Daniel Hernandez Morillo Paintings & Artwork for Sale | Daniel Hernandez Morillo Art Value Price Guide

Dec. 14, 2024
Daniel Hernandez Morillo (1856, Peru - 1932) - Reclining female nude around 1900
Est: -
Daniel Hernandez Morillo (1856, Peru - 1932) - Reclining female nude around 1900 Original lithograph by Franz Hanfstaengl, Munich. Li. and artist “DANIEL HERNANDEZ PINX.”. Titled “Müssig” in the center. In original Art Nouveau frame, framed under glass, originally taped and unopened on the reverse. Frame dimensions: 42.5 x 48.5 cm. Daniel Hernandez Morillo (1856, Peru - 1932) - Liegender weiblicher Akt um 1900 originale Lithographie v. Franz Hanfstaengl, München. Li. u. Künstler "DANIEL HERNANDEZ PINX.". Mittig betitelt "Müssig". Im originalen Jugendstil Rahmen, unter Glas gerahmt, rückseitig original abgeklebt und ungeöffnet. Rahmenmaß: 42,5 x 48,5cm.
Auktionshaus Wersching
Nov. 07, 2024
Daniel Hernández Morillo (Peruvian, 1856-1932) An Elegant Lady at the Opera
Est: $3,000 - $5,000
Daniel Hernández Morillo (Peruvian, 1856-1932) An Elegant Lady at the Opera oil on panel signed D. Hernandez and inscribed Roma (lower left) 12 3/4 x 9 1/2 in. (32.5 x 24 cm.) This lot is located in Chicago.
Freeman’s | Hindman
Oct. 15, 2024
DANIEL HERNANDEZ MORILLO (Peru, 1856 - 1932). "Military parade under the balcony", Paris. Oil on canvas. Relined. Signed and located in the lower left corner. It presents some faults in the golden frame.
Est: €15,000 - €18,000
DANIEL HERNANDEZ MORILLO (Peru, 1856 - 1932). "Military parade under the balcony", Paris. Oil on canvas. Relined. Signed and located in the lower left corner. It presents some faults in the golden frame. Measurements: 90 x 65 cm, 104 x 79 cm (frame). Two girls lean out to a flowery balcony of a building near Notre Dame to contemplate a military parade. The cathedral looms in the distance, with its emblematic towers and stylized spire silhouetted against a blue sky dotted with wispy clouds. The young women display an aristocratic beauty. One of them fans herself and the other leans idly on the railing, over which ivy and roses climb. It is clear here that female portraiture was one of the genres in which Daniel Hernández Morillo excelled. The refinement of gestures and dresses extends to the description of the urban landscape: elegant carriages, white horses advancing at the same pace, passers-by moving aside to let the retinue pass... The royal facades, topped with the typical Parisian mansards, frame the vivid spring scene. Daniel Hernández began his training in Lima in 1878, having Leonardo Barbieri as his first teacher. Later he traveled to Paris on a government scholarship. In the French capital he visits Ignacio Merino, who recommends him to go to Italy. Ten years pass between workshops, museums and an intense study, traveling through France, Italy and Spain. He finally settled in Paris, and there he met Fortuny, Padilla and Villegas, Spanish artists whose influence assimilated his painting. During these years he competed in various competitions, obtaining the second medal at the Paris Salon of 1899, the gold medal at the Universal Exposition of 1900 and the Legion of Honor on the same date, awards that demonstrate the acceptance he enjoyed in Europe during the last years of the nineteenth century. Since then, Hernández was declared Honoris Causa in all the Salons. He was also awarded at the Ibero-American Exposition in Seville. In 1912 he returned to America, working between Montevideo and Buenos Aires, always painting portraits and exhibiting his work. Soon after he returned to Paris, where he lived through the Great War, but he returned to Lima in 1918, called by President Jose Pardo to assume the direction of the recently founded National School of Fine Arts, a position he held until his death in 1932. Daniel Hernández left a varied work, including marine watercolors, landscapes, still lifes and numerous sketches. He also painted many portraits, such as the portrait of Pierola in Paris in 1899. He painted Pardo and other Peruvian leaders, as well as illustrious figures such as Bolivar and Pizarro. His so-called "perezosas" deserve special mention, compositions featuring ladies resting on couches, in environments full of sensuality and richness. With them he won the medals of 1899 and 1900. Hernández developed a precious style with a marked balance between drawing and color, revealing a perfect technical mastery. A man of his time, on the basis of his academicist language appear certain notes of impressionist influence. Daniel Hernández is represented in the Prado Museum in Madrid and in the museum that bears his name in Huancavelica (Peru), as well as in other outstanding Peruvian and foreign art galleries. It presents some faults in the frame
Setdart Auction House
Jun. 11, 2024
DANIEL HERNÁDEZ MORILLO (Peru, 1856 - 1932). "To the party", Rome, 1897. Oil on canvas. Signed, located and dated in the lower left corner.
