Giovanni Montelatici Paintings & Artwork for Sale | Giovanni Montelatici Art Value Price Guide

Dec. 05, 2024
A Florentine pietre dure plaque, in the manner of …
Est: £600 - £800
A Florentine pietre dure plaque, in the manner of Giovanni Montelatici, Italian, 1864-1930, early 20th century, inlaid with various hardstones including lapis lazuli, depicting an elderly couple looking at themselves in a mirror, set within a black border, in ebonised frame, plaque - 22.5 x 28.5cm; frame - 25.5 x 32cm
Roseberys
Jul. 21, 2024
Manner of Giovanni Montelatici (Italian, 1864-1930) Pietra Dura Plaque
Est: $1,000 - $1,500
Manner of Giovanni Montelatici (Italian, 1864-1930) Pietra Dura Plaque Undated and unsigned Florentine school multi-color inlaid stone plaque depicting figures in an interior, set into a black slate backing, numerical notations verso '711 43500' and '1037 480', unframed Property from: a Private Collector, Glen Ellyn, Illinois Category: Fine Art > Mixed Media Estimated Sale Time: 10:18 am CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Last modified: July 2, 2024, 5:53 am
Leonard Auction
Jun. 06, 2024
Giovanni Montelatici Pietra Dura Framed Plaque
Est: $400 - $600
(Italian, 1864-1930), depicting a scene of two 18th century gentleman seated at a table in an interior scene, not apparently signed, having later parcel ebonized birdseye frame, sight 8-1/2 x 11-1/2 in., overall 14 x 17 in. Provenance: Collection of Steve Stewart, Lake Lure, North Carolina
Brunk Auctions
Jul. 23, 2023
Giovanni Montelatici (Italian, 1864-1930)
Est: $2,000 - $2,500
Giovanni Montelatici (Italian, 1864-1930) Il giovane affamato (The Hungry Chimney Sweep), circa 1900 Stone mosaic, signed l/r., framed 9 1/4 x 7in (23.5 x 17.8cm) 17 1/2 x 15 1/2in (44.5 x 39.4cm/frame)
Fine Estate Inc.
Apr. 16, 2023
Attributed to Giovanni Montelatici (Italian, 1864-1930) Pietra Dura Plaque
Est: $400 - $600
Attributed to Giovanni Montelatici (Italian, 1864-1930) Pietra Dura Plaque Apparently unsigned, indistinct name penciled verso, depicting a violinist with dog, in a dark and gold-tone wood frame Provenance: the Estate of Solomon 'Fred' Spector, violinist with the Chicago Symphony Orchestra from 1956-2003 Property from: The Fred and Estelle Spector Estate, Chicago (Lincoln Park), Illinois Category: Fine Art > Other Estimated Sale Time: 12:24 pm CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Sales Tax: California, Florida, Georgia, Kansas, New Jersey, New Mexico, New York, Pennsylvania, Washington, Wisconsin Download High Resolution Photographs: Photograph #1 Photograph #2 Photograph #3 Last modified: April 10, 2023, 3:49 pm
Leonard Auction
Feb. 22, 2023
Giovanni Montelatici Pietra Dura Still Life Plaque
Est: $10,000 - $30,000
A large wall or table top sized Italian pietra dura artisan inlaid stone plaque on black marble, by Giovanni Montelatici (1864-1930). A still life work depicting an overflowing basket of colorful flora with a breezy bow. The artist is often credited with revitalizing the skill of painting in pietra dura. Signed on basket under roses G. MONTELATICI. Artistry is shown in natural variations in the gemstones which are manipulated in such a expert way as to produce tonal effects of shade and light dancing across the surface of the petals, leaves and basket. Series of numbers 7934, 760000, 1055 etched into stone verso. Dimensions: 34 X 55 X 1 in. Condition: Good overall condition having normal surface wear. Please note: having areas of hairlines possibly from production process. Estate fresh to the market. Shipping: Hill Auction Gallery does not offer in-house shipping for this item. Gallery will refer third party shippers for all domestic and international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com
Hill Auction Gallery
Nov. 30, 2022
G Montelatici 1864-1930 Pietra Dura Figural Mosaic
Est: $100 - $1,000
Giovanni Montelatici (Italian, 1864-1930). A pietra dura stone mosaic. A figural work depicting a strolling Renaissance style lute player musician in period costume. Inlaid hardstone and semiprecious gemstone design in a myriad of colors. Signature on lower right. Framed in wood frame. Work Size: 13 x 7 in. Dimensions: 15 X 9 X 1.25 in. Condition: Good overall condition having normal surface wear. Stone background has two opposing stress lines. Storage wear to frame. Estate fresh to the market. Shipping: Hill Auction Gallery offers in-house ground contiguous USA domestic shipping, excluding New Mexico, for $85 plus insurance. Gallery will refer third party shippers for international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com
Hill Auction Gallery
Nov. 22, 2022
Pietra dura plaque signed "A. Montelataci".
