Carl Moll Paintings & Artwork for Sale | Carl Moll Art Value Price Guide

Dec. 03, 2024
Carl Moll: Café "Hohe Warte"
Est: €100,000 - €200,000
Carl Moll Café "Hohe Warte" 1905 oil on canvas; framed 80 x 80 cm signed on the lower left: C. Moll Zdenko Hans Skraup (1850-1910), 1905 acquired directly from the artist; since then in family property, private property, Austria 1905 Vienna, Secession, XXIII. Ausstellung der Vereinigung bildender Künstler Österreichs Secession, march-may, no. 136 Katalog der XXIII. Kunstausstellung der Vereinigung bildender Künstler Österreichs Secession, März-Mai 1905, Vienna, no. 136 (Café "Hohe Warte", without ill.); cf.: Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 226, ill. p. 178 (Café Hohe Warte, oil on panel, 36.5 x 26.5 cm)
Im Kinsky
Nov. 30, 2024
Moll, Carl
Est: -
Moll, Carl 1861 Wien - 1945 Plankenberg Küchenstillleben. Signiert. Öl/Holz, 33,5 x 23,5 cm.
Dusseldorfer Auktionshaus
Nov. 27, 2024
Carl Moll, Vienna 1861 - 1945 Vienna
Est: €200 - €400
Carl Moll Vienna 1861 - 1945 Vienna At the Heustadlwasser Offset lithograph on paper 46.5 x 46.5 cm, framed 56 x 54 cm signed and inscribed lower right
Tiberius Auctions
Nov. 27, 2024
Carl Moll, Vienna 1861 - 1945 Vienna
Est: €400 - €800
Carl Moll Vienna 1861 - 1945 Vienna Carriage Ride of the Emperor Colored woodcut 43 x 43 cm monogrammed in the plate lower right
Tiberius Auctions
Nov. 27, 2024
Carl Moll, Vienna 1861 - 1945 Vienna
Est: €200 - €400
Carl Moll Vienna 1861 - 1945 Vienna Colored woodcut The Neptune Fountain with the Gloriette in Schönbrunn 42.5 x 42.5 cm, framed 45.5 x 45.5 cm
Tiberius Auctions
Nov. 27, 2024
Moll, Carl: Winter (Hohe Warte in Wien).
Est: €400 - €600
Winter (Hohe Warte in Wien). Farbholzschnitt mit graublauer Tonplatte auf festem Kupferdruckpapier. 43,1 x 43 cm (Darstellung); 55,8 x 45 cm (Blattgröße). (1903). Cornelia Cabuk: Carl Moll. Monografie und Werkverzeichnis, hg. v. Stella Rollig, Christian Huemer (Belvedere Werkverzeichnisse. 11), Wien 2019 (online), DG 13. Auf der Hohen Warte im 19. Wiener Gemeindebezirk errichtete der Architekt Josef Hoffmann ab 1901 eine Künstlerkolonie. Als Erstes wurde ein Doppelhaus für Koloman Moser und Carl Moll fertiggestellt. Nicht weit entfernt bezogen auch die beiden Fotografen und Kunstmäzene Friedrich Viktor Spitzer und Hugo Henneberg je eine stattliche Villa. Aus der Jahresmappe der Gesellschaft für vervielfältigende Kunst, Wien 1903. Ausgezeichneter Druck wohl auf dem vollen Bogen der Jahresmappe. Geringfügig altersspurig sowie schwach gebräunt, links kleine Randeinrisse und links oben leicht lädiert, knitterspurig im unteren Rand, die rechte untere Eckenspitze fehlt, sonst gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 19, 2024
Carl Moll
Est: €70,000 - €100,000
(Vienna 1861–1945) “Wintersonne in Alger” (Winter Sun in Algiers), 1930, monogrammed CM, on the reverse titled and dated on an old exhibition label, another label from the “XVIII International Biennale Venice 1932”, old label, oil on canvas, 60 x 70 cm, framed Listed and illustrated: Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. II (ed.), Vienna 2020, GE 442 Provenance: Estate of Carl Moll (1861–1945) By descent to Anton Klement (1886–1965), Vienna By descent - Private Collection, Lower Austria Literature: Monika Fritz, Der Wiener Maler Carl Moll, Diss. Univ. Innsbruck, 1962, cat. no. 77, ill. 82 Hans Dichand, Astrid Gmeiner, Carl Moll. Seine Freunde, sein Leben, sein Werk, Galerie Welz, Salzburg 1985, p. 71, cat. no. 88, ill. p. 170 Exhibition: Secession, CXVII, 1931, p. 15, possibly identical with cat. no. 112 Venice, Biennale 1932, possibly identical with cat. no. 55 “Life in Algiers was delightful in every respect. A refreshing, ozone-rich air with a champagne effect, lush vegetation, the fragrance of blooming orange trees – everything was intoxicating.” (Carl Moll, in.: Gmeiner 1985, p. 29) Carl Moll enthusiastically described his journey to Algeria in the winter of 1930 in his memoirs. He accepted the invitation of his friend Count Spork, who had arranged for him and his wife to stay in a luxurious apartment with a terrace and sea view in the upscale hilltop neighborhood of Hydra, near the Bois de Boulogne. The intensity of the North African light and the variety of colors inspired the painter to engage in intense artistic activity during the four months between January and April. A major work from this phase is undoubtedly Winter Sun in Algiers, which Moll submitted to both the Secession exhibition in 1931 and the Venice Biennale in 1932. Until now, it had only been known through a black-and-white photograph, but it captivates with its well-tempered rhythm of light-infused greens, blues, and violets, alongside darker shadow areas. Short yet broad brushstrokes give the view over the park landscape high above Algiers a unique, pulsating plasticity.
Dorotheum
Nov. 19, 2024
Carl Moll
Est: €40,000 - €60,000
(Vienna 1861–1945) Boote im Prater (Boats in the Prater, Vienna), c. 1930, monogrammed CM, on the reverse inscribed “Prater Moll”, oil on wood, 34 x 35,5 cm, framed Listed and illustrated: Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. II (ed.), cat. rais. GE 429 (b/w ill.) Provenance: Private Collection, Vienna Literature: Carl Moll. Seine Freunde, sein Leben, sein Werk, Galerie Welz, Salzburg 1985, ill. 85 Monika Fritz, Der Wiener Maler Carl Moll, Diss. Univ. Innsbruck, 1962, cat. no. 84 The painting may have been exhibited at the Vienna Künstlerhaus in 1943. The catalogue of paintings submitted by Carl Moll mentions several Prater motivs, but none with an illustration. The reference in the catalogue raisonné can therefore not be verified. In his landscape paintings around 1930, Moll began to merge colour and light equally, portraying nature as a marvel of colors and shapes. The seemingly naturalistic Moll arranged the material according to formal laws, skillfully playing with lines, shapes, colors, and contrasts of light and dark. Moll took pleasure in using brush and palette knife, without the aid of sketches or pencil studies, to quickly create a depiction of the outside world that seemed to exist solely for the sake of being painted. (s. Fritz 1962, p. 102, 103).
