Luis de (1509) Morales Paintings & Artwork for Sale | Luis de (1509) Morales Art Value Price Guide

Oct. 31, 2017
Luis de Morales, el Divino (?Badajoz c. - Ecce Homo
Est: $200,000 - $300,000
Luis de Morales, el Divino (?Badajoz c. Ecce Homo oil on panel 14 7/8 x 11 ¾ in. (37.9 x 29.8 cm.)
Christie's
Jul. 05, 2017
LUIS DE MORALES (BADAJOZ CIRCA 1509-1586) Ecce Homo oil on panel 31.4 x 25.2cm (12 3/
Est: £30,000 - £50,000
LUIS DE MORALES (BADAJOZ CIRCA 1509-1586) Ecce Homo oil on panel 31.4 x 25.2cm (12 3/8 x 9 15/16in) with a later extension to the top 2cm.
Bonhams
Mar. 30, 2015
LUIS DE MORALES, DIT EL DIVINO La Vierge à l'Enfant au fuseau huile sur pan
Est: €120,000 - €180,000
LUIS DE MORALES, DIT EL DIVINO La Vierge à l'Enfant au fuseau huile sur panneau 51,6 x 36,7 cm.
Christie's
Jun. 06, 2013
LUIS DE MORALES AND WORKSHOP
Est: $80,000 - $120,000
PROPERTY SOLD BY THE ART INSTITUTE OF CHICAGO BADAJOZ (?) CIRCA 1520-1586 (?) PIET oil on panel 26 3/16 by 19 1/8 in.; 66.5 by 48.5 cm.
Sotheby's
Jun. 06, 2012
Circle of Luis de Morales (Badajoz, circa 1520-1586?)
Est: $10,000 - $15,000
Circle of Luis de Morales (Badajoz, circa 1520-1586?) A triptych of The Virgin and Child with the young Saint John the Baptist; Saint John the Baptist on the left wing; Saint John the Evangelist on the right wing inscribed 'ORA PRO NOBIS P ANTONI COυNFESOυR' (on the tabernacle frieze) oil on panel, in the original engaged frame 33½ x 37¾ in. (85.1 x 95.9 cm.), the wings extended
Christie's
Feb. 07, 2012
Circle of Luis de Morales (SPANISH, circa 1520-1586?)
Est: $20,000 - $30,000
Circle of Luis de Morales (SPANISH, circa 1520-1586?) A triptych of The Virgin and Child with the young Saint John the Baptist; Saint John the Baptist on the left wing; Saint John the Evangelist on the right wing inscribed 'ORA PRO NOBIS P ANTONI COυNFESOυR' (on the tabernacle frieze) oil on panel, in the original engaged frame 33½ x 37¾ in. (85.1 x 95.9 cm.), the wings extended
Christie's
Dec. 08, 2011
LUIS DE MORALES
Est: £40,000 - £60,000
BADAJOZ (?) CIRCA 1520 - 1586 (?) BADAJOZ CHRIST CARRYING THE CROSS distemper on linen 202 by 154 cm.; 79 1/2 by 60 5/8 in.
Sotheby's
Dec. 10, 2010
Attribué à Louis de MORALES, dit El Divino (1509 ?
Est: €12,000 - €15,000
Attribué à Louis de MORALES, dit El Divino (1509 ? - 1586) Le Christ aux outrages Panneau 54 x 45 cm
Millon & Associes
Jun. 04, 2009
Attributed to Luis de Morales , Badajoz (?) circa 1520 - 1586 (?) Badajoz Madonna of the Yarn Winder oil on panel
Est: $30,000 - $50,000
oil on panel
Sotheby's
Nov. 25, 2008
After Luis de Morales 1520-1586 Christ Seated
Est: €3,000 - €5,000
After Luis de Morales 1520-1586 Christ Seated Signed oil on canvas 83 x 105 cms
Sheppards
Sep. 15, 2008
*MORALES, LUIS DE
Est: CHF30,000 - CHF40,000
MORALES, LUIS DE (1509 Badajoz 1586), follower Mary before the crown of thorns. Oil on canvas. 101.2 x 87.6 cm. MORALES, LUIS DE (1509 Badajoz 1586), Nachfolger Maria vor der Dornenkrone. Öl auf Leinwand. 101,2 x 87,6 cm.
Koller Auctions
Dec. 06, 2007
Ecce Homo
Est: £400,000 - £600,000
Luis de Morales, el Divino (Badajaoz c. 1515 - 1586?) Ecce Homo with inscription 'Divino. Morales fecit' (on the reverse) oil on panel 28¾ x 20½ in. (73.1 x 52.1 cm.) in a 17th century Spanish carved and painted frame
Christie's
Dec. 07, 2006
LUIS DE MORALES BADAJOZ (?) CIRCA 1520 - 1586 (?) BADAJOZ
Est: £40,000 - £60,000
PROPERTY FROM A FRENCH PRIVATE COLLECTION THE PIETA measurements note 55.4 by 42.5 cm.; 21 3/4 by 16 3/4 in. oil on panel, unframed PROVENANCE In the collection of the family of the present owners for at least four generations. NOTE The subject of the Pietà was treated widely by Morales, no doubt due to its conformity to prevailing counter-reformation strictures, as well as the high demand for private devotional images among his clientele in the isolated region surrounding his home town of Badajoz. Although images such as the present are seemingly familiar, rarely did the artist create direct repetitions of his works (which was largely the preserve of his workshop), but instead his autograph works are distinguished by subtle alterations in the poses and disposition of the figures, as well as in the arrangement of the drapery. In this respect the present work is no exception, for although it shares certain compositional similarities with other known treatments by the artist, its design appears to be unique.
