Benson Bond Moore Paintings & Artwork for Sale | Benson Bond Moore Art Value Price Guide

Nov. 23, 2024
AMERICAN NATURE ETCHING BY BENSON BOND MOORE SIGNED
Est: $100 - $150
Benson Bond Moore, American, 1882 to 1974, etching on paper depicting a scene with two flying ducklings. Signed in pencil, lower left. Inscribed lower right. Framed. Benson Moore is known for Rural landscape and wildlife painting, illustration, etching. Benson Bond Moore, landscape and animal portrait painter, and etcher, was born in Washington DC and lived there for seventy years. He became a noted painter of scenes of nature, and his style early in his career showed the Barbizon School influence but later became more Impressionist and less Tonalist. His snow scenes were especially popular. Modern European Graphic Art Prints and Collectibles.
Antique Arena Inc
Nov. 21, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C. 1882-1974, COVERED BRIDGE ON DUNNING'S CREEK, CESSNA, PA., Oil on card, 8 1/4 x 10 in. (21 x 25.4 cm.), Frame: 10 1/4 x 12 1/4 in. (26 x 31.1 cm.)
Est: $600 - $800
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., 1882-1974 COVERED BRIDGE ON DUNNING'S CREEK, CESSNA, PA. Oil on card Lower left signed and dated: Benson B. Moore / 1953; verso titled
Potomack Company
Nov. 09, 2024
Benson Bond Moore (American/Washington, D.C./Florida, 1882-1974), "Autumn Along Rock Creek," H.- 16 in., W.- 20 in., Framed- H.- 20 1/2 in., W.- 24 1/2 in.
Est: $800 - $1,200
† Benson Bond Moore (American/Washington, D.C./Florida, 1882-1974), "Autumn Along Rock Creek," oil on canvas, signed lower left, presented in a giltwood frame,
Crescent City Auction Gallery
Oct. 29, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, 42 LOOSE SHEETS OF PENCIL DRAWINGS
Est: $1,000 - $1,500
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 42 LOOSE SHEETS OF PENCIL DRAWINGS PLUS EPHEMERA: (2) PHOTOGRAPHS OF ARTIST; (2) EXH. PAMPHLETS; LETTERS Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Oct. 29, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, CAMP DAVID CATOCTIN MOUNTAIN PARK, 1946, Watercolor on card, Sight: 16 x 19 in. (40.6 x 48.3 cm.), Frame: 20 3/4 x 24 1/2 in. (52.7 x 62.2 cm.)
Est: $500 - $700
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 CAMP DAVID CATOCTIN MOUNTAIN PARK, 1946 Watercolor on card Lower left signed and dated: Benson B. Moore - 46; verso label: Camp David Catoctin Mountain Park / Benson B. Moore / 1916 [erroneously dated] Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Oct. 29, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, WILLOWS ON THE POTOMAC (LIKELY VIEW OF MEMORIAL BRIDGE AND LINCOLN MEMORIAL), Casine on board, 8 x 10 in. (20.3 x 25.4 cm.), Frame: 13 1/2 x 15 1/2 in. (3
Est: $500 - $700
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 WILLOWS ON THE POTOMAC (LIKELY VIEW OF MEMORIAL BRIDGE AND LINCOLN MEMORIAL) Casine on board Lower right signed; verso titled: Willows on the Potomac Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Oct. 29, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, AUTUMN IN MARYLAND, Oct.. 1952, Oil on board, 9 x 12 in. (22.9 x 30.5 cm.), Frame: 11 5/8 x 14 5/8 in. (29.5 x 37.1 cm.)
Est: $600 - $800
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 AUTUMN IN MARYLAND, Oct.. 1952 Oil on board Lower left signed Benson B. Moore; verso titled and dated "Autumn in Maryland / Oct. -1952" Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Oct. 29, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, SEPTEMBER AFTERNOON, Oil on masonite, 8 x 10 in. (20.3 x 25.4 cm.), Frame: 13 1/2 x 15 1/2 in. (34.3 x 39.4 cm.)
