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John Maclauchlan Milne Sold at Auction Prices

Landscape painter, Painter, Water color painter

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        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Dec. 05, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £40,000 - £60,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) A VIEW IN THE SOUTH OF FRANCE Signed, oil on canvas 100cm x 126cm (39.5in x 49.5in) Sotheby's, Gleneagles, Scottish and Sporting Pictures and Sculpture, 28th August 2002, lot 1094;Private Collection, Scotland. John Maclauchlan Milne made many trips to the south of France in the 1920s, beginning in 1924. Some of his picture titles show that he roamed from L’Estaque, near Marseille in the west, to St Paul-de-Vence, near Nice in the east. A View in the South of France relates to some of his various, dated paintings from Cassis and St Tropez in 1924.Maclauchlan Milne returned to Dundee from military service with the Royal Air Force in June 1919. He returned then removed to France, and his Paris paintings date from 1920 to 1922, along with others from Lavardin in the Loire Valley. He was painting in Scotland in 1923, before returning to France again in 1924, to the Côte d’Azur.In September 1924 he passed through Paris and was quoted by Arthur Moss in his ‘Over The River’ column in The Paris Times on the 12th of that month: ‘There is a revolution going on in Bonnie Scotland. It’s particularly violent in Dundee and in Edinburgh…This is an artistic revolution. So says the painter Maclauchlan Milne…Mac divides his time between Montparnasse and the city that marmalade made famous. He recently had an exhibition in Scotland of his own vigorous landscapes.’Maclauchlan Milne began exhibiting his pictures from the south of France in 1925 at the Royal Scottish Academy, Royal Glasgow Institute, Society of Scottish Artists and in his studio exhibitions, and these were a major part of his output into the early 1930s.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for writing this catalogue note. 

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Dec. 05, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £20,000 - £30,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) FIGURES IN A SUNLIT STREET Signed, oil on canvas 51cm x 61cm (20in x 24in) Christie's Scotland, Edinburgh, The Scottish Sale 28th October 2004, lot 264; Private Collection, Scotland. This painting probably dates from the south of France in the mid to late 1920s, when John Maclauchlan Milne was travelling to the Côte d’Azur, returning to Dundee to work up his sketches for exhibitions in his studio in the Nethergate, at the Royal Scottish Academy, Royal Glasgow Institute and, from 1925, at the Society of Scottish Artists and elsewhere. His first trip to the south of France was in 1924. He was 38 years old. He had already spent time living and painting in Paris and in the Loire Valley in the early 1920s.Much later in his life, when Tom Honeyman (previously Director of the Kelvingrove Gallery in Glasgow, and earlier a director of art dealers Reid & Lefèvre) asked Maclauchlan Milne for biographical details for an article for The Scottish Field, Milne remembered his time in Vence, St Paul de Vence and St Tropez ‘…with such men as Segonzac, Kisling and Mendjisky.’ (quoted in M. N. Millar, The Missing Colourist: The Search for John Maclauchlan Milne RSA, privately published 2022, p.135)So who suggested that Maclauchlan Milne should visit Cassis and St Tropez in 1924? Moïse Kisling was in Montparnasse with Pablo Picasso at the Café de la Rotonde in August 1916. (see Billy Kluver, A Day with Picasso, The MIT Press, London, 1997). Maclauchlan Milne painted there in 1921. Kisling had already been painting in St Tropez in 1916 and 1917 and Cassis in 1918, so perhaps they met in Paris in 1920/21 or alternatively Maclauchlan Milne was advised by S. J. Peploe or J. D. Fergusson, who had both been painting on the Côte d’Azur in 1913. (see Millar, op.cit., pp.165-166) Figures in a Sunlit Street is redolent of Maclauchlan Milne’s French pictures from the 1920s.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Dec. 05, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £30,000 - £50,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE GOATHERD Signed and dated 1920, oil on canvas 71cm x 91cm (28in x 36in) Christie's Scotland, Edinburgh, The Scottish Sale 28th October 2004, lot 263;Private Collection, Scotland. John Maclauchlan Milne returned to Dundee in June 1919 from military service with the Royal Air Force in France and Belgium. He soon returned to France and his dated paintings from 1920 are mostly from Paris, but there are several from around Lavardin in the Loire Valley; The Goatherd is believed to be one of these. There is a companion piece, Champs aux Chevres, also dated 1920, which features a similar arrangement of figure, goats and trees and others from nearby Langeron.Maclauchlan Milne’s first solo exhibition was in Murray’s Galleries in Dundee in March / April 1921 and a press report in the Dundee Evening Telegraph of 28 March 1921 explained that the works shown were ‘the result of a year’s painting in the Latin Quarter and the pastoral country south of Paris.’ The Goatherd may well have been included in this exhibition.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for writing this catalogue note.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Dec. 05, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £8,000 - £12,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) SUMMER FLOWERS Signed and dated '30, oil on canvas 91cm x 63.5cm (36in x 25in) John Maclauchlan Milne was principally a landscape artist – his legacy comprises pictures from Scotland, Paris, Tuscany and along the Côte d’Azur, however he also produced many still life arrangements of cut flowers, presented in a vase, in various indoor settings. As a Colourist, these flower pictures often present a variety of colours, as in this example. Only some of his known flower pictures are dated, and these range from 1925 to the late 1930s.One of the highpoints of his career was in March 1931. Maclauchlan Milne had a solo exhibition at The Independent Gallery in London where one of his flower paintings was purchased for the French national collection. Fleurs of 1930 remains in the collection of  the Musée National d'Art Moderne at the Pompidou Centre, Paris. (acc.no. JP523P). Summer Flowers, from the same year, is a classic example of the artist’s still life flower arrangements.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for writing this catalogue note.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957)
          Dec. 05, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957)

