Joaquin Mir i Trinxet Sold at Auction Prices

b. 1873 - d. 1940

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          • Joaquim Mir i Trinxet (Barcelona, ​​1873 - 1940) - Village landscape
            Dec. 12, 2024

            Joaquim Mir i Trinxet (Barcelona, ​​1873 - 1940) - Village landscape

            Est: €7,000 - €10,000

            Oil on canvas. Measurements: 72 x 63 cm.

            Templum Fine Art Auctions
          • JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Market of Villanueva and Geltru", 1938
            Dec. 10, 2024

            JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Market of Villanueva and Geltru", 1938

            Est: €24,000 - €32,000

            Oil on canvas Signed and dated at the bottom right. On the back on the frame with a label from Barrachina & Ramoneda with reference number 928/87. On the back of the canvas: "Mercado de Villanueva y Geltru 1938 Vda JMIR" A certificate of authenticity from Barrachina-Ramoneda with the number D/C.nº928/87 is attached. Measurements: 38 x 46 cm

            Ansorena
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "The Elms", Camp de Tarragona. Oil on canvas. Signed in the lower right corner. Titled on canvas.
            Nov. 12, 2024

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "The Elms", Camp de Tarragona. Oil on canvas. Signed in the lower right corner. Titled on canvas.

            Est: €12,000 - €15,000

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "The Elms", Camp de Tarragona. Oil on canvas. Signed in the lower right corner. Titled on canvas. Measurements: 70 x 60 cm; 94 x 85 cm (frame). Between 1906 and 1914 the painter Joaquim Mir isolated himself in the Camp de Tarragona, resulting in the most fruitful period of the painter, who won first medal at the International Exhibition of Fine Arts in Barcelona in 1907 and held an important exhibition at the gallery of Fayanç Catalá in the same city in 1909. From that moment on, the artist decided to live in the countryside, immersed in the landscape. In the work presented here, Joaquim Mir offers us a magnificent landscape in which he connects with the light and the earth in fullness, approaching abstraction from his vision of nature. To do so, he employs a very quickly resolved workmanship, based on the use of dark colors, in which the painter's intention is to capture a certain moment of light. Joaquín Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. His style was also influenced by the School of Olot, his father's hometown. He soon felt uncomfortable with the official teaching, anchored in a conception of realist painting, so in 1893 he founded together with other colleagues (Nonell, Canals, Pichot, Vallmitjana and Gual) the "Colla del Safrà", to investigate together in the pictorial initiatives of the end of the century. In 1896 they came to participate as a group in the III Exhibition of Fine Arts and Artistic Industries, to which Mir presented two works that give us a clear idea of the ideals of the group: "La huerta del rector" and "El vendedor de naranjas". Also, since 1897 he frequented the artistic environment of "Els Quatre Gats", where all the artists who knew the European avant-garde met, which helped him to mature in the compositional study of landscapes with figures in different planes of depth. From this period are "Slopes of Montjuic" (1897) and "The Cathedral of the Poor" (1898), the two masterpieces of his youth. In these years he took part in the Fine Arts Exhibitions of Barcelona, in their editions of 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital in order to compete for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, on a trip that would be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, specifically by Sa Calobra, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colors, the result of his personal interpretation of the majestic nature of the island. The brushstrokes became longer and became stains that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan stage individually at the Sala Parés in Barcelona, and again obtained a second medal at the National Exhibition. After a period of illness that forced him to move to Reus, in 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. Since then, settled in Camp de Tarragona, he would not move from the landscape genre, but now the surrounding villages would be the protagonists of his painting. Already consolidated as an outstanding figure of the Catalan panorama, he acquired the definitive national recognition in 1917, when he was awarded the National Prize of Fine Arts. Four years later he married and settled permanently in Vilanova i la Geltrú. His successes followed one after the other, and in 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honor at the National Exhibition in Madrid, an award he had been pursuing since 1922. Although he was mainly a native painter, he had solo and group exhibitions in Washington, Paris, Pittsburg, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the most outstanding representative of Spanish post-impressionist landscape painting. His work is preserved in the National Art Museum of Catalonia, the Prado Museum, the Thyssen-Bornemisza Museum and the Reina Sofia Museum in Madrid, among many others.