Dorotheum
Nov. 19, 2024
Carl Moll
Est: €40,000 - €60,000
(Vienna 1861–1945) Heiligenstadt. Kirche bei Nacht (Heiligenstadt, Vienna. Church at night), c. 1904, signed C. MOLL, oil on wooden panel, 34.5 x 36 cm Provenance: Galerie Würthle, Vienna Private Collection, Vienna We are grateful to Dr. Cornelia Cabuk and Dr. Franz Smola, Belvedere for confirming the authenticity based on the original. It will be included in the catalogue raisonné under the number GE 214 A. “The everyday view is inexhaustible in its variety.” (Emil Jakob Schindler in a letter to Carl Moll) Around 1900, after the founding of the Vienna Secession, Carl Moll began a brief but remarkably significant phase of work that combined Impressionistic and Symbolist stylistic tendencies with his own conception of realism. Characteristic of this short period is the focus on a limited number of motifs. After Moll moved into the new villa on the Hohen Warte in 1901, the view from the garden to St. Michael in Heiligenstadt, framed by the gentle elevations of the Nussberg and the undulating hills of the Kahlen- and Leopoldberg, became a frequently recurring subject. In various versions, he “played” with slight changes in perspective, different image sizes, and the colours of the seasons. A particular highlight is this newly discovered night scene. In a burst of spontaneous inspiration, the painter captured the shadowy outlines of the buildings in swift brushstrokes on a thin wooden panel, which only become recognizable after prolonged observation. The phenomenon of darkness, which alters spatial distances, corresponds to the composition of finely nuanced layers of color from which isolated points of light emerge. With great sensitivity, Moll translated the “lack of colour” into a nighttime atmosphere full of poetry.
Dorotheum
Sep. 21, 2024
Attributed to Carl Moll Oil Painting, Two Women
Est: $50 - $15,000
Attributed to Carl Moll (Austria, 1861 - 1945) Oil Painting on board, Dressing Room Study of Two Seated Women, signed C. Moll. Measures 23.5 inches x 19.5 W. Painted on period board from Germany .
Kavanagh Auctions
Jun. 19, 2024
CARL MOLL: WINTER (HOHE WARTE IN WIEN)
Est: €500 - €1,000
Carl Moll Winter (Hohe Warte in Wien) colour woodcut on laid paper; framed 42.8 x 43 cm (board size), 55.3 x 45.4 cm (sheet size) typographically inscribed on the lower left: "Winter (Hohe Warte in Wien)" Originalholzschnitt von Karl Moll typographically inscribed on the lower right: Verlag der Gesellschaft für vervielfältigende Kunst, Wien. private property, Austria Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse vol. 11, Vienna 2020, DG 13, p. 303
Im Kinsky
Jun. 19, 2024
CARL MOLL: VENEDIG, BLICK AUF SAN GIORGIO MAGGIORE
Est: €50,000 - €100,000
Carl Moll Venedig, View of San Giorgio Maggiore c. 1922 oil on panel; framed 35 x 35.5 cm monogrammed on the lower left: CM label with inscription and note of ownership on the reverse: Carl Moll "Venice" view from Hotel Grand Canalé Monaco / Oil, Size 13 1/2 x 14 / signed, C.M. bottom left hand. / purchased apr 1925 from the artist by Dr. E. Gross / for L. Zimbler 1925 acquired directly from the artist by Dr. E. Gross (label verso); Liane Zimbler (1892-1987), Vienna and Los Angeles; since then family property, private property, Los Angeles "CARL MOLL "VENICE" VIEW FROM HOTEL GRAND CANALÉ MONACO" reads the inscription on the collection label on the back of this painting, which was formerly owned by the Austrian-American architect and interior designer Liane Zimbler. She recorded the motif and the precise position that Carl Moll chose for his view of Venice. From the terrace of the hotel near San Marco, he had a view of the expanse of sea from the Canale della Giudecca to the Isola di San Giorgio Maggiore. An impression of great distance is created by the undulating, reflective surface of the water, which occupies almost two thirds of the square picture format. The posts set at intervals in the sea create a sense of depth, while simultaneously anchoring the orthogonal composition in the picture. The island appears as a streak of light on the horizon, where the diffused outlines of buildings stand out against the shimmering atmosphere of Venice. The sweeping impasto application of paint in his late work and the luminous, typically Venetian red and blue hues create an authentic impression of the picturesque scene in the glimmering air. The ensemble of the church's magnificent façade in nuanced shades of white is given an emblematic character in the blue-shaded contours of the red building. In keeping with Moll's impressionistic approach, what interested him most was the constant change and the play of colours of the elements of water, air, light and the unique architectural landscape of Venice. After Moll's earlier artistic periods as a co-founder of the Vienna Secession and as the director of the Miethke Gallery, the established artist, now over sixty years old, devoted himself in painterly freedom to his own vision of a luminous, emphatic use of colour. (Cornelia Cabuk)
Im Kinsky
May. 29, 2024
Moll, Carl: Winter (Hohe Warte in Wien)
Est: €600 - €800
Winter (Hohe Warte in Wien). Farbholzschnitt mit graublauer Tonplatte auf Japan. 43,7 x 43 cm (Darstellung); 55,8 x 45 cm (Blattgröße). (1903). Cornelia Cabuk: Carl Moll. Monografie und Werkverzeichnis, Wien 2019 (online), DG 13. Auf der Hohen Warte im 19. Wiener Gemeindebezirk entstand unter maßgeblicher Beteiligung des Architekten Josef Hoffmann ab 1901 eine Künstlerkolonie. Als Erstes wurde ein Doppelhaus für Koloman Moser und Carl Moll fertiggestellt. Nicht weit entfernt bezogen auch die beiden Fotografen und Kunstmäzene Friedrich Viktor Spitzer und Hugo Henneberg je eine stattliche Villa. - Ganz ausgezeichneter Druck mit breitem Rand. Ganz schwach lichtrandig, im weißen Rand minimal fleckig, in der Darstellung links unten winziges Stockfleckchen, die Ecken etwas knitterfaltig, verso Montierungsreste, im linken Rand oben sowie unten zarte Quetschfältchen, sonst sehr schön. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 22, 2024
Carl Moll
Est: €40,000 - €60,000
(Vienna 1861–1945) „Begonie“ (Begonia), 1930, monogrammed CM, titled on an old collection label on the reverse as well as (incorrectly) dated 1933, inscribed on the stretcher „Begonien II / SANARY III“, oil on canvas, 57 x 55 cm, framed Provenance: Estate of the artist, Vienna by descent to Anton Klement (1886–1965), Vienna Private Collection, Lower Austria (by descent from the above) Compare: Cornelia Cabuk, Carl Moll, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, cat. rais. nos. GE 450-456 We are grateful to Dr. Cornelia Cabuk and Dr. Franz Smola, Belvedere for confirming the authenticity of this work and for the inclusion of the painting in the catalog raisonné under the no. GE 456 A. In 1930, Carl Moll painted a series of floral still-lifes under the influence of his younger colleague Robin Christian Andersen, one of which, “Still Life with Blue Bottle”, was acquired by the Belvedere. Like this one, the “Begonia” in the Klement Collection shows a new boldness of color and a different orchestration of light, which, emerging more from the back, dancing along the edges, gives the objects a certain plasticity, a powerful presence.