          Est: £20,000 - £30,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) A SQUARE IN THE SOUTH OF FRANCE Signed, oil on board 51cm x 61cm (20in x 24in) In her memoir Belonging (Hogarth Press, London, 1968), Willa Muir remembers learning ‘about a cheap fishing-village our artist friends had praised, in the south of France, an unspoilt village called St Tropez.’ She and her husband Edwin Muir went there in February 1926 ’before it had been transformed into a fashionable resort.’ They found that ‘more and more St Tropez was filling up with artists from every quarter, including some from Scotland.’Maclauchlan Milne first went to St Tropez in 1924 and returned several times in following years. He showed his various Côte d’Azur pictures at the Royal Scottish Academy, Royal Glasgow Institute, Society of Scottish Artists, in his annual studio exhibitions and elsewhere. His supporters in Dundee acquired many of these works.The precise location shown in this painting is not recorded, but it has been suggested that it could be the Boulevard Vasserot, by the Place des Lices in St Tropez, as it was 100 years ago.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for writing this catalogue note.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Dec. 05, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £30,000 - £50,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE HARBOUR, ST TROPEZ Signed, oil on canvas 51cm x 61cm (20in x 24in) Christie’s Scotland, Edinburgh, The Scottish Sale 19th April 1984, lot 33;William Hardie, Glasgow;The Fleming-Wyfold Art Foundation, London (ref.487); Christie's, Edinburgh, The Scottish Sale, 1st November 2001, lot 151; Private Collection, Scotland.Literature:Williaqm Hardie, Gallery: A Life in Art, Waverley Books, Glasgow. 2017, p.76Bill Smith,, A Picture of Flemings, Robert Fleming Holdings, London, 1985, p.120M. N. Millar, The Missing Colourist: The Search for John Maclauchlan Milne RSA, privately published, 2002, p.78 John Maclauchlan Milne first travelled to the Côte d’Azur in 1924 and there are dated paintings of St Tropez from that year and others from 1926, and from 1929. Under the heading ‘Glimpses of the Riviera’, a review in The Courier on 31 March 1925 of the artist’s current studio exhibition stated: ‘St Tropez, which was Mr Milne’s painting ground, pushes its bold promontory into the sea not far from Cannes, and all the glories of flowery land and purple sea gleam from canvases.’ Two years later and in response to another studio exhibition in Dundee, The Evening Telegraph on 27 October 1927 declared: ‘St Tropez, one of the less known but most picturesque villages on the Riviera coast, has furnished the material for most of the pictures.’St Tropez was a favourite painting location for Maclauchlan Milne and there are various undated pictures of the harbour and of other aspects of the town.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for writing this catalogue note.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Jun. 06, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £15,000 - £20,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) JARDIN DU LUXEMBOURG Signed, oil on board 33cm x 46cm (13in x 18in) Sotheby’s Gleneagles, Scottish and Sporting Pictures and Sculpture, 5 September 2001, Lot 1287Bonhams Edinburgh, The Winter Fine Sales, 4 December 2009, Lot 56 Exhibited: Roseangle Gallery, Dundee, An Exhibition of the Work of John Maclauchlan Milne 1885-1957, 25 June-23 July 2022, no.17  This joyful painting of a fountain in the Luxembourg Gardens in Paris shows how taken Maclauchlan Milne was with the French capital, including its verdant and well-tended parks. The Gardens were established in 1612, cover 55 acres and remain popular to this day. Maclauchlan Milne would also have been drawn to the Musée du Luxembourg there, which was then devoted to the work of living artists.Maurice Millar, the artist’s biographer, has explained that Maclauchlan Milne’s dated pictures of Paris are from 1920, 1921 and 1922, although by no means all were classified in this way. (email to Alice Strang of 14 April 2024). Millar continues: “Maclauchlan Milne had his first solo exhibition at the gallery of Thomas Murray & Sons in Dundee in early April 1921 and this show included several Paris pictures. Sometime in 1921-22 he took over a studio at 132a Nethergate, Dundee. This would be his Scottish base until he left for Arran in 1940. Probably it was his first studio exhibition…[that was]…reported in the press in May 1922 under the heading ‘Paris in Dundee’, which stated: ‘A residence in Paris gave him a greatly broadened technique and a fierce joy in pure colour.’” (Maurice Millar, op.cit.). Indeed, it was said of Maclauchlan Milne’s Paris paintings that they ‘betray a daring in treatment and colouring’ when two were shown at the Royal Glasgow Institute in 1922. This description could be applied to Jardin du Luxembourg without hesitation.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for his help with our research. 