            Setdart Auction House
          • Joaquin Mir Character study
            Oct. 23, 2024

            Joaquin Mir Character study

            Est: -

            Pencil on paper. Signed in the lower left corner. Certificate of authenticity issued by Francesc Miralles is included.

            Duran Arte y Subastas
          • JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Landscape at sunset", 1923
            Sep. 25, 2024

            JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Landscape at sunset", 1923

            Est: €36,000 - €48,000

            Oil on canvas signed and dated on the lower left side Provenance: -Private collection, Madrid -Sotheby's, "19th Century European Paintings", London, 2011 -Private collection Measurements: 80 x 103 cm

            Ansorena
          • JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Landscape with bridge"
            Jul. 22, 2024

            JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Landscape with bridge"

            Est: €14,250 - €19,000

            Oil on canvas Signed in the lower right corner. Measurements: 70 x 60 cm

            Ansorena
          • JOAQUÍN MIR I TRINXET Barcelona 1873 - 1940 R...
            Jul. 02, 2024

            JOAQUÍN MIR I TRINXET Barcelona 1873 - 1940 R...

            Est: -

            JOAQUÍN MIR I TRINXET Barcelona 1873 - 1940 Rural vision Oil on panel Signed Measurements 27.5 x 34 cm

            Subastas Segre
          • JOAQUIN MIR TRINXET (Barcelona, 1873 - 1940). "Barques al sol". Oil on canvas. Attached study by Mrs. Teresa Campas and certificate of authenticity issued by Miralles. Signed and dated in the lower right corner.
            Jun. 25, 2024

            JOAQUIN MIR TRINXET (Barcelona, 1873 - 1940). "Barques al sol". Oil on canvas. Attached study by Mrs. Teresa Campas and certificate of authenticity issued by Miralles. Signed and dated in the lower right corner.

            Est: €6,000 - €7,000

            JOAQUIN MIR TRINXET (Barcelona, 1873 - 1940). "Barques al sol". Oil on canvas. Attached study by Doña Teresa Campas and certificate of authenticity issued by Miralles. Signed and dated in the lower right corner. Measurements: 55.3 x 60.3 cm; 82 x 87 cm (frame). This work is characteristic of Joaquim Mir's hedonistic and audacious language in his interpretation of painting. He reduces it to its basic elements through an excellent handling of light and color, but at the same time he avoids pure abstraction, always suggesting the pulse that beats beneath the forms. Thus, the forms are flaming, pure chromatic agitation and the changing lights of the day are conjugated in symphonic cadences. Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, anchored in a conception of realist painting, so in 1893 he founded with other colleagues the "Colla del Safrà", to investigate together in the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the III Exhibition of Fine Arts and Artistic Industries, to which Mir presented two works: "La huerta del rector" and "El vendedor de naranjas". Also, since 1897 he frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions of Barcelona, in their editions of 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital in order to compete for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, on a trip that would be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colors, the result of his personal interpretation of the majestic nature of the island. The brushstrokes became longer and became stains that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan stage individually at the Sala Parés in Barcelona, and again obtained a second medal at the National Exhibition. In 1907 he obtains the first medal at the International Exhibition of Fine Arts in Barcelona. Since then, installed in Camp de Tarragona, he will not move from the landscape genre, but now the surrounding villages will be the protagonists of his painting. In 1917, when he was awarded the National Prize of Fine Arts, he received the definitive national recognition. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honor at the National Exhibition in Madrid, an award he had been pursuing since 1922. Although he was mainly a native painter, he had solo and group exhibitions in Washington, Paris, Pittsburg, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the most outstanding representative of Spanish post-impressionist landscape painting. His work is preserved in the National Art Museum of Catalonia, the Prado Museum, the Thyssen-Bornemisza Museum and the Reina Sofia Museum in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR I TRINXET (1873-1940). ‘CAMPANAR VELL’ (OLD BELL TOWER). Old church of Sant Menna (Sentmenat).
            Jun. 06, 2024

            JOAQUIM MIR I TRINXET (1873-1940). ‘CAMPANAR VELL’ (OLD BELL TOWER). Old church of Sant Menna (Sentmenat).

            Est: €20,000 - €45,000

            Oil on canvas. Signed on the front and titled on the back, by hand, on the stretcher. Two restorations on the canvas can be seen on the reverse. 100 x 81 cm; 107 x 127 cm (frame).