Est: $500 - $700
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 SEPTEMBER AFTERNOON Oil on masonite Lower left signed and titled on the reverse Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Sep. 17, 2024
Benson Bond Moore (American 1882-1974), Bull Moose, Etching and Aquatint, Signed l.l., from an edition of 50 l.r. and titled l.l., Unframed, Plate Size: 6 7/8 x 8 3/4 in. (17.5 x 22.2 cm.), Sheet Size: 9 3/4 x 11 in. (24
Est: $200 - $400
Benson Bond Moore (American 1882-1974), Bull Moose, Etching and Aquatint, Signed l.l., from an edition of 50 l.r. and titled l.l., Unframed, Property from the Estate of George Zorin
Weschler's
Aug. 06, 2024
Benson Bond Moore (American 1882–1974), The Canal Boat, Georgetown, Etching and Aquatint, Signed l.l., Frame: 14 1/2 x 16 1/2 in. (36.8 x 41.9 cm.)
Est: $50 - $100
Benson Bond Moore (American 1882–1974), The Canal Boat, Georgetown, Etching and Aquatint, Signed l.l.,
Weschler's
Jul. 20, 2024
BENSON BOND MOORE (AMERICAN, 1882-1974)
Est: $400 - $800
Benson Bond Moore American, 1882-1974 Old Maryland Lane in Autumn Oil on board, 1958 Signed and dated, titled verso with a personal note, signature and date by the artist. Autumn landscape along a path, framed.
Selkirk Auctioneers & Appraisers
Jul. 11, 2024
BENSON BOND MOORE (Washington, D.C./Florida, 1882-1974), Two waterfowl prints, both signed in pencil lower left “Benson B. Moore”
Est: $100 - $300
BENSON BOND MOORE Washington, D.C./Florida, 1882-1974 Two waterfowl prints, both signed in pencil lower left "Benson B. Moore": 1) A group of mallards landing. Plate 4.5" x 6.75". Framed 12 x 12". 2) Two ducks aloft. Plate 6" x 7". Framed 8" x 10".
Eldred's
Jun. 26, 2024
Benson Bond Moore, oil on board landscape
Est: $200 - $300
Benson Bond Moore (American 1882-1974), oil on board landscape, signed lower left, 4" x 5 1/2", frame - 6 1/4" x 8".
Pook & Pook Inc.
Jun. 25, 2024
BENSON BOND MOORE, AMERICAN, 1882–1974, EVENING ON THE GULF OF MEXICO, SARASOTA BAY, Oil on board, 6 x 8 in. (15.2 x 20.3 cm.), Frame: 10 1/2 x 12 1/2 in. (26.7 x 31.8 cm.)
Est: $300 - $500
BENSON BOND MOORE AMERICAN,, 1882–1974 EVENING ON THE GULF OF MEXICO, SARASOTA BAY Oil on board Lower left signed: Benson B. Moore; verso titled: Evening on the Gulf of Mexico "Sarasota Bay"
Potomack Company
Jun. 25, 2024
BENSON BOND MOORE, AMERICAN 1882–1974, DUMBARTON BRIDGE (BUFFALO BRIDGE / Q STREET BRIDGE), Oil on board, 14 x 18 in. (35.6 x 45.7 cm.), Frame: 20 x 24 1/4 in. (50.8 x 61.6 cm.)
