Antonio Muñoz Degraín Paintings & Artwork for Sale | Antonio Muñoz Degraín Art Value Price Guide

Dec. 03, 2024
ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 - Málaga, 1924) "Still lif
Est: -
ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 - Málaga, 1924) "Still life with hen and basket ". Oil on canvas On the inside of the basket illegible and signed inscribed cartouche With period frame 75 x 53,5 cm. ADELARDO COVARSÍ (Badajoz, 1885 - 1951) "Escena de caza". Óleo sobre lienzo Firmado Medidas:113 x 73 cm.
Magna Art Auctions
May. 28, 2024
MUÑOZ DEGRAIN, ANTONIO (1843 - 1924)
Est: -
Oil on cardboard. Signed in the right inferior corner. Break in the upper left corner.
Duran Arte y Subastas
Apr. 23, 2024
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 – Málaga, 1924). 'The Styx,' 1899. Oil on canvas. Signed and dated in the lower right corner.
Est: €45,000 - €50,000
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "The Styx Lagoon", 1899. Oil on canvas. Signed and dated in the lower right corner. Measurements: 85 x 130 cm; 123 x 169 cm (frame). We are in front of one of the themes where Muñoz Degraín's fantasy is very clear. Mythological, oriental type painting dated 1899. The Styx Lagoon, linked to the mythological hell, is linked to the river of the same name, whose source is on the Greek mountain of Zelmos. The Greek name of the Styx, "Styx", means horror, abomination, and it seems that its waters possessed a magical virtue and gave immortality, Achilles himself obtained his immortality when his mother, Thetis, bathed him in the waters mentioned, but the general idea, after Homedo, is that the waters of the Styx were a barrier that closed the way to the infernal regions. Muños Degraín reflects in this canvas all his fears of hell and the purification of sin; the waters of the Styx are in some way a prelude to the purifying waters of the River Jordan. The whole work maintains a great expressive force, especially in the brushstrokes where we can see very constructive characters. The bluish and dark tones, used in the mountain areas and the waters of the lagoon in which virtuoso touches of orange tones appear, stand out. Antonio Muñoz Degraín began studying architecture in his youth by his father's decision, although he soon abandoned it for painting. A student at the San Carlos Academy of Fine Arts in Valencia from the age of twelve, he was a pupil of the painter Rafael Montesinos, although his training was essentially self-taught. He took part assiduously in the National Exhibitions of Fine Arts from 1862 to 1915, and it was his successes in these competitions that would have a decisive influence on his artistic career. In 1862 he was awarded an honorary medal, third in 1864 and second in 1867 and 1871. In 1870 he was asked to decorate the Cervantes Theatre in Malaga and settled in the Andalusian capital for good. He married there and years later was appointed supernumerary professor at the San Telmo Royal Academy of Fine Arts (1879). At the Academy Muñoz Degraín taught a whole generation of artists, including the very young Picasso, who always showed him affection and respect. In 1881 the painter won a first medal at the National Competition with "Othello and Desdemona" (Museu do Chiado, Lisbon), which gave him a government pension to finally make his longed-for trip to Rome, also visiting several cities in Tuscany and Venice. In Italy he produced his great masterpiece, "The Lovers of Teruel" (Museo del Prado), one of the masterpieces of 19th-century Spanish painting, which he sent to the National Exhibition in Madrid in 1884, winning the first medal. From then on, his growing prestige brought him numerous honours and public rewards. He was made a Knight of the orders of Isabella the Catholic, Charles III and Alfonso XII, received the medal of honour at the National Exhibition of 1910 and in 1898, on the death of Carlos de Haes, was awarded the chair of landscape painting at the San Fernando Academy in Madrid. He was appointed a member of that institution the following year and its director in 1901. He was also president of the Círculo de Bellas Artes in Madrid. Muñoz Degraín also enjoyed notable success abroad, presenting his paintings at the Universal Exhibitions of Philadelphia (1876), Munich (1883) and Chicago (1893). He is currently represented in the Museo del Prado, the Museo de Bellas Artes in Valencia and others.
