Signed in the lower left corner. Measurements: 58 x 63 cm; 85 x 88 cm (frame). This work stands out for the luminosity that the artist achieves by using white as a chromatic base, this is complemented with certain flashes caused by orange and red tones, which are arranged both in the characters and in the place described in the work. This type of genre scenes were recurrent in the painting of Tomás Muñoz, who achieved a great recognition by the public thanks to the publication of scenes of this theme in the magazine Blanco y negro, a fact that provided a great diffusion and the approach of his painting to a wide sector of the population. Tomás Muñoz Lucena began his training in the Cordovan school of painting of Rafael Romero Barros. He then entered the recently inaugurated School of Fine Arts in Cordoba, where he coincided with Julio Romero de Torres and Mateo Inurria. Thanks to his talent, he obtained a scholarship from the Provincial Council to study at the San Fernando School in Madrid in 1879. There he will be a disciple of Federico de Madrazo. Again with a scholarship from the Diputación, Muñoz Lucena made a trip to Rome, where he acquired the new impressionist tendency, being in fact considered the first Cordovan painter in this style. In 1881, he took part for the first time in the National Exhibition in Madrid, and three years later he sent from Rome his work "Ofelia", which caused admiration, but was not awarded a prize. Frustrated by this unjust marginalization, undoubtedly due to the fact that his works were not the themes sought by the jury of the National Exhibitions, which valued history themes above all, Muñoz Lucena seriously reconsidered the theme of the works he would send to these competitions. Thus, entering the game of history painting, he sent to the National Exhibition of Fine Arts of 1887 his contribution to the genre, also giving it the "necrophiliac" air that was so much to the taste of the jurors. The painting, magnificent, was entitled "The corpse of Alvarez de Castro", exalting the general who resisted for months the siege of Girona by the French, and was finally awarded a second medal. With this official recognition, Muñoz Lucena's prestige increased considerably, and his successes followed. Again he obtained a second medal in 1890 and, finally, a first medal in 1901 for his painting "Plegaria en la ermita de Córdoba". He also took part in foreign competitions, and in 1900 he was awarded a bronze medal at the Universal Exposition in Paris. He was a teacher from 1894, the year in which he was appointed director of drawing at the Institute of Cordoba, and later he also taught in Granada and Seville. In the last years of the 19th century he also began to collaborate with magazines such as "Blanco y Negro" and "La Ilustración Española y Americana", forming part of the group of illustrators who marked a new path in the graphic arts at the beginning of the 20th century. He retired in 1930, and decided to move to Madrid, where he lived until his death in 1943. In addition to painting, he also devoted himself to illustration, collaborating with magazines such as "Blanco y Negro", to whose first generation he belonged. Works by Muñoz Lucena are kept in the Prado Museum, the Museum of Fine Arts of La Coruña, the Diputación de Córdoba, the University of Granada and the Romantic Museum of Madrid.
Setdart Auction House
Dec. 21, 2021
TOMÁS MUÑOZ LUCENA (Andalusia, 1860- Madrid, 1943). "The death of Lucrecia". Oil on canvas.
Est: €24,000 - €26,000
TOMÁS MUÑOZ LUCENA (Andalusia, 1860- Madrid, 1943). "The death of Lucrecia". Oil on canvas. It has slight flaws. Signed in the lower left corner. Measurements: 134 x 190 cm; 158 x 214 cm (frame). This work faithfully reproduces the work presented, in 1871, the artist Eduardo Rosales (Madrid, 1836 - Madrid, 1873) to the Spanish National Exhibition. Thanks to Rosales' mastery, he won the first medal. The piece represents the suicide of Lucrecia after the rape suffered. A passage that meant the fall of the Roman monarchy, in favor of the republic. A theme extrapolated during the period and became very popular during the Neoclassicism. In this case we see how Muñoz faithfully follows the composition of Rosales' work. Tomás Muñoz Lucena began his training in the Cordovan school of painting of Rafael Romero Barros. He then entered the recently inaugurated School of Fine Arts in Cordoba, where he coincided with Julio Romero de Torres and Mateo Inurria. Thanks to his talent, he obtained a scholarship from the Provincial Council to study at the San Fernando School in Madrid in 1879. There he will be a disciple of Federico de Madrazo. Again with a scholarship from the Diputación, Muñoz Lucena made a trip to Rome, where he acquired the new impressionist tendency, being in fact considered the first Cordovan painter in this style. In 1881, he took part for the first time in the National Exhibition in Madrid, and three years later he sent from Rome his work "Ofelia", which caused admiration but was not awarded a prize. Frustrated by this unjust marginalization, undoubtedly due to the fact that his works were not the themes sought by the jury of the National Exhibitions, which valued history themes above all, Muñoz Lucena seriously reconsidered the theme of the works he would send to these competitions. Thus, entering the game of history painting, he sent to the National Exhibition of Fine Arts of 1887 his contribution to the genre, giving it also the "necrophiliac" air that was so much to the taste of the jurors. The painting, magnificent, was entitled "The corpse of Alvarez de Castro", exalting the general who resisted for months the siege of Girona by the French, and was finally awarded a second medal. With this official recognition, Muñoz Lucena's prestige increased considerably, and his successes followed. Again he obtained a second medal in 1890 and, finally, a first medal in 1901 for his painting "Plegaria en la ermita de Córdoba". He also took part in foreign competitions, and in 1900 he was awarded a bronze medal at the Universal Exposition in Paris. He was a teacher from 1894, the year in which he was appointed director of drawing at the Institute of Cordoba, and later he also taught in Granada and Seville. In the last years of the 19th century he also began to collaborate with magazines such as "Blanco y Negro" and "La Ilustración Española y Americana", forming part of the group of illustrators who marked a new path in the graphic arts at the beginning of the 20th century. He retired in 1930, and decided to move to Madrid, where he lived until his death in 1943. In addition to painting, he also devoted himself to illustration, collaborating with magazines such as "Blanco y Negro", to whose first generation he belonged. Works by Muñoz Lucena are kept in the Prado Museum, the Museum of Fine Arts of La Coruña, the Diputación de Córdoba, the University of Granada and the Romantic Museum of Madrid.
