António (1519) Moro Paintings & Artwork for Sale | António (1519) Moro Art Value Price Guide

Dec. 19, 2024
Interesting Vánitas painted in oil on copper, Italo-Flemish school from the 17th century
Est: €1,400 - €1,600
Oil on copper, 27 x 22 cm, framed measurements: 35 x 30 cm. Provenance: important private collection, property of an important collector, Spain.
Templum Fine Art Auctions
Jul. 18, 2024
Important portrait of a Knight with the Order of Santiago, Spanish Mannerist school by Antonio Moro (1519-1577) from the 16th - 17th century
Est: €4,000 - €4,500
A work homonymous to the one offered in our room, preserved in the Prado Museum, no. inventory P001143. Oil on canvas, 53 x 40 cm, framed measurements: 60 x 50 cm. Provenance: important private collection, property of an important collector, Spain.
Templum Fine Art Auctions
May. 29, 2024
Spanish school of the XVIII century. Follower of ANTONIO DE MORO (Utrecht, between 1516 and 1520 - Antwerp?, 1575/1576). "Portrait of Doña Catalina de Borja. Oil on canvas. It presents patches and Repainting.
Est: €9,000 - €10,000
Spanish school of the XVIII century. Follower of ANTONIO DE MORO (Utrecht, between 1516 and 1520 - Antwerp?, 1575/1576). "Portrait of Doña Catalina de Borja. Oil on canvas. It presents patches and Repainting. Measurements: 124 x 91 cm, 131 x 97 cm (frame). Portrait of bust that presents the figure of Doña Catalina de Borja. The way in which her face and clothes have been captured aesthetically follows the models of the portrait of the time, and shows a delicate sense of detail appreciable as a whole. A face that has been captured from a psychological perspective and shows us a lady from a reputable family who looks directly at the viewer while still creating a certain distance, making her reputable position evident to the viewer. These aesthetic characteristics invite us to think of the painter Antonio de Moro. Antonio Moro worked in the Southern Netherlands and also in Spain, Italy, Portugal and England. He trained in his native Utrecht as a pupil of Jan van Scorel, whose assistant he became in 1540. According to Karel van Mander, Moro traveled to Italy during his youth, and there he was able to spend three years before returning to Utrecht in 1544. In 1547 he was admitted as a master in the Guild of St. Luke in Antwerp, although he preferred to reside in his hometown. The following year he would attract the attention of his first important patron, Antonio Perrenot de Granvela, bishop of Arras and member of the court of Charles V. His portraits made between 1549 and 1550 already reveal an innovative style that would replace the oldest portrait traditions, combining Flemish precision with Italian models. Particularly important in his language would be the influence of Titian, which he brought to him through the works of the Venetian that existed in the collections of Granvela and Maria of Hungary, regent of the Netherlands. Moro's mature style will be characterized by the steely precision of Nordic heritage, the muted colors, the detail in the fabrics, folds and qualities, a simplified lighting generally on the left side and a neutral background that enhances the monumental isolation of the figure, which is usually three-quarter or full-length and fills the entire height of the pictorial plane. His career experienced the definitive impulse when he was presented by Granvela to Philip II; since then Moro will work the royal and courtly portrait in the Dutch and Spanish courts, so that his style will exert an important influence throughout Europe and, above all, in the Iberian Peninsula, where he had numerous disciples and followers. Among them were Alonso Sánchez Coello, Jorge de la Rúa, Manuel Denis, Cristóbal de Morales and Sofonisba Anguissola. In 1550 he was sent by Maria of Hungary to Lisbon to paint the Portuguese royal family, and especially Maria of Portugal, the fiancée of Philip II. On the way he painted his first official portrait of Emperor Maximilian II, probably in Augsburg. Probably from there he continued his journey in the retinue of Philip II, who was then in the Netherlands. He arrived in Spain in 1551, and there he painted Philip II's sister and her first daughter, Maria of Austria, with her husband Maximilian II. The following year he worked at the Lisbon court, and finally in 1553 he returned to Brussels only to go to London, where he was sent to portray Philip II's wife after the wedding. That same year of 1554 he was officially appointed painter of Philip II and moved to the court of Brussels, where he remained until 1559. It presents patches and Repainting.
Setdart Auction House
Jan. 25, 2024
Important portrait of a Knight with the Order of Santiago, Spanish Mannerist school by Antonio Moro (1519-1577) from the 16th - 17th century
Est: €4,000 - €4,500
A work homonymous to the one offered in our room, preserved in the Prado Museum, no. inventory P001143. Oil on canvas, 53 x 40 cm, framed measurements: 60 x 50 cm. Provenance: important private collection, property of an important collector, Spain.
Templum Fine Art Auctions
Nov. 29, 2023
Important portrait of a Knight with the Order of Santiago, Spanish Mannerist school by Antonio Moro (1519-1577) from the 16th - 17th century
Est: €4,000 - €4,500
A work homonymous to the one offered in our room, preserved in the Prado Museum, no. inventory P001143. Oil on canvas, 53 x 40 cm, framed measurements: 60 x 50 cm. Provenance: important private collection, property of an important collector, Spain.