            Subarna Subastas
          • JOAQUIM MIR I TRINXET (1873-1940). "ORANGE SELLER".
            Jun. 06, 2024

            JOAQUIM MIR I TRINXET (1873-1940). "ORANGE SELLER".

            Est: €4,500 - €7,000

            Oil on cardboard. Sketch of the painting of the same name exhibited at the 3rd Exhibition of Fine Arts and Artistic Industries in 1896. It comes with a certificate issued by Marçal Barrachina in 2003. 25.5 x 20 cm; 40.5 x 35 cm (frame).

            Subarna Subastas
          • JOAQUIM MIR I TRINXET (1873-1940). "GIRL AMONG FLOWERS".
            Jun. 06, 2024

            JOAQUIM MIR I TRINXET (1873-1940). "GIRL AMONG FLOWERS".

            Est: €900 - €2,500

            Oil on hardboard. Signed. 19 x 52.5 cm; 40.5 x 46 cm (frame).

            Subarna Subastas
          • JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Cal Betas"
            May. 21, 2024

            JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Cal Betas"

            Est: €13,500 - €18,000

            Oil on canvas Signed in the lower right corner, on the back on the canvas titled, signed and dated in pencil. On the frame Barrachina & Ramoneda label Measurements: 38 x 46 cm

            Ansorena
          • JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Around a farmhouse", c.1914-15
            May. 21, 2024

            JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Around a farmhouse", c.1914-15

            Est: €30,000 - €40,000

            Oil on canvas Signed in the lower right corner. Attached is a file of Francesc Miralles with number 614 dated May 2022 Origin: -Private collection, Barcelona Measurements: 40.5 x 66 cm

            Ansorena
          • JOAQUIN MIR TRINXET (Barcelona, 1873 - 1940). "Landscape of l'Aleixar", 1906. Oil on canvas glued to board. Signed in the lower right corner.
            Mar. 12, 2024

            JOAQUIN MIR TRINXET (Barcelona, 1873 - 1940). "Landscape of l'Aleixar", 1906. Oil on canvas glued to board. Signed in the lower right corner.

            Est: €3,000 - €3,500

            JOAQUIN MIR TRINXET (Barcelona, 1873 - 1940). "Landscape of l'Aleixar", 1906. Oil on canvas glued to board. Signed in the lower right corner. Measurements: 21 x 33 cm; 30 x 41 cm (frame). This work is the result of one of the most creative stages of Joaquín Mir, that of the Camp de Tarragona. It portrays a landscape of this area, in l'Aleixar, building it through light and color, reflecting the land in all its fullness. The work he did in the Camp de Tarragona is highlighted by critics as extraordinarily original. His language of this period is expressed through stains of pure color, the vertical rhythm of the brushstroke, and at the same time shows a notable reduction in the pictorial paste. Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. His style was also influenced by the School of Olot, his father's hometown. He soon felt uncomfortable with the official teaching, anchored in a conception of realist painting, so in 1893 he founded together with other colleagues (Nonell, Canals, Pichot, Vallmitjana and Gual) the "Colla del Safrà", to investigate together in the pictorial initiatives of the end of the century. In 1896 they came to participate as a group in the III Exhibition of Fine Arts and Artistic Industries, to which Mir presented two works that give us a clear idea of the ideals of the group: "La huerta del rector" and "El vendedor de naranjas". Also, since 1897 he frequented the artistic environment of "Els Quatre Gats", where all the artists who knew the European avant-garde met, which helped him to mature in the compositional study of landscapes with figures in different planes of depth. From this period are "Slopes of Montjuic" (1897) and "The Cathedral of the Poor" (1898), the two masterpieces of his youth. In these years he took part in the Fine Arts Exhibitions of Barcelona, in their editions of 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital in order to compete for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, on a trip that would be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, specifically by Sa Calobra, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colors, the result of his personal interpretation of the majestic nature of the island. The brushstrokes became longer and became stains that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan stage individually at the Sala Parés in Barcelona, and again obtained a second medal at the National Exhibition. After a period of illness that forced him to move to Reus, in 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. Since then, settled in Camp de Tarragona, he would not move from the landscape genre, but now the surrounding villages would be the protagonists of his painting. Already consolidated as an outstanding figure of the Catalan panorama, he acquires the definitive national recognition in 1917, when he is awarded the National Prize of Fine Arts. Four years later he married and settled permanently in Vilanova i la Geltrú. His successes followed one after the other, and in 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honor at the National Exhibition in Madrid, an award he had been pursuing since 1922. Although he was mainly a native painter, he had solo and group exhibitions in Washington, Paris, Pittsburg, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the most outstanding representative of Spanish post-impressionist landscape painting. His work is preserved in the National Art Museum of Catalonia, the Prado Museum, the Thyssen-Bornemisza Museum and the Reina Sofia Museum in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "El molí d'Angelina", 1932. Oil on canvas. Signed and dated in the lower right corner.
            Feb. 19, 2024

