Jan Muller Paintings & Artwork for Sale | Jan Muller Art Value Price Guide

Dec. 12, 2024
Jan Harmensz. Muller - Joannes Neyt with skull - 1608
Est: €440 - €650
Portrait of Joannes Neyn (1560–1612), half-length to right, wearing a crucifix (resting on the table before him) and resting his hand on a skull, a winged hour-glass on a ledge beyond. Jan Neyen was a Franciscan friar and diplomat from the Habsburg Netherlands, who was involved in negotiating the Twelve Years Truce of 1609–1621'. At the bottom a handwritten text that emphasize his courage and perseverance to realize this treaty. On te wall on top the date of te portrait 'Aetat XXXIIX °° IDC IIX' So he shoud have been 38 years in 1608 but that does not really match with his given date of birth and his physiognomy. More likely he was 48 years and the engraver missed an X in the date. Here a fourth state fourth state signed below and at right of inscription in lower margin: "M. à Mierevelt pinxit." and "J. Muller sculpsit" and "Cum privil Sexen. / Ordin. Holland.". The engraving dates from 1608.
Old Master Print
Sep. 20, 2024
JAN HARMENSZ MULLER
Est: CHF1,000 - CHF1,500
JAN HARMENSZ MULLER (1571 Amsterdam 1628) Minerva and Mercury hand Perseus his weapons and attach the wings to his shoes. After Bartholomäus SPRANGER. 1604. Copper engraving on laid paper with watermark: crowned coat of arms with three lilies and inscribed: POYLEVE, see Churchill 386, circa 1636. Signed twice in the plate in lower margin: Muller excud. Amstelodami; lower left: L.M.Q.D.D. Janus Muller Sculptor. Sheet sizes: 57 x 40 cm (slightly unevenly trimmed). Provenance: - Private collection, West Switzerland. Bartsch 69; Hollstein 59; Filedt Kok (New Hollstein) 69 III (of III). - Very fine, strong, clear and even impression with full text margin. Mostly with fine margins around the image or trimmed to the image in places. Fully laid down on Japan paper. Isolated minor tears in the margins, several printer's creases in the paper. The buttocks of Perseus with restored tear and tiny loss in the paper. A larger backed thin area in the centre of the image, isolated small thin areas in the corners and margins. Smoothed creases running vertically in the upper margin. The paper is somewhat discoloured and shows slight signs of wear and age. Individual tiny holes and minor rubbing. Despite the aforementioned defects, still good overall impression. ------------------------------------------------- JAN HARMENSZ MULLER (1571 Amsterdam 1628) Minerva und Merkur übergeben Perseus die Waffen und befestigen die Flügel an seinen Schuhen. Nach Bartholomäus SPRANGER. 1604. Kupferstich auf Bütten mit Wz. Bekröntes Wappen mit drei Lilien und mit Beischrift: POYLEVE, vgl. Churchill 386, um 1636. Im unteren Schriftrand zweimal gestochen signiert: Muller excud. Amstelodami; unten links: L.M.Q.D.D. Janus Muller Sculptor. Bogengrösse: 57 x 40 cm (leicht unregelmässig beschnitten). Provenienz: - Westschweizer Privatsammlung. Bartsch 69; Hollstein 59; Filedt Kok (New Hollstein) 69 III (von III). - Sehr schöner, kräftiger, klarer und gleichmässiger Druck mit dem vollen Schriftrand. Überwiegend mit feinem Rändchen um die Darstellung bzw. stellenweise bis an diese beschnitten. Ganzflächig mit Japanpapier hinterlegt. Vereinzelte kleinere Einrisse in den Rändern, mehrere Quetschfalten im Papier. Das Gesäss des Perseus mit restauriertem Einriss und winziger Fehlstelle im Papier. Grössere hinterlegte Dünnstelle in der Bildmitte, vereinzelte kleine Dünnstellen in den Ecken und Randbereichen. Am oberen Rand mit vertikal verlaufenden, geglätteten Knitterfalten. Das Papier ist etwas nachgedunkelt und mit leichten Gebrauchs- und Altersspuren. Einzelne winzige Löchlein und kleinere Bereibungen. Trotz der genannten Mängel noch guter Gesamteindruck.