Est: $1,000 - $1,500
BENSON BOND MOORE AMERICAN, 1882–1974 DUMBARTON BRIDGE (BUFFALO BRIDGE / Q STREET BRIDGE) Oil on board Lower left signed: Benson B. Moore Catalogue note: The Dumbarton Bridge, also known as the Q Street Bridge and the Buffalo Bridge, is a historic masonry arch bridge in Washington, D.C.. Built between 1914 and 1915, the bridge spans Rock Creek Park, connecting the Dupont Circle and Georgetown neighborhoods. Dumbarton Bridge was modeled on designs of ancient Roman aqueducts and is ornamented with Indian head sculptures designed by Glenn Brown (based on a life mask of the Sioux Chief Kicking Bear) and two pairs of imposing bronze buffalos executed by the American sculptor Alexander Phimister Proctor (1860–1950).
Potomack Company
Jun. 25, 2024
BENSON BOND MOORE, AMERICAN 1882–1974, FOLIO OF 42 DRAWINGS AND LIFE STUDIES BY BENSON BOND MOORE, Graphite and ink on paper
Est: $1,500 - $2,000
BENSON BOND MOORE AMERICAN, 1882–1974 FOLIO OF 42 DRAWINGS AND LIFE STUDIES BY BENSON BOND MOORE Graphite and ink on paper A folio containing 42 sheets of original graphite and ink drawings.
Potomack Company
Jun. 25, 2024
BENSON BOND MOORE, AMERICAN 1882–1974, MOONLIGHT ON THE ANACOSTIA, 1916, Oil on board, 7 x 9 in. (17.8 x 22.9 cm.), Frame: 11 1/4 x 13 1/4 in. (28.6 x 33.7 cm.)
Est: $700 - $900
BENSON BOND MOORE AMERICAN, 1882–1974 MOONLIGHT ON THE ANACOSTIA, 1916 Oil on board Verso inscribed and signed: Moonlight? on the Anacostia Ri / July 11 -1916- / Benson B. Moore
Potomack Company
Jun. 07, 2024
BENSON B. MOORE (1882-1974) Oil ON ARTIST'S BOARD
Est: $1,000 - $2,000
Benson Bond Moore (1882-1974) Pines Near Citra, Florida Circa 1940s The Florida landscape with pines hung in moss above an egret near water is signed in black pigment lower left and titled verso. Board measures 10 x 14 with a framed size of 15.5 x 19.5 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Dirk Soulis Auctions
Jun. 02, 2024
Massive Set Benson Bond Moore Sketches Portfolio
Est: $1,500 - $2,500
MOORE, Benson Bond, (American, 1882-1974): A stunning collection portfolio of pencil sketches, studies, watercolors, etchings, and more. Most mounted and laid down to hard paper pages, some loose. Approximately 87 sketches of various scenes throughout New England, Tennessee, Washington DC, Florida, and more. Approximately 25 pages with multiple animal and figure studies and sketches, 2 watercolors of animals mixed in. 21 Watercolors of various landscape scenes. 7 signed etchings, several newspaper articles and reproductions also mixed in. Largest page size 19.25" x 14.25". Condition varies with toning, foxing, tears, losses. Sold with all faults. A unique opportunity for a Benson Bond Moore collector.
Amero Auctions
May. 07, 2024
Benson B Moore - Southbound Geese - 1936 Offset Lithograph 13" x 10"
Est: $50 - $75
"Southbound Geese" by Benson B Moore, 1936 Unsigned Offset Lithograph. Paper size is 13 x 10 inches, with an image size of 6 x 7 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A: Mint. Additional details: This image is a reproduction of an etching by the artist Benson Bond Moore (American, 1882-1974). Moore was a landscape and animal-portrait painter, and etcher, born in Washington DC. He became a noted painter of scenes of nature, and his style early in his career showed the Barbizon School influence but later became more Impressionist and less Tonalist. His snow scenes were especially popular. Moore belonged to more than forty arts organizations. He was a founding member of The Miniature Painters, Sculptors and Gravers Society of Washington D.C., which held its inaugural exhibition in 1931 at the Corcoran. He had many one-man shows, notably in 1928 at the Corcoran Gallery with his etchings, drypoints, and lithographs. Already in childhood he sketched animals, often at the National Zoo, and in later years he did over 3700 illustrations of animals in the newspaper, "The Evening Star's" series entitled "Nature's Children." He also did numerous paintings for the Smithsonian that were reproduced in their "Scientific Series."