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "El molí d'Angelina", 1932. Oil on canvas. Signed and dated in the lower right corner.

            Est: €25,000 - €30,000

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "El molí d'Angelina", 1932. Oil on canvas. Signed and dated in the lower right corner. Measurements: 73 x 100 cm; 104 x 132 cm (frame). Attached certificate of D. Francesc Miralles. Joaquín Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. His style was also influenced by the School of Olot, his father's hometown. He soon felt uncomfortable with the official teaching, anchored in a conception of realist painting, so in 1893 he founded together with other colleagues (Nonell, Canals, Pichot, Vallmitjana and Gual) the "Colla del Safrà", to investigate together in the pictorial initiatives of the end of the century. In 1896 they came to participate as a group in the III Exhibition of Fine Arts and Artistic Industries, to which Mir presented two works that give us a clear idea of the ideals of the group: "La huerta del rector" and "El vendedor de naranjas". Also, since 1897 he frequented the artistic environment of "Els Quatre Gats", where all the artists who knew the European avant-garde met, which helped him to mature in the compositional study of landscapes with figures in different planes of depth. From this period are "Slopes of Montjuic" (1897) and "The Cathedral of the Poor" (1898), the two masterpieces of his youth. In these years he took part in the Fine Arts Exhibitions of Barcelona, in their editions of 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital in order to compete for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, on a trip that would be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, specifically by Sa Calobra, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colors, the result of his personal interpretation of the majestic nature of the island. The brushstrokes became longer and became stains that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan stage individually at the Sala Parés in Barcelona, and again obtained a second medal at the National Exhibition. After a period of illness that forced him to move to Reus, in 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he would not move from the landscape genre, but now the surrounding villages would be the protagonists of his painting. Already consolidated as an outstanding figure of the Catalan panorama, he acquires the definitive national recognition in 1917, when he is awarded the National Prize of Fine Arts. Four years later he married and settled permanently in Vilanova i la Geltrú. His successes followed one after the other, and in 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honor at the National Exhibition in Madrid, an award he had been pursuing since 1922. Although he was mainly a native painter, he had solo and group exhibitions in Washington, Paris, Pittsburg, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the most outstanding representative of Spanish post-impressionist landscape painting. His work is preserved in the National Art Museum of Catalonia, the Prado Museum, the Thyssen-Bornemisza Museum and the Reina Sofia Museum in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "The Elms", Camp de Tarragona. Oil on canvas. Signed in the lower right corner. Titled on canvas.
            Feb. 19, 2024

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "The Elms", Camp de Tarragona. Oil on canvas. Signed in the lower right corner. Titled on canvas.

