Daniel (1590) Mytens Sold at Auction Prices

Attributed Daniel Mytens (C.1590-1647). A 17th Century Oil on Canvas: Half Length Portrait of a You

Attributed Daniel Mytens (C.1590-1647). A 17th Century Oil on Canvas: Half Length Portrait of a Young Lady dressed in finery with pearl necklane and earrings, 30'' x 25'' (76 cm x 64 cm). Set in a decorative contemporary carved and gilded frame inscribed D. Mytens, 35½'' x 30½'' (90 cm x 77.5 cm).

PORTRAIL PAINTING IN CIRCLE OF DANIEL MYTENS

Dutch 1590 - 1647 oil on panel Portrait - Unknown

CIRCLE OF DANIEL MYTENS THE ELDER (DELFT C. 1590-1647 THE HAGUE) Portrait o

CIRCLE OF DANIEL MYTENS THE ELDER (DELFT C. 1590-1647 THE HAGUE) Portrait of Edward Denny, 1st Earl of Norwich (1569-1637), full-length, seated,... oil on canvas 74 3⁄8 x 48 ½ in. (189 x 123.2 cm.)

STUDIO OF DANIEL MYTENS THE ELDER (DELFT C. 1590-1647 THE HAGUE) Portrait o

STUDIO OF DANIEL MYTENS THE ELDER (DELFT C. 1590-1647 THE HAGUE) Portrait of Thomas Howard, 14th Earl of Arundel (1585-1646), full-length, in... oil on canvas 86 5⁄8 x 54 1⁄8 in. (220 x 137.4 cm.)

DANIEL MYTENS THE ELDER (DELFT C. 1590-1647 THE HAGUE) Portrait of Henry de

DANIEL MYTENS THE ELDER (DELFT C. 1590-1647 THE HAGUE) Portrait of Henry de Vere, 18th Earl of Oxford KB (1593-1625), full-length, in... oil on canvas 83 x 61 5⁄8 in. (210.7 x 156.5 cm.)

DANIEL MIJTENS I (DELFT C. 1590-1647 THE HAGUE) Portrait of Chief Justice S

DANIEL MIJTENS I (DELFT C. 1590-1647 THE HAGUE) Portrait of Chief Justice Sir Henry Hobart (1560-1625), 1st Bt.,... oil on canvas 50 1/4 x 40 in. (127.6 x 101.6 cm.)

ATTRIBUE A DANIEL MYTENS (1590-1647)

ATTRIBUE A DANIEL MYTENS (1590-1647) PORTRAIT PRESUME DE WILLIAM HERBERT, 3e COMTE DE PEMBROKE Toile Dans un cadre à palmettes travail anglais de la première moitié du XIXe siècle Daté à droite : AETA.SUAE : 49 / A°. 1630 Etiquette avec le nom du modèle au revers du châssis : B. 800 D. Mythes / William Herbert / 3rd Earl of Pembroke Attr. to D. Mytens, Presumed protrait of William Herbert, 3rd Count of Pembroke, canvas, in a 1st half-19th century English palmettes frame, dated on the right: AETA.SUAE: 49 / A°. 1630. Label with the model name on the back of the stretcher: B. 800 D. Myths / William Herbert / 3rd Earl of Pembroke 124,5 x 93 cm - 49 x 36,6 in.

ATTRIBUTED TO DANIEL MYTENS (1590-1647) Portrait of a gentleman, dress in fine gold brocaded jacket with white ruff collar Oil on canvas, oval, 55 x 66cm In a fine period frame Provenance: Lot 80, Adare Manor Auction, 9/6/1982

ATTRIBUTED TO DANIEL MYTENS (1590-1647) Portrait of a gentleman, dress in fine gold brocaded jacket with white ruff collar Oil on canvas, oval, 55 x 66cm In a fine period frame Provenance: Lot 80, Adare Manor Auction, 9/6/1982

Studio of Daniel Mytens (?Delft 1590-1644 The Hague) Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside ...

