Víctor Mira Sold at Auction Prices

Painter, Sculptor

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          • VÍCTOR MIRA Zaragoza 1949-Munich 2003 Bachcantata. 1992
            Dec. 17, 2024

            VÍCTOR MIRA Zaragoza 1949-Munich 2003 Bachcantata. 1992

            Est: -

            VÍCTOR MIRA Zaragoza 1949-Munich 2003 Bachcantata. 1992 Acrylic on cardboard Signed, titled and dated 1992 on the back Dimensions 68 x 58 cm PROVENANCE (label on the back) Miguel Marcos Gallery, Barcelona Private collection EXHIBITIONS 1999 (February), ARCO'99, Miguel Marcos Gallery, Madrid

            Subastas Segre
          • VÍCTOR MIRA. SIN TÍTULO.
            Dec. 17, 2024

            VÍCTOR MIRA. SIN TÍTULO.

            Est: €250 - €300

            Víctor Mira (Zaragoza, 1949-Munich, Alemania, 2003) Sin título. Grabado al aguafuerte. Firmado y tirada Vist i plau a lápiz. 59 x 40 cm. Sin enmarcar.

            Aletheia Subastas
          • VÍCTOR MIRA. SANS TITRE 2.
            Dec. 17, 2024

            VÍCTOR MIRA. SANS TITRE 2.

            Est: €300 - €400

            Víctor Mira (Zaragoza, 1949-Múnich, 2003) Sans titre 2. Litografía firmada y marcada H.C a lápiz. Realizada en 1990. 76 x 56 cm. Sin enmarcar.    

            Aletheia Subastas
          • VICTOR MIRA (Zaragoza, 1949 - 2003) "Untitled ". Oil on can
            Dec. 03, 2024

            VICTOR MIRA (Zaragoza, 1949 - 2003) "Untitled ". Oil on can

            Est: -

            VICTOR MIRA (Zaragoza, 1949 - 2003) "Untitled ". Oil on canvas 100 x 80 cm. ALFREDO ROLDAN (Madrid, 1965) "Adornando el sombrero ". Óleo sobre lienzo  Firmado Medidas:95 x 120 cm.

            Magna Art Auctions
          • VICTOR MIRA (Zaragoza, 1949 - 2003) "Untitled ". Oil on can
            Dec. 03, 2024

            VICTOR MIRA (Zaragoza, 1949 - 2003) "Untitled ". Oil on can

            Est: -

            VICTOR MIRA (Zaragoza, 1949 - 2003) "Untitled ". Oil on canvas 90 x 70 cm. VICTOR MIRA (Zaragoza, 1949 - 2003) "Sin título ". Óleo sobre lienzo Medidas:100 x 80 cm.

            Magna Art Auctions
          • VÍCTOR MIRA. GRABADO.
            Nov. 19, 2024

            VÍCTOR MIRA. GRABADO.

            Est: €250 - €300

            Víctor Mira (Zaragoza, 1949-Munich, Alemania, 2003) Sin título. Grabado al aguafuerte. Firmado y tirada Vist i plau a lápiz. 59 x 40 cm. Sin enmarcar.

            Aletheia Subastas
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Spinning", 1982. Mixed media on paper. Signed and dated in the lower right corner. Provenance: Ignacio de Lassaletta Gallery.
            Nov. 13, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Spinning", 1982. Mixed media on paper. Signed and dated in the lower right corner. Provenance: Ignacio de Lassaletta Gallery.

            Est: €1,100 - €1,200

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Spinning", 1982. Mixed media on paper. Signed and dated in the lower right corner. Provenance: Ignacio de Lassaletta Gallery. Gallery N2. With label on the back of the Ignacio de Lassaletta Gallery. Measurements: 38 x 27 cm; 54 x 42 cm (frame). Painter, sculptor, engraver and writer, his formation was basically self-taught. When he was eighteen years old, he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first outdoor sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling Gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VÍCTOR MIRA Zaragoza 1949-Munich 2003 Breaking of ...
            Oct. 30, 2024

            VÍCTOR MIRA Zaragoza 1949-Munich 2003 Breaking of ...

            Est: -

            VÍCTOR MIRA Zaragoza 1949-Munich 2003 Breaking of Bertebras. 1972 Oil on canvas Signed, titled and dated 1972 Measurements 130 x 190 cm

            Subastas Segre
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed.
            Sep. 10, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed.