Est: €7,000 - €8,000
DANIEL HERNÁDEZ MORILLO (Peru, 1856 - 1932). "To the party", Rome, 1897. Oil on canvas. Signed, located and dated in the lower left corner. Measurements: 56 x 39 cm, 82.5 x 67 cm (frame). In this work the author transcends the genre of the portrait to give us a fleeting snapshot of the daily life of the bourgeoisie of the time. An image full of charm and delicacy, which captures the viewer's gaze. In this complex composition, the way in which the carriage seems to move out of the painting itself is striking, as if it really had a fast and hurried movement to reach its destination, thus increasing the ephemerality of the instant almost in a photographic and totally innovative way with respect to the time. Daniel Hernández began his training in Lima in 1878, having Leonardo Barbieri as his first teacher. Later he traveled to Paris on a government pension. In the French capital he visits Ignacio Merino, who recommends him to go to Italy. Ten years pass between workshops, museums and an intense study, traveling through France, Italy and Spain. He finally settled in Paris, and there he met Fortuny, Padilla and Villegas, Spanish artists whose influence assimilated his painting. During these years he competed in various competitions, obtaining the second medal at the Paris Salon of 1899, the gold medal at the Universal Exposition of 1900 and the Legion of Honor on the same date, awards that demonstrate the acceptance he enjoyed in Europe during the last years of the nineteenth century. Since then, Hernández was declared Honoris Causa in all the Salons. He was also awarded at the Ibero-American Exposition in Seville. In 1912 he returned to America, working between Montevideo and Buenos Aires, always painting portraits and exhibiting his work. Soon after he returned to Paris, where he lived through the Great War, but he returned to Lima in 1918, called by President Jose Pardo to assume the direction of the recently founded National School of Fine Arts, a position he held until his death in 1932. Daniel Hernández left a varied work, including marine watercolors, landscapes, still lifes and numerous sketches. He also painted many portraits, such as the portrait of Pierola in Paris in 1899. He painted Pardo and other Peruvian leaders, as well as illustrious figures such as Bolivar and Pizarro. His so-called "perezosas" deserve special mention, compositions featuring ladies resting on couches, in environments full of sensuality and richness. With them he won the medals of 1899 and 1900. Hernández developed a precious style with a marked balance between drawing and color, revealing a perfect technical mastery. A man of his time, on the basis of his academicist language appear certain notes of impressionist influence. Daniel Hernández is represented in the Prado Museum in Madrid and in the museum that bears his name in Huancavelica (Peru), as well as in other outstanding Peruvian and foreign art galleries.
Setdart Auction House
Jan. 15, 2024
DANIEL HERNÁDEZ MORILLO (Peru, 1856 - 1932). "To the party", Rome, 1897. Oil on canvas. Signed, located and dated in the lower left corner.