Studio of Daniel Mytens (?Delft 1590-1644 The Hague) Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside the Scottish crown laid on a table oil on canvas 109.2 x 83.4cm (43 x 32 13/16in). For further information on this lot please visit the Bonhams website

Huile sur toile marouflée sur toile "Portrait de Georges Villiers, 1er duc

Huile sur toile marouflée sur toile "Portrait de Georges Villiers, 1er duc de Buckingham". D'après l'œuvre de Daniel Mytens (?). Ecole hollandaise. Epoque: vers 1800 - 1820. (Un coup et légers écaillements). Dim.:+/-76,5x64cm.

Studio of Daniel Mytens (?Delft 1590-1644 The Hague) Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside ...

Studio of Daniel Mytens (?Delft 1590-1644 The Hague) Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside the Scottish crown laid on a table oil on canvas 109.2 x 83.4cm (43 x 32 13/16in). For further information on this lot please visit the Bonhams website

'After' Daniel Mytens (Dutch, 1590-1648) 'Charles I of England' Oil on Canvas

'After' Daniel Mytens (Dutch, 1590-1648) 'Charles I of England' Oil on Canvas Undated, unsigned portrait of Charles I of England, having a painted wood frame Condition: Good, light dirt accumulation; craquelure overall; small spots of paint loss overall; dent / tear in forehead area with possible repair to back; not examined out of the frame Height: 27 1/8 inches, Width: 22 inches (canvas) Frame Size: 31 15/16 inches by 28 7/16 inches Category: Fine Art > European Paintings Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Approximate Sale Time: 1:52 pm CST Links to High Resolution Images: Image #1 Image #2 Image #3 Image #4 Image #5 Image #6

Circle of Daniel Mytens (?Delft 1590-1644 The Hague) Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside ...

Circle of Daniel Mytens (?Delft 1590-1644 The Hague) Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside the Scottish crown laid on a table oil on canvas 109.2 x 83.4cm (43 x 32 13/16in). For further information on this lot please visit the Bonhams website

FOLLOWER OF DANIEL MYTENS THE ELDER, (DUTCH 1590-1648), PORTRAIT OF A LADY, HALF-LENGTH

FOLLOWER OF DANIEL MYTENS THE ELDER (dutch 1590-1648) PORTRAIT OF A LADY, HALF-LENGTH Oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Property from a Mid-Atlantic Institution.

Attributed to Daniel Mytens (1590-1647): Portrait of George Villiers, The First Duke of Buckingham

Oil on canvas, unsigned, lined.40 x 34 in., 45 1/2 x 40. in. (frame).Note: This painting is based on the full-length portrait of the same title by Daniel Mytens now in the National Maritime Museum, London. This version shows several compositional differences including a different type of lace collar, the placement of the helmet, the addition of a ring on his left hand, and the use of blue in the background seascape. This seascape represents the royal fleet returning from an unsuccessful voyage to Spain with the mission to secure a marriage alliance between Prince Charles and the Spanish Infanta. According to the National Maritime Museum, Mytens copied this imagery from the 1623 painting by H.C. Vroom titled The Return of Prince Charles from Spain. The sitter, George Villiers, the First Duke of Buckingham, was a favorite and rumored lover of James I,and later a close advisor of Charles I. He was appointed Lord Admiral of the English Navy in 1619. In 1628, he was assassinated by a naval officer. Signifying his position, his effigy is in Westminster Abby.  The Duke of Buckingham was famously fictionalized by Alexander Dumas' in The Three Musketeers.Our thanks to the Christie's London Archives who traced the numbering on the stretcher to their 1968 auction (see provenance below). 

School of Daniel Mijtens the Elder, (Delft, ca. 1590-The Hague, 1647/48; active England 1618-ca. 1634), "Full-Length Portrait of a G...

School of Daniel Mijtens the Elder (Delft, ca. 1590-The Hague, 1647/48; active England 1618-ca. 1634) "Full-Length Portrait of a Gentleman, traditionally identified as George Villiers, 1st Duke of Buckingham (1592-1628)" oil on canvas unsigned, inscribed lower left, identifying the sitter. Presented in an antique giltwood and gesso frame. 83" x 46-3/4", framed 99" x 61-1/2" Provenance: Deaccessioned from Friends University, Wichita, Kansas; gifted to the University by the Sam and Rie Bloomfield Foundation, Newport Beach, California.

