Duane Michals (b.1932 American) ''A Man Dreaming in the City'' Gelatin Silver Photograph 4.75''x7'' Image. Ink signed and numbered 3 of 25 edition lower margin. Framed 9''x10.5''. Excellent condition. Not examined outside of framing.
Duane Michals b.1932 ARTEMISIA GENTILESCHI 1979, Silver gelatin prints (7) The first titled, dated, 2-7 consecutively numbered, the last signed and numbered '2/25' in ink (in the margin) each image size 8.6 x 12.7cm.
Duane Michals Untitled (One Evening) gelatin silver print image: 4.625 h x 7 w in (12 x 18 cm) sight: 9.875 h x 10.875 w in (25 x 28 cm) Signed and numbered to lower edge 'Duane Michals 4/25'. This work is number 4 from the edition of 25. Provenance: Collection of Arthur J. Williams This work will ship from Lambertville, New Jersey.
Duane Michals Harlequin c. 1985 gelatin silver print image: 6 h x 9 w in (15 x 23 cm) sheet: 11 h x 14 w in (28 x 36 cm) Signed and numbered to verso 'Duane Michals 28/100'. This work is number 28 from the edition of 100. This work will ship from Lambertville, New Jersey.
DUANE MICHALS (American, 1932-) "McKeesport PA (Barbara, Marion and Christine)" 1977/1978 - Limited edition gelatin silver print, 6/75. Signed in ink lower right, editioned lower left. Unframed, professionally matted by Witkin Gallery with no tape in contact with the print. 6.25 X 9.5 inches (image), 11 x 14 inches (sheet), 16 x 20 inches (mat). Excellent condition. From the portfolio Ten Photographers, compiled in 1978 by and for the Women's Campaign Fund in a limited edition of 75. Portfolio 41/75 is held by the Library of Congress (Washington), another is held by The Museum of Fine Arts, Houston.
Duane Michals (b.1932 American) ''A Man Dreaming in the City'' Silver Gelatin Print 4.75''x7'' Image. Ink signed and numbered 3 of 25 edition lower margin. Framed 9''x10.5''. Excellent condition. Not examined outside of framing.
Duane MICHALS (1932-) There was something between them ... (Hommage à Cavafy), 1978 Tirage numérique postérieur tamponné au verso 8,8 x 13 cm sur une feuille 19 x 25,4 cm Collection Pierre Borhan La collection « masculine » de Pierre Borhan Pierre Borhan s’est passionné pour la photographie à la fin des années 1970. Dès lors, magazines, livres, expositions, entretiens avec des photographes et des spécialistes qualifiés nourrirent son engouement. Son premier livre, Voyons Voir, fut publié par Créatis en 1980. Le masculin devint naturellement l’un de ses thèmes de prédilection. Il lui permit de s’insinuer dans ses recherches et dans ses choix iconographiques quand il prépara certaines expositions, certains ouvrages, comme Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, prix Nadar 1989), Raymond Voinquel : les acteurs du rêve (AFDPP, 1998), Toni Catany, l’artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino : Sir (Taschen, 2015). Dans cette veine, il est l’auteur d’un livre qui fait date : Hommes pour Hommes / homoérotisme et homosexualité masculine dans l’histoire de la photographie depuis 1840 (éditions des Deux Terres, 2007). The Vendome Press publia l’édition américaine : Man to Man : A History of Gay Photography. Rizzoli se chargea de l’édition italienne : Uomini per Uomini. Jonathan Cape Ltd fit sienne l’édition anglaise : Men for Men. Christian Brandstätter Verlag, l’édition en langue allemande. Depuis 2007, ces éditions (23 000 exemplaires) font référence pour les professionnels et les amateurs avertis. Achetées à des galeries ou directement à des photographes pour lesquels il écrivit un texte ou fit une sélection emblématique de leurs créations, les épreuves proposées dans cette vente sont les coups de coeur constitutifs d’une collection créée au fil de rencontres et de missions institutionnelles. Peu importe que les modèles soient des sportifs, des mannequins, des complices aguicheurs ou des amis assumés : ils s’offrent, grâce aux artistes qui les ont mis en lumière, à l’imagination de tout un chacun. Beauté, charme, sex-appeal, admiration, attraction, fantasme. Parmi les « vedettes » de la vente, figurent aussi bien des Européens hors du commun (Walter Pfeiffer, Jan Saudek, Paul Blanca) que des Américains : David Vance, Tom Bianchi, l’un et l’autre