Setdart Auction House
Jan. 24, 2024
ANTONIO MUÑOZ DEGRAIN Valencia (1843) / Malaga (1924) "Landscape with lagoon"
Est: €750 - €1,000
Oil on panel On the back label and stamps from the painter's testament Measurements: 17 x 28 cm
Ansorena
Nov. 09, 2023
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 – Málaga, 1924). "La merienda". Oil on canvas. Signed in the lower right corner. Referenced in the catalog raisonné.
Est: €4,000 - €5,000
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "La merienda". Oil on canvas. Signed in the lower right corner. Referenced in the catalogue raisonné. Measurements: 72 x 114 cm; 92 x 135 cm (frame). Antonio Muñoz Degraín began studying architecture in his youth by his father's decision, although he soon abandoned it for painting. A student at the San Carlos Academy of Fine Arts in Valencia from the age of twelve, he was a disciple of the painter Rafael Montesinos, although his training was essentially self-taught. He took part assiduously in the National Exhibitions of Fine Arts from 1862 to 1915, and it was his successes in these competitions that would have a decisive influence on his artistic career. In 1862 he was awarded an honorary medal, third in 1864 and second in 1867 and 1871. In 1870 he was asked to decorate the Cervantes Theatre in Malaga and settled in the Andalusian capital for good. He married there and years later was appointed supernumerary professor at the San Telmo Royal Academy of Fine Arts (1879). At the Academy Muñoz Degraín taught a whole generation of artists, including the very young Picasso, who always showed him affection and respect. In 1881 the painter won a first medal at the National Competition with "Othello and Desdemona" (Museu do Chiado, Lisbon), which gave him a government pension to finally make his longed-for trip to Rome, also visiting several cities in Tuscany and Venice. In Italy he produced his great masterpiece, "The Lovers of Teruel" (Museo del Prado), one of the masterpieces of 19th-century Spanish painting, which he sent to the National Exhibition in Madrid in 1884, winning the first medal. From then on, his growing prestige brought him numerous honours and public rewards. He was made a Knight of the orders of Isabella the Catholic, Charles III and Alfonso XII, received the medal of honour at the National Exhibition of 1910 and in 1898, on the death of Carlos de Haes, was awarded the chair of landscape painting at the San Fernando Academy in Madrid. He was appointed a member of that institution the following year and its director in 1901. He was also president of the Círculo de Bellas Artes in Madrid. Muñoz Degraín also enjoyed notable success abroad, presenting his paintings at the Universal Exhibitions of Philadelphia (1876), Munich (1883) and Chicago (1893). He is currently represented in the Museo del Prado, the Museo de Bellas Artes in Valencia and others.
Setdart Auction House
Oct. 10, 2023
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 – Málaga, 1924). 'The Styx,' 1899. Oil on canvas. Signed and dated in the lower right corner.
Est: €45,000 - €50,000
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "The Styx Lagoon", 1899. Oil on canvas. Signed and dated in the lower right corner. Measurements: 85 x 130 cm; 123 x 169 cm (frame). We are in front of one of the themes where Muñoz Degraín's fantasy is very clear. Mythological, oriental type painting dated 1899. The Styx Lagoon, linked to the mythological hell, is linked to the river of the same name, whose source is on the Greek mountain of Zelmos. The Greek name of the Styx, "Styx", means horror, abomination, and it seems that its waters possessed a magical virtue and gave immortality, Achilles himself obtained his immortality when his mother, Thetis, bathed him in the waters mentioned, but the general idea, after Homedo, is that the waters of the Styx were a barrier that closed the way to the infernal regions. Muños Degraín reflects in this canvas all his fears of hell and the purification of sin; the waters of the Styx are in some way a prelude to the purifying waters of the River Jordan. The whole work maintains a great expressive force, especially in the