Est: €8,000 - €9,000
DANIEL HERNÁDEZ MORILLO (Peru, 1856 - 1932). "To the party", Rome, 1897. Oil on canvas. Signed, located and dated in the lower left corner. Measurements: 56 x 39 cm, 82.5 x 67 cm (frame). In this work the author transcends the genre of the portrait to give us a fleeting snapshot of the daily life of the bourgeoisie of the time. An image full of charm and delicacy, which captures the viewer's gaze. In this complex composition, the way in which the carriage seems to move out of the painting itself is striking, as if it really had a fast and hurried movement to reach its destination, thus increasing the ephemerality of the instant almost in a photographic and totally innovative way with respect to the time. Daniel Hernández began his training in Lima in 1878, having Leonardo Barbieri as his first teacher. Later he traveled to Paris on a government pension. In the French capital he visits Ignacio Merino, who recommends him to go to Italy. Ten years pass between workshops, museums and an intense study, traveling through France, Italy and Spain. He finally settled in Paris, and there he met Fortuny, Padilla and Villegas, Spanish artists whose influence assimilated his painting. During these years he competed in various competitions, obtaining the second medal at the Paris Salon of 1899, the gold medal at the Universal Exposition of 1900 and the Legion of Honor on the same date, awards that demonstrate the acceptance he enjoyed in Europe during the last years of the nineteenth century. Since then, Hernández was declared Honoris Causa in all the Salons. He was also awarded at the Ibero-American Exposition in Seville. In 1912 he returned to America, working between Montevideo and Buenos Aires, always painting portraits and exhibiting his work. Soon after he returned to Paris, where he lived through the Great War, but he returned to Lima in 1918, called by President Jose Pardo to assume the direction of the recently founded National School of Fine Arts, a position he held until his death in 1932. Daniel Hernández left a varied work, including marine watercolors, landscapes, still lifes and numerous sketches. He also painted many portraits, such as the portrait of Pierola in Paris in 1899. He painted Pardo and other Peruvian leaders, as well as illustrious figures such as Bolivar and Pizarro. His so-called "perezosas" deserve special mention, compositions featuring ladies resting on couches, in environments full of sensuality and richness. With them he won the medals of 1899 and 1900. Hernández developed a precious style with a marked balance between drawing and color, revealing a perfect technical mastery. A man of his time, on the basis of his academicist language appear certain notes of impressionist influence. Daniel Hernández is represented in the Prado Museum in Madrid and in the museum that bears his name in Huancavelica (Peru), as well as in other outstanding Peruvian and foreign art galleries.
Setdart Auction House
Sep. 14, 2023
DANIEL HERNÁDEZ MORILLO (Peru, 1856 – 1932). "Portrait of a Lady". Oil on canvas. It presents restorations on the pictorial surface. It has an atelier stamp on the back.
Est: €3,000 - €4,000
DANIEL HERNÁDEZ MORILLO (Peru, 1856 - 1932). "Portrait of a lady". Oil on canvas. It presents restorations on the pictorial surface. It has stamp of the atelier on the back. Measurements: 61 x 50 cm. In this work the author transcends the genre of the portrait to give us a fleeting snapshot of the daily life of the bourgeoisie of the time, an image full of charm and delicacy, which catches the spectator's eye. It is a simple composition, featuring a young woman dressed in a graceful shawl of great subtlety that reveals her shoulders. Daniel Hernández began his training in Lima in 1878, with Leonardo Barbieri as his first teacher. He later travelled to Paris on a government scholarship. In the French capital he visited Ignacio Merino, who recommended him to go to Italy. Ten years passed between workshops, museums and intense study, travelling through France, Italy and Spain. He finally settled in Paris, where he met Fortuny, Padilla and Villegas, Spanish artists whose influence he assimilated into his painting. During these years he took part in various competitions, winning the second medal at the Paris Salon of 1899, the gold medal at the Universal Exhibition of 1900 and the Legion of Honour in the same year, awards that demonstrate the acceptance he enjoyed in Europe during the last years of the 19th century. From then on, Hernández was declared Honoris Causa at all the Salons. He was also awarded a prize at the Ibero-American Exhibition in Seville. In 1912 he returned to America, working between Montevideo and Buenos Aires, always painting portraits and exhibiting his work. Shortly afterwards he returned to Paris, where he lived through the Great War, but he returned to Lima in 1918, called by President José Pardo to take over the direction of the recently founded National School of Fine Arts, a post he held until his death in 1932. Daniel Hernández left a varied body of work, including marine watercolours, landscapes, still lifes and numerous sketches. He also painted many portraits, such as the portrait of Pierola in Paris in 1899. He painted Pardo and other Peruvian leaders, as well as illustrious figures such as Bolívar and Pizarro. Special mention should be made of his so-called "perezosas", compositions featuring ladies reclining on divans in settings full of sensuality and richness. With them he won medals in 1899 and 1900. Hernández developed a precious style with a marked balance between drawing and colour, revealing a perfect technical mastery. A man of his time, his academic language is underpinned by certain hints of Impressionist influence. Daniel Hernández is represented in the Prado Museum in Madrid and in the museum that bears his name in Huancavelica (Peru), as well as in other important Peruvian and foreign art galleries.