auteur de plus de dix livres ; David Morgan qui trouva son bonheur avec Beach (2001) et suscita bien des désirs ; Jim French, maître d’un male fine art débridé, de Man (1972) à Opus Deorum (1992) ; Arthur Tress dont une rétrospective fut présentée en Californie au Getty Center en 2023. Auxquels se joint un Egyptien : Youssef Nabil qui est représenté par la galerie Nathalie Obadia à Paris et dont la notoriété défie les frontières. Pierre Borhan se confie : « Mon être est imprégné par l’attrait (sensoriel, sexuel, affectif) des hommes. J’ai toujours senti que cet attrait était indélébile en moi. » Sa collection en témoigne. Duane MICHALS (1932-) There was something between them ... (Homage to Cavafy), 1978 Posterior digital print stamped on verso 8.8 x 13 cm on a 19 x 25.4 cm sheet Pierre Borhan Collection Pierre Borhan's "masculine" collection Pierre Borhan's passion for photography began in the late 1970s. From magazines, books, exhibitions, interviews with photographers and qualified with photographers and qualified specialists. His first book, Voyons Voir, was published by Créatis in 1980. The masculine naturally became one of his favorite themes. It into his research and iconographic choices when preparing certain when he prepared certain exhibitions and books, such as Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In this vein, he is the author of a landmark book: Hommes pour Hommes / homoeroticism and male homosexuality in the history of photography since 1840 (éditions des Deux Terres, 2007). The Vendome Press published the American edition: Man to Man: A History of Gay Photography. Rizzoli Italian edition: Uomini per Uomini. Jonathan Cape Ltd. the English edition: Men for Men. Christian Brandstätter Verlag, the German-language German-language edition. Since 2007, these editions (23,000 copies) have set the standard for professionals and connoisseurs alike. Purchased from galleries or directly from the photographers for whom he for whom he wrote a text or made an emblematic selection of their creations, the prints the prints offered in this sale are the "coups de coeur" that make up a collection collection created through meetings and institutional missions. No matter whether the models are sportsmen, models, teasing accomplices friends: they offer themselves, thanks to the artists who have brought them to light to everyone's imagination. Beauty, charm, sex appeal, admiration, attraction, fantasy. Among the "stars" of the sale are a number of outstanding Europeans (Walter Pfeiffer, Jan Saudek, Paul Blanca) and Americans: David Vance, Tom Bianchi Vance, Tom Bianchi, both authors of more than ten books; David Morgan who found his happiness with Beach (2001) and aroused many desires; Jim French, master of unbridled male fine art, from Man (1972) to Opus Deorum (1992); Arthur Tress, whose retrospective was presented in California at the Getty Center in 2023. They are joined by an Egyptian: Youssef Nabil, who is represented by the Nathalie Obadia gallery in Paris, and whose reputation defies borders. Pierre Borhan confides: "My being is impregnated by the attraction (sensory, sexual, emotional) of men. I've always felt that this attraction was indelible in me. His collection bears witness to this. Duane MICHALS (1932-) Había algo entre ellos ... (Homenaje a Cavafy), 1978 Impresión digital posterior estampada en el reverso 8,8 x 13 cm en una hoja de 19 x 25,4 cm Colección Pierre Borhan Colección "masculina" de Pierre Borhan Pierre Borhan se apasionó por la fotografía a finales de la década de 1970. Desde revistas, libros, exposiciones y entrevistas con fotógrafos y cualificados con fotógrafos y especialistas cualificados. Su primer libro, Voyons Voir, fue publicado por Créatis en 1980. La forma masculina se convirtió naturalmente en uno de sus temas favoritos. Se en sus investigaciones y elecciones iconográficas cuando preparaba ciertas exposiciones cuando preparaba ciertas exposiciones y libros, como Jan Saudek (Musées de Paris, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). En esta línea, es autor de un libro de referencia: Hommes pour Hommes / homoerotismo y homosexualidad masculina en la historia de la fotografía