Templum Fine Art Auctions
Jun. 29, 2023
Antonio Moro, 1519 – 1575, zugeschrieben
Est: €24,000 - €30,000
BILDNIS EINES ADELIGEN HERRN Öl auf Holz. 62,5 x 51 cm. Das Gemälde ist gelistet im RKD Bildarchiv unter Nr. 0000028480. Der Dargestellte im Dreiviertelbildnis richtet seinen Blick auf den Betrachter in der stolzen Weise einer höhergestellten Persönlichkeit. Sein kurzer schwarzer Kinnbart, der steife Stehkragen und die weißen Rüschen sind Ausdruck der Zeitmode. Obschon erkennbar, dass das enganliegende Gewand in seidenglänzendem Stoff gefertigt ist, mit gereihten Sticknähten und der Knopfleiste, so steht diese Bekleidung doch deutlich und bewusst in Nähe zu Harnisch-Darstellungen. Am eng geschnürten Ledergürtel hängt das Lederband des Schwertes, dessen Knauf die linke Hand umfängt, während die Rechte einen Lederhandschuh hält. Die Datierung (1563) am Oberrand hat sich als etwas spätere Zutat erwiesen. Der niederländische Portraitmaler, geboren in Utrecht als Anthonis Mor van Dashorst, studierte in Rom und war Mitglied der Lukasgilde. Mitte des 16. Jahrhunderts war der Maler am spanischen Hofe tätig und portraitierte Mitglieder der königlichen Familie. Er arbeitete auch am Hof Philipp II. in London sowie für Wilhelm I. Seine zahlreichen Werke finden sich in englischen Sammlungen, im Louvre, in Madrid, Wien, Brüssel und Sankt Petersburg. Provenienz: Chez Popoff, Paris, Juli 1935. (13621250) (10) Antonio Moro, 1519 – 1575, attributed PORTRAIT OF A NOBLEMAN Oil on panel. 62.5 x 51 cm. The painting listed in the RKD image archives under no. 0000028480. Provenance: Chez Popoff, Paris, July 1935.
Hampel Fine Art Auctions
May. 24, 2022
Bottega di Anthonis Mor van Dashorst o Antonio Moro (Utrecht 1520 - Anversa 1577)
Est: €1,000 - €1,500
Bottega di Anthonis Mor van Dashorst o Antonio Moro (Utrecht 1520 - Anversa 1577) Ritratto di condottiero Olio su tela 52,5 x 40 cm Un riscontro stilistico lo ritroviamo nel Ritratto di Filippo II re di Spagna conservato al Szépmuvészeti Múzeum a Budapest. Anthonis Mor van Dashorst condusse una vita cosmopolita tra Inghilterra, Germania, Italia, Portogallo e Spagna. Si formò presso Jan van Scorel e nel 1547, oramai autonomo, fu iscritto alla Gilda di San Luca ad Anversa. Dopo un soggiorno a Roma, Moro fu attivo in Portogallo presso la casa reale. Fu successivamente invitato in Inghilterra, dove realizzò i ritratti delle due sorelle e regine Maria e Elisabetta I Tudor. Tornò nei Paesi Bassi, a Utrecht, dove realizzò un ritratto del principe tedesco Guglielmo il Taciturno e il suo autoritratto, oggi alla Galleria degli Uffizi. Lo spagnolo Alonso Sánchez Coello, fu suo allievo e divenne uno tra i più stimati ritrattisti del Rinascimento spagnolo. Il suo stile fu influenzato da Tiziano, di cui Moro copiò i dipinti durante il suo periodo romano. Workshop of Anthonis Mor van Dashorst or Antonio Moro (Utrecht 1520 - Antwerp 1577) Portrait of a leader Oil on canvas 52,5 x 40 cm A stylistic confirmation can be found in the Portrait of King Philip II of Spain kept at the Szépmuvészeti Múzeum in Budapest.
Lucas Aste
Jun. 18, 2020
Scuola del XIX secolo RITRATTO DI MARIA I TUDOR olio su tela, cm 109
Est: €800 - €1,500
Scuola del XIX secolo RITRATTO DI MARIA I TUDOR olio su tela, cm 109x85 L'opera è la replica del celebre ritratto di Maria I Tudor realizzato dal pittore olandese Anthonis Mor van Dashorst, noto come Antonio Moro (Utrecht, 1520 - Anversa, tra il 1576 e il 1578) oggi conservato al Museo del Prado di Madrid
Itineris
Nov. 25, 2014
Circle of Antonio Moro (Utrecht 1519-1575 A portrait of Margaretha of Parma
Est: €5,000 - €7,000
Circle of Antonio Moro (Utrecht 1519-1575 A portrait of Margaretha of Parma (1522-1586), bust-length, in a black brocade oil on canvas 56.2 x 42.2 cm.
Christie's