Setdart Auction House
Nov. 10, 2021
TOMÁS MUÑOZ LUCENA (Andalusia, 1860- Madrid, 1943). "The death of Lucrecia". Oil on canvas.
Est: €8,000 - €10,000
TOMÁS MUÑOZ LUCENA (Andalusia, 1860- Madrid, 1943). "The death of Lucrecia". Oil on canvas. It has slight flaws. Signed in the lower left corner. Measurements: 134 x 190 cm; 158 x 214 cm (frame). This work faithfully reproduces the work presented, in 1871, the artist Eduardo Rosales (Madrid, 1836 - Madrid, 1873) to the Spanish National Exhibition. Thanks to Rosales' mastery, he won the first medal. The piece represents the suicide of Lucrecia after the rape suffered. A passage that meant the fall of the Roman monarchy, in favor of the republic. A theme extrapolated during the period and became very popular during the Neoclassicism. In this case we see how Muñoz faithfully follows the composition of Rosales' work. Tomás Muñoz Lucena began his training in the Cordovan school of painting of Rafael Romero Barros. He then entered the recently inaugurated School of Fine Arts in Cordoba, where he coincided with Julio Romero de Torres and Mateo Inurria. Thanks to his talent, he obtained a scholarship from the Provincial Council to study at the San Fernando School in Madrid in 1879. There he will be a disciple of Federico de Madrazo. Again with a scholarship from the Diputación, Muñoz Lucena made a trip to Rome, where he acquired the new impressionist tendency, being in fact considered the first Cordovan painter in this style. In 1881, he took part for the first time in the National Exhibition in Madrid, and three years later he sent from Rome his work "Ofelia", which caused admiration but was not awarded a prize. Frustrated by this unjust marginalization, undoubtedly due to the fact that his works were not the themes sought by the jury of the National Exhibitions, which valued history themes above all, Muñoz Lucena seriously reconsidered the theme of the works he would send to these competitions. Thus, entering the game of history painting, he sent to the National Exhibition of Fine Arts of 1887 his contribution to the genre, giving it also the "necrophiliac" air that was so much to the taste of the jurors. The painting, magnificent, was entitled "The corpse of Alvarez de Castro", exalting the general who resisted for months the siege of Girona by the French, and was finally awarded a second medal. With this official recognition, Muñoz Lucena's prestige increased considerably, and his successes followed. Again he obtained a second medal in 1890 and, finally, a first medal in 1901 for his painting "Plegaria en la ermita de Córdoba". He also took part in foreign competitions, and in 1900 he was awarded a bronze medal at the Universal Exposition in Paris. He was a teacher from 1894, the year in which he was appointed director of drawing at the Institute of Cordoba, and later he also taught in Granada and Seville. In the last years of the 19th century he also began to collaborate with magazines such as "Blanco y Negro" and "La Ilustración Española y Americana", forming part of the group of illustrators who marked a new path in the graphic arts at the beginning of the 20th century. He retired in 1930, and decided to move to Madrid, where he lived until his death in 1943. In addition to painting, he also devoted himself to illustration, collaborating with magazines such as "Blanco y Negro", to whose first generation he belonged. Works by Muñoz Lucena are kept in the Prado Museum, the Museum of Fine Arts of La Coruña, the Diputación de Córdoba, the University of Granada and the Romantic Museum of Madrid.
Setdart Auction House
Nov. 03, 2021
TOMÁS MUÑOZ LUCENA (1860 / 1943) "Granada waterwoman with the Torres Bermejas (Red Towers)", 1913.