depuis 1840 (éditions des Deux Terres, 2007). Vendome Press publicó la edición americana: Man to Man: A History of Gay Photography. Rizzoli la edición italiana: Uomini per Uomini. Jonathan Cape Ltd. la edición inglesa: Men for Men. Christian Brandstätter Verlag produjo la la edición en alemán. Desde 2007, estas ediciones (23.000 ejemplares) son las obras de referencia para profesionales y aficionados informados. Adquiridas en galerías o directamente a los fotógrafos para los que para los que escribió un texto o hizo una selección emblemática de sus creaciones, las estampas las estampas ofrecidas en esta venta son los "coups de coeur" que componen una colección colección creada a través de encuentros y misiones institucionales. No importa que los modelos sean deportistas, modelos, cómplices burlones amigos: se ofrecen, gracias a los artistas que los han sacado a la luz a la imaginación de todos. Belleza, encanto, sex appeal, admiración, atracción, fantasía. Entre las "estrellas" de la venta figuran varios europeos destacados, como Walter Pfeiffer (Walter Pfeiffer, Jan Saudek, Paul Blanca) y estadounidenses: David Vance, Tom Bianchi Vance, Tom Bianchi, ambos autores de más de diez libros; David Morgan que encontró la felicidad con Beach (2001) y despertó mucho deseo; Jim French, maestro del arte masculino desenfrenado, de Man (1972) a Opus Deorum (1992); Arthur Tress, cuya retrospectiva se presentó en California, en el Getty Center en 2023. A ellos se une un egipcio: Youssef Nabil, que está representado por la galería Nathalie Obadia de París, y cuya reputación desafía las fronteras. fronteras. Pierre Borhan confiesa: "Mi ser está impregnado por la atracción (sensorial, sexual, emocional) de los hombres. Siempre he sentido que esta atracción era indeleble en mí". Su colección da fe de ello. Duane MICHALS (1932-) There was something between them ... (Hommage an Cavafy), 1978 Späterer Digitaldruck, auf der Rückseite gestempelt. 8,8 x 13 cm auf einem Blatt 19 x 25,4 cm. Sammlung Pierre Borhan Die "maskuline" Sammlung von Pierre Borhan Pierre Borhan begeisterte sich in den späten 1970er Jahren für die Fotografie. Ab Zeitschriften, Bücher, Ausstellungen, Interviews mit Fotografen und Fachleuten qualifizierten Fachleuten nährten seine Begeisterung. Sein erstes Buch, Voir Voir Voir, wurde 1980 von Créatis veröffentlicht. Das Männliche wurde natürlich zu einem ihrer Lieblingsthemen. Es ermöglichte es ihm, sich in seine Recherchen und seine ikonografische Auswahl einzuschleichen. als er bestimmte Ausstellungen und Bücher vorbereitete, wie Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In diesem Zusammenhang ist er der Autor eines bahnbrechenden Buches: Hommes pour Hommes /. Homoerotik und männliche Homosexualität in der Geschichte der Fotografie seit 1840 (éditions des Deux Terres, 2007). The Vendome Press veröffentlichte die amerikanische Ausgabe: Man to Man: A History of Gay Photography. Rizzoli übernahm übernahm die italienische Ausgabe: Uomini per Uomini. Jonathan Cape Ltd. machte seine eigene die englische Ausgabe: Men for Men. Christian Brandstätter Verlag die deutschsprachige Ausgabe. in deutscher Sprache. Seit 2007 gelten diese Ausgaben (23.000 Exemplare) als Referenz für für Fachleute und erfahrene Amateure. Gekauft von Galerien oder direkt von Fotografen, für die er einen Text verfasste oder eine symbolträchtige Auswahl ihrer Werke traf. Abzüge, die in dieser Auktion angeboten werden, sind die Favoriten einer Sammlung von Sammlung, die im Laufe von Begegnungen und institutionellen Missionen entstanden ist. Wenig Dabei spielt es keine Rolle, ob es sich bei den Modellen um Sportler, Models, Komplizen Sie werden von den Künstlern, die sie in Szene gesetzt haben, als Geschenk angeboten. ins Rampenlicht gestellt, der Fantasie eines jeden Menschen. Schönheit, Charme, Sexappeal, Bewunderung, Anziehung, Fantasie. Zu den "Stars" der Auktion gehören sowohl außergewöhnliche Europäer wie (Walter Pfeiffer, Jan Saudek, Paul Blanca) als auch Amerikaner: David Vance, Tom Bianchi, beide Autoren von mehr als zehn Büchern; David Morgan der mit Beach (2001) sein Glück fand und viele Wünsche weckte; Jim French, Meister einer ungezügelten male