Koller Auctions
Jul. 25, 2024
Muller (Jan Harmensz., 15711628). Venus and Mercury, after Bartholomeus Spranger
Est: £200 - £300
Muller (Jan Harmensz., 15711628). Venus and Mercury, after Bartholomeus Spranger * Muller (Jan Harmensz., 15711628). Venus and Mercury, after Bartholomeus Spranger, engraving on laid paper, 39.8 x 27.3 cm (15 5/8 x 10 3/4 ins) mount aperture, framed and glazed (56 x 42 cm), together with Preisler (Johann Martin, 1715-1794). Silenus, after Johann Just Preisler, engraving on laid paper, 33 x 18.7 cm (13 x 7 3/8 ins) plate size, framed and glazed (48.5 x 36.5 cm), plus Balliu (Pieter de, 1613-1660). Lucy Percy, after Van Dyck, engraving on laid paper, 24 x 18.5 cm (9 1/2 x 7 1/4 ins) mount aperture, framed and glazed (30 x 26 cm), and one other (Jacob's Dream, after Raphael, lithograph, published in The Lawrence Gallery, published by Samuel and Allen Woodburn, 1841), framed and glazed (37.5 x 47.5 cm) QTY: (4)
Dominic Winter Auctions
Jun. 07, 2024
Leyden - Muller, Jan Harmensz (Amsterdam 1571-1628 ebda.),
Est: €220 - €330
Die Passion Christi. 6 Kupferstiche nach L. van Leyden. In den Platten monogr. "L" und dat. 1521. Je ca. 11,6 x 7,5 cm. (4) - Hollstein XIV, 106, 27, 29-33: "Deceptive copies after Lucas van Leyden; B(artsch) [aus] 43-56". - Vgl. Hollstein X (Leyden), 96: "same sizes, also with the initial and date". - Aus der 14blättrigen Folge der Passion, die Abzüge von Muller um 1620. - Nur in winzigen Details von den Blättern Leydens abweichend, so z. B. das letzte Blatt der Folge mit der Darstellung der Auferstehung bei Muller mit der Initiale von Leyden in weißer Tafel ohne den Strich an der linken und rechten Seite.
Zisska & Lacher
May. 17, 2024
Muller, Jan Harmensz (1571-1628) (after). "Hendrick Goltzius."
Est: €200 - €300
Muller, Jan Harmensz (1571-1628) (after). "Hendrick Goltzius." Large drawing, pen and brown ink, 55,5x41,5 cm., largely titled in the image, on laid paper showing large watermark w. fleur-de-lys. - Cut on/ just within the drawn borderline; a few tiny holes and sm. tears in the image; some marginal tears affecting the image; part of paper strengthened in left edge; some vague stains. = Provenance: Van der Willigen auction (1829). Cf. New Hollstein 92, 2nd state of 3.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Mar. 20, 2024
Sine Cerere et Baccho friget Venus
Est: -
Graver engraving by Jan Muller (Amsterdam, 1571-1628). Very short of margins.
Duran Arte y Subastas
Mar. 08, 2024
MULLER, Jan (1571-1628)
Est: €450 - €700
Serenissimo et potentissimo Alberto Austriae / Serenissimae Isabellae Clarae Eugeniae Hollstein 62/63. Jan Muller, son of an Amsterdam printer, printmaker and publisher, was one of the most sought-after Mannerist printmakers at the end of the sixteenth century, who developed a style modelled on that of Hendrick Goltzius, the leading draughtsman and printmaker in the northern Netherlands. At the beginning of the seventeenth century, he began to engrave portraits, mostly of important political figures, reproducing painted portraits by various artists. Among the largest and most complex are the portraits of Joannes Neyen, Prince Maurits, and the present work, Albert and Isabella of Austria Two engravings (2 x 40 x 29.5 cm) by Jan Muller after P.P. Rubens (1577-1640), printed in 1615, narrow margins, 2 small repaired tears in border, very fine impressions of the 3th state of four (2)
Auctions Van de Wiele
Oct. 28, 2023
MULLER JACQUES (1930-1997)
Est: €30 - €100
'Town Bridge vu du London Bridge'
Campo & Campo
Oct. 25, 2023
Prague School, early 17th Century
Est: €20,000 - €30,000
Venus and Mercury, oil on panel, 64.5 x 50 cm, framed Provenance: Private collection, The Netherlands, since the 1950s The composition of this striking panel follows a print by Jan Harmensz. Muller (1571–1628) of circa 1600 (New Holl., 68), after a drawing by Bartholomeus Spranger (1546–1611) now in the Yale University Art Gallery, New Haven, Connecticut (inv. no. 1974.38). Another version, of larger measurements, dated 1601, was sold in these rooms (see sale, Dorotheum, Vienna, 9 November 2022, lot 8). The latter and the present panel are very early examples of the Prague school of painting, demonstrating all the characteristics of the mannerist taste of Emperor Rudolph II, such as the intertwined bodies and the overall sensual mood. The date of the present panel has been confirmed by the dendrochronological analysis of the oak support by Peter Klein. As stated in his report dated 23 February 2023, the support consists of two wooden boards taken from the same tree, whereby the youngest heartwood ring dates from 1581 – allowing the earliest possible felling date to 1588 and the earliest possible creation of the painting to 1590. Mercury and Venus as lovers is rarely depicted as a mythological subject. More common is Venus’ depiction of the love affair with Mars.