DUMBO Auctions
Apr. 24, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C. 1882-1974, AUTUMN, WOODRIDGE D.C., Oil on board, 10 x 8 in. (25.4 x 20.3 cm.), Frame: 15 1/2 x 13 1/2 in. (39.4 x 34.3 cm.)
Est: $700 - $900
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., 1882-1974 AUTUMN, WOODRIDGE D.C. Oil on board Lower left signed and dated: verso titled and dated: Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Apr. 24, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C. 1882-1974, OPEQUAN CREEK, VIRGINIA, 1957, Oil on board, 14 x 10 in. (35.6 x 25.4 cm.), Frame: 21 1/2 x 17 1/2 in. (54.6 x 44.5 cm.)
Est: $700 - $900
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., 1882-1974 OPEQUAN CREEK, VIRGINIA, 1957 Oil on board Lower left signed and dated, verso titled and dated Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Apr. 24, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C. 1882-1974, HILLTOP, Oil on board, 10 x 14 in. (25.4 x 35.6 cm.), Frame: 16 3/4 x 20 3/4 in. (42.5 x 52.7 cm.)
Est: $600 - $800
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., 1882-1974 HILLTOP Oil on board Lower left signed: Benson B. Moore Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Apr. 24, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C. 1882-1974, AUTUMN, PIMMIT RUN, VIRGINIA, Oil on masonite, 10 1/2 x 12 1/2 in. (26.7 x 31.8 cm.), Frame: 15 1/2 x 17 1/4 in. (39.4 x 43.8 cm.)
Est: $700 - $900
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., 1882-1974 AUTUMN, PIMMIT RUN, VIRGINIA Oil on masonite Lower right signed; verso titled Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Apr. 13, 2024
Benson B. Moore(1882-1974), Oil on Board
Est: $200 - $400
Benson B. Moore(1882-1974), Oil on Board. Exotic bird on branch. Approx: 9.5"h x 7"w art. 22"h x 18"w framed. JD/B13/SH:9B
Joshua Kodner
Apr. 12, 2024
Benson Bond Moore (American 1882-1974), Near Sperryville, VA, Oil on academy board, 10 x 13-3/4 in (25.4 x 34.9 cm)
Est: $1,000 - $1,500
Benson Bond Moore (American, 1882-1974) Near Sperryville, VA Oil on academy board Signed Benson B. Moore l.l.; also titled on verso
Weschler's
Apr. 12, 2024
Benson Bond Moore (American 1882-1974), October Afternoon Near Purcellville, VA, Oil on canvas board, 1953, 10 x 13-3/4 in (25.4 x 34.9 cm)
Est: $1,000 - $1,500
Benson Bond Moore (American, 1882-1974) October Afternoon Near Purcellville, VA Oil on canvasboard, 1953 Signed Benson B. Moore l.l.; also titled on verso
Weschler's
Apr. 12, 2024
Benson Bond Moore (American 1882-1974), Autumn Near Brookland, DC, Oil on academy board, 10 x 14 in (25.4 x 35.6 cm)
Est: $800 - $1,200
Benson Bond Moore (American, 1882-1974) Autumn Near Brookland, DC Oil on academy board Signed Benson B. Moore and dated 1947 l.r.; also titled on verso
Weschler's
Mar. 19, 2024
Benson Bond Moore (1882 - 1974) February Morning, Lower Potomac, Oil on Board, Signed l.r. titled, located and dated 1955 on verso, 10 1/2 x 13 1/4 in. (26.7 x 33.7 cm.)