brushstrokes where we can see very constructive characters. The bluish and dark tones, used in the mountain areas and the waters of the lagoon in which virtuoso touches of orange tones appear, stand out. Antonio Muñoz Degraín began studying architecture in his youth by his father's decision, although he soon abandoned it for painting. A student at the San Carlos Academy of Fine Arts in Valencia from the age of twelve, he was a pupil of the painter Rafael Montesinos, although his training was essentially self-taught. He took part assiduously in the National Exhibitions of Fine Arts from 1862 to 1915, and it was his successes in these competitions that would have a decisive influence on his artistic career. In 1862 he was awarded an honorary medal, third in 1864 and second in 1867 and 1871. In 1870 he was asked to decorate the Cervantes Theatre in Malaga and settled in the Andalusian capital for good. He married there and years later was appointed supernumerary professor at the San Telmo Royal Academy of Fine Arts (1879). At the Academy Muñoz Degraín taught a whole generation of artists, including the very young Picasso, who always showed him affection and respect. In 1881 the painter won a first medal at the National Competition with "Othello and Desdemona" (Museu do Chiado, Lisbon), which gave him a government pension to finally make his longed-for trip to Rome, also visiting several cities in Tuscany and Venice. In Italy he produced his great masterpiece, "The Lovers of Teruel" (Museo del Prado), one of the masterpieces of 19th-century Spanish painting, which he sent to the National Exhibition in Madrid in 1884, winning the first medal. From then on, his growing prestige brought him numerous honours and public rewards. He was made a Knight of the orders of Isabella the Catholic, Charles III and Alfonso XII, received the medal of honour at the National Exhibition of 1910 and in 1898, on the death of Carlos de Haes, was awarded the chair of landscape painting at the San Fernando Academy in Madrid. He was appointed a member of that institution the following year and its director in 1901. He was also president of the Círculo de Bellas Artes in Madrid. Muñoz Degraín also enjoyed notable success abroad, presenting his paintings at the Universal Exhibitions of Philadelphia (1876), Munich (1883) and Chicago (1893). He is currently represented in the Museo del Prado, the Museo de Bellas Artes in Valencia and others.
Setdart Auction House
May. 30, 2023
The Banquet, Antonio Muñoz Degrain (Valencia, November 18, 1840 – Málaga, October 12, 1924)
Est: €10,000 - €12,000
Oil on canvas. Canvas measures: 45 x 65, framed measures: 70 x 90 cm. Origin: old family collection from a mansion in southern Spain.
Templum Fine Art Auctions
Oct. 25, 2022
ANTONIO MUÑÓZ DEGRAIN Valencia 1840 - Málaga 1924 Landscape at sunset Oil on boa
Est: -
ANTONIO MUÑÓZ DEGRAIN Valencia 1840 - Málaga 1924 Landscape at sunset Oil on board Signed Measures 25.5 x 35 cm
Subastas Segre
Sep. 28, 2022
ANTONIO MUÑOZ DEGRAIN Valencia (1843) / Málaga (1924) "Landscape of Granada"
Est: €1,050 - €1,400
Oil on panel. On the back, label and seal of the will of Muñoz Degrain (no. 36). Measurements: 19 x 27.5 cm.
Ansorena
Jun. 15, 2022
ANTONIO MUÑOZ DEGRAIN Valencia (1843) / Málaga (1924) "Landscape".
Est: €525 - €700
Oil on panel. Signed in the lower left corner. 9,5 x 16 cm.
Ansorena
May. 11, 2022
ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 – Malaga, 1924) "Lost". Oil on canvas. Signed in the lower right corner.
Est: €2,500 - €3,000
ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 - Malaga, 1924) "Loss". Oil on canvas. Signed in the lower right corner. Measurements: 52 x 38 cm; 87 x 74 cm (frame). Both the colour and the theme of this work form a scene of great dramatism. Inscribed in a window a sorrowful woman, looks towards the sky with tears in her eyes. In the lower area, a man lies dead on the ground, with a knife beside him. Despite the fact that they are depicted on different planes, a loving relationship between the two can be sensed. This scene, in addition to the type of clothing worn by the figures, places the painting within the genre, although it is far removed from the idyllic character that depicts popular types in a friendly manner. In this particular