Daniel Mytens Delft, vers 1590 - La Haye, vers 1648 Portrait de Willem Burchgraeff (1604-1647) Panneau de forme ovale

Daniel Mytens Delft, vers 1590 - La Haye, vers 1648 Portrait de Willem Burchgraeff (1604-1647) Panneau de forme ovale Daté et signé ''Ætatus sua 50 1635 / D. Mytens f'' à droite Annoté ''Willem Burggraaf'' au verso Portrait of Willem Burchgraeff, oil on panel, signed and dated, by D. Mytens h: 71 w: 54 cm Provenance : Collection particulière, Francfort-sur-le-Main ; Collection Nellie Lust-Seligmann, Bâle ; Vente anonyme ; Lucerne, Galerie Fischer, 9,10 et 11 septembre 1943, n° 911 (vendu 1550 frs suisses) ; Collection Pr. Leopold Ruzicka, Zürich, acquis en 1944 à Lucerne ; Collection Bertecco-Schaub, Genève ; Galerie du Cygne, Ferney-Voltaire, 1987 ; Collection particulière de l''Est de la France Expositions : ''Meisterwerke holländischer Malerei des 16.bis 18. Jahrhunderts im Kunstmuseum'', Bâle, Kunstmuseum, 22 juin - 19 août 1945, n° 56 (une étiquette au verso) ''Gemälde der Ruzicka-Stiftung'', Zurich, Kunsthaus, décembre 1949 - mars 1950, p. 17, n° 20 Bibliographie : Onno ter Kuile, ''Daniel Mijtens: His Majesties Picture-Drawer ?'', in ''Nederlands Kunsthistorisch Jaarboek'', 20, 1969, p. 14, p. 53, n° 18, fig. 3 Stitching Foundation Rembrandt Research Project, ''A Corpus of Rembrandt Paintings: Volume II: 1631–1634'', Dordrecht, Boston, Lancaster, 1986, p. 411, fig. 6, mentionné dans la notice du n° A 82 Walter Liedtke, ''Dutch paintings in the Metropolitan Museum of Arts'', New-York, New Haven, 2007, p. 326, mentionné dans la notice du n° 76 Commentaire : Willem Burchgraeff était marchand de grains à Leyde et à Rotterdam. Rembrandt peignit en 1633 le portrait de son épouse Maertgen van Bilderbeecq (Francfort, Städelsches Kunstinstitut, fig. 1). Un portrait d''homme conservé à Dresde (Gemäldegalerie Alte Meister, inv. 1557) a longtemps été considéré comme le pendant du portrait de Francfort. Il est aujourd''hui répertorié comme une œuvre d''atelier et présente en outre peu de ressemblance avec notre modèle. Le portrait que nous présentons, peint en 1635, est de mêmes dimensions que celui de Maertgen van Bilderbeecq par Rembrandt et lui fait face. Il semblerait que le portrait de Francfort porte au dos la même inscription blanche identifiant le modèle que celle visible sur notre panneau. La proportion du modèle, la composition et la lumière décrite par Daniel Mytens laissent à penser que le peintre a exécuté ce portrait de Willem Burchgraeff en ayant vu celui de son épouse par Rembrandt et dans le but d''en réaliser le pendant.

DANIEL MYTENS (DELFT, VERS 1590 - LA HAYE AV. 1648)PORTRAIT DE WILLEM BURCHGRAEFF (1604-1647)