            Est: €15,000 - €18,000

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "The Elms", Camp de Tarragona. Oil on canvas. Signed in the lower right corner. Titled on canvas. Measurements: 70 x 60 cm; 94 x 85 cm (frame). Between 1906 and 1914 the painter Joaquim Mir isolated himself in the Camp de Tarragona, resulting in the most fruitful period of the painter, who won first medal at the International Exhibition of Fine Arts in Barcelona in 1907 and held an important exhibition at the gallery of Fayanç Catalá in the same city in 1909. From that moment on, the artist decided to live in the countryside, immersed in the landscape. In the work presented here, Joaquim Mir offers us a magnificent landscape in which he connects with the light and the earth in fullness, approaching abstraction from his vision of nature. To do so, he employs a very quickly resolved workmanship, based on the use of dark colors, in which the painter's intention is to capture a certain moment of light. Joaquín Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. His style was also influenced by the School of Olot, his father's hometown. He soon felt uncomfortable with the official teaching, anchored in a conception of realist painting, so in 1893 he founded together with other colleagues (Nonell, Canals, Pichot, Vallmitjana and Gual) the "Colla del Safrà", to investigate together in the pictorial initiatives of the end of the century. In 1896 they came to participate as a group in the III Exhibition of Fine Arts and Artistic Industries, to which Mir presented two works that give us a clear idea of the ideals of the group: "La huerta del rector" and "El vendedor de naranjas". Also, since 1897 he frequented the artistic environment of "Els Quatre Gats", where all the artists who knew the European avant-garde met, which helped him to mature in the compositional study of landscapes with figures in different planes of depth. From this period are "Slopes of Montjuic" (1897) and "The Cathedral of the Poor" (1898), the two masterpieces of his youth. In these years he took part in the Fine Arts Exhibitions of Barcelona, in their editions of 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital in order to compete for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, on a trip that would be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, specifically by Sa Calobra, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colors, the result of his personal interpretation of the majestic nature of the island. The brushstrokes became longer and became stains that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan stage individually at the Sala Parés in Barcelona, and again obtained a second medal at the National Exhibition. After a period of illness that forced him to move to Reus, in 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. Since then, settled in Camp de Tarragona, he would not move from the landscape genre, but now the surrounding villages would be the protagonists of his painting. Already consolidated as an outstanding figure of the Catalan panorama, he acquired the definitive national recognition in 1917, when he was awarded the National Prize of Fine Arts. Four years later he married and settled permanently in Vilanova i la Geltrú. His successes followed one after the other, and in 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honor at the National Exhibition in Madrid, an award he had been pursuing since 1922. Although he was mainly a native painter, he had solo and group exhibitions in Washington, Paris, Pittsburg, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the most outstanding representative of Spanish post-impressionist landscape painting. His work is preserved in the National Art Museum of Catalonia, the Prado Museum, the Thyssen-Bornemisza Museum and the Reina Sofia Museum in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR I TRINXET (1873-1940). "ORANGE SELLER".
            Feb. 15, 2024

            JOAQUIM MIR I TRINXET (1873-1940). "ORANGE SELLER".

            Est: €5,000 - €8,000

            Oil on cardboard. Sketch of the painting of the same name exhibited at the 3rd Exhibition of Fine Arts and Artistic Industries in 1896. It comes with a certificate issued by Marçal Barrachina in 2003. 25.5 x 20 cm; 40.5 x 35 cm (frame).

            Subarna Subastas
          • JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Landscape"
            Nov. 07, 2023

            JOAQUIN MIR TRINXET Barcelona (1873) / (1940) "Landscape"

            Est: €18,000 - €24,000

            Oil on canvas Signed on the lower right. On the back with labels from Sala Parés, Barcelona and Barrachina&Ramoneda. Attached is the opinion of Barrachina-Ranoneda with registration number D/C2010/PZFD dated 04/26/2010 Measurements: 51 x 69 cm

            Ansorena
          • Joaquin Mir Trinxet Landscape Painting, Forest Scene
            Nov. 04, 2023

            Joaquin Mir Trinxet Landscape Painting, Forest Scene

            Est: $2,000 - $4,000

            Provenance: Collection of Ignacio Ravello, Spain, brought to Orlando, Florida among his possessions when he immigrated to the United States, thence by descent.

            Palm Beach Modern Auctions
          • ATTRIB. TO JOAQUIM MIR I TRINXET (1873-1940). "THE ADORATION OF MAGI".
            Oct. 05, 2023

            ATTRIB. TO JOAQUIM MIR I TRINXET (1873-1940). "THE ADORATION OF MAGI".

            Est: €2,000 - €4,200

            Oil on canvas. Signed. Accompanied by an appraisal confirming the authorship, issued by Sala Parés in 1997. 78 x 65 cm; 95 x 80.5 cm (frame).

            Subarna Subastas
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "El port de Barcelona", ca. 1898. Oil on sackcloth. Signed in the lower right corner. Attached certificate issued by Joan Campamà.
            Sep. 14, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "El port de Barcelona", ca. 1898. Oil on sackcloth. Signed in the lower right corner. Attached certificate issued by Joan Campamà.