            Est: €4,000 - €4,500

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed. Measurements: 100 x 81 cm. Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old he had his first individual exhibition in the gallery N'Art in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VÍCTOR MIRA (ZARAGOZA, 1949-MÚNICH, 2003) SANS TITRE 2.
            Jul. 24, 2024

            VÍCTOR MIRA (ZARAGOZA, 1949-MÚNICH, 2003) SANS TITRE 2.

            Est: €350 - €400

            Víctor Mira (Zaragoza, 1949-Múnich, 2003) Sans titre 2. Litografía firmada y marcada H.C a lápiz. Realizada en 1990. 76 x 56 cm. Sin enmarcar.  

            Aletheia Subastas
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Acrylic on cardboard. Signed in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.
            Jul. 10, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Acrylic on cardboard. Signed in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.

            Est: €1,400 - €1,500

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Acrylic on cardboard. Signed in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Measurements: 54 x 53 cm; 74 x 74 cm (frame) Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Mujeres desnudas en un paisaje de alcachofas cantábricas”. 1973 Mixed media on paper Signed and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.
            Jul. 09, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Mujeres desnudas en un paisaje de alcachofas cantábricas”. 1973 Mixed media on paper Signed and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.

            Est: €1,500 - €1,600

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Naked women in a landscape of Cantabrian artichokes". 1973 Mixed media on paper Signed and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached. Measurements: 36 x 55 cm; 55 x 75 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VÍCTOR MIRA Zaragoza 1949-Munich 2003 Appetiz...
            Jul. 02, 2024

            VÍCTOR MIRA Zaragoza 1949-Munich 2003 Appetiz...

            Est: -

            VÍCTOR MIRA Zaragoza 1949-Munich 2003 Appetizing appearance by Maribel. 1973 Acrylics on canvas Signed, titled and dated 1973 Measurements 160 x 197 cm BIBLIOGRAPHY Ana M. Canales, "Víctor Mira, you are my favorite painter", Ed Ana María Canales, Madrid 1973

            Subastas Segre
          • Victor Mira. No title
            Jun. 25, 2024

            Victor Mira. No title

            Est: -

            Lithograph on paper. Signed in the lower right corner. Numbered (HC - Hors Commerce) in the lower left corner.

            Duran Arte y Subastas
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled. Mixed media on paper. Signed and dated in the lower margin. Provenance: Ignacio Lassaletta Gallery, Barcelona.
            Jun. 13, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled. Mixed media on paper. Signed and dated in the lower margin. Provenance: Ignacio Lassaletta Gallery, Barcelona.

            Est: €800 - €1,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled. Mixed media on paper. Signed and dated in the lower margin. Provenance: Ignacio Lassaletta Gallery, Barcelona. Measurements: 27 x 19 cm; 41 x 38 cm (frame). Painter, sculptor, engraver and writer, his formation was basically self-taught. When he was eighteen years old, he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Cantabrian women". Mixed media on paper Signed and dated in the lower margin. Provenance: Ignacio Lassaletta Gallery, Barcelona.
            Jun. 13, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Cantabrian women". Mixed media on paper Signed and dated in the lower margin. Provenance: Ignacio Lassaletta Gallery, Barcelona.

            Est: €800 - €1,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Cantabrian women". Mixed media on paper Signed and dated in the lower margin. Provenance: Ignacio Lassaletta Gallery, Barcelona. Measurements: 25 x 29 cm; 38 x 42 cm (frame). Painter, sculptor, engraver and writer, his formation was basically self-taught. When he was eighteen years old, he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Baroque Haiku".1985. Oil and material on canvas. Signed and dated on the back. Provenance: gallery N2, Barcelona.
            Jun. 13, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Baroque Haiku".1985. Oil and material on canvas. Signed and dated on the back. Provenance: gallery N2, Barcelona.

            Est: €3,000 - €4,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Baroque Haiku".1985. Oil and material on canvas. Signed and dated on the back. Provenance: gallery N2, Barcelona. Measurements: 55 x 45,8 cm. In his particular still lifes of the eighties, Victor Miro combines wounded hearts with fish and crosses, clear Eucharistic allusions but that transcend the merely Christian component, because they rather seem to suggest the will to reflect on the spiritual illness of the human culture. Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he held his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling Gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Revelation I". 1983 Oil on panel. Signed, titled and dated in the lower corner.
            Jun. 13, 2024

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Revelation I". 1983 Oil on panel. Signed, titled and dated in the lower corner.