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Jun. 06, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £10,000 - £15,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) RED FLOWERS Signed, oil on canvas 61cm x 51cm (24in x 20in) Purchased from the Artist by the father of the present owner Exhibited: Dundee Art Galleries & Museums, John Maclauchlan Milne RSA 1885-1957: A Centenary Exhibition, 14 September-19 October 1985, no.35 Roseangle Gallery, Dundee, An Exhibition of the Work of John Maclauchlan Milne 1885-1957, 25 June-23 July 2022, no. 23  The striking diagonal composition of Red Flowers, from the drapery in the left-hand foreground to the red flowerhead at the upper right, is combined with a primary palette of red, white and blue. Adventurous aspects, such as the textile occupying almost a quarter of the image and the assured signature applied – and indeed underlined – across it, show an artist working with confidence. A more classical approach is taken to the arrangement of the figurine and other items upon a reflective table-top. Maclauchlan Milne’s enjoyment of the curves of stems, leaves and petals is clear and is echoed, in part, in the decoration of the jug. As pointed out by the artist’s biographer, Maurice Millar, he began to paint still lifes in about 1925 and is believed to have continued working in the genre until at least 1934. (email to Alice Strang of 14 April 2024). The current painting is a fine example, imbued, as it is, with colour and verve.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for his help with our research. 

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)
          Jun. 06, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957)

          Est: £20,000 - £30,000

          JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) IONA Signed, oil on canvas 51cm x 61cm (20in x 24in) Purchased from the Artist by the father of the present owner Exhibited: Dundee Art Galleries & Museums, John Maclauchlan Milne RSA 1885-1957: A Centenary Exhibition, 14 September-19 October 1985, no.15 (titled ‘Iona’ and dated to the late 1920s)Roseangle Gallery, Dundee, An Exhibition of the Work of John Maclauchlan Milne 1885-1957, 25 June-23 July 2022, no.41 (titled ‘Iona Beach’ and dated to the late 1930s) The Scottish Island of Iona, off the west coast of Mull, continues to attract landscape artists, as it has done for over 200 years. John Maclauchlan Milne was part of this pilgrimage in 1937, 1938 and 1939. His visits were recorded in the Guest Register of the St Columba Hotel. He had achieved his sought-after membership of the Royal Scottish Academy in February 1937 and perhaps felt that it was time for him to follow the example of those earlier artists. His fellow Colourists, Samuel Peploe and Francis Cadell had been frequent visitors to Iona: Cadell since 1912 and Peploe since 1920.Iona is a small island, only 6.5km long. The white sand beaches of the North end (Tràigh Bhan and Tràigh an t-Suidhe) contrast with the stony beach at the South end. Whilst the precise location of this painting is not known, the North end was a favourite location and Milne painted and exhibited several pictures of those white sand beaches. Very few of his Iona pictures are dated.Milne’s studio exhibition in Dundee in October 1937 was reviewed in The Courier. Under the heading ‘Sojourn in Iona’ the reviewer wrote:“He has painted chiefly on the north and west of the little island, brilliantly capturing the glowing colours of sky and wine-dark ocean when the wind blows from the Treshnish Isles and Staffa.”Milne’s Iona paintings began appearing as part of his solo exhibition in Glasgow in September/October 1937 at the Pearson & Westergaard Gallery; at his studio exhibition in October and at the Royal Glasgow Institute that same year; and then at The Empire Exhibition in Glasgow the following year (May 1938). His Iona painting from the 1938 Royal Scottish Academy exhibition was purchased by IBM to represent Scotland in their Contemporary Art of 79 Countries display at The World’s Fair, New York, July/August 1939.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for writing this catalogue note.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A (SCOTTISH 1886-1957)
          Jun. 06, 2024

          § JOHN MACLAUCHLAN MILNE R.S.A (SCOTTISH 1886-1957)

          Est: £800 - £1,200

          JOHN MACLAUCHLAN MILNE R.S.A (SCOTTISH 1886-1957) A VILLAGE STREET Signed, watercolour 33cm x 39cm (13in x 15.25in) While the precise location of this work is unconfirmed, it is almost certainly from Kingoodie, where Maclauchlan Milne lived with his first wife, after they married in 1911. Kingoodie lies on the north shore of the River Tay, a few miles west of Dundee. At one time there was a quarry there and the cottages depicted were where the quarry workers lived. The signature of this picture includes the artist’s initial ‘J’, which is typical of his early works. It is likely to date from approximately 1911, which was a tumultuous year for the artist. His father, landscape artist Joseph Milne, died in January and Maclauchlan Milne married six months later. The couple are unlikely to have stayed long in Kingoodie. When Maclauchlan Milne began exhibiting at the Royal Glasgow Institute and at the Royal Scottish Academy the following year, his work was submitted from his new wife’s parents’ address in Seafield Road, Dundee.We are grateful to Maurice Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA (privately published in 2022 and available via The Missing Colourist website) for writing this text. 