Dorotheum
May. 22, 2024
Carl Moll
Est: €50,000 - €90,000
(Vienna 1861–1945) “Die große Pappel” (The tall poplar), 1928, monogrammed CM, oil on canvas, 60 x 60 cm, framed Listed and illustrated: Cornelia Cabuk, Carl Moll, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, cat. rais. no. GE 393 Provenance: Estate of the artist by descent to Anton Klement (1886-1965), Vienna Private Collection, Austria (by descent from the above) Literature: Arthur Roessler, Wiener Künstler. Prof. Carl Moll, in: Bernhard Altmann Magazin, vol. 2, issue 11/12, 1929, p. 1-6, ill. Arthur Roessler, Carl Moll. Zum 70. Geburtstag, in: Österreichische Kunst. Monatshefte für bildende Kunst, vol. 4, Vienna 1931, ill. p. 14 Monika Fritz, Der Wiener Maler Carl Moll, Diss. Univ. Innsbruck, Innsbruck 1962, cat. no. 81 ("Scitvar"), ill. 84 At the age of almost 70, around 1930, Carl Moll embarked on his late oeuvre, a perceptible dynamic and stylistically newly shaped period in his work. In keeping wih the Impressionist tradition but with free, broad brushstrokes, he worked with complementary colors of light and dark, always avoiding black. This stylistic shift is also apparent in “The tall poplar”, a pendant to the painting “Summer’s Day” in the Belvedere collection. A large, shimmering green poplar tree stands majestically on the bank of a pond or watercourse. The painting is a homage to the light. It avoids the monotony of a tonal sequence of the only used colour green by progressing rhythmically and harmoniously from light to dark, additionally creating a sense of vital fluidity with carefully positioned white patches of sky.
Dorotheum
May. 22, 2024
Carl Moll
Est: €60,000 - €100,000
(Vienna 1861–1945) “Riva Schiavoni”, Venice, c. 1915, monogrammed CM, titled twice in pencil on the reverse of the stretcher Venedig (Riva Schiavoni) III, and IV Venedig, old label with no. 302, export stamp of the Hamburg customs office, oil on canvas, 66 x 60 cm, framed Provenance: Galerie Schebesta, Vienna Sale, Dorotheum, Vienna, 18 September 1963, lot 368 Private Collection, Austria by descent to the present owner Compare: Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, cat. rais. nos. GE 282-284 We are grateful to Dr. Cornelia Cabuk and Dr. Franz Smola, Belvedere for confirming the authenticity of this work and for the inclusion in the catalog raisonné under the no. GE 284 A. The title of the painting – Riva Schiavoni - is somewhat misleading, as the most famous waterside promenade in the world is only identifiable in this light drunken painting by the great building of the Chiesa della Pietà seen in the distance. Carl Moll, who sojourned in Venice for several months in the years 1907, 1913 and 1922, may have been standing on the jetty of the Hotel Monaco, following the flow of the water, which, like a street lined with sailing boats, extends deep into the picture, past the Giardini Reali, and the Doge’s Palace, down to the sun-drenched buildings along the Riva. It is wonderful to see how the shape of the boats and the white gleaming balustrades are mirrored in the gentle swell of the water, how the warm sunlight adds a yellowish rinse to the delicate strands of cloud and lends a golden glow to the buildings.
Dorotheum
Mar. 23, 2024
MOLL, Carl (*1861 Wien †1945 ebd),
Est: -
MOLL, Carl (*1861 Wien †1945 ebd), Holzschnitt, "Winter (Hohe Warte in Wien)", Verlag der Gesellschaft für vervielfältigende Kunst/Wien, Rahmen der Zeit (leicht best), hinter Glas, über alles 47,5 x 48 cm, rechts unten gebräunt, wohl beschnitten
zeitGenossen Antiquitäten - Kunst - Design
Mar. 21, 2024
Carl Moll, 1861 Wien – 1945
Est: €10,000 - €12,000
DIE TAUFE CHRISTI - KOPIE NACH DOMENIKOS EL GRECO (1541 – 1614) Öl auf Leinwand. 109 x 46 cm. Verso kleiner Notizzettel mit Verweis auf Carl Moll sowie Verweis auf El Greco-Kopie. Auf dem Gemälde ist die Taufe Christi in einer nächtlichen Szene dargestellt. Es wird der Moment gezeigt, als Johannes der Täufer das Taufwasser aus einer Muschel über das Haupt Christi gießt. Der Himmel hat sich geöffnet und zeigt den thronenden Gottvater in einem weißen Gewand sowie eine herabsteigende Taube in der Mitte des Bildes. Dieser Vogel verbindet die obere himmlische mit der unteren weltlichen Bildebene. Anmerkung: Das Originalgemälde von El Greco, Öl auf Leinwand, 330 x 211 cm, befindet sich im Hospital de Tavera, Toledo. Literatur: Stella Rollig, Christian Huemer, Carl Moll - Monografie und Werkverzeichnis, Bd. 2, Wien 2020, S. 186. (13810524) (18) Carl Moll, 1861 Vienna – 1945 THE BAPTISM OF CHRIST - COPY AFTER EL GRECO (1541 – 1614) Oil on canvas. 109 x 46 cm. Notes: The original painting by El Greco, oil on canvas, 330 x 211 cm, is located in the Hospital de Tavera, Toledo. Literature: Stella Rollig, Christian Huemer, Carl Moll - Monografie und Werkverzeichnis, vol. 2, Vienna 2020, p. 186.