fine art, von Man (1972) bis Opus Deorum (1992); Arthur Tress, dessen Retrospektive in Kalifornien im Getty Center im Jahr 2023 zu sehen war. Dazu gesellt sich ein Ägypter: Youssef Nabil, der von der von der Galerie Nathalie Obadia in Paris vertreten wird und dessen Bekanntheitsgrad alle Grenzen sprengt. Grenzen überschreitet. Pierre Borhan vertraut sich an: "Mein Wesen ist durchdrungen von der Anziehungskraft (sinnlich, sexuell, affektive) der Männer geprägt. Ich habe immer gespürt, dass diese Anziehungskraft unauslöschlich in mir ist". Seine Sammlung zeugt davon. Duane MICHALS (1932-) C'era qualcosa tra loro... (Omaggio a Cavafy), 1978 Stampa digitale posteriore timbrata sul verso 8,8 x 13 cm su un foglio di 19 x 25,4 cm Collezione Pierre Borhan La collezione "maschile" di Pierre Borhan Pierre Borhan si è appassionato alla fotografia alla fine degli anni Settanta. Da riviste, libri, mostre e riviste, libri, mostre e interviste con fotografi e specialisti qualificati. con fotografi e specialisti qualificati. Il suo primo libro, Voyons Voir, è stato pubblicato da Créatis nel 1980. La forma maschile divenne naturalmente uno dei suoi temi preferiti. Essa nella sua ricerca e nelle sue scelte iconografiche quando preparava alcune mostre quando preparava alcune mostre e libri, come Jan Saudek (Musées di Parigi, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In questo ambito, è autore di un libro fondamentale: Hommes pour Hommes / omoerotismo e omosessualità maschile nella storia della fotografia depuis 1840 (éditions des Deux Terres, 2007). La Vendome Press ha pubblicato l'edizione americana: Man to Man: A History of Gay Photography. Rizzoli l'edizione italiana: Uomini per Uomini. Jonathan Cape Ltd. l'edizione inglese: Men for Men. Christian Brandstätter Verlag ha prodotto l'edizione edizione in lingua tedesca. Dal 2007, queste edizioni (23.000 copie) sono le opere di riferimento per professionisti e amatori informati. per professionisti e amatori informati. Acquistate presso le gallerie o direttamente dai fotografi per i quali ha scritto un testo o realizzato un'opera. per i quali ha scritto un testo o ha fatto una selezione emblematica delle loro creazioni, le stampe le stampe proposte in questa vendita sono i "coups de coeur" che compongono una collezione collezione creata attraverso incontri e missioni istituzionali. Non importa non importa se i modelli sono sportivi e donne, modelle, complici di scherzi amici: si offrono, grazie agli artisti che li hanno portati alla luce, all'immaginazione di tutti. all'immaginazione di tutti. Bellezza, fascino, sex appeal, ammirazione, attrazione, fantasia. Tra le "star" della vendita ci sono alcuni europei di spicco, tra cui Walter Pfeiffer (Walter Pfeiffer, Jan Saudek, Paul Blanca) e americani: David Vance, Tom Bianchi Vance, Tom Bianchi, entrambi autori di più di dieci libri; David Morgan che ha trovato la felicità con Beach (2001) e ha suscitato molto desiderio; Jim French, maestro dell'arte maschile sfrenata, da Man (1972) a Opus Deorum (1992); Arthur Tress, che ha trovato la felicità con Beach (2001) e ha suscitato molto desiderio. (1992); Arthur Tress, la cui retrospettiva è stata presentata in California al Getty Center nel 2023. Center nel 2023. A loro si aggiunge un egiziano: Youssef Nabil, rappresentato da Nathalie Obadia. rappresentato dalla galleria Nathalie Obadia di Parigi e la cui fama sfida i confini. confini. Pierre Borhan confida: "Il mio essere è impregnato dall'attrazione (sensoriale, sessuale, emotiva) degli uomini, emozionale) degli uomini. Ho sempre sentito che questa attrazione era indelebile in me". La sua collezione lo testimonia. 杜安-米查尔斯（1932 年） 他们之间有些什么......(向卡瓦菲致敬），1978 年 背面数码打印，盖有印章 8.8 x 13 厘米，画幅 19 x 25.4 厘米 皮埃尔-博尔汉收藏 皮埃尔-博尔汉的 "阳刚 "系列 皮埃尔-博尔汉 (Pierre Borhan) 在 20 世纪 70 年代末对摄影产生了浓厚的兴趣。从 杂志、书籍、展览以及与摄影师和资深专家的访谈。 与摄影师和资深专家的访谈。他的第一本书《Voyons Voir》于 1980 年由 Créatis 出版。 男性形象自然成为她最喜爱的主题之一。这 在他筹备某些展览时，男性形象成为他的研究和图标选择的一部分。 当他准备某些展览和书籍时，例如《扬-索德克》（Jan Saudek (巴黎博物馆，1987 年）、《Splendeurs et misères du corps》（Benteli，1988 年，纳达尔奖 1989年）、《雷蒙德-沃因奎尔：梦想的行动者》（AFDPP，1998年）、《托尼-卡塔尼、 L'artiste en son paradis》（Lunwerg，2000 年）、《Les vérités du sexe》（Marval，2003 年）、 马里奥-特斯蒂诺：爵士》（Taschen，2015 年）。 