Dorotheum
Oct. 19, 2023
Jan Harmensz von Muller "Two engraves representing Adriaen de Vries' sculpture" (504x254 mm.) framed (defects)...
Est: €250 - €300
(Amsterdam 1571 - 1628) "Two engraves representing Adriaen de Vries' sculpture" (504x254 mm.) framed (defects) IT Gruppo di due incisioni al bulino raffiguranti la scultura dell'artista Adriaen de Vries "Mercurio rapisce Psiche" (mm 504x254 al visibile) in cornice (difetti)
Il Ponte Auction House
Jul. 20, 2023
Muller (Jan, 15711628). Archduke Albert of Austria, after Rubens, 1615, copper engraving
Est: £300 - £500
Muller (Jan, 15711628). Archduke Albert of Austria, after Rubens, 1615, copper engraving * Muller (Jan Harmensz., 15711628). Portrait of Archduke Albert of Austria, after Peter Paul Rubens, 1615, fine copper engraving on laid paper, the fourth and final state (with the privilege), laid down on modern backing card, plate size 42.5 x 30 cm, with narrow margins, sheet size 44 x 31.2 cm (17 1/4 x 12 1/4 ins), framed and glazed (67.5 x 54 cm) QTY: (1) NOTE: Bartsch 62; Hollstein 62 IV; Filedt Kok (New Hollstein) 62 IV. Jan Muller, son of an Amsterdam printer, printmaker and publisher, was one of the most sought-after Mannerist printmakers at the end of the sixteenth century, who developed a style modelled on that of Hendrick Goltzius, the leading draughtsman and printmaker in the northern Netherlands. At the beginning of the seventeenth century, he began to engrave portraits, mostly of important political figures, reproducing painted portraits by various artists. Among the largest and most complex are the portraits of Joannes Neyen, Prince Maurits, and the present work, Albert, Archduke of Austria.
Dominic Winter Auctions
May. 25, 2023
Jan Harmensz. Muller (1571 - Amsterdam - 1628) – Amor und Psyche (Cupid and Psyche)
Est: €2,400 - €2,800
Copperplate engraving after Bartholomäus Spranger, on firm laid paper with indistinct watermark “shield with Strasbourg bend?” (Around 1600).
Karl & Faber
Apr. 27, 2023
Jan Harmensz. Muller (1571-1628) - Virgin and Child with carnation
Est: €1,000 - €2,500
Tenderly, the Virgin Mary holds the Christian child in her arms and looks down on him. She is adorned with a circular halo, while the child has a rhombic halo, analogous to the cross. Christ looks forward and blesses with his right hand, in his left he holds a carnation. The scene is surrounded by a bell-shaped frame. Rare, one other found on the art market, a first trimmed state sold for 16,000 USD in 2014.
Old Master Print
Feb. 28, 2023
Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vries, gesigne
Est: €300 - €400
Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vries, gesigneerd in de druk, kopergravure, 42,5 x 28,5 cm, uitgever: Louis Renard, circa 1710 -vergelijk Rijksmuseum nr. RP-P-OB-32.210-
Veilinghuis Van Spengen
Jan. 11, 2023
JAN HARMENSZ MULLER (AMSTERDAM 1571-1628), AFTER BARTHOLOMEUS SPRANGER
Est: £600 - £800
JAN HARMENSZ MULLER (AMSTERDAM 1571-1628), AFTER BARTHOLOMEUS SPRANGER JAN HARMENSZ MULLER (AMSTERDAM 1571-1628), AFTER BARTHOLOMEUS SPRANGER Perseus armed by Mercury and Minerva, 1604 Lettered in the image B. Sprangers inventor (lower left). Dedicated below the image to Hendrick Spiegel and signed L.M.Q.D.D. Ianus Muller Sculptor (lower left); Muller excud. Amstelodami/.M.D.C.IV; and in the center four lines of Latin text in two columns. engraving, trimmed just along or within the plate sheet: 556 x 390 mm framed LITERATURE: New Hollstein, II.189.69.iii/iii
Chiswick Auctions
Dec. 15, 2022
Jan Harmensz. Muller (1571-1628) - The planet Jupiter and its children
Est: €280 - €320
Jupiter drives his chariot across the sky, pulled by two peacocks. The signs of Sagittarius and Pisces indicate which people belong to the sphere of influence of Jupiter. The people born under this zodiac sign are secular or ecclesiastical rulers. An emperor is crowned by the Pope, who is surrounded by cardinals and bishops. On the left a judge on his throne. Hunting in the background. In the bottom margin a text in Latin about the children of Jupiter. From the series of the seven planets, circa 1566-1570. First state with the publishers address of Hieronymus Cock.