DANIEL MYTENS (DELFT, VERS 1590 - LA HAYE AV. 1648) PORTRAIT DE WILLEM BURCHGRAEFF (1604-1647) Panneau Signé à droite : D : Mÿtens ft et annoté Aetatus.Suae.a°.1635 Au revers, sur le panneau, inscription à la peinture blanche: Willem Bùrggraaf. et trois étiquettes: numéro 21 à la craie bleue; étiquette d'exposition: Hollandilfe / Ausgestellt Kunstmuseum Basel / 23.Juni bis 19. Aug. 1945 / Nr 56 / Künstler: D.Mytens. Galerie M. Schulthess et 585; un tampon: ZON / 1130. Sur le châssis: une étiquette: n° 335 / Daniel Mijtens /Portrat Willem Burggraeff 1635 / Panel, wood 71/54 1/2 cm. Sur le cadre, une inscription à la craie rouge: C1926 et un tampon: ZON / 1130 Restaurations anciennes 71 X 54 CM - 28 X 21 1/4 IN. Portrait of Willem Burchgraeff (1604-1647), panel. Signed right, on the back: inscribed, labeled, numbered, and stamped. Inscribed and stamped on the frame.

Follower of Daniel Mytens the Elder (Dutch, 1590-1648) Portrait of a lady wearing pearls in her hair, a pearl necklace, and a black...

Follower of Daniel Mytens the Elder (Dutch, 1590-1648) Portrait of a lady wearing pearls in her hair, a pearl necklace, and a black and pink dress oil on oak panel h:38 w:30 cm Provenance: From a Sussex country house

Circle of Daniel Mytens the Elder (Delft circa 1590-1648 The Hague) Portrai

Circle of Daniel Mytens the Elder (Delft circa 1590-1648 The Hague) Portrait of a young gentleman, full-length,

Daniel Mytens (1590-1647) and Studio Portrait of a gentleman wearing a ruff collar and sword, 42.5 x 29in.

Daniel Mytens (1590-1647) and Studio oil on wooden panel, Portrait of a gentleman wearing a ruff collar and sword, 42.5 x 29in.

Daniel Mytens the Elder (attributed to)

Daniel Mytens the Elder (attributed to) (Dutch/British, c.1590-1647) PORTRAIT OF A CAVALIER, c.1629 oil on panel, framed, unsigned H15 1/2" W12 1/4" Provenance: Property deaccessioned from a South Carolina museum to benefit the collections fund

Attributed to Daniel Mytens, Portrait of a Nobleman

Attributed to Daniel Mytens, Portrait of a Nobleman Inscribed upper right: 1618 111.5 x 87.5 cm

Circle of Daniel Mytens (Delft c. 1590-1647 Portrait of a gentleman traditi

Circle of Daniel Mytens (Delft c. 1590-1647 Portrait of a gentleman traditionally identified as Philip Lord Wharton... oil on canvas 86 x 51½ in. (218.4 x 130.7 cm.)

Attributed to Daniel Mytens (Delft c. 1590-1647 The Hague) Portrait of a gentleman, bust-length, in a black coat with a lace ruff oil on canvas 23¾ x 19¾ in. (60.3 x 50.2 cm.)

Circle of Daniel Mytens (Delft c. 1590-1647 The Hague)

Circle of Daniel Mytens (Delft c. 1590-1647 The Hague) Portrait of a gentleman, full-length, in a gold embroidered coat and breeches, with a dog, in an interior oil on copper 8 x 4 5/8 in. (20.2 x 11.6 cm.)

*Studio of Daniel Mytens the Elder, (Dutch, 1590-1648), Portrait of King Charles I

Studio of Daniel Mytens the Elder (Dutch, 1590-1648) Portrait of King Charles I oil on canvas 28 3/4 x 24 inches.

Follower of Daniel Mytens the Elder (Delft circa 1590-1648 The Hague)

Portrait of a lady, bust-length, in a black and white dress and a white lace ruff oil on canvas, oval, with corners added 60 x 46cm (23 5/8 x 18 1/8in).

Circle of Daniel Mijtens I (Delft c . 1590- c . 1647 The Hague)

Circle of Daniel Mijtens I (Delft c. 1590-c. 1647 The Hague) Portrait of a young gentleman, full-length, in a black doublet with a ruff and lace cuffs, a brocade mantle and rosette shoe buckles, his hat on the draped table beside, a draped curtain beyond, on a fine Oriental carpet oil on canvas 61½ x 38¼ in. (154.9 x 97.2 cm.)