            Est: €12,000 - €15,000

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "El port de Barcelona", ca. 1898. Oil on sackcloth. Signed in the lower right corner. Attached certificate issued by Joan Campamà. Measurements: 75 x 75 cm. The port view changes here into a dreamy place. Long brushstrokes and superimposed layers of glaucous and verdemar colours blur the boats but without making them disappear, giving them a dreamlike texture that spreads over the marina and the uncertain coast, enveloping us with its combination of textures and impossible ranges. In this urban view dating from the late 19th century, Joaquim Mir embarks on unexplored paths in atmospheric capture, a work he was carrying out at the same time in the Mallorcan landscape. Joaquín Mir studied at the San Jordi School of Fine Arts in Barcelona and in the studio of the painter Luis Graner. His style was also influenced by the School of Olot, his father's home town. In 1893 he formed the "Colla del Safrà" together with artists such as Isidro Nonell, Ricard Canals and Ramon Pichot, and in the last years of the century he was associated with the artistic environment of "Els Quatre Gats". He completed his training in 1895, when he spent some time in Madrid copying works by Velázquez. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, particularly that of Sa Calobra, which was an inexhaustible source of inspiration for him. In 1901 he held a solo exhibition of the fruit of this first Mallorcan period at the Sala Parés in Barcelona, and once again won a second medal at the National Exhibition. After a period of illness that forced him to move to Reus, in 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. Already established as a leading figure on the Catalan scene, he gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. Four years later he married and settled permanently in Vilanova i la Geltrú. His successes followed one after the other, and in 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been after since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains.
            Jul. 20, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains. Measurements: 11.5 x 15.5 cm; 34 x 37.5 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Wooded landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. Presents stains.
            Jul. 20, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Wooded landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. Presents stains.

            Est: €200 - €250

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Wooded Landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains. Measurements: 9 x 14 cm; 23,5 x 29 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Wooded landscape on the Costa Brava"
            Jul. 19, 2023

            JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Wooded landscape on the Costa Brava"

            Est: €18,000 - €24,000

            Oil on canvas Signed in the lower right corner. Work corresponding to the time in which he lived in Vilanova, from where he undertook several pictorial campaigns such as the one on the Costa Brava in 1935, to which this work may belong. Certificate of authenticity by Enric Jardi dated 1989 is attached Measurements: 65 x 81 cm

            Ansorena
          • Joaquin Mir. Saddlebag Landscape
            May. 30, 2023

            Joaquin Mir. Saddlebag Landscape

            Est: -

            Oil on canvas. Signed in the lower right corner. On the back, signed. Provenance: - Sala Parés, Barcelona - Private collection (c. 1960).

            Duran Arte y Subastas
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape". Charcoal on laid paper. Signed in the lower right corner.
            May. 30, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape". Charcoal on laid paper. Signed in the lower right corner.

            Est: €1,000 - €1,400

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape". Charcoal on laid paper. Signed in the lower right corner. Size: 54 x 47 cm; 63 x 55 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Still life". Oil on canvas. Attached certificate issued by Mr. Joan Campamà. Signed in the lower right corner.
            May. 30, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Still life". Oil on canvas. Attached certificate issued by Mr. Joan Campamà. Signed in the lower right corner.

            Est: €5,000 - €5,500

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Still life". Oil on canvas. Attached certificate issued by Don Joan Campamà. Signed in the lower right corner. Measurements: 73 x 88 cm; 79,5 x 97,5 cm (frame). In this scene Mir departs from the tradition of the genre of the still life inspired by examples of the baroque. For this purpose, he uses an austere wooden board as the base of the still life, without covering it with a tablecloth and without showing the scene in its entirety as was usual in the Baroque period. Based on a classical triangular composition, the artist created this still life consisting of a rabbit, vegetables and pots and pans, the latter captured frontally in such a way as to reduce the background almost to the foreground, limiting the space and thus giving greater prominence to the main elements of the scene. The qualities and diversity offered by the scene indicate the artistic quality of the painter, who resolves the image with fluid brushstrokes, giving priority to a composition based on the use of colour, which serves as a modeller of the volume and brings a traditional scene closer to a contemporary aesthetic language. Joaquim Mir studied at the Escola de Belles Arts de Sant Jordi in Barcelona and in the studio of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became stains that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Plaça de Vilanova i la Geltrú". Oil on panel. Signed in the lower margin and titled on the back.
            May. 30, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Plaça de Vilanova i la Geltrú". Oil on panel. Signed in the lower margin and titled on the back.