          Lyon & Turnbull
        • John Maclauchlan Milne (Scottish, 1885-1957) Along the Shore, 1916
          May. 16, 2024

          John Maclauchlan Milne (Scottish, 1885-1957) Along the Shore, 1916

          Est: $2,500 - $3,500

          John Maclauchlan Milne (Scottish, 1885-1957) Along the Shore, 1916 oil on canvas signed Maclauchlan Milne and dated (lower right) 12 x 16 inches. This lot is located in Chicago. Property from the Collection of Mr. Mark Ruschman

          Hindman
        • John Maclaughlan Milne (1885 - 1957) United Kingdom
          Jan. 11, 2024

          John Maclaughlan Milne (1885 - 1957) United Kingdom

          Est: $2,000 - $4,000

          John Maclaughlan Milne (1885 - 1957) watercolor signed lower left, measures (10 x 15) and (18 x 22) inches w/ frame.John Milne was encouraged by his father - the Scottish landscape painter Joseph Milne. His father's influence is apparent in his early work, before his style was transformed by the Scottish Colourists and modern French painters, particularly Cézanne.

          Cutler Bay Auctions
        • § ◆ JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) WINE BOATS, ST. TROPEZ
          Dec. 07, 2023

          § ◆ JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) WINE BOATS, ST. TROPEZ

          Est: £40,000 - £60,000

          § ◆ JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) WINE BOATS, ST. TROPEZ Signed, oil on canvas (51cm x 61cm (20in x 24in)) Provenance: Acquired from the Artist by Jack Lipsey, Glasgow, in 1956 and thence by descent to the present owner Exhibited: Portland Gallery, London, The Life and Works of John Maclauchlan Milne, 17 June - 9 July 2010 no.35 Wine Boats, St Tropez is a tour de force example of Maclauchlan Milne’s work in the south of France. From 1919 until 1932, the artist spent significant amounts of time in the region, with St Tropez finding particular favour as a place to work. Other leading Scottish artists of the inter-war period were also drawn to the French Mediterranean, including Charles Rennie Mackintosh, James McIntosh Patrick, Anne Redpath and all four artists known as the ‘Scottish Colourists’. Such was its appeal to Maclauchlan Milne, that he spent most of the mid to late 1920s in France, intermittently returning to his base in Dundee to exhibit and sell his works in his native country. His French paintings met with immediate success and a solo exhibition at the leading Glasgow gallery, Reid and Lefevre, in 1928 included several of them, with more shown at its sister gallery in London the following year. Philip Long has explained how Maclauchlan Milne’s French work of the period ‘tends to emphasise the underlying solidity and structure of the Mediterranean villages he commonly portrayed, rather than defining forms by means of brilliant colour contrasts, as did Cadell, or, as was Hunter’s tendency, through a loose network of expressively applied brushstrokes.’ (Philip Long, ‘Introduction’, The Life and Works of John Maclauchlan Milne, London, 2010, pl.9). Wine Boats, St Tropez – and its companions - have maintained their appeal some hundred years after they were created, thanks in this case to its brightly coloured, vividly rendered depiction of a quay-side scene. In a handwritten letter from High Corrie on the isle of Arran, postmarked 16 October 1956, John Maclauchlan Milne wrote to Jack Lipsey following his acquisition of the present painting, stating: 'I am so glad that you like the picture of the wine boats, it has good design and colour.' The artist's biographer, Maurice Millar, has mooted that Wine Boats, St Tropez may be the painting of that title shown in the Exhibition of Pictures by Stewart Carmichael, Alec Grieve and J. Maclauchlan Milne held at the Albert Institute, Dundee, 24 February - 19 March 1933, no.79. We are grateful to Maurice Millar, author of 'The Missing Colourist: The Search for John Maclauchlan Milne RSA' for his help in researching this work.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) CORNFIELD, NORTH SANNOX, ARRAN
          Dec. 07, 2023

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) CORNFIELD, NORTH SANNOX, ARRAN

          Est: £10,000 - £15,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) CORNFIELD, NORTH SANNOX, ARRAN Signed, oil on board (41cm x 51cm (16in x 20in)) Exhibited: Roseangle Gallery, Dundee, John Maclauchlan Milne (1885-1957), 25 June - 23 July 2022, no.46 John Maclauchlan Milne's biographer, Maurice Millar, has explained that this painting dates from the artist's first trip to the isle of Arran, off the Scottish west coast, in 1939. He is known to have worked in the North Sannox area of the island that year, not least through the acquisition by Glasgow Corporation of the related painting North Glen Sannox (Glasgow Life acc.no.2213) in 1940. Moreover, the backboard of Cornfield, North Sannox bears a label from the Dundee framers Fraser & Son, suggesting it was framed in the city before the artist moved to Arran in 1940. It may well have been included in Maclauchlan Milne's last studio exhibition in Dundee, held in April of that year, which the press reported comprised mostly of 'scenes in Arran and Iona' (The Courier and Advertiser, 15 April 1940, p.4). Cornfield, North Sannox depicts a location a few miles north of Thirlestane, the boarding house in the hamlet of Corrie, where Maclauchlan Milne stayed in 1939. In a sun-kissed image, the artist realised a favoured scene, when a good harvest has been completed and the countryside looks at its plentiful best. We are grateful to Maurice Millar, author of 'The Missing Colourist: The Search for John Maclauchlan Milne RSA' for his help in researching this work.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) HARBOUR SCENE, SOUTH OF FRANCE
          Dec. 07, 2023

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) HARBOUR SCENE, SOUTH OF FRANCE