            Est: €2,000 - €2,500

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Revelation I". 1983 Oil on panel. Signed, titled and dated in the lower corner. Measurements: 105.5 x 75.5 cm; 109 x 78 cm (frame). The crosses and the doves messengers of peace alternate in this composition that seems to be inspired by the art of stained glass, an aesthetic that Mira privileged at the dawn of the eighties in search of a renewed spirituality. Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he held his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling Gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled, 1987. Mixed media on cardboard. Signed and dated in the lower right corner.
            Jun. 13, 2024

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled, 1987. Mixed media on cardboard. Signed and dated in the lower right corner.

            Est: €1,800 - €2,000

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled, 1987. Mixed media on cardboard. Signed and dated in the lower right corner. Measurements: 104 x 75 cm; 107 x 79 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old, he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first outdoor sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • MIRA (VICTOR MIRAGALLA MARCO), VICTOR (1949 - 2004)
            May. 28, 2024

            MIRA (VICTOR MIRAGALLA MARCO), VICTOR (1949 - 2004)

            Est: -

            Etching on paper. Signed in the lower right corner. Numbered (86/100) in the lower left corner.

            Duran Arte y Subastas
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Mujeres desnudas en un paisaje de alcachofas cantábricas”. 1973 Mixed media on paper Signed and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Mujeres desnudas en un paisaje de alcachofas cantábricas”. 1973 Mixed media on paper Signed and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.

            Est: €1,500 - €1,600

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Naked women in a landscape of Cantabrian artichokes". 1973 Mixed media on paper Signed and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached. Measurements: 36 x 55 cm; 55 x 75 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Reflected Moon" 1990 Oil on paper adhered to board Signed, titled and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Reflected Moon" 1990 Oil on paper adhered to board Signed, titled and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.

            Est: €1,500 - €1,700

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Reflected Moon" 1990 Oil on paper adhered to board Signed, titled and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached. Measurements: 100 x 75 cm; 107'5 x 81 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Anti-heroes". 1996 Graphite on paper. Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo.
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Anti-heroes". 1996 Graphite on paper. Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo.

            Est: €700 - €800

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Anti-heroes". 1996 Graphite on paper. Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo. Measurements: 32 x 29 cm; 52 x 44 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed.
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed.

            Est: €4,000 - €4,500

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed. Measurements: 100 x 81 cm. Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old he had his first individual exhibition in the gallery N'Art in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled, 1987. Mixed media on cardboard. Signed and dated in the lower right corner.
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled, 1987. Mixed media on cardboard. Signed and dated in the lower right corner.

            Est: €3,000 - €4,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). Untitled, 1987. Mixed media on cardboard. Signed and dated in the lower right corner. Measurements: 104 x 75 cm; 107 x 79 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old, he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first outdoor sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Revelation I". 1983 Oil on panel. Signed, titled and dated in the lower corner.
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Revelation I". 1983 Oil on panel. Signed, titled and dated in the lower corner.

            Est: €3,000 - €4,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Revelation I". 1983 Oil on panel. Signed, titled and dated in the lower corner. Measurements: 105.5 x 75.5 cm; 109 x 78 cm (frame). The crosses and the doves messengers of peace alternate in this composition that seems to be inspired by the art of stained glass, an aesthetic that Mira privileged at the dawn of the eighties in search of a renewed spirituality. Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he held his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling Gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Spinning", 1987. Mixed media on cardboard. Signed, dated and titled in the lower corner.
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Spinning", 1987. Mixed media on cardboard. Signed, dated and titled in the lower corner.

            Est: €3,000 - €4,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Spinning", 1987. Mixed media on cardboard. Signed, dated and titled in the lower corner. Measurements: 100 x 94 cm; 105 x 98 cm (frame). Victor Mira began to use the term "Hilatura" in a series of oil paintings with filamentous homunculi, endowed with bangs and tufts. This dreamlike world was populated with color in later works such as the one shown here, where a threshold suggests an interstice between two worlds. Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first solo exhibition at the N'Art gallery in Zaragoza, which was also the first outdoor sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling Gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Cabayos geminis". 1974 Mixed media on paper Signed, dated and titled in the lower area. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Presents museum glass
            Mar. 05, 2024

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Cabayos geminis". 1974 Mixed media on paper Signed, dated and titled in the lower area. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Presents museum glass

            Est: €1,800 - €2,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Cabayos geminis". 1974 Mixed media on paper Signed, dated and titled in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo. Presents museum glass Measurements: 47 x 88 cm; 65 x 107,5 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA - TWO FIGURES
            Feb. 21, 2024

            VICTOR MIRA - TWO FIGURES

            Est: $100 - $200

            Victor Mira, Zaragoza, 1949-2003, 2 Figures, paint

            Litchfield Auctions
          • VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Banchantata", 1991. Mixed media, wood and oil. Signed, dated and titled on the base.
            Jan. 10, 2024

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Banchantata", 1991. Mixed media, wood and oil. Signed, dated and titled on the base.