Hampel Fine Art Auctions
Mar. 14, 2024
CARL MOLL Erntewagen am See.
Est: $15,000 - $20,000
CARL MOLL Erntewagen am See. Oil on canvas, 1878. 317x393 mm; 12½x15½ inches. Signed and dated in oil, and inscribed to the dedicatee, "H Sc." lower right recto. Provenance: Hermann Sch--, the dedicatee, with the inscription, "Sei[nem] [Fre]unde [Her]rmann Sch [...] [Zur fre]undlichen Erinnerung Carl Moll" on a partial label on the stretcher verso; Kunstsalon Menzel, Salzburg, until 1977; Max Dasch, Salzburg; private collection; sold Tiberius Auctions, Vienna, November 14, 2023; private collection, Estonia. Published: Cornelia Cabuk, Carl Moll Monografie und Werkverzeichnis, 2020, volume 11, page 108, number GE 1. Moll (1861-1945), born in Vienna, spent much of his childhood painting, as frequent illness made regular school attendance impossible. His father's early death in 1877 and subsequent inheritance afforded his family the financial security to pay for Moll's private lessons in painting and drawing from the landscape painter Carl Haunold (1832-1911). According to the Belvedere Museum in Vienna, the current work was painted by Moll during his time as a student under Haunold's tutelage. Moll would go on to become the student of Christian Griepenkerl (1839-1916) and Emil Jakob Schindler (1842-1892) at the Vienna Academy of Fine Arts. In 1897, he co-founded the Vienna Secession with Gustav Klimt (1862-1918), advocating for a rejection of conservative traditions, and his artistic style by this time had shifted significant from the more traditional, academic appearance of the current work. Moll was especially vocal in his support of the Belvedere Gallery as a focal point of new Austrian art, and many of his most important paintings of now in the museum's collection. Artistically, Moll embodied this disavowal of norms through his frequent depiction of bright majestic landscapes rendered in sweeping brushstrokes. Moll committed suicide in Vienna at the end of World War II.
Swann Auction Galleries
Mar. 13, 2024
Carl Moll 1861—1945
Est: CHF100,000 - CHF150,000
Carl Moll 1861—1945 Frühstückstisch in Venedig Öl auf Leinwand unten links monogrammiert CM 61,5 x 60 cm
Artcurial Beurret Bailly Widmer
Nov. 27, 2023
CARL MOLL: VILLA PRIMAVESI
Est: €100,000 - €200,000
Carl Moll Villa Primavesi c. 1919 oil on canvas; framed 60 x 60 cm monogrammed on the lower right: CM Primavesi family, Vienna, acquired directly from the artist; Christie's London, 23.06.2004, no. 161; private collection, Austria; auction house im Kinsky, 24.02.2009, no. 80; private property, Vienna Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 307, ill. p. 205 The Villa Primavesi in Vienna-Hietzing was built between 1913 and 1915 according to plans created by Josef Hoffmann for Josefine Skywa and her life partner Robert Primavesi, an industrialist, large landowner and member of the Imperial Council, although it is she who is mentioned as the client. What is remarkable about the neo-classical Art Nouveau building, which is still preserved today and on which Hoffmann collaborated with, among others, the sculptor Anton Hanak, is the extensive Reformgarten ("Reform Garden") which formed an integral part of the Gesamtkunstwerk or total synthesis of the arts, and whose terrace abutted on the tea house district with the former two-storey Glashaus. In 1913 Josefine Skywa already owned the garden area, which Hoffmann included in the construction plans. Carl Moll was one of the guests at the house. In his painting, the only part of the magnificent building shown is the terrace on the right-hand side of the picture with the party at the table, while the actual motif is the harmonious lifestyle of the house owners in the midst of the nature in the garden, with its old trees. With the bright clearing in the middle ground and the shimmering areas of shadow, which Moll depicts with dynamic brushstrokes in brilliant colours, architecture and nature conjoin in meaningful unity. After the periods as a co-founder of the Secession, and as a member of the Klimt Group and the Kunstschau exhibition, and following his retirement from directing the Miethke Gallery, Moll devoted himself exclusively to painting at times. In his motifs of stately gardens and the landscape of the Prater park in Vienna, he developed the accentuated colouring so typical of his work as he evolved his initial Impressionist approach into a subjective depiction of nature through his characteristic temperamental impasto style. He depicted the unfathomable expanse of the garden as an evocative backlit scene by inserting coloured lights that shine through the treetops and thus draw the viewer’s gaze into the depths of the picture. (Cornelia Cabuk)
Im Kinsky
Nov. 27, 2023
CARL MOLL: ALLEE IN SCHÖNBRUNN
Est: €50,000 - €100,000
Carl Moll Allee in Schönbrunn 1909/10 oil on panel; framed 35 x 35.5 cm signed on the lower left: CMoll (carved) with personal dedication on the reverse: seiner lieben Fritzi / Carl private property, Austria (according to the previous owner, acquired from his father directly from the artist's estate); auction house im Kinsky, 15.11.2012, no. 887; private property, Vienna Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 251, ill. p. 187 Carl Moll picturesquely captures the atmosphere of a warm spring day in Vienna’s Schönbrunner Allee, filled with light and colour, in a square picture format. The viewer’s gaze is drawn into the depths of a bright clearing by the extreme vanishing perspective of the avenue of trees, while the horse-drawn carriage moves forward in the opposite direction. The sunlight filters through the luxuriant green canopy of tree foliage with a multilayered scattering of its rays, enlivening the park landscape with a shimmering interplay of light and shadow. (Claudia Mörth-Gasser)
Im Kinsky
Nov. 27, 2023
CARL MOLL: GARTEN IM FRÜHLING AUF DER HOHEN WARTE
Est: €250,000 - €500,000