Sotheby's
Dec. 08, 2005
STUDIO OF LUIS DE MORALES BADAJOZ (?) CIRCA 1520 - 1586 (?) BADAJOZ
Est: £15,000 - £20,000
STUDIO OF LUIS DE MORALES BADAJOZ (?) CIRCA 1520 - 1586 (?) BADAJOZ THE VIRGIN AND CHILD measurements note 76.8 by 56.5 cm.; 30 1/4 by 22 1/4 in. oil on panel, unframed NOTE This is a studio version of a popular design by Luis de Morales, known through an autograph work in the Hispanic Society, New York (see I. Bäcksbacka, Luis de Morales, Helsinki 1962, p. 153, cat. no. 12, reproduced fig. 18), as well as a number of autograph and studio variants.
Sotheby's
Jul. 08, 2005
Luis de Morales, el Divino (? Badajoz c. 1520-?1586)
Est: £60,000 - £80,000
The Virgin and Child oil on panel 23 3/8 x 17 in. (59.3 x 43.1 cm.)
Christie's
Dec. 09, 2004
LUIS DE MORALES BADAJOZ (?) CIRCA 1520 - 1586 (?) BADAJOZ
Est: £25,000 - £35,000
oil on panel, with gold tracing, in an elaborate Spanish carved and parcel gilt wood frame
Sotheby's
Dec. 08, 2004
Luis de Morales (? Badajoz c. 1520-? 1586 Badajoz)
Est: £10,000 - £15,000
Ecce Homo oil on panel 14 3/4 x 10 7/8 in. (37.5 x 27.6 cm.)
Christie's
Jul. 10, 2002
Luis de Morales, el Divino (? Badajoz c. 1520- ?1586)
Est: $93,600 - $124,800
Ecce Homo oil on panel 13 x 91/2 (33 x 24.2 cm.) NOTES Morales was a painter with a highly individual style; his meticulous technique and the prominent echoes of the styles and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This would seem to confirm Palomino's statement that Morales trained in Seville with the Flemish Mannerist, Peeter de Kempeneer (Pedro de Campa¤a), who is recorded in Spain from 1537 (see A.A. Palomino de Castro y Velasco, Museo pict¢rico [1712-24], III, trans. N. Alaya Mallory, as Lives of the Eminent Spanish Painters and Sculptors, Cambridge, 1987, p. 38). Morales' earliest dated work, the Virgin with the Little Bird now in a private collection, Madrid, dates from 1546. His only signed work is the Raphaelesque Madonna of Purity in San Pietro Maggiore, Naples. Morales' oeuvre was exclusively religious in subject matter, concentrating on the imagery of the Passion, and reflects the preferred subjects of meditation of contemporary Spanish mystics such as Saint Peter of Alcantar (1499-1562), Fray Luis de Granada (1504-1588) and Juan de Avila (1500-1569). Numerous replicas and versions of these subjects testify to their enormous popularity as images of devotion, and Ecce Homo was a subject that Morales repeated several times. The closest seems to be that recorded on a Witt photograph mount as in the collection of Pr. Kotchoubey, although in the latter there are minor differences in the position of the stick that Christ holds.
Christie's
Dec. 12, 2001
Luis de Morales, el Divino (? Badajoz c. 1520- ?1586)
Est: $145,000 - $217,500
Ecce Homo oil on panel 13 x 91/2 (33 x 24.2 cm.) NOTES Morales was a painter with a highly individual style; his meticulous technique and the prominent echoes of the styles and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This would seem to confirm Palomino's statement that Morales trained in Seville with the Flemish Mannerist, Peeter de Kempeneer (Pedro de Campa¤a), who is recorded in Spain from 1537 (see A.A. Palomino de Castro y Velasco, Museo pict¢rico [1712-24], III, trans. N. Alaya Mallory, as Lives of the Eminent Spanish Painters and Sculptors, Cambridge, 1987, p. 38). Morales' earliest dated work, the Virgin with the Little Bird now in a private collection, Madrid, dates from 1546. His only signed work is the Raphaelesque Madonna of Purity in San Pietro Maggiore, Naples. Morales' oeuvre was exclusively religious in subject matter, concentrating on the imagery of the Passion, and reflects the preferred subjects of meditation of contemporary Spanish mystics such as Saint Peter of Alcantar (1499-1562), Fray Luis de Granada (1504-1588) and Juan de Avila (1500-1569). Numerous replicas and versions of these subjects testify to their enormous popularity as images of devotion, and Ecce Homo was a subject that Morales repeated several times. The closest seems to be that recorded on a Witt photograph mount as in the collection of Pr. Kotchoubey, although in the latter there are minor differences in the position of the stick that Christ holds.
Christie's