            Est: €500 - €700

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Banchantata", 1991. Mixed media, wood and oil. Signed, dated and titled on the base. Measurements: 86 x 60 x 45 cm. Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old, he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • VÏCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "All my books", 1983. Oil on cardboard glued to wood. Presents on the back label of the Miguel Marcos Gallery (Barcelona). Signed, dated and titled in the lower right corner.
            Jan. 10, 2024

            VÏCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "All my books", 1983. Oil on cardboard glued to wood. Presents on the back label of the Miguel Marcos Gallery (Barcelona). Signed, dated and titled in the lower right corner.

            Est: €3,000 - €3,500

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "All my books", 1983. Oil on cardboard glued to wood. Presents on the back label of the Miguel Marcos Gallery (Barcelona). Signed, dated and titled in the lower right corner. Measurements: 75,5 x 105 cm; 78,5 x 108,5 cm (frame). Painter, sculptor, engraver and writer, his formation was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Soon after he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales publishes her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favorite painter). In 1975 she travels to Heidelberg, where she lives for five months, and that same year she publishes "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit Gallery, and the following year he showed his work in the United States, at the George Staempfli Gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travels to the United States for the first time, invited by the Meadows Museum of Dallas, and that same year he works in the engraving workshops of the Southern Methodist University of Dallas and stays five months in New York. Also in 1983, in Barcelona, he created his first series of iron sculptures, "Cultura del arco" and "Mediodías". During the following years he continued to hold important exhibitions all over the world, in addition to publishing books of poems, bibliophile editions, graphic works, etc. In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he received the award for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling Gallery. Mira's works are preserved in museums and private collections around the world, including the Museum of Modern Art in New York, the Reina Sofia National Art Center, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid, among others.

            Setdart Auction House
          • Victor Mira. Untitled (1982)
            Dec. 27, 2023

            Victor Mira. Untitled (1982)

            Est: -

            Mixed technique on paper. Signed and dated (1982) in the lower right corner.

            Duran Arte y Subastas
          • Victor Mira. Untitled (1982)
            Dec. 27, 2023

            Victor Mira. Untitled (1982)

            Est: -

            Mixed technique on paper. Signed and dated (1982) in the lower right corner.

            Duran Arte y Subastas
          • VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachkantaten", 1989-1990. Set of 13 etchings in carborundum. Copy 23/40. Total print run of 54 copies.
            Dec. 12, 2023

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachkantaten", 1989-1990. Set of 13 etchings in carborundum. Copy 23/40. Total print run of 54 copies.

            Est: €3,500 - €4,000

            VÍCTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachkantaten", 1989-1990. Set of 13 etchings in carborundum. Copy 23/40. Total print run of 54 copies. Folder signed and numbered on the frontispiece. Etchings without signature or numbering. Ed. Tristán Barbará. The folder and the engravings have damp stains. Size: 49 x 69 cm (engravings). Book with 13 etchings in carborundum by Víctor Mira and original texts of the cantatas by Johan Sebastian Bach. Sculptor, painter, engraver and writer, his training was basically self-taught. At the age of eighteen he held his first solo exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. After spending some time between Madrid and Germany, he moved to Barcelona in 1977. In 1979 he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 2003, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid.

            Setdart Auction House
          • VICTOR MIRA - TWO FIGURES
            Nov. 14, 2023

            VICTOR MIRA - TWO FIGURES

            Est: $200 - $300

            Victor Mira, Zaragoza, 1949-2003, 2 Figures, paint

            Litchfield Auctions
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Monk in front of the sea". 1997 Pencil on paper. Firmado and right upper right angle.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Monk in front of the sea". 1997 Pencil on paper. Firmado and right upper right angle.

            Est: €600 - €700

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Monk in front of the sea". 1997 Pencil on paper. Signed and dated upper right corner Size: 42 x 30 cm; 55 x 43 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Anti-heroes". 1996 Graphite on paper. Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Anti-heroes". 1996 Graphite on paper. Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo.