Old Master Print
Dec. 13, 2022
grafiek; Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vr
Est: €300 - €400
grafiek; Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vries, gesigneerd in de druk, kopergravure, 42,5 x 28,5 cm, uitgever: Louis Renard, circa 1710 -vergelijk Rijksmuseum nr. RP-P-OB-32.210-
Veilinghuis Van Spengen
Nov. 18, 2022
Jan Harmensz. Muller – Amor und Psyche (Cupid and Psyche)
Est: €3,000 - €4,000
Copperplate engraving after Bartholomäus Spranger, on firm laid paper with indistinct watermark “shield with Strasbourg bend?” (Around 1600). 38.4 x 52.1 cm (sheet size).
Karl & Faber
Nov. 18, 2022
Jan Harmensz. Muller – Das Martyrium des hl. Sebastian (The martyrdom of Saint Sebastian)
Est: €1,300 - €1,500
Copperplate engraving on laid paper after Hans von Aachen. (Around 1600). 53 x 34.8 cm (sheet size).
Karl & Faber
Jul. 05, 2022
JAN HARMENSZ MULLER (1571-1628) AFTER BARTHOLOMÄUS SPRANGER (1546-1611) Am
Est: £7,000 - £10,000
JAN HARMENSZ MULLER (1571-1628) AFTER BARTHOLOMÄUS SPRANGER (1546-1611) Amor and Psyche Sheet 382 x 522 mm.
Christie's
Mar. 03, 2022
Jan Harmensz Muller, Venus honoured by the nymphs, Bartholomeaus Spranger, Clement de Jonghe
Est: €750 - €950
Engraving by Jan Harmensz Muller (1571-1628), first made in 1589, Venus honoured by the nymphs, after a painting/drawing of Bartholomeaus Spranger (1546-1611), published in Amsterdam by Clement de Jonghe (1624-1677) ca 1656-1677, after the edition of Cornelis Danckertsz. New Hollstein Dutch 73-5(5). A good dark grey impression, in excellent good condition, printed on a wide margined thin laid paper, 10-20 mm margins. With a good watermark: fools head.
Old Master Print
Mar. 03, 2022
Jan Muller (1571-1628) - The baptism of Christ
Est: €800 - €1,200
The baptism of Christ; Christ stands in the water up to his thighs and St John baptizes Him with water poured from a scallop shell; a variety of figures, including angels, stand by the river's edge; above amongst clouds, a host of angels play instruments (lute, harp, organ and cello) surrounded by putti and cherubim. Signed Muller fecit in the bottom left corner. Engraving circa 1590 by Jan muller.
Old Master Print
Dec. 14, 2021
Jan Muller (1571-1628) - The Raising of Lazarus
Est: €1,200 - €1,600
The Raising of Lazarus. Christ standing at centre by Lazarus and raising His arm, Lazarus semi-naked looking at Christ and placing his hands together in prayer, two startled gravediggers with their spades on either side, a youth peering at the miracle from behind a column at upper left; second state with lettering; after Bloemaert. c.1600 Engraving made by: Jan Harmensz. Muller, After: Abraham Bloemaert, Published by: Harmen Jansz. Muller. Abrahamus Blommaert / inventor". "Joan. Muller sculpsit" and "Harman: Muller excud". Lettered in Latin in lower margin, two lines in three columns
Old Master Print
Oct. 23, 2021
2 Etchings, incl. Jan Harmensz Muller & Francesco Bart
Est: $200 - $250
Two (2) European etchings, including Jan Harmensz Muller and Francesco Bartolozzi. 1st item: Jan Harmensz Muller (Dutch, 1571-1628) engraving after Hendrick Goltzius of male putto or cherub holding onto a winged sea creature. Plate - 6 3/4" H x 7 1/4" W. Sight - 8 1/2" H x 9 5/8" W. Framed - 9 1/2" H x 10 1/2" W. Likely a 19th century restrike. 2nd item: Francesco Bartolozzi (Italian, 1727-1815), etching after Guercino (Giovanni Francesco Barbieri), St. Anne, the Virgin and Jesus, depicting St. Anne, seated on a pedestal, holding the Christ child in her right arm, with the Virgin Mary seated on a chair, leaning towards Jesus. Originally published by J. Boydell, c. 1768; this is a later edition. Framed under glass in a narrow molded giltwood frame. Sight - 17 1/2" H x 13 7/8" W. Framed - 18 5/8" H x 15 1/8" W.