Est: $15,000 - $20,000
Pietra dura plaque signed "A. Montelataci". Alfonso Montelatici son of giovanni (1864-1930) has worked illusrated in the Gilbert Hardstone catalog # 72-73. This mandoline player has selected stones with complete patterns with aged darker quality which is an indicator that this is an "authentic original work" created by Alfonso Montelatici. Circa 1880. Plaque measures 9" x 17 1/2". Framed 15" x 23 1/2".
Antique Place
Aug. 31, 2022
G Montelatici 1864-1930 Pietra Dura Figural Mosaic
Est: $100 - $1,000
Giovanni Montelatici (Italian, 1864-1930). A pietra dura stone mosaic. A figural work depicting a strolling Renaissance style lute player musician in period costume. Inlaid hardstone and semiprecious gemstone design in a myriad of colors. Signature on lower right. Framed in wood frame. Work Size: 13 x 7 in. Dimensions: 15 X 9 X 1.25 in. Condition: Good overall condition having normal surface wear. Stone background has two opposing stress lines. Storage wear to frame. Estate fresh to the market. Shipping: Hill Auction Gallery offers in-house ground contiguous USA domestic shipping, excluding New Mexico, for $85 plus insurance. Gallery will refer third party shippers for international buyers. Purchaser pick up available upon request. Got something to sell? Contact us at HillAuctionGallery.com
Hill Auction Gallery
Jun. 21, 2022
Pietra dura plaque signed "A. Montelataci".
Est: $15,000 - $20,000
Pietra dura plaque signed "A. Montelataci". Alfonso Montelatici son of giovanni (1864-1930) has worked illusrated in the Gilbert Hardstone catalog # 72-73. This mandoline player has selected stones with complete patterns with aged darker quality which is an indicator that this is an "authentic original work" created by Alfonso Montelatici. Circa 1880. Plaque measures 9" x 17 1/2". Framed 15" x 23 1/2".
Antique Place
Feb. 04, 2022
Giovanni Montelatici Framed Pietra Dura Plaque
Est: $300 - $500
(Italian, 1864-1930) Man Wearing a Cowl, signed "G. Montelacici" lower right, image 7-1/8 x 5-1/4 in.; modern frame, 16-1/4 x 12-1/2 in.
Brunk Auctions
Dec. 13, 2021
Giovanni Montelatici
Est: €5,000 - €8,000
Couple of elders Composition in various stones Signed
Veritas Art Auctioneers
Jul. 27, 2020
Pietra dura plaque by Giovanni Montelatici (Italian, 1864 - 1930), profile portrait of a man in red cap, signed in lower center in r...
Est: $300 - $500
Pietra dura plaque by Giovanni Montelatici (Italian, 1864 - 1930), profile portrait of a man in red cap, signed in lower center in red, in gilded and molded frame with expected wear, pietra dura plaque with wear consistent with age and use, ss: 10 3/4" h. x 8 1/4" h.
Winter Associates, Inc.
Dec. 07, 2019
Giovanni Montelatici, Italian (1864-1930), Portrait of a Monk, pietre dura plaque, 6 3/4 x 4 3/4 inches (sight)
Est: $1,500 - $2,000
signed, framed.
Link Auction Galleries
Oct. 10, 2017
Giovanni Montelatici [attribuito a], Il vinaio.
Est: €3,800 - €7,600
Mosaico in pietre dure. cm 28x19,5.
Gonnelli Casa d'Aste
Oct. 10, 2017
Giovanni Montelatici, Menestrello medievale.
Est: €1,200 - €2,400
Mosaico in pietre dure. cm 30,5x15. Firmato in basso a destra.
Gonnelli Casa d'Aste
Oct. 10, 2017
Giovanni Montelatici, Coppia di contadini.
Est: €15,000 - €30,000
Mosaico in pietre dure. cm 24x31,5. Firmato in basso a sinistra.
Gonnelli Casa d'Aste
Feb. 11, 2009
Framed Pietra Dura Plaque of a Bearded Man
Est: $800 - $1,200
Framed Pietra Dura Plaque of a Bearded Man Giovanni Montelatici, early 20th century Of rectangular form, depicted in three-quarter profile. Sight 11 3/4 x 8 1/4 inches.
DOYLE Auctioneers & Appraisers
Jan. 08, 2008
A large and fine Florentine pietre dure plaque by
Est: £15,000 - £20,000
A large and fine Florentine pietre dure plaque by Alfonso Montelatici, depicting a domestic interior scene of an elderly couple seated at a table, signed lower right 'A. Montelatici' and dated '1926', 17 x 25in (43 x 63.8cm) within an ebonised frame. Alfonso Montelatici the son of the famous mosaicist Giovanni Montelatici, drew inspiration for his compositions from the Tuscan Macchiaiolo school of artists and many of his works feature scenes of rural life.