case, the author seems to be making a social criticism of relationships between couples and social conventions, the consequences of which can lead to the death and pain of young people. Antonio Muñoz Degraín began studying architecture in his youth by his father's decision, although he soon abandoned it for painting. A student at the San Carlos Academy of Fine Arts in Valencia from the age of twelve, he was a disciple of the painter Rafael Montesinos, although his training was essentially self-taught. He took part assiduously in the National Exhibitions of Fine Arts from 1862 to 1915, and it was his successes in these competitions that would have a decisive influence on his artistic career. In 1862 he was awarded an honorary medal, third in 1864 and second in 1867 and 1871. In 1870 he was asked to decorate the Cervantes Theatre in Malaga and settled in the Andalusian capital for good. He married there and years later was appointed supernumerary professor at the San Telmo Royal Academy of Fine Arts (1879). At the Academy Muñoz Degraín taught a whole generation of artists, including the very young Picasso, who always showed him affection and respect. In 1881 the painter won a first medal at the National Competition with "Othello and Desdemona" (Museu do Chiado, Lisbon), which gave him a government pension to finally make his longed-for trip to Rome, also visiting several cities in Tuscany and Venice. In Italy he produced his great masterpiece, "The Lovers of Teruel" (Museo del Prado), one of the masterpieces of 19th-century Spanish painting, which he sent to the National Exhibition in Madrid in 1884, winning the first medal. From then on, his growing prestige brought him numerous honours and public rewards. He was made a Knight of the orders of Isabella the Catholic, Charles III and Alfonso XII, was awarded the medal of honour at the National Exhibition of 1910 and in 1898, on the death of Carlos de Haes, was given the chair of landscape painting at the San Fernando Academy in Madrid. He was appointed a member of that institution the following year and its director in 1901. He was also president of the Círculo de Bellas Artes in Madrid. Muñoz Degraín also enjoyed notable success abroad, presenting his paintings at the Universal Exhibitions of Philadelphia (1876), Munich (1883) and Chicago (1893). He is currently represented in the Museo del Prado, the Museo de Bellas Artes in Valencia and others.
Setdart Auction House
Mar. 15, 2022
ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 – Malaga, 1924). "Scenery". Oil on board. It has a break in the table. Signed in the lower right area.
Est: €2,000 - €2,500
ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 - Málaga, 1924). "Landscape. Oil on panel. There is a tear in the panel. Signed in the lower right area. Measurements: 17 x 28 cm. Reputed landscape painter and history painter, Antonio Muñoz Degraín began studying architecture in his youth by his father's decision, although he soon abandoned it for painting. A student at the San Carlos Academy of Fine Arts in Valencia from the age of twelve, he was a pupil of the painter Rafael Montesinos, although his training was essentially self-taught. An artist with a vehement and exalted character, traits that would literally translate into his paintings, he took part assiduously in the National Exhibitions of Fine Arts from 1862 to 1915, and it was his successes in these competitions that would have a decisive influence on his artistic career. In 1870 he was asked to decorate the Cervantes Theatre in Malaga and settled in the Andalusian capital for good. He married there and years later was appointed supernumerary professor at the San Telmo Royal Academy of Fine Arts (1879). At the Academy Muñoz Degraín taught a whole generation of artists, including the very young Picasso, who always showed him affection and respect. In 1881 the painter was awarded his first medal, which enabled him to study and visit Rome. Degraín's artistic career continued to grow thanks to the recognition he received throughout his life, including the chair of landscape painting at the San Fernando Academy in Madrid in 1898, the year in which this work of his full maturity is located, in which we can perceive a landscape halfway between reality and invention. It is an indeterminate scene in which greys and browns predominate, as Degraín, unlike the Impressionists, painted in the studio, completing the sketches he took from life. His landscape and historical paintings had been inspired by the landscapes described in literary novels, to which he added a highly personal symbolism and romanticism. Muñoz Degraín also enjoyed notable success abroad, submitting his paintings to the Universal Exhibitions of Philadelphia (1876), Munich (1883) and Chicago (1893). He is currently represented in the Museo del Prado and the Museo de Bellas Artes in Valencia, among others.