Carl Moll Garten im Frühling auf der Hohen Warte 1903 oil on canvas; framed 100 x 100 cm signed on the lower right: C. Moll remains of an old artist's label with handwritten no. 168 and an inscription by the hand of the artist on the reverse on the stretcher: Gart(en im) Frühling and numbered label no. 168 (probably label of the exhibition Wiener Werkstätte 1906, Museum Folkwang, Hagen) after 1906 family of Anna Moll (née Bergen), Hamburg; by inheritance to Helene Raskop, Hamburg; by inheritance to Gertrud Helene Raskop (deceased on 23.11.1978), Hamburg; by inheritance to the aunt of the present owner, private property Hamburg; since 1997 German private property 1906 Hagen, Museum Folkwang, exhibition "Wiener Künstler" (Wiener Werkstätte), November/December, no. 168 (exhibition label verso) "(...) he (Moll) is one of the most conscious proponents of modern living culture and each of his brushstrokes directly reflects his conviction and way of life. He lives in a villa built by Hoffmann on the Hohe Warte, a colony of villas that owes its entire layout to Hoffmann. Between beautiful white houses lie spacious gardens with neat terraces and arcades, carefully tended and fitted out with white furniture. It is from this environment that Moll’s motifs originate." (Review of the "Ausstellung Wiener Künstler im Folkwang" ["Exhibition of Viennese Artists at the Folkwang"], in: Haener Zeitung, no. 282, 1.12.1906, p. 2) The painting "Garten im Frühling auf der Hohen Warte" ("Garden in Spring on the Hohe Warte") is a rare masterpiece of Viennese modernism, previously unknown in the art world. Painted in 1903 and exhibited at the Folkwang Museum in Hagen in December 1906, the painting probably made its way to Hamburg a little later, where the family of Anna Schindler-Moll (née Bergen) lived. Since then, Moll’s wonderful view of the garden of the Villa Moll/Moser in Döbling, freed from narrative details, has remained hidden from the public eye in German private property for nearly one hundred years. We consider ourselves fortunate that this newly discovered jewel from the heyday of Secessionist art has found its way back to Vienna and that we are able to present the painting for the first time in almost a hundred years. (Claudia Mörth-Gasser) Moll painted the picture "Garten im Frühling" ("Garden in Spring") from the porch of the Moll-Moser duplex on Hohe Warte facing south. A narrow, paved path, bordered by low brick walls and tulip beds, leads to an arbour symmetrically flanked by small box trees in cuboid pots. The idea of the Gesamtkunstwerk or total synthesis of the arts in Josef Hoffmann’s architecture also extended to the joint planning of the "Reform Gardens", in which architecture and nature formed a stylistic unity ordered according to geometric relationships. At the artists’ colony on the Hohe Warte, the unity of life and art was realised in an ideal way in a culture of modern taste. The clearly structured, harmoniously designed, modern environment was intended to enable people to live in a devoted harmony with nature. The idea of a reform of life is clearly documented in Moll's cycle of paintings of the Hohe Warte in his impressionistic depiction of the equally stylised interior and exterior spaces At the 17th Secession exhibition in 1903, Moll presented a collection of his paintings of the Hohe Warte, including garden pictures, which was acclaimed by the art critic Ludwig Hevesi. After leaving the Secession together with the Klimt Group, Moll, as director of the Miethke Gallery, promoted the Wiener Werkstätte ("Viennese workshops"), founded in 1903 by Fritz Waerndorfer, Koloman Moser and Josef Hoffmann, by presenting them at the newly designed venue on the Wiener Graben in December 1905, and by arranging for Karl Ernst Osthaus to show their work at the Folkwang Museum in Hagen, Germany, in December 1906 under the title "Ausstellung Wiener Künstler" ("Exhibition of Viennese Artists"). There, Moll’s paintings were shown, together with the arts and crafts of the Wiener Werkstätte. To illustrate "the new Viennese life", Moll included the "Weiße Interieur" ("White Interior") (GE 223) as well as paintings of the Hohe Warte, among them probably "Garten im Frühling" ("Garden in Spring). (Cornelia Cabuk)
Im Kinsky
Nov. 23, 2023
Winter (Hohe Warte), 1903
Est: €800 - €1,000
Coloured woodcut on strong paper Typographical title lower left, typographical publisher's indications "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" lower left Plate size: 16,93 x 16,93 in; sheet size: 21,89 x 17,8 in Published in the annual portfolio of the Gesellschaft für vervielfältigende Kunst; slight damage to the right side edge, does not disturb the overall impression; Provenance: Austrian private collection.
Lehner Kunstauktionen
Nov. 23, 2023
Winter (Hohe Warte), 1903
Est: €800 - €1,000
Coloured woodcut on strong paper Typographical title lower left, typographical publisher's indications "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" lower left Plate size: 16,93 x 16,93 in; sheet size: 21,89 x 17,8 in Published in the annual portfolio of the Gesellschaft für vervielfältigende Kunst; slight damage to the right side edge, does not disturb the overall impression; Provenance: Austrian private collection.
Lehner Kunstauktionen
Nov. 14, 2023
Carl Moll, Vienna 1861 - 1945 Vienna, Harvest wagon at the lake
Est: €12,000 - €20,000
Carl Moll Vienna 1861 - 1945 Vienna Harvest wagon at the lake Oil on canvas 31.7 x 39.3 cm, with frame 41.5 x 49 cm Signed & dated 1878 b.r. Adhesive label with autograph dedication (fragment) on the reverse: Sein[nem] [Fre]unde/ [Her]mann Sch [...] / [Zur fre]undlichen Erinnerung / Carl Moll Provenance: Herrman Sch. - Kunstsalon Menzel, Salzburg - until 1977 Max Dasch, Salbzurg - private property This work is a student work by the 17-year-old Moll under the landscape painter Carl Haunold. Literature: Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse Band 11, GE 1, p. 108.
Tiberius Auctions
Oct. 20, 2023
CARL MOLL (AUSTRIAN, 1861-1945) Santa Maria Della Salute Viewed from Across
Est: $40,000 - $60,000
CARL MOLL (AUSTRIAN, 1861-1945) Santa Maria Della Salute Viewed from Across the Grand Canal oil on panel 13 3/8 x 14 in. (34 x 35.7 cm.)