Case Antiques, Inc. Auctions & Appraisals
Oct. 23, 2021
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628: Das letzte Abendmahl. Blatt 1 der Folge „Die Passion“.
Est: €100 - €140
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628 1571 - Amsterdam - 1628 Das letzte Abendmahl. Blatt 1 der Folge „Die Passion“. Kupferstich nach der 1521 entstandenen gleichnamigen Folge von Lucas van Leyden, um 1615/20. Bartsch 42. New Hollstein 42, IV. Vgl. New Hollstein (Leyden) 43. - Mit dem Monogramm van Leydens und Datum „1521“ sowie den Verlegeradressen von J. Muller und C. de Jonghe in der Platte. Auf Bütten. 11,6 x 7,7 cm. Bis zum Plattenrand beschnitten bzw. mit winzigem Rändchen. Rechts unten mit leichter Papierquetschfalte. Schwach stockfleckig. [ms]
Winterberg-Kunst
Sep. 30, 2021
Jan Harmensz Muller, Venus honoured by the nymphs, Bartholomeaus Spranger, Harmen Jansz Muller.
Est: €1,250 - €1,500
Engraving by Jan Harmensz Muller (1571-1628), Venus honoured by the nymphs, after a painting/drawing of Bartholomeaus Spranger (1546-1611), published ina Amsterdam by Harmen Jansz Muller (1539-1617) ca 1589-1593. Very rare second state, the first edition with the text and names, New Hollstein Dutch 73-2(5). A very strong dark well inked impression, in excellent good condition, printed on a widemargined thin laid paper, 10-23 mm margins. With a very good watermark: Baslerstab with three balls ca 1567-1591. Very rare.
Old Master Print
Jun. 19, 2021
'Das große Glück', Jan Harmensz Muller (1571 Amsterdam - 1628 ibid) 'Das gro
Est: -
'Das große Glück', Jan Harmensz Muller (1571 Amsterdam - 1628 ibid) 'Das große Gluck', copperplate engraving on paper, ca. 1590, 50.5 cm x 45 cm sheet size, signed in the print, with old restorations, mounted on paper, minor foxing and tears,
Wettmann
Apr. 24, 2021
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628: Das …
Est: - €200
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628 Das letzte Abendmahl. Blatt 1 der Folge „Die Passion“. Kupferstich nach der 1521 entstandenen gleichnamigen Folge von Lucas van Leyden, um 1615/20. Bartsch 42. New Hollstein 42, IV. Vgl. New Hollstein (Leyden) 43. - Mit dem Monogramm van Leydens und Datum „1521“ sowie den Verlegeradressen von J. Muller und C. de Jonghe in der Platte. Auf Bütten. 11,6 x 7,7 cm. Bis zum Plattenrand beschnitten bzw. mit winzigem Rändchen. Rechts unten mit leichter Papierquetschfalte. Schwach stockfleckig. [ms]
Winterberg-Kunst
Mar. 24, 2021
Nach Jan Muller – Bacchus, Ceres und Venus
Est: €300 - €400
Kupferstich nach Bartholomeus Spranger auf Bütten mit Wz. „Lilie im Rund mit Beizeichen“. 48,2 x 35,1 cm (Blattgröße).
Karl & Faber - Timed
Jan. 31, 2021
2 Etchings: Jan Harmensz Muller and Francesco Bartolozzi
Est: $300 - $400
Two (2) European etchings, including Jan Harmensz Muller and Francesco Bartolozzi. 1st item: Jan Harmensz Muller (Dutch, 1571-1628) engraving after Hendrick Goltzius of male putto or cherub holding onto a winged sea creature. Plate - 6 3/4" H x 7 1/4" W (174 mm x 180 mm). Sight - 8 1/2" H x 9 5/8" W (220 mm x 245 mm). Framed - 9 1/2" H x 10 1/2" W (244 cm x 270 cm). Likely a 19th century restrike. 2nd item: Francesco Bartolozzi (Italian, 1727-1815), etching after Guercino (Giovanni Francesco Barbieri), St. Anne, the Virgin and Jesus, depicting St. Anne, seated on a pedestal, holding the Christ child in her right arm, with the Virgin Mary seated on a chair, leaning towards Jesus. Originally published by J. Boydell, c. 1768; this is a later edition. Framed under glass in a narrow molded giltwood frame. Sight - 17 1/2" H x 13 7/8" W. Framed - 18 5/8" H x 15 1/8" W. Provenance: The estates of sculptor Olen Bryant and late Vanderbilt University art professor Thomas Brumbaugh, Clarksville/Cottontown, Tennessee.