Est: €4,800 - €6,400
Signed in the lower right-hand corner "T. Muñoz Lucena". Exhibitions: - "Tomás Muñoz Lucena. A Cordovan in Granada", Caja Rural de Granada, Granada, Granada, 2018, p. 94. . Oil on canvas. 78 x 108 cm.
Ansorena
Oct. 20, 2021
Tomás Muñoz Lucena (Spanish, 1860-1943) Portrait of an Arab lady
Est: £6,000 - £8,000
Tomás Muñoz Lucena (Spanish, 1860-1943) Portrait of an Arab lady signed, inscribed and dated 'TS. Muñoz/Roma/85' (upper left) oil on canvas 53 x 41cm (20 7/8 x 16 1/8in). For further information on this lot please visit the Bonhams website
Bonhams
Sep. 29, 2021
TOMÁS MUÑOZ LUCENA (1860 / 1943) "Family Portraits"
Est: €6,750 - €9,000
One signed in the lower left-hand corner and the other in the right-hand corner. . Oil on canvas
Ansorena
Jun. 16, 2021
TOMÁS MUÑOZ LUCENA (1860 / 1943) "Elderly woman"
Est: €900 - €1,200
Dedicated and signed on the left side .15,5 x 9 cm
Ansorena
Dec. 05, 2019
Tomas Munoz Lucena (Spanish, 1860-1943)
Est: $700 - $1,000
Peasant Feeding Chickens, oil on canvas, 34X66 cm, signed. Minor flaws. *** For a full condition report or a shipping quote, please contact us at: info@ishtararts.com
Ishtar Auctions Ltd
Jul. 02, 2019
TOMÁS MUÑOZ LUCENA - Retrato de D. Luis Osorio de Moscoso y Borbón, XXI Conde de Cabra pintando junto a su mujer Matilde Dorotea
Est: -
TOMÁS MUÑOZ LUCENA Cordoba 1860 - Madrid 1943 Retrato de D. Luis Osorio de Moscoso y Borbón, XXI Conde de Cabra pintando junto a su mujer Matilde Dorotea Oil on board Signed and dedicated to Count of Cabra Measurements 29.5 x 15 cm
Subastas Segre
Apr. 30, 2019
Tomás Muñoz Lucena. Family portraits
Est: -
MUÑOZ LUCENA, TOMAS (1860 - 1943). "Retratos de familia". Pareja de óleos sobre lienzo. Firmados en el ángulo inferior izquierdo. 105 x 84 cm
Duran Arte y Subastas
Feb. 28, 2019
Tomás Muñoz Lucena. Family portraits
Est: -
MUÑOZ LUCENA, TOMAS (1860 - 1943). "Retratos de familia". Pareja de óleos sobre lienzo. Firmados en el ángulo inferior izquierdo. 105 x 84 cm
Duran Arte y Subastas
Feb. 06, 2019
Tomas Munoz Lucena (1860-1943)
Est: $1,500 - $2,000
Tomas Munoz Lucena (Spanish, 1860-1943), Peasant Feeding Chickens, oil on canvas, 34X66 cm, signed. Some wear, peeling paint.
Ishtar Auctions Ltd
Jun. 28, 2017
TOMÁS MUÑOZ LUCENA, Campesina con cesto. Oil on canvas
Est: -
Campesina con cesto País de cabritilla policromado con escena galante y reverso con personaje en paisaje. Varillaje y padrón tallado y dorado. Perfecto estado de conservación.
Isbilya Subastas
Oct. 21, 2015
Tomás Muñoz Lucena Córdoba 1860 - Madrid 1943 Girls in a church
Est: €800 -
Tomás Muñoz Lucena Córdoba 1860 - Madrid 1943 Girls in a church Oil on canvas Signed 43,5x27 cm Tomás Muñoz Lucena Córdoba 1860 - Madrid 1943 Niñas en una iglesia Óleo sobre lienzo Firmado 43,5x27 cm
Balclis
Jun. 17, 2015
Sketch for the poster for the fiestas in Madrid. TOMÁS MUÑOZ LUCENA (Córdoba, 1860 - Madrid, 1943)
Est: -
Oil on canvas, 170 x 110 cm. Signed. Oleo sobre lienzo de 170 x 110 cm. Firmado.
Sala Retiro Subastas
Apr. 28, 2015
Tomás Muñoz Lucena (Córdoba, 1860 - 1943) "Coches de caballos" Ól
Est: €2,500 - €3,000
Tomás Muñoz Lucena (Córdoba, 1860 - 1943) "Coches de caballos" Óleo sobre tabla Firmada 14,5 x 29 cm
Goya Subastas
Apr. 23, 2004
TOMÁS MUÑOZ Y LUCENA
Est: $18,000 - $25,000
signed and dated FL Munoz 1886 (upper left) oil on canvas SPANISH, 1860-1942 LA FLORISTE AUX FOLIES-BERGÈRE
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