          Est: £2,000 - £3,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) HARBOUR SCENE, SOUTH OF FRANCE Signed, watercolour (28cm x 38cm (11in x 15in))

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) IONA
          Dec. 07, 2023

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) IONA

          Est: £1,500 - £2,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) IONA Inscribed verso 'Iona seascape signed Elsie Maclauchlan Milne (Artist's wife)', watercolour (28cm x 38cm (11in x 15in)) Note: Maurice Millar, John Maclauchlan Milne's biographer, has explained that the artist's second wife, Elizabeth 'Elsie' Livingstone Mackellar, is known to have authenticated some of her husband's unsigned work. The artist visited the Hebridean island of Iona in 1937, 1938 and 1939, before he moved from Dundee to Arran. This work depicts Cathedral Rock at the north end of Iona, a location also favoured by the Scottish Colourist S. J. Peploe. We are grateful to Maurice Millar, author of 'The Missing Colourist: The Search for John Maclauchlan Milne RSA' for his help in researching this work.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) BALCONY, SOUTH OF FRANCE
          Dec. 07, 2023

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) BALCONY, SOUTH OF FRANCE

          Est: £20,000 - £30,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) BALCONY, SOUTH OF FRANCE Signed, oil on canvasboard (54m x 46cm (21.25in x 18in)) Provenance: Portland Gallery, London Private Collection Exhibited: Portland Gallery, London, The Life and Works of John Maclauchlan Milne, 17 June - 9 July 2010, no.30 The reverse of the support of this painting bears a Blanchet, Paris stamp, suggesting that it was acquired by the artist whilst he was in France. The artists' materials purveyor occupied imposing premises at 38 rue Bonaparte in the French capital between 1905 and 1964. The south of France in the 1920s had plenty of attractions to the artist, not least the warmth of its climate, the quality of its light and the modest cost of living. Maclauchlan Milne spent much of the second-half of the decade in the region and it was here that his palette brightened and his technique grew to an impressive pitch of confidently rendering expressive reality. Balcony, South of France encapsulates the appeal that the area and its lifestyle held for the artist. In an idyllic scene, Maclauchlan Milne draws the eye from the tree in the very foreground on the right, up the inviting steps on the left, to the terrace midway in the composition. Its umbrellas provide shelter from the Mediterranean sunshine and hint at leisurely days spent outdoors, whilst the shuttered villa which rises behind it suggests cool rooms perfect for a mid-day siesta. One can only imagine the longing for foreign travel that paintings such as this must surely have aroused in visitors to exhibitions staged by institutions such as the Royal Scottish Academy in Edinburgh and the Royal Glasgow Institute, to which Maclauchlan Milne sent his latest creations. During the 1930s, the artist turned his focus to the Scottish landscape, especially that of the west Highlands. Following a move to the island of Arran in 1940, one can sometimes be forgiven for thinking that his scenes of the island’s villages and beautiful natural surroundings were basking in the sunshine of the south of France, such was its impact on Maclauchlan Milne. We are grateful to Maurice Millar, author of ‘The Missing Colourist: The Search for John Maclauchlan Milne’ for his help in researching this work.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) PLAYING ON THE ROCKS
          Oct. 18, 2023

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) PLAYING ON THE ROCKS

          Est: £700 - £1,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) PLAYING ON THE ROCKS Signed lower right, watercolour (27cm x 37cm (10.75in x 14.5in)) Provenance: T & R Annan & Sons Ltd, Glasgow; St Andrews Fine Art, St Andrew; Lyon & Turnbull, Edinburgh, Fine Paintings, 10 June 2010, lot 127, where acquired by the present owner Exhibited: St Andrews Fine Art, St Andrews, Annual Exhibition, 1987, no. 188

          Lyon & Turnbull
        • John Maclauchlan Milne RSA (British, 1885-1957) Café de la Rotonde, Paris, 1921
          Oct. 11, 2023

          John Maclauchlan Milne RSA (British, 1885-1957) Café de la Rotonde, Paris, 1921

          Est: £15,000 - £20,000

          John Maclauchlan Milne RSA (British, 1885-1957) Café de la Rotonde, Paris, 1921 signed 'Maclauchlan Milne' (lower left) oil on board 25 x 33.5cm (9 13/16 x 13 3/16in).

          Bonhams
        • John Maclauchlan Milne RSA (British, 1885-1957) Corrie, Arran
          Oct. 11, 2023

          John Maclauchlan Milne RSA (British, 1885-1957) Corrie, Arran

          Est: £20,000 - £30,000

          John Maclauchlan Milne RSA (British, 1885-1957) Corrie, Arran oil on canvas 72 x 89cm (28 3/8 x 35 1/16in).