Case Antiques, Inc. Auctions & Appraisals
Dec. 12, 2020
Muller, Jan Harmensz.
Est: €240 - €360
(1571 Amsterdam 1628). Bildnis Joannis Neyen mit Totenschädel u. Stundenglas. Kupferstich auf feinem Bütten um 1608. Blgr.32,5 x 22,7 cm. Auf Plattenkante geschn. Alt aufgezogen. Unter Passep. mont. New Ho. 60 IV (von V). Ausgezeichn. zeitgenöss. Abdruck des IV. Zustands. - Gebrauchssp., sonst gut erhalten. - D
Kiefer Buch- und Kunstauktionen
Nov. 08, 2020
Nach Jan Muller - Bacchus, Ceres und Venus
Est: €400 - €500
Kupferstich nach Bartholomeus Spranger auf Bütten mit Wz. „Lilie im Rund mit Beizeichen“. 48,2 x 35,1 cm (Blattgröße). Ganz ausgezeichneter, gleichmäßiger Druck von Raphael Guidi nach Jan Harmensz Muller. An drei Seiten mit einem feinen Rändchen um die Einfassungslinie, unten innerhalb dieser geschnitten. – Winzige Braunfleckchen, zwei horizontale geglättete Mittelfalten. Ein hinterlegtes Löchlein links neben der Hand des Bacchus. Die obere Kante ungleich geschnitten. Verso mit Spuren und Resten von alter Montierung, ansonsten gutes Exemplar.
Karl & Faber - Timed
Sep. 11, 2020
[HOUSE OF ORANGE] – MULLER, J.H. (Jan Harmensz.) (1571-1628). “Illustrissimo Mauritio Principi Arausionensium, Comiti Nassauiae, [..]”.
Est: €250 - €350
[HOUSE OF ORANGE] – MULLER, J.H. (Jan Harmensz.) (1571-1628). “Illustrissimo Mauritio Principi Arausionensium, Comiti Nassauiae, [..]”. Engraving with five-line Latin caption after M.J. van Mierevelt. (Published ca. 1608). Ca. 41 x 28,5 cm. Behind passepartout & framed (behind glass). , ¶ Provenance: The property of the descendants of Anton Philips (1874-1951). Wurzbach II, p. 205 (“Ausgezeichnetes Meisterwerk”). Muller (Portretten) 113g. Rare large-sized engraving depicting a portrait of Maurice, Prince of Orange (1567-1625) based on a painting by the Dutch artist Michiel Jansz. van Mierevelt (1566-1641). – Outer blank margins partly cropped to the borderline, tiny burnt hole in lower part, but nevertheless in good condition (not examined out of frame).
Venduehuis der Notarissen
Jul. 15, 2020
JAN HARMENSZ. MULLER (1571-1628) AFTER CORNELIS CORNELISZ. VAN HAARLEM (1562-1638) - Arion on a Dolphin
Est: £5,000 - £7,000
JAN HARMENSZ. MULLER (1571-1628) AFTER CORNELIS CORNELISZ. VAN HAARLEM (1562-1638) Arion on a Dolphin engraving , circa 1590, on laid paper, watermark Shield with Strasbourg Bend and pendant Letters WR (Muller 1a; similar to Haewood 141, circa 1598) , a fine impression of New Hollstein's rare first state (of two) Sheet 350 x 355 mm.
Christie's
May. 19, 2020
Jan Harmensz Muller, Lucas van Leyden, Crown of thorns.
Est: €200 - €350
Crown of thorns, engraved by Jan Harmensz Muller (1571-1628) ,after the engraving of Lucas van Leyden (1494-1533). New Hollstein Dutch 48-2(2).
Old Master Print
Mar. 01, 2020
Jan Muller Ulysses and Irus Engraving, 1589
Est: -
Jan Harmensz. Muller (Dutch 1571-1628) "The fight between Ulysses and Irus, 1589" engraving, after Cornelis Cornelisz van Haarlem, label on reverse: "Christopher Mendez (London)," with information including "References Hollstein 52, second state of three / Watermark: bunch of grapes." Image: 14.75" H x 13.25" W; frame: 26.5" H x 22.25" W x 1" D.