此外，他还著有一本具有里程碑意义的书：Hommes pour Hommes /《同性恋与男性同性恋》。 摄影史上的同性恋和男同性恋 Depuis1840》（大地出版社，2007 年）。旺多姆出版社出版了 美国版：《男人对男人：同性恋摄影史》（Man to Man: A History of Gay Photography）。Rizzoli 意大利语版：Uomini per Uomini。乔纳森-开普有限公司（Jonathan Cape Ltd. 出版了英文版：Men for Men。Christian Brandstätter Verlag 出版社出版了德文版。 德语版。自 2007 年以来，这些版本（23,000 册）一直是专业人士和知情爱好者的参考书。 自 2007 年以来，这些版本（23,000 册）一直是专业人士和业余爱好者的参考书。 从画廊或直接从他为之撰写文字或制作作品的摄影师处购买 他为这些摄影师撰写了文字或制作了具有代表性的作品选集。 本场拍卖会上的版画作品是 "魂牵梦绕 "的收藏品。 通过邂逅和机构使命创建的收藏。无论 模特是男女运动员、模特、逗乐的伙伴 还是朋友：在艺术家们的努力下，他们将自己的形象展现在世人面前 每个人的想象力。美丽、魅力、性感、 欣赏、吸引、幻想。 此次拍卖的 "明星 "中不乏杰出的欧洲艺术家，其中包括 Walter Pfeiffer (Walter Pfeiffer、Jan Saudek、Paul Blanca）和美国人：David Vance、Tom Bianchi 万斯、汤姆-比安奇，他们都是十余部作品的作者；大卫-摩根 他在《海滩》（2001 年）中找到了幸福，并引起了人们的强烈渴望；吉姆 弗伦奇，肆无忌惮的男性艺术大师，从《男人》（1972 年）到《Opus Deorum》（1992 年 (1992）；阿瑟-特雷斯（Arthur Tress），他的回顾展将于 2023 年在加利福尼亚的盖蒂 中心举办的回顾展。加入他们行列的还有一位埃及人：优素福-纳比勒（Youssef Nabil）。 他由巴黎的 Nathalie Obadia 画廊代理，其声誉超越国界。 他的声誉不分国界。 皮埃尔-博尔汉坦言："我的存在被男人的吸引力（感官、性、情感）所浸染、 感官、性、情感）。我一直觉得这种吸引力对我来说是不可磨灭的。 他的作品集就是最好的见证。
Duane Michals (b. 1932) Duane Michals (b. 1932) A GIGANTIC BEAUTY OF A STALLION, FROM THE SERIES SALUTE TO WALT WHITMAN, 1970. Silver gelatin print, image size 395 x 268mm, sheet size 505 x 407mm, signed, titled, editioned 5/25, and captioned by the photographer in ink lower margin recto. Framed, frame size 730 x 585mm. "A gigantic beauty of a stallion, fresh and responsive to my caresses, head high in the forehead and wide between the ears, limbs glossy and supple, tail dusting the ground, eyes moving well apart and full of sparkling wickedness...ears finely cut and flexible, moving. His nostrils dilate...my heels embrace him, his well built limbs tremble with pleasure...we speed around and return." -- Walt Whitman Literature: MuseÌe des Beaux Arts de MontreÌal, Duane Michals, pl. XV. Christie's New York. Photographs from the Collection of Sir Elton John, Thursday, October 14, 2004, Lot 16.
Signed and editioned in ink in the lower margin, titled in ink in the upper margin as well as extensively inscribed by the artist in ink in the upper and lower margin. Print 2 from an edition of 25.
DUANE MICHALS (1932- ) The Illuminated Man (Joseph Cornell). Platinum print, the image measuring 8¾x12⅞ inches (22.2x32.7 cm.), the sheet 13x16 inches (33x40.6 cm.), with Michals' signature in pencil and the edition notation 19/100 also in pencil in an unknown hand on recto. 1968; printed 1990 Provenance: The Collection of Dr. James and Debra Pearl
DUANE MICHALS (1932- ) Homage to Puvis de Chavannes. Silver print, the image measuring 4¾x7 inches (12.1x17.8 cm.), the sheet 8x10 inches (20.3x25.4 cm.), with Michals' signature, title, and edition notation 8 of 25 in ink on recto. 1949; printed 1980s This image served as the cover artwork for In the Flat Field, the debut studio album by English rock band Bauhaus. Released in 1980, the album is considered one of the first gothic rock records.
DUANE MICHALS (B. 1932) Andy Warhol, c. 1973 signed in ink and variously numbered in red grease pencil (mount, recto) each image approximately: 1 ¼ x 1 in. (3.1 x 2.5 cm.) each sheet approximately: 1 ½ in. x 2 in. (3.8 x 5 cm.) primary mount: 11 ½ x 14 ½ in. (29.2 x 36.8 cm.) secondary mount: 13 x 16 in. (33 x 40.6 cm.)
Duane Michals Magritte 1979 gelatin silver print image: 4.875 h x 7.25 w in (12 x 18 cm) sheet: 8 h x 10 w in (20 x 25 cm) Signed, titled and numbered to lower edge 'Magritte Duane Michals 56/100'. This work is number 56 from the edition of 100. Provenance: Important Philadelphia Estate This work will ship from Lambertville, New Jersey.
DUANE MICHALS (Pennsylvania 1932). Series of seven photographs, gelatin silver print "PEOPLE EAT PEOPLE, 1973". Numbering stamp indicating sequence center right on each photograph. Signature, title, date and edition 1/25 at the bottom in pen on the first photograph. 8x12.5 cm on 12.5x18 cm paper. DUANE MICHALS (Pennsylvania 1932). Serie di sette fotografie, stampa alla gelatina ai sali d'argento "PEOPLE EAT PEOPLE, 1973". Timbro della numerazione che indica la sequenza in centro a destra su ogni fotografia. Firma, titolo, data e tiratura 1/25 in basso a penna sulla prima fotografia. 8x12,5 cm su carta 12,5x18 cm.