          Bonhams
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) IN TUSCANY
          Jun. 08, 2023

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) IN TUSCANY

          Est: £10,000 - £15,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) IN TUSCANY Signed and dated '30, oil on canvas (48cm x 61cm (18in x 24in)) Provenance: T. & R. Annan & Sons Ltd, Glasgow Sotheby's Gleneagles, Scottish & Sporting Pictures & Sculpture, 28 August 2002, lot 1092 John Green Fine Art, Glasgow from whom acquired by the present owner Literature: Maurice N. Millar, The Missing Colourist: The Search for John Maclauchlan Milne RSA, privately published 2022, repr.col. p.85 (www.themissingcolourist.co.uk ) John Maclauchlan Milne painted In Tuscany during the Spring of 1930, where he stayed in the Hotel La Cisterna in San Gimignano. Dundee’s The Evening Telegraph reported on 17 April 1930 that ‘at present [Maclauchlan Milne] is working in the north of Italy’. He began to exhibit his Tuscan works the following year, including at the Royal Scottish Academy, with the Society of Scottish Artists and in his solo exhibition at The Independent Gallery in London in March 1931. This featured Spring-Time, San Gimignano, sold by Lyon & Turnbull on 28 November 2006, which resulted from the same Tuscan excursion. The Evening Telegraph reviewed the exhibition on 4 March 1931 stating: 'Mr Milne spent a considerable time in Italy last year, instead of going, as he usually does, to Provence for the subjects of his landscapes and the result is one or two landscapes executed in North Italy which for composition and colour rank with the best works Mr Milne has produced.' We are very grateful to Maurice N. Millar, author of The Missing Colourist: The Search for John Maclauchlan Milne RSA, for his research into this painting.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) HARVEST TIME
          Jun. 08, 2023

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) HARVEST TIME

          Est: £1,500 - £2,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) HARVEST TIME Signed, watercolour (26.5cm x 37cm (10.5in x 14.5in))

          Lyon & Turnbull
        • John Maclauchlan Milne RSA (1885-1957) Cornfield, Sannox
          May. 17, 2023

          John Maclauchlan Milne RSA (1885-1957) Cornfield, Sannox

          Est: £20,000 - £30,000

          John Maclauchlan Milne RSA (1885-1957) Cornfield, Sannox signed 'Maclauchlan Milne' (lower right) oil on canvas 50.5 x 60.5cm (19 7/8 x 23 13/16in).

          Bonhams
        • JOHN MACLAUCHLAN MILNE, R.S.A. (1885-1957) Corrie Harbour oil on canvas 20
          Mar. 22, 2023

          JOHN MACLAUCHLAN MILNE, R.S.A. (1885-1957) Corrie Harbour oil on canvas 20

          Est: £15,000 - £25,000

          JOHN MACLAUCHLAN MILNE, R.S.A. (1885-1957) Corrie Harbour oil on canvas 20 x 24 in. (50.8 x 61 cm.)

          Christie's
        • JOHN MACLAUCHLAN MILNE, R.S.A. (1885-1957) Cherry Blossom, Corrie oil on ca
          Mar. 22, 2023

          JOHN MACLAUCHLAN MILNE, R.S.A. (1885-1957) Cherry Blossom, Corrie oil on ca

          Est: £18,000 - £25,000

          JOHN MACLAUCHLAN MILNE, R.S.A. (1885-1957) Cherry Blossom, Corrie oil on canvas 20 x 24 in. (50.8 x 61 cm.)

          Christie's
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE FARM, CORRIE
          Dec. 08, 2022

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE FARM, CORRIE

          Est: £8,000 - £12,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE FARM, CORRIE Oil on board (33cm x 41cm (13in x 16in)) Provenance: The artist's family Exhibited: William Hardie Gallery, Glasgow

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) SUNFLOWERS
          Dec. 08, 2022

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) SUNFLOWERS

          Est: £3,000 - £5,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) SUNFLOWERS Signed and dated '29, oil on canvas (65cm x 51cm (25.5in x 20in)) Exhibited: Cyril Gerber Fine Art, Glasgow

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE ATLANTIC COAST
          Dec. 08, 2022

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE ATLANTIC COAST

          Est: £4,000 - £6,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) THE ATLANTIC COAST Signed, oil on canvas (46cm x 61cm (18in x 24in)) Exhibited: The Fine Art Society, London, March 1964, no.2852

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) LAMLASH, ARRAN
          Dec. 08, 2022

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) LAMLASH, ARRAN

          Est: £2,000 - £3,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1885-1957) LAMLASH, ARRAN Signed and dated '32, watercolour (26cm x 37cm (10.25in x 14.5in))

          Lyon & Turnbull
        • John Maclauchlan Milne RSA (1886-1957) Fontaine du Palmier, Place du Châtelet, Paris (1920) 50.8 x 61 cm. (20 x 24 in.)
          Oct. 19, 2022

          John Maclauchlan Milne RSA (1886-1957) Fontaine du Palmier, Place du Châtelet, Paris (1920) 50.8 x 61 cm. (20 x 24 in.)

          Est: £20,000 - £30,000

          John Maclauchlan Milne RSA (1886-1957) Fontaine du Palmier, Place du Châtelet, Paris (1920) signed and dated 'Maclauchlan Milne 1920' (lower left) oil on canvas 50.8 x 61 cm. (20 x 24 in.)

          Bonhams
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HAYSTACKS WITH RESTING FIGURES, c.1920
          Jun. 16, 2022

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HAYSTACKS WITH RESTING FIGURES, c.1920

          Est: £1,500 - £2,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HAYSTACKS WITH RESTING FIGURES, c.1920 Signed, oil on canvas (25.5cm x 35.5cm (10in x 14in)) Exhibited: Dundee Museums and Art Galleries, John Maclauchlan Milne - A Centenary Exhibition, 1985, no.6 This work was dated to circa 1920 in the 1985 John Maclauchlan Milne exhibition mounted by Dundee Museums and Art Galleries. We are grateful to Maurice Millar for his assistance in researching this painting.