Est: $500 - $700
Benson Bond Moore (1882 - 1974) February Morning, Lower Potomac, Oil on Board, Signed l.r. titled, located and dated 1955 on verso,
Weschler's
Mar. 19, 2024
Benson Bond Moore (American 1882–1974), Egrets, Two Lithographs in Color, and After Moore, Landscape with Castle, Print, Largest Unframed: 7 x 5 in. (17.8 x 12.7 cm.)
Est: $50 - $100
Benson Bond Moore (American 1882–1974), Egrets, Two Lithographs in Color, and After Moore, Landscape with Castle, Print,
Weschler's
Feb. 07, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, A GROUP OF FIVE PRINTS: LONG-EARED OWL, BLUE JAY, YELLOW-HEADED BLACKBIRDS, PASSENGER PIGEONS and AN UNTITLED FRAMED PRINT OF BIRDS, c. 1969-1971, Two etc
Est: $250 - $500
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 A GROUP OF FIVE PRINTS: LONG-EARED OWL, BLUE JAY, YELLOW-HEADED BLACKBIRDS, PASSENGER PIGEONS and AN UNTITLED FRAMED PRINT OF BIRDS, c. 1969-1971 Two etchings and three lithographs Long-Eared Owl: Lower left signed: Benson Moore; lower right numbered: 40; inscribed: To Mr. and Mrs. Mize with the best wishes of the artist. March 26-1971; label: Lithograph of Original Etching by Benson B. Moore / Long-eared Owl / 40 / 150-; Sheet: 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm.) Blue Jay: Lower left signed: Benson Moore; lower right numbered: 50; Plate: 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm.), Mat: 14 x 11 in. (35.6 x 27.9 cm.) Yellow-Headed Blackbirds: Lower left signed: Benson B. Moore; lower right numbered: 40; verso label: Original Etching by Benson B. Moore / Yellow-Headed Blackbirds / 40; Plate: 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm.), Mat: 13 1/2 x 11 in. (34.3 x 27.9 cm.) Passenger Pigeons: Lower left signed: Benson Moore; lower right numbered: 50; inscribed: To Mr. and Mrs. Riley Bertram with the best wishes of the artist. Nov. 18, 1970; verso label: Lithograph of Original Etching by Benson B. Moore / Passenger Pigeons / 50; Sheet: 12 1/2 x 9 in. (31.8 x 22.9 cm.) Untitled: Lower left signed: Benson Moore; inscribed: To Jerry with love, from Mary and Benson - September 17-1969; Sight: 5 1/2 x 7 in. (14 x 17.8 cm.), Frame: 10 x 11 3/4 in. (25.4 x 29.8 cm.) (5) Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Feb. 07, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, MOUNT VERNON, Sanguine on paper, Sight: 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm.), Frame: 15 x 18 in. (38.1 x 45.7 cm.)
Est: $500 - $700
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 MOUNT VERNON Sanguine on paper Lower right initialed and signed: BM / BENSON B. MOORE Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Feb. 07, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, MOONRISE, WOODRIDGE, D.C., Oil on board, 9 x 11 3/4 in. (22.9 x 29.8 cm.), Frame: 17 x 19 1/2 in. (43.2 x 49.5 cm.)
Est: $800 - $1,200
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 MOONRISE, WOODRIDGE, D.C. Oil on board Lower left signed: BENSON B. MOORE; verso titled: Moonrise, Woodridge, D.C.; The view is probably across the Anacostia river or a tributary Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Feb. 07, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, A POTOMAC VISTA, 1953, Oil on board, 9 x 7 in. (22.9 x 17.8 cm.), Frame: 12 3/4 x 10 1/2 in. (32.4 x 26.7 cm.)
Est: $600 - $800
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 A POTOMAC VISTA, 1953 Oil on board Lower left signed and dated: Benson B. MOORE / 1953; verso titled: A Potomac Vista Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Feb. 07, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, AUTUMN ON THE POTOMAC NEAR MT. VERNON, 1955, Oil on board, 19 1/2 x 24 in. (49.5 x 61 cm.), Frame: 24 x 28 1/2 in. (61 x 72.4 cm.)