Circle of Daniel Mytens the Elder (1590-1648), PORTRAIT OF GENERAL MONK (MONCK), Oil on canvas in a feigned oval; titled lower right, 30" x 25.25" - 76.2 x 64.1 cm.

Circle of Daniel Mytens the Elder (1590-1648), Dutch PORTRAIT OF GENERAL MONK (MONCK); Oil on canvas in a feigned oval; titled lower right30" x 25.25" - 76.2 x 64.1 cm. Provenance: John Britnell Galleries Limited, Toronto; Private Collection, Toronto Note: General Monk (1608-1670) was the first Colonel of the Coldstream Guards. Historically he is credited with helping to restore Charles II to the throne

FOLLOWER OF DANIEL MYTENS (circa 1590-1647)

FOLLOWER OF DANIEL MYTENS (circa 1590-1647) Portrait of Matthew Babington of Rothley Temple MP for Co. Leicester (1612-1669), standing three quarter length wearing a black and grey striped doublet with lace collar and cuffs, a black sash with silver mounts, a sword at this side, holding a cane, formal garden background, armorial at top left and Aet 32 Ao 1645 bottom right, bears initials DMf, 44" x 39", relined, and companion portrait of Anne, wife of Matthew Babington (1615-1648), standing three quarter length wearing a dull gold satin dress, reaching out to a vase of flowers on a plum cloth draped table, landscape and crimson drape background, 45" x 38", each with plain gilt slip and name plate

Circle of Daniel Mytens the Elder (1590-1648), Dutch. PORTRAIT OF GENERAL MONK (MONCK)

Circle of Daniel Mytens the Elder (1590-1648), Dutch. PORTRAIT OF GENERAL MONK (MONCK); Oil on canvas in a feigned oval; titled lower right30" x 25.25" - 76.2 x 64.1 cm.Provenance: John Britnell Galleries Limited, Toronto; Private Collection, TorontoNote: General Monk (1608-1670) was the first Colonel of the Coldstream Guards. Historically he is credited with helping to restore Charles II to the throne

Daniel Mytens Holland 1590-1648. Efter. 1600-tal.

Daniel Mytens Holland 1590-1648. Efter. 1600-tal. Porträtt föreställande Charles I av England och Henrietta Maria. Ett par. Olja på pannå, 31 x 26 vardera. Smärre lagningar och retuscher.

After Daniel Mytens, the Elder (Dutch, 1590-1648) Sir Benjamin Rudyerd Surveyor of His Majesty's Court ...

After Daniel Mytens, the Elder (Dutch, 1590-1648) Sir Benjamin Rudyerd Surveyor of His Majesty's Court of the Ward's and Livery's, Anno Domini 1632 Identified within the image. Oil on canvas, 13 1/2 x 8 3/4 in. (34.3 x 22.2 cm), framed. Condition: Retouched, craquelure.

Daniel Mytens c.1590-c.1647 , Portrait of a Woman oil on panel

oil on panel

Attributed to Daniel Mijtens the Elder , Delft circa 1590 - circa 1647 The Hague Portrait of a young boy, standing full-length, in a maroon dress and a white ruff, holding a plumed hat in his left hand, with a spaniel

inscribed lower left SVAE.../...627

Attributed to Daniel Mijtens the Elder , Delft circa 1590 - circa 1647 The Hague Portrait of Charles I oil on canvas

oil on canvas

Daniel Mijtens (Delft c. 1590-c. 1647 The Hague)

Portrait of Chief Justice Sir Henry Hobart, 1st Bart., three-quarter-length, in scarlet and ermine robes, white ruff and cap, and chain of office oil on canvas 50 1/4 x 40 in. (127.6 x 101.6 cm.)

Studio of Daniel Mytens (c.1590-c.1647)

Portrait of William, 3rd Earl of Pembroke (1580-1630), Lord Chamberlain to King Charles I and Chancellor of Oxford University, three-quarter-length, in a black doublet and hose and a white ruff, holding a glove in his left hand and a wand of office in his right oil on canvas 50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.) in a George II carved and gilded frame with Roman acanthus