Woolley & Wallis
Sep. 11, 2007
A late 19th century Florentine pietre-dure rectangular panel, by Giovanni Montelatici
Est: £400 - £600
Worked in various contrasting coloured marbles and hardstones with a peasant fisherman, wearing a hat, waistcoat, shirt and breeches, holding a basket of fish picked out in mother-of-pearl to his side, on a water's edge, indistinctly signed 'Giov. Balt. Montelatici', within a grey stone border, s.d., minor losses, 33 x 17cm, in a repainted, reeded and moulded, gilt gesso rectangular frame.
Bonhams
Apr. 20, 2007
Giovanni Montelatici A Pietra dura plaque of the bath Florence, early 20th century
Est: $20,000 - $30,000
multicolored marbles inlaid against a black marble background, signed lower right G.Montelatici .
Sotheby's
Mar. 29, 2007
AN IMPORTANT AND MONUMENTAL FRAMED FLORENTINE PIETRE DURE PICTURE
Est: £100,000 - £200,000
AN IMPORTANT AND MONUMENTAL FRAMED FLORENTINE PIETRE DURE PICTURE ATTRIBUTED TO GIOVANNI MONTELATICI, EARLY 20TH CENTURY Depicting an interior domestic scene of an elderly woman teaching her grand-child to read, five other adults looking on encouragingly, a wine bottle to the upper right corner inscribed Firenze, within a deep fluted, egg-and-dart and laurel-carved giltwood and gesso frame The picture: 34 x 53½ in. (86.3 x 136 cm.) Overall: 51¼ x 72 in. (130 x 183 cm.)
Christie's
Sep. 29, 2005
A Florentine pietre dure plaque
Est: £2,000 - £3,000
By Giovanni Montelatici, Florence, Early 20th century Depicting two monks tasting food, within a black border, signed to the top G. Montelatici 9 x 11 in. (23 x 28 cm.)
Christie's
Apr. 24, 2003
A fine and large framed Florentine pietre dure panel, entitled 'Return from the market'
Est: $50,000 - $70,000
By Mario Montelatici, Florence, Circa 1920 The lower left corner signed Montelatici, within an ebonised and parcel giltwood frame Overall: 41 in. x 321/2 in. (104.1 cm. x 82.5 cm.) NOTES Mario Montelatici, son of Giovanni, began making Pietre dure mosaics at the age of nine, completing his last work just four days short of his death in 1974 at the age of 90. Drawing inspiration for his compositions from the paintings of the Tuscan Macchiaiolo School and Southern Italian artists, his production encompassed a wide variety of themes, with particular emphasis on scenes of domesticity and rural life. The present lot is typical of his work, both in its superlative technique, and its genre subject. The chosen subject here is after a painting by Stefano Bruzzi (d.1911), which won a price in the Parma Exhibition of 1888. Another example of this panel, commissioned by Marjorie Merriweather Post for Mar-a-Lago, is part of the the Gilbert collection (Cf. A. Massinelli, The Gilbert Collection, Hardstones, London 2000, p.175). A third example sold in these rooms 7 March 1996 ($57,500).
Christie's
Apr. 24, 2003
A framed Florentine pietre dure panel
Est: $5,000 - $7,000
Circa 1900 The rectangular plaque depicting a child and grandmother in a kitchen, within a conforming ebonised frame Overall: 151/4 in. x 123/4 in. (38.7 cm. x 32.3 cm.) NOTES The ancient art of pietre dure is a technique where illusionist pictorial mosaics are made of cut and polished semi-precious hardstones. The stones are cut with great precision into thin sheets, shaped, then fitted together with almost invisible join lines. Natural markings in the stone are employed to achieve effects of perspective and pattern. Pietre dure as an art form was perfected in Florence during the sixteenth century, where it flourished for many years before falling out of fashion in the mid-nineteenth century. Among the last masters of this art form in Florence were members of the Montelatici family. Their patriarch, Giovanni (d. 1930), is often credited with revitalising the skill of 'painting' in pietre dure at the end of the 19th century. In 1898, Montelatici went into business with Galileo Chini (d. 1857), founding 'Arte del Mosaico' later called Societ… Civile-Arte del Mosaico. The two men exhibited at the 1900 Paris Exposition Universelle, winning a gold medal for their large table inlaid with a scene of the Annunciation. Following the success in Paris, Montelatici established a large workshop on the Via Arnolfo, known as La Musiva (see overleaf photo) appointing Chini as its artistic director. Marketing to foreign buyers, the business flourished during the early decades of the 20th century, when Montelatici was joined by his two sons, Mario and Alfonso.