Setdart Auction House
Jan. 27, 2022
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "Still life with grapes". Oil on panel. Signed in the lower right corner.
Est: €3,000 - €3,500
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "Still life with grapes". Oil on panel. Signed in the lower right corner. Size: 31 x 50 cm; 56 x 75 cm (frame). Antonio Muñoz Degraín began studying architecture in his youth by his father's decision, although he soon abandoned it for painting. A student at the San Carlos Academy of Fine Arts in Valencia from the age of twelve, he was a disciple of the painter Rafael Montesinos, although his training was essentially self-taught. He took part assiduously in the National Exhibitions of Fine Arts from 1862 to 1915, and it was his successes in these competitions that would have a decisive influence on his artistic career. In 1862 he was awarded an honorary medal, third in 1864 and second in 1867 and 1871. In 1870 he was asked to decorate the Cervantes Theatre in Malaga and settled in the Andalusian capital for good. He married there and years later was appointed supernumerary professor at the San Telmo Royal Academy of Fine Arts (1879). At the Academy Muñoz Degraín taught a whole generation of artists, including the very young Picasso, who always showed him affection and respect. In 1881 the painter won a first medal at the National Competition with "Othello and Desdemona" (Museu do Chiado, Lisbon), which gave him a government pension to finally make his longed-for trip to Rome, also visiting several cities in Tuscany and Venice. In Italy he produced his great masterpiece, "The Lovers of Teruel" (Museo del Prado), one of the masterpieces of 19th-century Spanish painting, which he sent to the National Exhibition in Madrid in 1884, winning the first medal. From then on, his growing prestige brought him numerous honours and public rewards. He was made a Knight of the orders of Isabella the Catholic, Charles III and Alfonso XII, received the medal of honour at the National Exhibition of 1910 and in 1898, on the death of Carlos de Haes, was awarded the chair of landscape painting at the San Fernando Academy in Madrid. He was appointed a member of that institution the following year and its director in 1901. He was also president of the Círculo de Bellas Artes in Madrid. Muñoz Degraín also enjoyed notable success abroad, presenting his paintings at the Universal Exhibitions of Philadelphia (1876), Munich (1883) and Chicago (1893). He is currently represented in the Museo del Prado, the Museo de Bellas Artes in Valencia and others.
Setdart Auction House
Jan. 27, 2022
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "St Mark's Square in Venice". Oil on canvas. Signed in the lower left corner.
Est: €3,000 - €3,500
ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "St Mark's Square in Venice. Oil on canvas. Signed in the lower left corner. Size: 24 x 33 cm; 49,5 x 58,5 cm (frame). Antonio Muñoz Degraín began studying architecture in his youth by his father's decision, although he soon abandoned it for painting. A student at the San Carlos Academy of Fine Arts in Valencia from the age of twelve, he was a disciple of the painter Rafael Montesinos, although his training was essentially self-taught. He took part assiduously in the National Exhibitions of Fine Arts from 1862 to 1915, and it was his successes in these competitions that would have a decisive influence on his artistic career. In 1862 he was awarded an honorary medal, third in 1864 and second in 1867 and 1871. In 1870 he was asked to decorate the Cervantes Theatre in Malaga and settled in the Andalusian capital for good. He married there and years