            Est: €4,500 - €5,000

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Plaça de Vilanova i la Geltrú". Oil on panel. Signed in the lower margin and titled on the back. Measurements: 16 x 22 cm; 25 x 31 cm (frame). With his privileged vibrant brushstroke, Joaquim Mir immortalises here the daily agitation in a square of this Catalan town. Joaquim Mir studied at the Escola de Belles Arts de Sant Jordi in Barcelona and in the studio of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other companions to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUÍN MIR TRINXET (Barcelona, 1873 - 1940). "Quincallería". Oil on panel. Signed in the lower left corner. Attached certificate issued by Joan Campamà Tubau.
            May. 30, 2023

            JOAQUÍN MIR TRINXET (Barcelona, 1873 - 1940). "Quincallería". Oil on panel. Signed in the lower left corner. Attached certificate issued by Joan Campamà Tubau.

            Est: €2,200 - €2,500

            JOAQUÍN MIR TRINXET (Barcelona, 1873 - 1940). "Quincallería". Oil on panel. Signed in the lower left corner. Enclosed certificate issued by Joan Campamà Tubau. Measurements: 24 x 19 cm. Joaquim Mir studied in the School of Fine Arts of San Jordi of Barcelona and in the workshop of the painter Luis Graner. His style was also influenced by the School of Olot, his father's city of origin. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues (Nonell, Canals, Pichot, Vallmitjana and Gual) to explore together the pictorial initiatives of the end of the century. In 1896 they even took part as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir presented two works that give us a clear idea of the group's ideals: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). Also, from 1897 he frequented the artistic environment of "Els Quatre Gats", where all the artists who were familiar with the European avant-garde met, which helped him to mature in the compositional study of landscapes with figures in different planes of depth. From this period are "Slopes of Montjuic" (1897) and "The Cathedral of the Poor" (1898), the two masterpieces of his youth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, particularly that of Sa Calobra, which was an inexhaustible source of inspiration for him. From then on the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. After a period of illness that forced him to move to Reus, in 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he never moved away from the landscape genre, but now it was the villages of the surrounding area that were the protagonists of his painting. Already established as a leading figure on the Catalan scene, he gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. Four years later he married and settled permanently in Vilanova i la Geltrú. His successes followed one after the other, and in 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been after since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Interior"
            May. 10, 2023

            JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Interior"

            Est: €15,000 - €20,000

            Oil on canvas Signed on the lower right side Measurements: 71 x 73 cm

            Ansorena
          • JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Landscape with animals"
            May. 10, 2023

            JOAQUÍN MIR TRINXET Barcelona (1873) / (1940) "Landscape with animals"

            Est: €2,700 - €3,600

            Oil on canvas Signed on the lower right side Measurements: 24 x 19 cm

            Ansorena
          • Joaquim Mir Trinxet (Barcelona, 1873 - 1940). "Landscape with home". Pencil and paper ink. Signed in the lower right corner. Certificate to the back by Josep Mir Estalella, son of the artist. It has stains and adhesive remains.
            May. 08, 2023

            Joaquim Mir Trinxet (Barcelona, 1873 - 1940). "Landscape with home". Pencil and paper ink. Signed in the lower right corner. Certificate to the back by Josep Mir Estalella, son of the artist. It has stains and adhesive remains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape with a House". Pencil and ink on paper. Signed in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains and traces of adhesive. Measurements: 11 x 17 cm; 26 x 31 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • Joaquim Mir Trinxet (Barcelona, 1873 - 1940). "Rocks by the sea." Pencil on paper. With testamentary seal in the lower right angle. Certificate to the back by Josep Mir Estalella, son of the artist. It has stains and adhesive remains.
            May. 08, 2023

            Joaquim Mir Trinxet (Barcelona, 1873 - 1940). "Rocks by the sea." Pencil on paper. With testamentary seal in the lower right angle. Certificate to the back by Josep Mir Estalella, son of the artist. It has stains and adhesive remains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Rocks by the Sea". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains and traces of adhesive. Measurements: 10 x 14 cm; 34 x 37 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • Joaquim Mir Trinxet (Barcelona, 1873 - 1940). "Landscape". Pencil on paper. With testamentary seal in the lower right angle. Certificate to the back by Josep Mir Estalella, son of the artist. It has stains and adhesive remains.
            May. 08, 2023