Christie's
Mar. 20, 2003
An Italian pietre dure pictorial plaque
Est: $47,100 - $78,500
In the manner of Giovanni Montelatici Depicting a seated man drinking a glass of wine, his dog to his side, a woman pouring wine from a barrel into bottles; in a black wooden frame The plaque: 211/2 in. (55 cm.) high; 263/4 in. (68 cm.) wide; The frame: 283/4 in. (73 cm.) high; 341/4 in. (87 cm.) wide NOTES The art of Pietre Dure is a mosaic technique perfected in Florence at the end of the 16th Century and still practised there. It employs hard, rare and semiprecious stones cut with great precision into thin sheets, shaped then fitted together with almost invisible join lines. Natural markings in the stone are used to achieve effects of chiaroscuro, perspective and pattern. This technique originated in the opus sectile of the ancient world. From the 17th century onwards, craftsmen of the Grand Ducal workshops in Florence have tried to make their work look as much like brush painting as possible. According to Antonio Zobi (A. Zobi, Notizie storische sull'origine e progressi dei lavori di commesso in pietre dure nell'I. e R. Stabilimento di Firenze, Stamperia Granducale, Florence, 1853), 'The time at which real painting began to be imitated in Florence with natural coloured stones inlaid in mosaic to portray objects as if they had been painted with a paint brush' is discussed in a document dated 1597 and relating to a portrait of Cosimo da Medici by the painter Cresti, painting which was given to a stoneworker, Francesco Ferrucci, to be copied into a mosaic picture. Pietre dure enjoyed great popularity through the centuries until the first quarter of the 19th century, where it went out of fashion until circa 1880. The revival of interest for pietre dure is due to the skilful mosaicist, Giovanni Montelatici, who's works were selling successfully to foreign buyers. His production covered just about every subject, favouring sentimental domestic scenes with glimpses of rural life. SALESROOM NOTICE Please note that this Pietre Dure plaque is after a painting entitled Cantina by Francesco Vinea (1845-1902). An identical micromosaic plaque, entitled Cantina, is in The Gilbert Collection and can be viewed in their catalogue Micromosaics in the Gilbert Collection page 168, reference 100.
Christie's
Feb. 19, 2003
An Italian pietre dura panel
Est: $3,180 - $4,770
Probably a Florentine workshop, Late 19th century The ebonised wood frame with guilloche border and easle support 18 5/8in. (47.3cm.) high overall NOTES COMPARATIVE LITERATURE: Anna Maria Massinelli, The Gilbert Collection, Hardstones, Philip Wilson Publishers Limited 2000, page 163. In the 1880's the pictorial potential of inlaid stones underwent a rejuvenation in the various Florentine workshops. Inspired mainly by the skills of Giovanni Montelatici and combined with the artistic direction of Galileo Chini, the workhop gained international renoun with a piece entitled the 'Annunciation', inlaid into a table, winning a gold medallion at the Exposition Universelle in Paris, 1900. Montelatici established the La Muciva workshop, which continues to today, specialising in nostaligic domestic scenes with glimpses of rural life.
Christie's
Oct. 29, 2002
An Italian pietre dure pictoral plaque
Est: $20,000 - $30,000
By Giovanni Montelatici, Florence, Circa 1900-10 Depicting a cottage interior scene with mother, two young girls and an infant taking her first steps, within a black border, signed to the upper right corner G. Montelatici, the reverse inscribed twice Fratelli Bencini/2 Via Leopoldi 2/Firenze and with numbers 3415/46000, in a later black and gilt-painted frame The plaque: 171/4in. x 13 7/8in. (43.8cm. x 35.2cm.) LITERATURE A. M. Massinelli, The Gilbert Collection - Hardstones, London, 2000, pp. 14, 162-3 NOTES The Florentine artist Giovanni Montelatici (d. 1930) is often credited with revitalising the skill of 'painting' in pietre dure, an art which had fallen into a steady decline since the mid-19th century. In 1898, Montelatici went into business with Galileo Chini (d. 1857), an artist from Mugello, near Florence, and the two men exhibited jointly at the 1900 Paris Exposition Universelle, winning a gold medal for their large table inlaid with a scene of the Annunciation. Following the success in Paris, Montelatici established a large workshop on the Via Arnolfo, known as La Musiva (see photo below left) appointing Chini as its artistic director. The business flourished during the early decades of the 20th century, when Montelatici was joined by his two sons, Mario and Alfonso, and when foreign buyers were plenty. Inspired by the paintings and subjectmatter of the Tuscan Macchiaiolo School and Southern Italian artists, production encompassed a wide variety of themes, with particular emphasis on scenes of domesticity and rural life. The present plaque, with its tender depiction of an infant child taking her first steps, is a fine example of the former.
Christie's