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HAYSTACKS IN A FIELD
          Jun. 16, 2022

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HAYSTACKS IN A FIELD

          Est: £10,000 - £15,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HAYSTACKS IN A FIELD Signed, oil on canvas (41cm x 46cm (16in x 18in))

          Lyon & Turnbull
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) THE QUARRY AT TORRIDON
          Jun. 16, 2022

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) THE QUARRY AT TORRIDON

          Est: £20,000 - £30,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) THE QUARRY AT TORRIDON Signed and dated '23, oil on canvas (63.5cm x 76cm (25in x 30in)) Provenance: Sotheby’s, Gleneagles, 29 August 1995, lot 1002 Literature: M. N. Millar, The Missing Colourist: The Search for John Maclauchlan Milne RSA, privately published, Glasgow, 2022, p. 77 (listed) This painting comes from a series of works created as a result of a trip Maclauchlan Milne made to Torridon in the north-west Highlands in 1922 or early 1923. Two others were shown at the Royal Scottish Academy's annual exhibition of 1923, where they were singled out for praise by the artist E. A. Taylor, who detected in them an interest in the work of Paul Cézanne. (E. A. Taylor, The Studio, Vol. 86, December 1923, no. 369, pp. 342-343 quoted in M. N. Millar, op.cit., p. 77). In addition to the quarry dramatically rendered in the present painting, Maclauchlan Milne was also drawn to subjects in the area including the mountains Beinn Alligin and Sgurr Ruadh. The artist's biographer, Maurice Millar, has pointed out that several Torridon works were included in Maclauchlan Milne's solo exhibition, held at Alexander Reid's gallery, La Société des Beaux Arts, in Glagsow in 1924. (ibid., p. 78). The boldness of technique, form and composition of The Quarry, Torridon, as well as the brightness of the light illuminating the scene, link this work to Maclauchlan Milne's French work of the decade. He was to re-kindle his interest in the Scottish Highlands in the 1930s, culminating in the Arran landscapes of the concluding period of his career. We are grateful to Alan Lawson, curator of the forthcoming Maclauchlan Milne exhibition at Roseangle Gallery, Dundee (25 June-23 July 2022) and to Maurice Millar, the artist's biographer (op.cit.), for their assistance in researching this painting.

          Lyon & Turnbull
        • John Maclauchlan Milne RSA (British, 1886-1957) Ferryden, Montrose 17.3 x 22.5 cm. (6 13/16 x 8 7/8 in.)
          May. 18, 2022

          John Maclauchlan Milne RSA (British, 1886-1957) Ferryden, Montrose 17.3 x 22.5 cm. (6 13/16 x 8 7/8 in.)

          Est: £600 - £800

          John Maclauchlan Milne RSA (British, 1886-1957) Ferryden, Montrose signed 'J Maclauchlan Milne' (lower right) watercolour 17.3 x 22.5 cm. (6 13/16 x 8 7/8 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • JOHN MACLAUCHLAN MILNE, R.S.A. (BRITISH, 1885-1957) Café scene, Paris oil o
          Dec. 16, 2021

          JOHN MACLAUCHLAN MILNE, R.S.A. (BRITISH, 1885-1957) Café scene, Paris oil o

          Est: £20,000 - £30,000

          JOHN MACLAUCHLAN MILNE, R.S.A. (BRITISH, 1885-1957) Café scene, Paris oil on canvasboard 10 x 14 in. (25.5 x 36 cm.)

          Christie's
        • JOHN MACLAUCHLAN MILNE, R.S.A. (BRITISH, 1885-1957) Une promenade dans le p
          Dec. 16, 2021

          JOHN MACLAUCHLAN MILNE, R.S.A. (BRITISH, 1885-1957) Une promenade dans le p

          Est: £25,000 - £35,000

          JOHN MACLAUCHLAN MILNE, R.S.A. (BRITISH, 1885-1957) Une promenade dans le parc (recto); and A cafe scene, unfinished (verso) oil on canvas 20 x 24 in. (50.8 x 61 cm.)

          Christie's
        • § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) EILEAN DONAN CASTLE
          Dec. 09, 2021

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) EILEAN DONAN CASTLE

          Est: £10,000 - £15,000

          § JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) EILEAN DONAN CASTLE Signed, oil on canvas (63.5cm x 76cm (25in x 30in))

          Lyon & Turnbull
        • John Maclauchlan Milne RSA (British, 1886-1957) Prunus Blossom in a Jug 61 x 50.8 cm. (24 x 20 in.)
          Oct. 14, 2021

          John Maclauchlan Milne RSA (British, 1886-1957) Prunus Blossom in a Jug 61 x 50.8 cm. (24 x 20 in.)

          Est: £10,000 - £15,000

          John Maclauchlan Milne RSA (British, 1886-1957) Prunus Blossom in a Jug signed 'Maclauchlan Milne' (lower left) oil on canvas 61 x 50.8 cm. (24 x 20 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • John Maclauchlan Milne RSA (British, 1886-1957) Dahlias 61 x 50.8 cm. (24 x 20 in.)
          Oct. 14, 2021

          John Maclauchlan Milne RSA (British, 1886-1957) Dahlias 61 x 50.8 cm. (24 x 20 in.)