Christie's
Jul. 18, 2023
Carl Moll (Austrian, 1861–1945) Venedig, Zattere (Venice)
Est: $60,000 - $100,000
Carl Moll (Austrian, 1861–1945) Venedig, Zattere (Venice) Signed with Artist's initials 'CM' bottom right; also with Künstlerhaus label verso, oil on panel 13 3/8 x 13 7/8 in. (34 x 35.2cm) Executed in 1926. Provenance Richard Herzfeld, New York, New York (acquired at Vienna's Künstlerhaus in 1926). Private Collection, Maine. Acquired directly from the above in 2007. Private Collection, New York. Exhibited "Annual Exhibition of the Cooperative of the Visual Artists of Vienna," (Künstlerhaus) April 29-July 4,1926, Vienna, no. 464. Literature Jahresausstellung der Genossenschaft der bildenden Künstler Wiens, Genossenschaft der bildenden Künstler, Wiens, 1926, XLVII, no. 464. Cornelia Cabuk et al., Carl Moll: Monograph and Catalogue Raisonné, added online in 2023, cat. no. GE 372 A (illustrated in the online version). Note Although he remains relatively unknown outside of his native Austria, Carl Moll was one of the leading artists in Vienna at the turn of the 20th century. In 1897, he co-founded the Viennese Secession along with Gustav Klimt, Otto Wagner and Josef Hoffmann, breaking free from the inherent conformity dictated by Vienna’s Academy of Fine Arts, to promote new forms of creation. This movement in turn revitalized what was considered to be modern Austrian Art. While Moll was mostly known for the serene and elegant interior scenes he produced throughout his entire career, as exemplified by Weißes Interieur (White Interior) which Freeman's sold for a world-breaking $4.7M in 2021, he also painted colorful landscapes and still lifes, mostly parks and riversides executed en plein air, and inspired by French Impressionism. In complete reaction against the emerging Cubism and Abstraction, Moll remained a fervent partisan of figurative works, thus implying the creative process always originated from a first-hand visual experience. The present work was executed in 1926, a time when Moll and his wife travelled extensively to Italy and France every winter, especially in cities and villages near the sea, such as Venice. As exemplified in this jeweled work, a view of the Zattere promenade along the Guidecca Canal, Moll adopts a freer style in his late career, made of spontaneous, very fluid and dynamic brushstrokes, as well as a riveting, and joyful color palette that bedazzles the eye. As Cornelia Cabuk puts it, "the experience of Spain and El Greco" in the early 1910s as well as"the music of Mahler" are responsible for this artistic shift, which "led to the gradual emergence of a rhythmically accentuated, free colorism in Moll’s work." This bold chromatic play, paired with the sense of immediacy that the work transpires, channel both the art of Cézanne and Matisse, whom Moll both revered and defended. To request additional images please contact Raphael Chatroux at rchatroux@freemansauction.com.
Freeman's | Hindman
Jul. 11, 2023
CARL MOLL (AUSTRIAN 1861-1945), OLIVENHAIN
Est: £20,000 - £30,000
CARL MOLL (AUSTRIAN 1861-1945)OLIVENHAINOil on canvasSigned with monogram (lower left)49.5 x 60cm (19¼ x 23½ in.)Painted in 1931. Provenance:Private Collection, Oskar Reinhart (1885-1965), Winterthur, Switzerland By descent to The Hon. Mrs James Tennant Literature:Monthly Journal of the Aktuaryus Gallery, 17 June, 1934, ZurichArthur Roessler, Radio Vienna, Österreichische Rundfunkzeitschrift, Report, vol. 12, no. 35, 22.5, 1936, p.8Cornelia Cabuk, Stella Rollig, Christian Huemer, Carl Moll, Monograph and Catalogue Raisonne, Belvedere, Vienna, 2020, p. 255, no. GE 478, illus. in black & white (recorded with Belvedere no. Ex 43154) Rediscovered portrait by Viennese successionist Carl Moll, hidden away in the private collection of Swiss arts patron Oskar Reinhart comes to market for the very first time. Oskar Reinhart was born in Winterthur, Switzerland in 1885. His father Theodor Reinhart (1849-1919) worked as a textile merchant running Volkart Brothers, which was founded by his wife's family, and facilitated the trade of cotton across the continent mainly from India. Theodor was an active art collector and devoted to supporting the careers of promising artists. By the age of 39 Oskar, inspired by his father, retired from the family firm to focus on building his already established art collection. Reinhart travelled across Europe visiting museums and private collectors devoting his time to art patronage. Reinhart purchased villa Am Römerholz in his hometown which was to become his own private gallery to house his collection as well as his private residence. In 1940 Reinhart donated the Austrian, German and Swiss works of art from his collection to the town of Winterthur which was housed from 1951 in the Museum Oskar Reinhart, now within the Kunst Museum including pieces by Caspar David Friedrich and Adolph Menzel. The rest of the collection was bequeathed to the Swiss Confederation including his home in 1958 and this opened to the public in 1970 and is still available to visit today. The original bequest included over five hundred paintings and several thousand drawings.Reinhart was particularly drawn to French Impressionists and he enjoyed mixing old masters with modern masters arranging displays in order of form and colour rather than period. It was the focus on colour and light used by the Impressionists that sparked Reinharts' interest. Reinhart was conscious of seeking talent and artists with potential in order to support and encourage their careers. The collection on display at Am Römerholz includes works by Pierre-Auguste Renoir, Vincent Van Gogh, Edouard Manet, Paul Cezanne and Alfred Sisley amongst a selection of old masters such as Pieter Brughel the Elder. Carl Moll was born in Vienna in 1861 to Julius Johann Franz Moll and Maria Magdalena Rosina Schmid. Inspired by his uncle Karl Schmid Moll enrolled at the Academy of Fine Arts, Vienna in 1880. Moll studied under Christian Gripenkerl and went on to become the assistant to Emil Jakob Schindler. Shortly after Schindler's death in 1892 Moll married the German actress Anna Sofie Bergen, the widow of Schindler. Significantly Carl Moll was one of the cofounders of the Viennese Secession alongside Josef Hoffman and Gustav Klimt. The Secession was founded by a group of Austrian painters, writers and architects in 1897 to oppose the conservatism of traditional art academies and the forumlaic teachings of the Vienna Academy of the Arts. The group sought to encourage promotion of all arts and creative thinking looking towards the future rather than themes from the past by supporting contemporary artists, both Austrian and international combining ideas from artists and designers. This movement sparked the formation of modern art in Vienna which can be seen to flourish at the turn of the century. In 1905 a number of artists broke away from the secession including Moll who went on to establish the Gallery Miethke. Moll's work is full of light and freshness. He is renowned for mesmerising landscapes and intimate still lifes. The viewer is immediately struck by the sense of harmony created across the composition through the balance of colour and attention to detail. Moll uses the shadows caused by the light hitting the trees to create depth, leading the viewer along the pathway and into the canvas. The broad fluid brushstrokes draw influence from the French neo-impressionists whose work Moll came to admire. The present lot has not been seen on the open market since its creation in the 1930s. The work is included in the catalogue raisonne published in association with the Belvedere museum, its location listed as unknown with a black and white illustration until now. Recorded in the catalogue raisonné are four other works by Carl Moll all depicting olive groves during the early 1930s. The locations include Rapallo and Volterra in Italy and Provence in France including specifically Sanary-sur-Mer which may be the subject matter of the present lot.