Est: $1,000 - $1,500
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 AUTUMN ON THE POTOMAC NEAR MT. VERNON, 1955 Oil on board Lower left signed and dated: BENSON B. MOORE 1955; Verso titled: AUTUMN ON THE POTOMAC NEAR MT. VERNON Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Feb. 07, 2024
BENSON BOND MOORE, AMERICAN, WASHINGTON, D.C., FLORIDA 1882-1974, FARM IN WINTER, Oil on canvas, 20 x 24 in. (50.8 x 61 cm.), Frame: 25 1/2 x 29 1/2 in. (64.8 x 74.9 cm.)
Est: $1,000 - $1,500
BENSON BOND MOORE AMERICAN, WASHINGTON, D.C., FLORIDA, 1882-1974 FARM IN WINTER Oil on canvas Lower left signed: BENSON B. MOORE Catalogue note: Benson Bond Moore was born in Washington, D.C., where he was a fixture in the art community for nearly 70 years. The son of a framer and art restorer dubbed the "picture man to the Presidents" by the Washington Post, Moore grew up in the art world. He studied at the Corcoran School of Art under notable members of the Washington Landscape School of the late 19th century, including Max Weyl and Richard Norris Brooke. In 1914, Moore became a member of an informal artists group called The Ramblers Sketch Club, composed of fellow artists Charles H. Seaton, Winfield Scott Clime and Edwin G. Cassedy. They frequently traversed Washington, D.C.'s wooded areas and the surrounding countryside in Virginia and Maryland, painting plein-air landscapes. Around 1920, The Ramblers Sketch Club expanded to become the Washington Landscape Club, later known as the Washington Society of Landscape Painters, now revered as one of the country's oldest art institutions. Moore frequently exhibited his work with regional art groups like the Society of Washington Artists and the Washington Water Color Club. Along with painting landscapes, Moore was also a prolific printmaker, with a particular affinity for birds. In 1928, the Corcoran Gallery of Art held a solo exhibition of Moore's etchings and lithographs. Moore also worked in conservation, restoring paintings for some of the D.C. area's most important institutions, including Mount Vernon and the National Museum of American Art. Moore relocated to Florida in 1942, but continued painting landscapes of the Mid-Atlantic area for the rest of his life.
Potomack Company
Feb. 07, 2024
Benson Moore (8) Etching Reproductions
Est: $50 - $100
Eight (8) Benson Bond Moore (American, 1882-1974) reproduction etchings courtesy of Nature Magazine. Measure 6.25 in. - 13 in. x 10 in. Provenance: Amity Art Foundation, Inc. collection. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Grant Zahajko Auctions, LLC
Dec. 16, 2023
Benson Bond Moore. Winter Landscape, oil
Est: $300 - $500
(American, 1882-1974). Oil on canvas, signed "Benson B. Moore" lr, sight size: 13 x 16 in., framed size: 20 1/2 x 24 x 2 inches.
Alex Cooper
Dec. 12, 2023
Benson Bond Moore (American 1882–1974), Ring-Necked Pheasant, Etching and Aquatint, Signed in plate l.r. and pencil signed l.l., edition of 50 l.r., Frame: 18 x 15 in. (45.7 x 38.1 cm.)