DUANE MICHALS (B. 1932) I See a Beautiful Gigantic Swimmer signed, titled, numbered '5⁄25' and annotated extensively in ink (margin); credited, titled and numbered on affixed The Sir Elton John Photography Collection label (mat backing board) image: 10 ½ x 15 ¾ in. (26.6 x 40 cm.) sheet: 15 7⁄8 x 19 ¾ in. (40.3 x 50.1 cm.)
DUANE MICHALS (B. 1932) From Out of The Cradle Endlessly Rocking (Sea-Drift), 1996 signed, titled, numbered '5⁄25' and annotated extensively in ink (margin); credited, titled and numbered on affixed The Sir Elton John Photography Collection label (mat backing board) image: 15 ½ x 10 ¼ in. (39.3 x 26 cm.) sheet: 19 ¾ x 15 ¾ in. (50.1 x 40 cm.)
DUANE MICHALS (B. 1932) O Tan-Faced Prairie Boy, 1995 signed, titled, numbered '5⁄25' and annotated extensively in ink (margin); credited, titled and numbered on affixed The Sir Elton John Photography Collection label (mat backing board) image: 15 3⁄8 x 10 ¼ in. (39.1 x 26.1 cm) sheet:19 ¾ x 15 7⁄8 in. (48.2 x 40.3 cm.)
DUANE MICHALS (B. 1932) Jasper Johns, 1972 signed, titled and numbered '1⁄25' in ink (margin); credited, titled and numbered on affixed The Sir Elton John Photography Collection label (mat backing board) image/sheet: 15 7⁄8 x 19 7⁄8 in. (40.3 x 50.4 cm.)
Duane Michals b. 1932 Paradise Regained signed, titled, editioned 4/25 in the margin of first work; images 2-6 sequentially numbered in the margin gelatin silver print, in six parts each image: 8,6 x 13 cm; 3⅜ x 5⅛ in. frame: 68,9 x 54 cm; 27⅛ x 21¼ in. Executed in 1968, this work is number 4 from an edition of 25. ________________________________________ Duane Michals n. 1932 Paradise Regained signé, titré, numéroté 4/25 dans la marge de la première oeuvre; les images 2-6 numérotées séquentiellement dans la marge tirage gélatino-argentique, en six parties chaque image: 8,6 x 13 cm; 3⅜ x 5⅛ in. cadre: 68,9 x 54 cm; 27⅛ x 21¼ in. Exécutée en 1968, cette oeuvre est le numéro 4 d'une édition de 25 exemplaires.
DUANE MICHALS (1932- ) The Kentucky Kid, a suite of 10 photographs. Silver prints, the images measuring 3⅞x5 inches (9.8x12.7 cm.), the sheets 5x7 inches (12.7x17.8 cm.), the last in the series with Michals' signature and edition notation 4/25, the first with the title, and the remaining with the numeric sequencing notation 2-10, in ink on recto; individually framed, each with a Pace MacGill Gallery New York label on verso. 2001
DUANE MICHALS (*1932) | 'Man to Man', USA 1977 (seven-part work) Image Size: 8,5 x 12,9 cm English: Seven vintage silver prints, each printed on semi-matte paper 12,6 x 17,7 cm, in very good condition. Mounted in three window-mats 40 x 50 cm; six print with small labels with numbers 122-123 and 125 - 128 in red ballpoint pen in the margin, each with photographer's stamp with address "109 East 19 Street, New York City 10003", with "For Reproductions Only, Duane Michals" stamp and several annotations in pencil on the reverse. 1. Label "122" in the margin, numbered "1" on the reverse (mat I) 2. Label "123" in the margin, numbered "2" and "48666 / CI-27 / 47637 / 4" on the reverse (mat I) 3. Numbered "3" and "53953 / C2-22A / 47637 / 6" on the reverse (mat II) 4. Label "125" in the margin, numbered "4" on the reverse (mat II) 5. Label "126" in the margin, numbered "5" and "53953 / C4-15 / 47637 / 4" on the reverse (mat II) 6. Label "127" in the margin, numbered "6" and "48666 / CI-36A / 47637 / 4" on the reverse (mat III) 7. Label "128" in the margin, numbered "7" and "48666 / CI-33A / 47637 / 4" on the reverse (mat III) Duane Michal uses photography to explore identity: he examines states of mind that usually escape perception and yet are formative for the self. From the mid-1960s onwards, he created his photo sequences in which he depicted events and encounters that revolved around the subjects of sexuality, desire, love, death and violence. With usually two "actors", he stages human actions and interactions that do not follow a stringent narrative and thus allow for a variety of readings. "Man to Man" shows an interplay of submissive behaviour and dominance between two men, which is reflected in the dynamics of the individual scenes as well as in the contrast of nudity and a coat as the main prop. PROVENANCE Collection Guliana Scimé Deutsch: Sieben Vintage Silbergelatineabzüge, jeweils geprintet auf halbmattem Papier 12,6 x 17,7 cm, in sehr gutem Zustand. In drei Passepartouts mit je 40 x 50 cm montiert; jeweils mit nummerierten Etiketten in den Rändern und rückseitig Fotografenstempel mit Adresse "109 East 19 Street, New York City 10003" sowie "For Reproductions Only, Duane Michals" Stempel und diverse handschriftliche Nummerierungen mit Bleistift. 