Dreweatts 1759 Fine Sales
Jun. 29, 2023
Carl Moll (early 20th century), Figure on a footbridge over a river, signed and dated '19, oil on panel, 27 x 34 cm, framed
Est: £300 - £500
Carl Moll (early 20th century), Figure on a footbridge over a river, signed and dated '19, oil on panel, 27 x 34 cm, framed
Dawsons Auctioneers
Jun. 22, 2023
CARL MOLL: BAD HALL IN UPPER AUSTRIA
Est: €35,000 - €70,000
Carl Moll Bad Hall in Upper Austria c. 1936 oil on panel; framed 35.5 x 34.5 cm monogrammed on the lower left: CM inscribed on wood on the reverse: I Hall Ob.Öst / C. Moll private property, Austria cf.: Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 531 as well as GE 532, p. 268
Im Kinsky
May. 25, 2023
Carl Moll (early 20th century), Figure on a footbridge over a river, signed and dated '19, oil on panel, 27 x 34 cm, framed
Est: £500 - £700
Carl Moll (early 20th century), Figure on a footbridge over a river, signed and dated '19, oil on panel, 27 x 34 cm, framed
Dawsons Auctioneers
May. 22, 2023
CARL MOLL (Vienna 1861 - 1945 Vienna)
Est: €500 - €1,000
CARL MOLL (Vienna 1861 - 1945 Vienna) Ver sacrum folder, consisting of 7 sheets Volume 6 of 1903 issue 15 Folder of 7 original woodcuts of Carl Moll, complete edition without binding 36-1 | Old Viennese garden house woodcut/paper, 19,5 x 18,5 cm inscribed Altwiener Gartenhaus in Doebling. Original-Holzschnitt von Karl Moll om 36-2 | Hausmarke woodcut/paper, 9,5 x 7 cm signed in print Karl Moll, inscribed Hausmarke. Holzschnitt von Karl Moll OM 36-3 | House of Theodor von Koerner woodcut/paper, 18,5 x 16,5 cm inscribed Ehemaliges Wohnhaus Theodor von Koerner in Doebling. Original-Holzschnitt von Karl Moll OM 36-4 | Hohe Warte I woodcut/paper, 19,5 x 19,5 cm inscribed Hohe Warte. Original-Holzschnitt von Karl Moll OM 36-5 | Houses on the Hohe Warte woodcut/paper, 19,3 x 18 cm inscribed Wohnhäuser auf der Hohen Warte. Original-Holzschnitt von Karl Moll OM 36-6 | Hohe Warte II woodcut/paper, 18,6 x 19 cm inscribed Hohe Warte. Original-Holzschnitt von Karl Moll OM 36-7 | Hohe Warte III woodcut/paper, 19,5 x 18,9 cm inscribed Hohe Warte. Original-Holzschnitt von Karl Moll OM ESTIMATE € 500 - 1000 STARTING PRICE € 500 Carl Moll studied at the Academy of Fine Arts in Vienna in 1880/1881 with Christian Griepenkerl. He later became a student of Emil Jakob Schindler. In 1896 he received a small gold medal at the International Art Exhibition in Berlin. In 1897 he was one of the co-founders of the Vienna Secession. The Secessionists brought exhibitions of contemporary art to Vienna. In 1901, Josef Hoffmann built a semi-detached house for Moll and Kolomann Moser on the Hohe Warte, the first of a planned colony of villas. At Moll's instigation, the State Modern Gallery, now the Austrian Belvedere Gallery, was established in 1903. In 1905 Carl Moll left the Secession together with the group around Gustav Klimt. In those years, Moll was considered a representative of Art Nouveau. As director of the Miethke Gallery from 1904 to 1912, he acted as a patron of Klimt. He organized exhibitions of international artists and brought works by Vincent van Gogh to Vienna for the first time. Moll was a member of the Deutscher Künstlerbund. Moll became known for his large-format color lithographs and woodcuts. The style of his later landscape paintings changed increasingly from the flat painting of the Secessionists to more three-dimensionality, in the later years he increasingly approached Expressionism. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Apr. 20, 2023
CARL MOLL (1861-1945) Der Park von Schönbrunn (Painted circa 1910)
Est: £28,000 - £35,000
CARL MOLL (1861-1945) Der Park von Schönbrunn signed 'C. Moll' (lower right) oil on panel 34.5 x 35.7cm (13 9/16 x 14 1/16in). Painted circa 1910
Bonhams
Apr. 20, 2023
CARL MOLL (1861-1945) Der Park von Schönbrunn mit Blick zur Gloriette (Painted circa 1910)
Est: £30,000 - £50,000
CARL MOLL (1861-1945) Der Park von Schönbrunn mit Blick zur Gloriette signed 'C. Moll' (lower right) oil on panel 34.3 x 35.6cm (13 1/2 x 14in). Painted circa 1910
Bonhams
Apr. 18, 2023
Carl Moll: Studio view
Est: €15,000 - €30,000
Carl Moll Studio view 1890 oil on canvas; framed 180 x 120.5 cm monogrammed on the lower right: CM stamp of the framemaker on the reverse on the stretcher: Alois Ebeseder / Wien / I. Opernring 9 private property, Upper Austria; Dorotheum Vienna, 13 December 2016, no. 3; acquired from the above, private property, Austria Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 44, ill. p. 119
Im Kinsky
Apr. 18, 2023
Carl Moll: Forest path near Kreuzberg at the Rax
Est: €60,000 - €100,000
Carl Moll Forest path near Kreuzberg at the Rax 1943 oil on canvas; framed 70.5 x 60.5 cm monogrammed and dated on the lower right: CM 43 Dorotheum Vienna, 6 December 1990, no. 94; Galerie Martin Suppan, Vienna; private property, Austria; auction house im Kinsky, 18 June 2008, no. 196; private collection, Austria Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 573, ill. p. 278
Im Kinsky
Mar. 18, 2023
Carl Moll Color Woodcut "Winter" 1903
Est: $600 - $800
Carl Moll (Austrian 1861-1945) Color Woodcut "Winter" 1903. Unsigned. Excellent condition. 17.5" x 17.5". Spend $5000 or more at this auction and all of your SHIPPING IS FREE within the lower 48 states. SHIPPING We box and ship ourselves, to keep shipping costs low. We do not use a packaging service, unless the customer prefers us to use them. We can ship either USPS or Fed Ex Ground. We deliver most larger pieces ourselves on the west coast and we make a loop around the US within approximately 60 days after the auction. No matter where you live in the lower 48 states, we look forward to personally meeting you and delivering larger pieces directly to your house. Most larger pieces can be hand delivered for $300 almost anywhere in the lower 48 states. For estimated shipping times of larger pieces, please call or email us before you bid.