later was appointed supernumerary professor at the San Telmo Royal Academy of Fine Arts (1879). At the Academy Muñoz Degraín taught a whole generation of artists, including the very young Picasso, who always showed him affection and respect. In 1881 the painter won a first medal at the National Competition with "Othello and Desdemona" (Museu do Chiado, Lisbon), which gave him a government pension to finally make his longed-for trip to Rome, also visiting several cities in Tuscany and Venice. In Italy he produced his great masterpiece, "The Lovers of Teruel" (Museo del Prado), one of the masterpieces of 19th-century Spanish painting, which he sent to the National Exhibition in Madrid in 1884, winning the first medal. From then on, his growing prestige brought him numerous honours and public rewards. He was made a Knight of the orders of Isabella the Catholic, Charles III and Alfonso XII, received the medal of honour at the National Exhibition of 1910 and in 1898, on the death of Carlos de Haes, was awarded the chair of landscape painting at the San Fernando Academy in Madrid. He was appointed a member of that institution the following year and its director in 1901. He was also president of the Círculo de Bellas Artes in Madrid. Muñoz Degraín also enjoyed notable success abroad, presenting his paintings at the Universal Exhibitions of Philadelphia (1876), Munich (1883) and Chicago (1893). He is currently represented in the Museo del Prado, the Museo de Bellas Artes in Valencia and others.
Setdart Auction House
Jul. 21, 2021
Antonio Muñoz Degrain. Nocturn
Est: -
Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo.
Duran Arte y Subastas
Jun. 16, 2021
ANTONIO MUÑOZ DEGRAIN (1843 / 1924) "Landscape"
Est: €1,800 - €2,400
Signed in the lower right corner .28 x 17,5 cm
Ansorena
Sep. 24, 2020
Antonio Muñoz Degrain. Study for landscape
Est: -
Óleo sobre lienzo. Al dorso etiqueta de la testamentaría Muñoz Degrain. Pequeña pérdida en la capa pictórica en la parte inferior izquierda.
Duran Arte y Subastas
Sep. 26, 2019
MUÑOZ DEGRAIN, ANTONIO (1843 - 1924). "Marina nocturna". Firmado en el ángulo inferior izquierdo. 58
Est: -
MUÑOZ DEGRAIN, ANTONIO (1843 - 1924). "Marina nocturna". Firmado en el ángulo inferior izquierdo. 58 x 98 cm
Duran Arte y Subastas
Dec. 27, 2018
MUÑOZ DEGRAIN, ANTONIO (1843 - 1924). "Nocturno". Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo. 200 x 101 cm
Est: -
Antonio Muñoz Degrain. Nocturn
Duran Arte y Subastas
Nov. 28, 2018
MUÑOZ DEGRAIN, ANTONIO (1843 - 1924). "Boceto para paisaje con pastor". Óleo sobre lienzo. Al dorso etiqueta de la testamentaría Muñoz Degrain. Pequeña pérdida en la capa pictórica en la parte inferior izquierda. 72 x 114 cm
Est: -
Antonio Muñoz Degrain. Study for landscape
Duran Arte y Subastas
Oct. 10, 2018
ANTONIO MUÑOZ DEGRAIN (Valencia 1840-Malaga 1924) Nocturno. Paleta de pintor. Oleo sobre tabla de 33,5 x 45 cm. Firmado
Est: -
ANTONIO MUÑOZ DEGRAIN (Valencia 1840-Malaga 1924) Nocturno. Paleta de pintor. Oil on board of 33.5 x 45 cm. Signed
Sala Retiro Subastas
Jul. 13, 2017
ANTONIO GÓMEZ MUÑOZ DEGRAIN
Est: -
(Valencia, 1840-Málaga, 1924). "Interior de palacio", óleo sobre lienzo, 53x80 cm.
Sala de Ventas
Jan. 25, 2017
ANTONIO MUÑOZ DEGRAIN. Oil on canvas
Est: -
ANTONIO MUÑOZ DEGRAIN 1840 Valencia 1924 Pérdida Óleo sobre lienzo Firmado. 52 x 36 cm.
Isbilya Subastas
Jun. 22, 2016
ANTONIO MUÑOZ DEGRAIN
Est: -
ANTONIO MUÑOZ DEGRAIN 1840 Valencia - 1924 Málaga Arboleda Óleo sobre cartón pegado a tabla Firmado. 57 x 41 cm
Isbilya Subastas
Oct. 20, 2011
Antonio Muñoz Degrain Valencia 1840 - Málaga 1924 Marina Óleo sobre lienzo
Est: €750 -
Antonio Muñoz Degrain Valencia 1840 - Málaga 1924 Marina Óleo sobre lienzo Firmado 16,5x22,5 cm
Balclis
Nov. 04, 2009
Antonio Gomez Munoz DeGrain (1843-1924)
Est: €300 - €400
Antonio Gomez Munoz DeGrain (1843-1924) Landschapje met struiken aan het water l.o. get. paneel, 9,5x15,5 cm
Venduehuis der Notarissen
Mar. 06, 2008
Antonio Muñoz Degrain , Spanish 1843-1924 Beside the River oil on canvas laid on board
Est: £6,000 - £8,000
signed l.r.: A. M. DEGRAIN oil on canvas laid on board
Sotheby's
Nov. 14, 2007
Antonio Muñoz Degrain Valencia 1840-Málaga 1924 , Ofelia (Ophelia) oil on canvas
Est: £4,000 - £6,000
signed Munoz Degrain l.r. oil on canvas
Sotheby's