            Joaquim Mir Trinxet (Barcelona, 1873 - 1940). "Landscape". Pencil on paper. With testamentary seal in the lower right angle. Certificate to the back by Josep Mir Estalella, son of the artist. It has stains and adhesive remains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains and traces of adhesive. Measurements: 13 x 19 cm; 30 x 36 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Character in a tree". Pencil on paper. Without signature. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Character in a tree". Pencil on paper. Without signature. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Character in a tree". Pencil on paper. Unsigned. Certificate on the back by Josep Mir Estalella, son of the artist. The paper has stains. Size: 11.5 x 15.5 cm; 34 x 37.5 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Country landscape". Pencil on paper. Signed in the lower right corner. The paper has very slight stains.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Country landscape". Pencil on paper. Signed in the lower right corner. The paper has very slight stains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Country landscape". Pencil on paper. Signed in the lower right corner. The paper has very slight stains. Size: 22 x 25.5 cm; 39 x 42 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Rural view". Pencil on paper. Without signature. Certificate on the back by Josep Mir Estalella, son of the artist.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Rural view". Pencil on paper. Without signature. Certificate on the back by Josep Mir Estalella, son of the artist.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Rural view". Pencil on paper. Unsigned. Certified on the back by Josep Mir Estalella, son of the artist. Size: 17,5 x 24 cm; 32,5 x 40 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Trees". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Trees". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Trees". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. The paper has stains. Measurements: 15 x 22 cm; 29 x 37 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Mountain landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Mountain landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Mountain landscape". Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. Measurements: 11 x 15 cm; 25,5x 29 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Trees". Crayons on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Trees". Crayons on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Trees". Crayons on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. Frame with stamp on the back of an exhibition of drawings by Joaquin Mir held in 1975. Slight stains. Measurements: 12,5 x 19 cm; 27,5 x 34 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the studio of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). Untitled. Pencil on paper. With probate stamp in the lower right corner. Slight stains.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). Untitled. Pencil on paper. With probate stamp in the lower right corner. Slight stains.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). Untitled. Pencil on paper. With testamentary stamp in the lower right corner. Slight stains. Size: 10 x 17 cm; 25 x 31 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape". Pencil on paper. With probate stamp in the lower right corner. With stains in the corners. Certified on the back by Josep Mir Estalella, son of the artist.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape". Pencil on paper. With probate stamp in the lower right corner. With stains in the corners. Certified on the back by Josep Mir Estalella, son of the artist.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. With stains in the corners. Certified on the back by Josep Mir Estalella, son of the artist. Measurements: 12,5 x 19 cm; 27,5 x 34 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Tree". Pencil on paper and ink on paper. Drawn on both sides. Without signature. It has stains and slight tearing of the paper in the lower margin.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Tree". Pencil on paper and ink on paper. Drawn on both sides. Without signature. It has stains and slight tearing of the paper in the lower margin.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Tree". Pencil on paper and ink on paper. Drawn on both sides. No signature. With stains and slight tearing of the paper in the lower margin. Size: 17 x 11.5 cm; 31 x 25.5 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains and traces of stickers. Measurements: 21,5 x 15 cm; 36 x 29 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains and traces of adhesive.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains and traces of adhesive.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains and traces of adhesive. Measurements: 11 x 15 cm; 25,5 x 29 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains on the paper.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains on the paper.

            Est: €300 - €400

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains on the paper. Measurements: 15 X 10,5 cm; 29 x 24,5 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains and traces of adhesive.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains and traces of adhesive.

            Est: €300 - €400

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains and traces of adhesive. Measurements: 10,5 x 15 cm; 25,5 x 29,5 cm (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
          • JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains and traces of adhesive.
            May. 08, 2023

            JOAQUIM MIR TRINXET (Barcelona, 1873-1940). "Landscape". Pencil on paper. With testamentary seal in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. It has stains and traces of adhesive.

            Est: €300 - €350

            JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940). "Landscape. Pencil on paper. With testamentary stamp in the lower right corner. Certified on the back by Josep Mir Estalella, son of the artist. With stains and traces of adhesive. Measurements: 11.5 x 15.5 cm; 26 x 31 (frame). Joaquim Mir studied at the School of Fine Arts of San Jordi in Barcelona and in the workshop of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became blotches that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.

            Setdart Auction House
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