1. Etikette "122" im Rand, rückseitig num. "1" (PPT I) 2. Etikette "123" im Rand, rückseitig num. "2" and "48666 / CI-27 / 47637 / 4" (PPT I) 3. Rückseitig nummeriert "3" und "53953 / C2-22A / 47637 / 6" (PPT II) 4. Etikette "125" im Rand, rückseitig num. "4" (PPT II) 5. Etikette "126" im Rand, rückseitig num. "5" und "53953 / C4-15 / 47637 / 4" (PPT II) 6. Etikette "127" im Rand, rückseitig num. "6" und "48666 / CI-36A / 47637 / 4" (PPT III) 7. Etikette "128" im Rand, rückseitig num. "7" und "48666 / CI-33A / 47637 / 4" (PPT III) Duane Michal setzt die Fotografie ein, um Identität zu erforschen: er untersucht Befindlichkeiten, die der Wahrnehmung üblicherweise entgehen und dennoch für das Ich prägend sind. Ab Mitte der 1960er Jahre entstehen seine Foto-Sequenzen, in denen er Ereignisse und Begegnungen darstellt, die thematisch um Sexualität, Begehren, Liebe, Tod und Gewalt kreisen. Mit meist zwei "Akteuren" inszeniert er menschliche Handlungen und Interaktionen, die keiner stringenten Narration folgen und damit vielfältige Lesarten erlauben. "Man to Man" zeigt ein Wechselspiel von devotem Verhalten und Dominanz zwischen zwei Männern, das sich in der Dynamik der einzelnen Szenen sowie im Kontrast von Nacktheit und dem Hauptrequisit eines Mantels wiederspiegelt. PROVENIENZ Sammlung Guliana Scimé
(American, born 1932) Untitled, Man with Skull, unsigned, gravure, sheet 15 x 13 in., image 5-3/4 x 8-1/4 in.; black metal sectional frame, 20 x 16 in. Provenance: Jackson Fine Art Atlanta; An Important Atlanta Collection
(American, born 1932) Figure in Harlequin Costume, signed print verso, and editioned 20/100, gelatin silver print, image 6 x 9 in.; black finished wood frame, 21 x 17 in. Provenance: An Important Atlanta Collection
Duane Michals (born 1932) The Bogeyman, 1973 Suite of 7 gelatin silver prints, printed c. 1973, the first signed (twice), dated, numbered '19/25' and the remaining 6 consecutively numbered '2-7' in ink in the margin. image: each 3 3/8 x 5in. (8.5 x 12.7cm.); sheet: each 5 x 7in. (12.7 x 17.8cm.) Provenance: Christie's New York, March 8, 2005, lot 61 Trust that little voice in your head that says 'Wouldn't it be interesting if...' And then do it. DUANE MICHALS
DUANE MICHALS (B. 1932) The Beauties and the Beasts, 1980 image eleven signed and numbered ‘2/25’; image one titled; ten consecutively numbered ‘2-11’ (margins) each image: 3 ¼ x 5 in. (8.2 x 12.7 cm.) each sheet: 5 x 7 in. (12.7 x 17.7 cm.)
Duane Michals (American, b. 1932), "The God Anubis," gelatin silver print, signed in pen lower center, edition 3/25, sight: 9"h x 12"w, overall (with frame): 16.25"h x 18.25"w
DUANE MICHALS (1932 - ) Untitled (from Eros and Thanatos). Platinum print, the image measuring 282x419 mm; 11 1/8x16 1/2 inches, the sheet 559x711 mm; 22x28 inches, with Michals' signature in ink on mount recto. 1985
DUANE MICHALS (Pennsylvania, 1932). Series of seven photographs, gelatin silver print "PEOPLE EAT PEOPLE, 1973". Numbering stamp indicating the sequence in the center right of each photograph. Signature, title, date and edition 1/25 lower in pen on the first photograph. 8x12.5cm on 12.5x18cm paper. DUANE MICHALS (Pennsylvania, 1932). Serie di sette fotografie, stampa alla gelatina ai sali d'argento "PEOPLE EAT PEOPLE, 1973". Timbro della numerazione che indica la sequenza in centro a destra su ogni fotografia. Firma, titolo, data e tiratura 1/25 in basso a penna sulla prima fotografia. 8x12,5 cm su carta 12,5x18 cm.
DUANE MICHALS (NÉ EN 1932) Constantine’s Dream, 2003 titré à l'encre sur le premier tirage, signé et numéroté '1/25' à l'encre sur le dernier tirage chaque feuille : 12,6 x 17,8 cm. (5 x 7 in.)