            Est: €700 - €800

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Anti-heroes". 1996 Graphite on paper. Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo. Measurements: 32 x 29 cm; 52 x 44 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Beethoven and the art of pedalling". 1997 Oil on paper Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Beethoven and the art of pedalling". 1997 Oil on paper Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo.

            Est: €800 - €1,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Beethoven and the art of pedalling". 1997 Oil on paper Signed, titled and dated in the lower area. Attached certificate of authenticity issued by Esther Romero Fajardo. Measurements: 37'5 x 56'5 cm; 55 x 75 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). “Árboles”. 1997 Gouache on paper Signed and dated Certificate of authenticity issued by Esther Romero Fajardo attached.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). “Árboles”. 1997 Gouache on paper Signed and dated Certificate of authenticity issued by Esther Romero Fajardo attached.

            Est: €700 - €800

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Trees". 1997 Gouache on paper Signed and dated Certificate of authenticity issued by Esther Romero Fajardo attached. Size: 54 x 58 cm.; 65 x 65cm.(frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Antiheroes". 1997 Oil on wood. Signed, dated and titled in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Antiheroes". 1997 Oil on wood. Signed, dated and titled in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.

            Est: €3,200 - €3,500

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Antiheroes". 1997 Oil on wood. Signed, dated and titled in the lower left corner. Attached certificate of authenticity issued by Esther Romero Fajardo. Measurements: 100 x 160 cm; 106 x 166 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Farmira". 1992 Gouache on paper. Signed, titled and dated Enclosed certificate of authenticity issued by Esther Romero Fajardo.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Farmira". 1992 Gouache on paper. Signed, titled and dated Enclosed certificate of authenticity issued by Esther Romero Fajardo.

            Est: €800 - €1,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Farmira". 1992 Gouache on paper. Signed, titled and dated Enclosed certificate of authenticity issued by Esther Romero Fajardo. Measurements: 34 x 49'5 cm; 55 x 75 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Gouache on card. Signed in the lower right corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Sizes: 43 x 37 cm; 65 x 65 cm (frame)
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Gouache on card. Signed in the lower right corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Sizes: 43 x 37 cm; 65 x 65 cm (frame)

            Est: €800 - €1,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Gouache on card. Signed in the lower right corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Measurements: 43 x 37 cm; 65 x 65 cm (frame) Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Acrylic on cardboard. Signed in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Acrylic on cardboard. Signed in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.

            Est: €1,400 - €1,500

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1992 Acrylic on cardboard. Signed in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Measurements: 54 x 53 cm; 74 x 74 cm (frame) Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1991 Oil on cardboard adhered to board. Signed, titled and dated in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1991 Oil on cardboard adhered to board. Signed, titled and dated in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo.

            Est: €2,000 - €2,200

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Bachcantata". 1991 Oil on cardboard adhered to board. Signed, titled and dated in the lower left corner. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Measurements: 100 x 75 cm; 106 x 81 cm (frame) Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Reflected Moon" 1990 Oil on paper adhered to board Signed, titled and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Reflected Moon" 1990 Oil on paper adhered to board Signed, titled and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached.

            Est: €1,500 - €1,700

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Reflected Moon" 1990 Oil on paper adhered to board Signed, titled and dated in the lower area. Certificate of authenticity issued by Esther Romero Fajardo attached. Measurements: 100 x 75 cm; 107'5 x 81 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition at the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Improntes". Mixed media on wood. Signed and titled in the lower right corner.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Improntes". Mixed media on wood. Signed and titled in the lower right corner.

            Est: €1,200 - €1,400

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Improntes". Mixed media on wood. Signed and titled in the lower right corner. Size: 99 x 73 cm; 106 x 80 cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. At the age of eighteen he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "The Miraeum". 1990 Tempera on cardboard Signed and dated on the back. Enclosed certificate of authenticity issued by Esther Romero Fajardo.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "The Miraeum". 1990 Tempera on cardboard Signed and dated on the back. Enclosed certificate of authenticity issued by Esther Romero Fajardo.

            Est: €800 - €1,000

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "The Miraeum. 1990 Tempera on cardboard Signed and dated on the back. Enclosed certificate of authenticity issued by Esther Romero Fajardo. Measurements: 70 x 50 cm; 71 x 51cm (frame). Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old he had his first individual exhibition in the N'Art gallery in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
          • VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed.
            Nov. 14, 2023

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed.

            Est: €4,000 - €4,500

            VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed. Measurements: 100 x 81 cm. Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old he had his first individual exhibition in the gallery N'Art in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

            Setdart Auction House
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