Setdart Auction House
Nov. 26, 2022
Daniel Hernandez Morillo - Portrait of a Young Woman
Est: $500 - $700
Portrait of a Young Woman
Westbridge Fine Art Auction House
Nov. 26, 2022
Daniel Hernández Morillo (1856 Salcabamba, Peru - 1932 Lima)
Est: - €3,000
Daniel Hernández Morillo (1856 Salcabamba, Peru - 1932 Lima) Bauernpaar mit Gänsen, Öl auf Platte, 40,5 cm x 28 cm, signiert, partiell craqueliert, partiell retuschiert, partiell kleine Farbabplatzer. Daniel Hernandez Morillo wurde 1856 in Peru geboren, doch hat er viele Jahre seines Lebens in Paris verbracht. Sein Studium in Paris und Rom führte dazu, dass er sich in der "Sociedad de Pintores Espanoles" als Präsident einsetzte, in die "Societe des Artistes Francais" aufgenommen wurde und regelmäßig am Salon teilnehmen konnte. Als erster führender Direktor der "Escuela Nacionale de Bellas Artes" in Lima, konnte er die Eröffnung 1919 herbeiführen und erfüllte diese Position bis zu seinem Lebensende. Anfangs arbeitete er in Aquarellen, doch malte Morillo später einige Genrebilder und Portraits in Öl. Darunter zählt das im Museo de Arte de Lima ausgestellte Werk des auf dem Bauch liegenden Mädchens, "Idle Woman" als rokokonah, einerseits akademisch und anderseits als anstößig. Ruhiger und vor allem nahbarer waren die Darstellungen der Bäuerinnen, wie dem "Mädchen mit dem Feuerholz", oder dem vorliegenden Bauernpaar mit Gänsen. In diesem Werk ist die Ausbildung Morillos in feinen Pinselstrichen ebenso zu erkennen, wie das Einfangen einer lieblichen Unterhaltung des Bauernpaars, das zum Tagesende die Gänse scheucht. English Translation: Daniel Hernández Morillo (1856 Salcabamba, Peru - 1932 Lima) Peasant couple with geese, oil on panel, 40,5 cm x 28 cm, signed, partly craquelure, partly retouched, partly small paint chips. Daniel Hernandez Morillo was born in Peru in 1856, but he spent many years of his life in Paris. His studies in Paris and Rome led him to become president of the "Sociedad de Pintores Espanoles", to be accepted into the "Societe des Artistes Francais" and to participate regularly in the Salon. As the first leading director of the "Escuela Nacionale de Bellas Artes" in Lima, he was able to bring about its opening in 1919 and fulfilled this position until the end of his life. Initially he worked in watercolours, but later Morillo painted some genre paintings and portraits in oils. Among these, the work of the girl lying on her stomach, "Idle Woman", exhibited in the Museo de Arte de Lima, was considered rococo, academic on the one hand and offensive on the other. More tranquil and above all more approachable were the depictions of peasant women, such as the "Girl with the Firewood", or the present peasant couple with geese. In this work, Morillo's training in fine brushstrokes can be seen as well as the capture of a lovely conversation of the peasant couple shooing the geese at the end of the day.
Wettmann
Oct. 29, 2022
Daniel Hernandez Morillo - Portrait of a Young Woman
Est: $500 - $700
Portrait of a Young Woman
Westbridge Fine Art Auction House
Mar. 30, 2022
Daniel Hernández Morillo (Peruvian, 1856-1932) A la Fiesta
Est: £10,000 - £15,000
Daniel Hernández Morillo (Peruvian, 1856-1932) A la Fiesta signed, inscribed and dated 'D. Hernandez/Roma 1882' (lower left), inscribed with title (on the reverse) oil on canvas 56.5 x 39cm (22 1/4 x 15 3/8in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 20, 2021
DANIEL HERNANDEZ MORILLO (1856 / 1932) "Young man looking at the sea"
Est: €9,000 - €18,000
Signed in the lower right corner . Oil on canvas
Ansorena
Sep. 12, 2010
Daniel Hernandez Morillo, 19th/20th century, Reclining Nude
Est: $1,000 - $2,000
Daniel Hernandez Morillo 19th/20th century Reclining Nude oil on board signed (lower right) 4 1/8 x 8 inches.
Hindman
Apr. 29, 2005
DANIEL HERNANDEZ MORILLO (1856-1932) Venise, gondoliers
Est: €2,000 - €3,000
DANIEL HERNANDEZ MORILLO (1856-1932) Venise, gondoliers Huile sur panneau, signée en haut à droite. 17 x 28,5 cm (Accidents). Estimation : € 2,000-3,000
Tajan