Duane Michals (born 1932) The Indomitable Spirit, 1989 Gelatin silver print, printed c. 1989, signed and numbered 'Printers Proof 1' in ink in the margin. image: 5 x 7 1/4in. (12.7 x 18.5cm.) sheet: 11 x 14in. (28 x 35.5cm.)
NO RESERVE Michals (Duane) Eros & Thanatos,1992; Now Becoming Then, Altadena, CA, 1990; Salute, Walt Whitman, 1996; Questions Without Answers, 2001, each one of 100 special copies signed by Michals, photographic illustrations, original cloth, original cloth slip-cases, all but the second Santa Fe, all Twin Palms, folio & 4to (4).
Michals (Duane) Eros & Thanatos,1992; Now Becoming Then, Altadena, CA, 1990; Salute, Walt Whitman, 1996; Questions Without Answers, 2001, each one of 100 special copies signed by Michals, photographic illustrations, original cloth, original cloth slip-cases, all but the second Santa Fe, all Twin Palms, folio & 4to (4).
Michals (Duane) The Nature of Desire, Pasadena, CA, Twelvetrees Press, 1986; Album: The Portraits of Duane Michals 1958-1998, Pasadena, CA, Twelvetrees Press, 1988; The House I Once Called Home, one of 3000 copies, original pictorial boards, Enitharmon Press, 2003; Quantum & Metafisica, one of 1000 copies, Dusseldorf, 2004; The Adventures of Constantine Cavafy, one of 2000 copies, Santa Fe, NM, Twin Palms, 2007, limited editions, the first two each one of 5000 copies, photographic illustrations, all but the third original cloth with dust-jackets; & 22 others by or about Michals, a couple signed by him, v.s. (27)
DUANE MICHALS (Pennsylvania, 1932). Serie di sette fotografie, stampa alla gelatina ai sali d'argento "PEOPLE EAT PEOPLE, 1973". Timbro della numerazione che indica la sequenza in centro a destra su ogni fotografia. Firma, titolo, data e tiratura 1/25 in basso a penna sulla prima fotografia. 8x12,5 cm su carta 12,5x18 cm. MICHALS DUANE (Pennsylvania, 1932). Series of seven photographs, gelatin silver print "PEOPLE EAT PEOPLE, 1973". Numbering stamp indicating the sequence in the center right of each photograph. Signature, title, date and edition 1/25 lower in pen on the first photograph. 8x12.5cm on paper 12.5x18cm.
MICHALS, DUANE (b. 1932) Who Am I? 1994. Gelatin silver print, image 6 x 9 inches (154 x 230 mm), printed on a larger sheet 16 x 20 inches with extensive hand-written text by Michals, signed, titled and numbered 13 from the edition of 25 in black ink below image. Some minute cockling at sheet edges. C
The first print titled in India ink in the lower margin, the last print signed and editioned same place, five prints consecutively numbered '2' to '6' in the middle of the upper margin. Artist proof I/V aside from an edition of 25 (+ 5 A.P.).
The first print titled in India ink in the lower margin, the last print signed and editioned same place, four prints consecutively numbered '2' to '5' in the middle of the upper margin. Copy 2 from an edition of 25.
Manet Tuschezeichnung. Um 1970. 15,3 x 20,3 cm. Signiert Eine der seltenen, im Zusammenhang einer Sequenz über Manet entstandenen Zeichnungen mit einer auch für die Photos des Künstlers charakteristischen, leicht surreal anmutenden Anordnung der einzelnen Objekte. – Auf hartem Zeichenpapier. – Im alten Passepartoutausschnitt minimal gebräunt.
DUANE MICHALS (1932 - ) Self-Portrait as a Devil on the Occasion of my Fortieth Birthday. Silver print, the image measuring 124x181 mm; 4 7/8x7 1/8 inches, the sheet 203x254 mm; 8x10 inches, with Michals' signature, title, and date in ink on recto, and his copyright stamp and negative date in ink on verso. 1972.
DUANE MICHALS (1932 - ) Male figure holding book. Silver print, the image measuring 225x152 mm; 8 7/8x6 inches, the sheet 356x279 mm; 14x11 inches, with Michals' signature and edition notation 20/20 in ink on recto. Circa 1990s.
The first print titled in Indian ink in the upper margin, the last print signed and editioned in the lower margin, the other prints consecutively numbered '2' to '4' in the centre of the upper margin. This work is number 9 from an edition of 25.
Titled in Indian ink in the upper margin as well as inscribed extensively in the upper and lower margin. Collection stamp, therein annotated in an unknown hand in pencil, on the verso.
The first print titled in Indian ink in the upper margin, the last print signed and editioned in the lower margin, 7 prints consecutively numbered '2' to '8' in the middle of the upper margin. Each print numbered in an unknown hand in pencil on the verso. This work is number 2 from an edition of 25.