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ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 - Málaga, 1924) "Still lif

MUÑOZ DEGRAIN, ANTONIO (1843 - 1924)

ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 – Málaga, 1924). 'The Styx,' 1899. Oil on canvas. Signed and dated in the lower right corner.

ANTONIO MUÑOZ DEGRAIN Valencia (1843) / Malaga (1924) "Landscape with lagoon"

ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 – Málaga, 1924). "La merienda". Oil on canvas. Signed in the lower right corner. Referenced in the catalog raisonné.

ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 – Málaga, 1924). 'The Styx,' 1899. Oil on canvas. Signed and dated in the lower right corner.

The Banquet, Antonio Muñoz Degrain (Valencia, November 18, 1840 – Málaga, October 12, 1924)

ANTONIO MUÑÓZ DEGRAIN Valencia 1840 - Málaga 1924 Landscape at sunset Oil on boa

ANTONIO MUÑOZ DEGRAIN Valencia (1843) / Málaga (1924) "Landscape of Granada"

ANTONIO MUÑOZ DEGRAIN Valencia (1843) / Málaga (1924) "Landscape".

ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 – Malaga, 1924) "Lost". Oil on canvas. Signed in the lower right corner.

ANTONIO MUÑOZ DEGRAIN (Valencia, 1840 – Malaga, 1924). "Scenery". Oil on board. It has a break in the table. Signed in the lower right area.

ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "Still life with grapes". Oil on panel. Signed in the lower right corner.

ANTONIO MUÑOZ DEGRAÍN (Valencia, 1840 - Málaga, 1924). "St Mark's Square in Venice". Oil on canvas. Signed in the lower left corner.

Antonio Muñoz Degrain. Nocturn

ANTONIO MUÑOZ DEGRAIN (1843 / 1924) "Landscape"

Antonio Muñoz Degrain. Study for landscape

MUÑOZ DEGRAIN, ANTONIO (1843 - 1924). "Marina nocturna". Firmado en el ángulo inferior izquierdo. 58

MUÑOZ DEGRAIN, ANTONIO (1843 - 1924). "Nocturno". Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo. 200 x 101 cm

MUÑOZ DEGRAIN, ANTONIO (1843 - 1924). "Boceto para paisaje con pastor". Óleo sobre lienzo. Al dorso etiqueta de la testamentaría Muñoz Degrain. Pequeña pérdida en la capa pictórica en la parte inferior izquierda. 72 x 114 cm

ANTONIO MUÑOZ DEGRAIN (Valencia 1840-Malaga 1924) Nocturno. Paleta de pintor. Oleo sobre tabla de 33,5 x 45 cm. Firmado

ANTONIO GÓMEZ MUÑOZ DEGRAIN

ANTONIO MUÑOZ DEGRAIN. Oil on canvas

ANTONIO MUÑOZ DEGRAIN

Antonio Muñoz Degrain Valencia 1840 - Málaga 1924 Marina Óleo sobre lienzo

Antonio Gomez Munoz DeGrain (1843-1924)

Antonio Muñoz Degrain , Spanish 1843-1924 Beside the River oil on canvas laid on board

Antonio Muñoz Degrain Valencia 1840-Málaga 1924 , Ofelia (Ophelia) oil on canvas

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