          Est: £10,000 - £15,000

          John Maclauchlan Milne RSA (British, 1886-1957) Dahlias signed 'Maclauchlan Milne' (lower left) oil on panel 61 x 50.8 cm. (24 x 20 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • John Maclauchlan Milne RSA (British, 1886-1957) In Provence 51 x 61 cm. (20 1/16 x 24 in.)
          Oct. 14, 2021

          John Maclauchlan Milne RSA (British, 1886-1957) In Provence 51 x 61 cm. (20 1/16 x 24 in.)

          Est: £12,000 - £18,000

          John Maclauchlan Milne RSA (British, 1886-1957) In Provence signed 'Maclauchlan Milne' (lower right) oil on canvas 51 x 61 cm. (20 1/16 x 24 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • John Maclauchlan Milne (Scottish, 1885-1957) Along the Shore, 1916
          Sep. 27, 2021

          John Maclauchlan Milne (Scottish, 1885-1957) Along the Shore, 1916

          Est: $2,500 - $3,500

          John Maclauchlan Milne (Scottish, 1885-1957) Along the Shore, 1916 oil on canvas signed Maclauchlan Milne and dated (lower right) 12 x 16 inches.

          Hindman
        • § JOHN MACLAUCHLAN MILNE R.S.A (SCOTTISH 1886-1957) BEACH HUTS, BRODICK BAY
          Jun. 10, 2021

          § JOHN MACLAUCHLAN MILNE R.S.A (SCOTTISH 1886-1957) BEACH HUTS, BRODICK BAY

          Est: £15,000 - £20,000

          § JOHN MACLAUCHLAN MILNE R.S.A (SCOTTISH 1886-1957) BEACH HUTS, BRODICK BAY Signed, oil on board (38cm x 46cm (15in x 18in))

          Lyon & Turnbull
        • Attributed to John Maclauchlan Milne RSA (British, 1886-1957) Dutch Canal 25 x 35 cm. (9 13/16 x 13 3/4 in.)
          May. 13, 2021

          Attributed to John Maclauchlan Milne RSA (British, 1886-1957) Dutch Canal 25 x 35 cm. (9 13/16 x 13 3/4 in.)

          Est: £500 - £700

          Attributed to John Maclauchlan Milne RSA (British, 1886-1957) Dutch Canal signed 'McLauchlan Milne' possibly added due to spelling (lower right) watercolour 25 x 35 cm. (9 13/16 x 13 3/4 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • John Maclauchlan Milne RSA (1886-1957) Sound of Iona 49 x 59.5 cm. (19 5/16 x 23 7/16 in.)
          May. 13, 2021

          John Maclauchlan Milne RSA (1886-1957) Sound of Iona 49 x 59.5 cm. (19 5/16 x 23 7/16 in.)

          Est: £25,000 - £35,000

          John Maclauchlan Milne RSA (1886-1957) Sound of Iona signed and dated 'Maclauchlan Milne/37' (lower left), further signed and titled to artist label (verso) oil on canvas 49 x 59.5 cm. (19 5/16 x 23 7/16 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • John Maclauchlan Milne RSA (British, 1886-1957) High Corrie, Arran 51 x 61 cm. (20 1/16 x 24 in.)
          May. 13, 2021

          John Maclauchlan Milne RSA (British, 1886-1957) High Corrie, Arran 51 x 61 cm. (20 1/16 x 24 in.)

          Est: £15,000 - £20,000

          John Maclauchlan Milne RSA (British, 1886-1957) High Corrie, Arran signed 'Maclauchlan Milne' (lower right) oil on canvas 51 x 61 cm. (20 1/16 x 24 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • John Maclauchlan Milne RSA (1886-1957) On the golf course 25.5 x 36.5 cm. (10 1/16 x 14 3/8 in.)
          May. 13, 2021

          John Maclauchlan Milne RSA (1886-1957) On the golf course 25.5 x 36.5 cm. (10 1/16 x 14 3/8 in.)

          Est: £1,000 - £1,500

          John Maclauchlan Milne RSA (1886-1957) On the golf course signed 'Maclauchlan Milne' (lower left) watercolour 25.5 x 36.5 cm. (10 1/16 x 14 3/8 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • John MacLauchlan Milne, R.S.A. (1885-1957)
          Apr. 15, 2021

          John MacLauchlan Milne, R.S.A. (1885-1957)

          Est: £4,000 - £6,000

          John MacLauchlan Milne, R.S.A. (1885-1957) A Fisherwoman on a Beach oil on canvas 14 x 18 in. (35.6 x 45.7 cm.)

          Christie's
        • John MacLauchlan Milne, R.S.A. (1885-1957)
          Apr. 15, 2021

          John MacLauchlan Milne, R.S.A. (1885-1957)

          Est: £8,000 - £12,000

          John MacLauchlan Milne, R.S.A. (1885-1957) Still Life of Flowers oil on board 28 3/8 x 25 ¼ in. (72 x 64.1 cm.)

          Christie's
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