Est: $50 - $100
Benson Bond Moore (American 1882–1974), Ring-Necked Pheasant, Etching and Aquatint, Signed in plate l.r. and pencil signed l.l., edition of 50 l.r.,
Weschler's
Dec. 08, 2023
Benson Bond Moore (American 1882-1974), Scott River, Oil on canvasboard, 16 x 20 in (40.6 x 50.8 cm)
Est: $800 - $1,200
Benson Bond Moore (American, 1882-1974) Scott River Oil on canvasboard Signed Benson B. Moore and dated 1953 l.l. and titled on stretcher
Weschler's
Dec. 08, 2023
Benson Bond Moore (American 1882-1974), Spring Landscape in Glover Park, Oil on canvas, 22-1/4 x 24-1/4 in (56.5 x 61.6 cm)
Est: $1,000 - $1,500
Benson Bond Moore (American, 1882-1974) Spring Landscape in Glover Park Oil on canvas Signed Benson B. Moore l.r. and titled on stretcher
Weschler's
Dec. 05, 2023
Benson Bond Moore (American 1882 - 1974), Mount Vernon, Sanguine Drawing on Paper, Signed l.r., Frame: 15 x 18 in. (38.1 x 45.7 cm.)
Est: $100 - $200
Benson Bond Moore (American 1882 - 1974), Mount Vernon, Sanguine Drawing on Paper, Signed l.r.,
Weschler's
Oct. 22, 2023
BENSON BOND MOORE FLORIDA PAINTING
Est: $1,000 - $2,000
MOORE, Benson Bond, (American,1882-1974): "Lake Eustis, Florida", Oil/Card, 7" x 9", monogramed lower left, titled verso, unframed.
Burchard Galleries Inc
Oct. 07, 2023
Benson Bond MOORE: "Barred Owl".
Est: $70 - $100
Benson Bond MOORE (American, 1882-1974):"Barred Owl". Etching printed in greenish-black ink on wove paper. Signed, and titled and annotated "Plate 208" in pencil in the lower sheet edge. Plate size: 6 7/8 x 5 7/8 inches.
Armstrong Fine Art
Oct. 07, 2023
Benson Bond MOORE: "Three Ducks".
Est: $200 - $250
Benson Bond MOORE (American, 1882-1974): "Three Ducks". Color etching and aquatint on simili-Japan wove paper. Signed and annotated in pencil. Edition 40. Plate size: 8 7/8 x 6 7/8 inches.
Armstrong Fine Art
Oct. 04, 2023
BENSON B. MOORE (Washington, D.C./Florida, 1882-1974), Three teal in flight., Watercolor on paper, 11” x 16” sight. Framed 18” x 22”.
Est: $300 - $500
BENSON B. MOORE Washington, D.C./Florida, 1882-1974 Three teal in flight. Signed lower left "Benson B. Moore".
Eldred's
Aug. 08, 2023
Benson Bond Moore (American, 1882 - 1974) Oil Landscape
Est: $100 - $500
DESCRIPTION: Oil on panel landscape painting by Benson Bond Moore (American, 1882-1974) depicting the Potomac River in autumn. On verso: "Nov. 1-1914 / 4PM / Potomac River / At Chain Bridge / Near Little Falls". Signed at lower left. CIRCA: 1914 ORIGIN: American (Washington D.C. - Florida) DIMENSIONS: (Sight) H: 5.5" W: 3.75" (Frame) H: 10.25" W: 12.5" - CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained upon sms or email.
Akiba Galleries
Aug. 05, 2023
Benson Moore(1882-1974) USA, Owl Lithograph
Est: $150 - $200
Benson Moore(1882-1974) USA, Owl Lithograph. Titled, "Great Horned Owl", numbered 14/100. Signed lower left. Initials lower right. Hand-colored. Provenance included. Benson B. Moore was born August 13, 1882 in Washington, D.C. Learned the conservation of paintings from his father. Studied at Corocan School of Art Edmund Clarence Messer, Richard Norris Brooke, and also with Max Weyl. Studied drawing at the Linthicum Institute under Ballenger. Illustrated "National Birds of Central and South America" for Pan American Union, Washington D.C. Did covers and etchings for "Nature Magazine". Settled in Florida in 1942 and died in 1974 in Stuart, Florida. Overall Size: 14 1/4 x 11 1/4 in. Sight Size: 9 1/2 x 6 3/4 in. #2425
Sarasota Estate Auction