Auctions at Showplace
Dec. 10, 2019
JAN HARMENSZ. MULLER (1571-1628) AFTER HENDRICK GOLTZIUS (1558-1617) The Creation of the World: Title plate Sheet 263 x 267 mm. (round)
Est: £1,000 - £1,500
JAN HARMENSZ. MULLER (1571-1628) AFTER HENDRICK GOLTZIUS (1558-1617) The Creation of the World: Title plate engraving, from the set of seven, 1589, on laid paper, watermark Small Double-headed Eagle (indistinct), a fine impression of the second, final state, trimmed inside the platemark and just outside the borderline and subject, a circa 5 mm. strip trimmed off and skilfully made up at the outer right edge, otherwise in good condition Sheet 263 x 267 mm. (round)
Christie's
Oct. 01, 2019
Lucas van Leyden - Dream of the Pharao,
Est: €200 - €300
Joseph interpreting Pharaoh's dreams; Joseph, seen in profile and facing left, kneels at centre right before a table at which the Pharaoh sits in a throne before a meal; a servent to left and a number of figures gathered outside window at back right; Lettered with the letter "L" at bottom centre. A copy of the fifth and final plate in a series of the Story of Joseph, attributed by New Hollstein to Jan Muller or his workshop. See also Rijsmuseum RP-P-OB-1597 as possibly by Jan Harmenz. Muller. Impression from the period on watermarked laid paper.
Old Master Print
Apr. 30, 2019
Jan Muller THE FIGHT BETWEEN ODYSSEUS AND IRUS Engraving after Cornelis Cornelisz van Haarlem
Est: $2,000 - $3,000
Jan Muller (1571-1628) THE FIGHT BETWEEN ODYSSEUS AND IRUS (BARTSCH 30) Engraving after Cornelis Cornelisz van Haarlem, 1589, a fine impression of the second state of three, with partial thread margins or trimmed to or just within the platemark, unframed. Sheet 16 3/4 x 12 15/16 inches; 425 x 329 mm. C
DOYLE Auctioneers & Appraisers
Apr. 16, 2019
Jan Muller - Venus honoured by the nymph - C.1591
Est: €500 - €750
Venus honoured by the nymphs; Venus sits on a throne at left with her arm around Cupid and reaches for a piece of fruit in a basket offered to her by a kneeling nymph; two other nymphs and a satyr proffer baskets and a putti hovers overhead dropping flowers; in the foreground a large column and in the distance a temple-like structure; after Bartholomeus Spranger. Reference: New Hollstein (Dutch & Flemish) 73 (The Muller Dynasty (Jan Harmensz Muller)) , Bartsch III.288.73. Engraving. This is a state with the publishers address of Clement de Jonghe (1627-1677) , that of Cornelis Danckerts (1603-1656) partly erased.
Old Master Print
Dec. 01, 2018
Jan Harmszn. Muller (1571-1628) - Belshazzar's feast - C. 1598
Est: €1,600 - €2,200
Belshazzar's feast; Belshazzar sits in a large dark room illuminated by candles at the head of a long table accompanied by his noble guests; Belshazzar's queen sits under a canopy at left; hanging from the ceiling is an elaborate candlelight comprising of three candles and three naked female figurines holding torches giving the whole a wonderfull chairoscuro effect, comming to justice in this good contrasted impression. New Hollstein (Dutch Flemish) 1.II (The Muller Dynasty (Jan Harmensz Muller)) , Bartsch III.265.1
Old Master Print
Nov. 30, 2018
Muller, J.H. (1571-1628). Belshazzar's feast. Engraving, 35,5x40 cm., w. the address of N. Visscher,
Est: €100 - €150
Muller, J.H. (1571-1628). Belshazzar's feast. Engraving, 35,5x40 cm., w. the address of N. Visscher, from Bybelsche figuren, vertonende de voornaemste historien der Heylige Schrifture (Amst., 1652). - Tears on/ near middle-fold; 2 oblique folds. = New Hollstein 1, the 3rd state (of 3). AND 16 other etchings and engravings, i.a. by C. and F. BLOEMAERT, P. DE JODE and S.A. BOLSWERT.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 13, 2018
JAN HARMENSZ MULLER (1571-1628)
Est: €300 - €400
JAN HARMENSZ MULLER (1571-1628) L'ENLÈVEMENT DES SABINES, planche2 d'après A. de Vries Burin. Très belle épreuve lavée, petites amincissures, infimes accidents et manques dans les bords, légères taches, ancienne trace de pli horizontale. Filet de marge. 425 x 285mm Hollstein 66 €300-400
Tajan
Oct. 25, 2018
Two Framed Lithographs attr. Robert Mapplethorpe, 1980s
Est: $800 - $1,200