California Historical Design, Inc
Dec. 08, 2022
CARL MOLL: VIEW OF THE LEOPOLDSBERG AND KLOSTERNEUBURG ABBEY (RIVERSCAPE OF THE DANUBE BY NUSSDORF)
Est: €40,000 - €80,000
Carl Moll View of the Leopoldsberg and Klosterneuburg Abbey (Riverscape of the Danube by Nussdorf) c. 1930 oil on canvas; framed 60 x 70 cm monogrammed on the lower right: CM Alma Mahler-Werfel, Vienna; 1938 Ida Gebauer, Vienna (gifted); 1945 Klara Röhsler (née Gebauer), Dresden; 1958 Family Röhsler, Dresden; private property since 2014, Bavaria Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 465, ill. p. 252
Im Kinsky
Jun. 30, 2022
CARL MOLL: STUDIO VIEW
Est: €25,000 - €50,000
Carl Moll Studio view 1890 oil on canvas 180 x 120,5 cm monogrammed on the lower right: CM stamp of the framemaker on the reverse on the stretcher: Alois Ebeseder / Vienna / I. Opernring 9 private property, Upper Austria; Dorotheum Vienna, 13.12.2016, no. 3; acquired from the above, private property, Austria Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 44, ill. p. 119
Im Kinsky
Jun. 14, 2022
Carl Moll (1861-1945); Verschneite Villa in Döbling;
Est: $700 - $900
Carl Moll (1861-1945) Verschneite Villa in Döbling, 1903 Woodcut in colors on Japan paper, signed in pencil, with full margins. 17 x 16 3/4in (43.2 x 42.5cm) sheet 23 7/8 x 19 7/8in (60.6 x 50.5cm) For further information on this lot please visit the Bonhams website
Bonhams
Jun. 14, 2022
Carl Moll (1861-1945); Das Haus der Therese Krones; Kirche St. Michael in Heiligenstadt; (2)
Est: $1,000 - $1,500
Carl Moll (1861-1945) Das Haus der Therese Krones; Kirche St. Michael in Heiligenstadt, c. 1902; 1903 Woodcuts in colors on Japan paper, each signed in pencil, each with full margins. (2) each 16 3/4 x 16 3/4in (42.5 x 42.5cm) each sheet 24 x 19 3/4in (61 x 50.2cm) For further information on this lot please visit the Bonhams website
Bonhams
May. 28, 2022
Carl Moll (Wien/Vienna 1861 /1945)
Est: €2,800 - €3,640
Beethoven Häuser, 1902;12 Farbholzschnitte auf Japanpapier inklusive Titelblatt, je 23,5 x 23,5 cm (Blatt). Edition Wiener Werkstätte Titelblatt handsignier
Bozner Kunstauktionen
Mar. 30, 2022
Carl Moll, Vienna 1861 – 1945 Vienna, The Belvedere Garden in winter
Est: €800 - €1,200
Carl Moll Vienna 1861 – 1945 Vienna The Belvedere Garden in winter Color woodcut 43 x 43 cm, with frame 45 x 45 cm
Tiberius Auctions
Mar. 25, 2022
Voorheen toegeschreven aan Carl Moll (1861-1945) Bloemstilleven, olieverf op doek, r.o. gemonogramm
Est: €200 - €300
Voorheen toegeschreven aan Carl Moll (1861-1945) Bloemstilleven, olieverf op doek, r.o. gemonogrammeerd - zie catalogus 19th Century European Paintings, Sotheby's 17 oktober 2006 (B) 22 x 30 cm / 37.5 x 47.5 cm
Veilinghuis Onder de Boompjes
Mar. 05, 2022
MOLL, CARL ZUGESCHRIEBEN (1861 WIEN -1954 EBD.). WINTERLICHE ÖLSKIZZE.
Est: -
MOLL, Carl zugeschrieben(1861 Wien -1954 ebd.) Winterliche Ölskizze Öl/Malkarton. Links unten monogrammiert. 33 x 24 cm. Gerahmt49 x 38 cm. Abendsonne über dem verschneiten Garten mit dem Vogelbad am Baum Wenn Carl Moll, dann: Maler und Grafiker in Wien, Schüler von Griepenkerl und Schindler. Mitbegründer der Wiener Sezession, aus der er mit der Klimt-Gruppe austrat. Literatur : Thieme/Becker.
Auktionshaus Wendl
Jan. 15, 2022
Watercolor, Attributed to Carl Moll
Est: $500 - $700
Attributed to Carl Moll (Austrian, 1861-1945), Park Scene, watercolor on paper, signed lower right, stamped and numbered (Kunsthandler H and S, 127) verso of sheet, overall (with frame): 19.25"h x 17.5"w. Provenance: Purchased in Austria to Private Collection (San Francisco Bay Area, CA).
Clars Auctions
Dec. 16, 2021
Carl Moll Aus dem Wiener Prater
Est: €50,000 - €100,000
Carl Moll "Aus dem Wiener Prater" 1929 oil on canvas 70 x 60 cm monogrammed on the lower right: CM inscribed on an old label on the reverse on the stretcher: aus dem Wiener Prater 1929 resp. C. Moll / aus dem Wiener Prater / IV old exhibition label with number 632 on the reverse on the stretcher label of the collection Dr. Josef Weese with inscription and export stamp from the Federal Monuments Authority Austria on the reverse: Nr. 134 Moll Carl Wien / aus dem Wiener Prater / Öl Leinw. monogr. / B=60 cm; H=70 cm collection Dr. Josef Weese (1888-1962), Vienna; private property, Germany Brünn 1929, special exhibition exhibition catalogue Brünn, Sonderausstellungen. Prof. Anton Faistauer, Vienna. Prof. Carl Moll, Vienna. Frau Hertha Strzygowski, Brünn, 5-26 May 1929, cat.-no. 11 (?); Arthur Roessler, Wiener Künstler. Prof. Carl Moll, in: Bernhard Altmann Magazin, Y. 2, H 11/12, 1929, p. 4, with ill.; Cornelia Cabuk, Carl Moll. Monografie und Werkverzeichnis, Belvedere Werkverzeichnisse, vol. 11, Vienna 2020, GE 378, b/w-ill. p. 227 (here dated c. 1926, with the title "Mittagssonne im Prater")
Im Kinsky