Attributed to Robert Mapplethorpe (American, 1946-1989). An untitled 2 in 1 lithograph. Ca. 1980s. Two stamped lithographs of Classical Rape of the Sabine theme, the ancient story in which Roman soldiers forcefully took their brides in masse. The one on top is Jan Harmensz Muller (Dutch, 1571-1628) after Adriaen de Vries (Dutch, ca. 1545-1626) "The Rape of the Sabine Woman, Frontal View, ca. 1598) - see http://www.artic.edu/aic/collections/artwork/123078. The composition, with dynamic twists and turns of the struggle, displays a masterful rendering in the fabulous Mannerist style. Mannerism emerged after the High Renaissance, inspired by the late works of Michelangelo that emphasized rippling musculature, elongated nudes, contorted poses, and eccentricity as opposed to the quiet harmonious compositions of artists of the High Renaissance such as Raphael. Size: engravings measure 14.875" L x 9.625" W (37.8 cm x 24.4 cm) and 11.75" W x 9.625" H (29.8 cm x 24.4 cm); 31.125" L x 18.125" W (79.1 cm x 46 cm) including mat and frame Mapplethorpe was a gifted photographer who is best known for his homoerotic photographs and his unfortunate early death from AIDS at age 42 in 1989. In 2005, the Guggenheim Museum highlighted Mapplethorpe's interest in classical themes in the exhibition entitled, "Robert Mapplethorpe and the Classical Tradition: Photographs and Mannerist Prints." In this show, Mapplethorpe's "Thomas and Dovanna" (1986) was paired with Jan Harmensz Muller's "A Roman Abducting a Sabine Woman" from "The Rape of the Sabine Women" (16th century). See Mark Stevens' New York Magazine review of this exhibition which begins with this juxtaposition - http://nymag.com/nymetro/arts/art/reviews/12308/. Stevens opens his review with a poignant observation, "The best thing about 'Robert Mapplethorpe and the Classical Tradition: Photographs and Mannerist Prints,' which recently opened at the Solomon R. Guggenheim Museum, is that it lifts the gauzy filters. It treats Mapplethorpe as an artist, not just a gay artist, and situates him in the great tradition of classical art." (http://nymag.com/nymetro/arts/art/reviews/12308/) Provenance: private East Coast, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #139808
Artemis Gallery
May. 08, 2018
JAN HARMENSZ MULLER (after Spranger) Oread Removing a Thorn from a Stayr's Foot
Est: $1,200 - $1,800
JAN HARMENSZ MULLER (after Spranger) Oread Removing a Thorn from a Stayr's Foot. Engraving, 1590. 265x207 mm; 10 1/2x8 1/4 inches. Fifth state (of 8). Strasburg Lily watermark. Trimmed on the plate mark. A very good impression of this scarce engraving, with strong contrasts. Bartsch 71.
Swann Auction Galleries
May. 08, 2018
JAN HARMENSZ MULLER (after Spranger) Bacchus, Ceres and Venus
Est: $2,500 - $3,500
JAN HARMENSZ MULLER (after Spranger) Bacchus, Ceres and Venus. Engraving, circa 1597. 500x350 mm; 19 3/4x13 3/4 inches. Second state (of 4). Coat-of-arms watermark. Trimmed on the plate mark. A very good impression of this large, scarce engraving, with strong contrasts. Hollstein 74.
Swann Auction Galleries
Nov. 24, 2017
Muller, J.H. (1571-1628). The portraits of Albert, Archduke of Austria and his wife, Isabella. Two engravings after P.P. RUBENS, both ±41x28 cm., w. engr. caption below image. - First portrait w. restored flattened (and partly torn?) folds; sl. cut
Est: €400 - €600
Muller, J.H. (1571-1628). The portraits of Albert, Archduke of Austria and his wife, Isabella. Two engravings after P.P. RUBENS, both ±41x28 cm., w. engr. caption below image. - First portrait w. restored flattened (and partly torn?) folds; sl. cut short in left margin; second portrait rubbed spot in right margin, otherwise fine. = Hollstein 62-63, both 4th state of 4.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 24, 2017
Muller, J.H. (1571-1628). Belshazzar's feast. Engraving 35,5x40 cm., w. the address of N. Visscher, from Bybelsche figuren, vertonende de voornaemste historien der Heylige Schrifture (Amst., 1652). - Middle-fold; sl. browned. = New Hollstein 1, the
Est: €100 - €150
Muller, J.H. (1571-1628). Belshazzar's feast. Engraving 35,5x40 cm., w. the address of N. Visscher, from Bybelsche figuren, vertonende de voornaemste historien der Heylige Schrifture (Amst., 1652). - Middle-fold; sl. browned. = New Hollstein 1, the 3rd state (of 3).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts