ADOLF MEYER 1881 Mechernich - 1929 Baltrum ZEISS IKON LAMP MODEL 'JST 4' Germany, Berlin, Design in 1928 Metal nickel plated, mirrored and frosted glass, single-light electrified, L. max. ca. 70 cm, D. max. 25 cm. Marked 'Zeiss Ikon' (logo) . Traces of use, nickel plating partly rubbed, rusty and stained. Literature: Leuchten der Moderne: Glasproduktion im Licht des Bauhauses, Essen 2019, Abb. S. 95,96. Provenance: Private ownership Hessen. ADOLF MEYER 1881 Mechernich - 1929 Baltrum ZEISS IKON LEUCHTE MODELL 'JST 4' Deutschland, Berlin, Entwurf 1928 Metall vernickelt, Glas verspiegelt u. satiniert, 1-flg. elektrifiziert. L. max. ca. 70 cm, D. max. 25 cm. Signet 'Zeiss Ikon'. Gebrauchsspuren, Vernickelung teilw. ber., flugrostig u. fleckig. Literatur: Leuchten der Moderne: Glasproduktion im Licht des Bauhauses, Essen 2019, Abb. S. 95, 96. Provenienz: Privatbesitz Hessen.
Meyer, Adolf Ein Versuchshaus des Bauhauses in Weimar. Mit zahlreichen Abbildungen. München, A. Langen, (1925). 78 S., 1 Bl. 23 x 18,5 cm. Illustrierte Original-Broschur (etwas angestaubt, Rücken fachgerecht restauriert und leicht berieben). Bauhausbücher 3 - Erste Ausgabe. - Wingler 563. - Das Versuchs-Wohnhaus wurde zur ersten öffentlichen Bauhausausstellung im Sommer 1923 in Weimar am Horn, erbaut von Georg Muche (Entwurf), unter der Bauleitung von Adolf Meyer. - Gutes Exemplar. First edition. - With numerous illustrations. Illustr. orig. wrappers (somewhat soiled, spine restored, slightly rubbed) - Very good copy.
Nickel-plated metal Weimar, Germany, around 1922, manufactured at a later stage Walter Gropius (1883-1969) - architect and founder of the Bauhaus School Adolf Meyer (1881-1929) - architect and Bauhaus master Two door handles Embossed with 'GRUCO D.R.G.M.' Length of the handle: 11.2 cm Good condition Provenance: Private collection, Switzerland This pair is a beautiful example of the iconic 'Bauhaus' door handles, that due to its timeless design never goes out of fashion These nickel-plated metal door handles rely on a design by the famous Bauhaus founder Walter Gropius and one of the Bauhaus masters Alfred Meyer. The design was taken up by the manufacturers D.R.G.M. These door handles are regarded as true Bauhaus classics and are integral for any modern interior. The set is in good condition with slight signs of use. The handles have a width of 11.2 cm. They are marked with the manufacturer's mark. Walter Gropius (1883-1969) Walter Gropius (1883-1969) is considered one of the founders of modern architecture. After his architectural studies, Gropius started to work in Peter Behren's office, a training ground for modern architecture. In 1910, he joined the German Association for Architects (Deutscher Werkbund) and played a big part in the first pioneering construction projects of modern architecture. Walter Gropius founded the Bauhaus art school, themed "architecture of the future". The teaching at Bauhaus should combine all of the arts with architecture as an all-encompassing work of art in perfect unison. This principle influenced all important artists of the 20th century. After the Nazis attacked the Bauhaus in 1934, Walter Gropius was forced to leave Germany and went into exile to the US where he became a professor of architecture at Harvard's Graduate School of Design. Bauhaus The 'Staatliches Bauhaus', generally known as Bauhaus, was an influential avant-garde art school of the decorative arts and design as well as fine arts, architecture and theater that existed in Germany between 1919 and 1933. The founder Walter Gropius believed that the foundation for any form of art was to be found in handcraft, ultimately aiming to remove any distinction between fine arts and applied arts. However new demands arose that could not be satisfied solely with handcraft. Walter Gropius recognized the need to divert the attention towards mass production and thus the Bauhaus changed its program in 1923 to art and technology, which later became the school's image. The school was situated in three different cities: Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin 1932 to 1933 under the leadership of three different directors: Walter Gropius the founder, in Weimar and partly in Dessau 1919 to 1928, Hannes Meyer from 1928 to 1930 in Dessau and Mies van der Rohe 1930 to 1933 partly in Dessau and later in Berlin. The three different locations also represent three different stages in the development of the Bauhaus. Founded by Walter Gropius in Weimar in 1919 the foundation of the school was very much based on arts and crafts and applied arts mixed with fine arts and theater. Important artists from this period were Josef Itten, Lyonel Feininger, Gerhard Marcks, Oskar Schlemmer, Paul Klee and Wassily Kandinsky. In 1922 the de Stijl movement entered into the life of the Bauhaus with influential leaders of the movement such as the Dutch painter Theo van Doesburg and the Russian constructivist El Lissitzky. From 1919 to 1922 Josef Itten taught the "Vorkurs" (Germany for 'preliminary course') introducing the new students to the concept of the Bauhaus. Itten was strongly influenced by the Blaue Reiter group in Munich. After his resignation the Hungarian designer Laszlo Moholy-Nagy continued teaching the Vorkurs, as well as operating as leader of the metal workshop. Later in 1928 Moholy-Nagy's most talented student Marianne Brandt took over the metal workshop. In the tradition of the school's variety there were many different workshops which were run by former students who became junior masters. Herbert Bayer was in charge of the typography workshop, Marcel Breuer of the joinery workshop, Hinnerk Scheper was head of the mural painting workshop, Joost Schmidt taught the sculpture workshop and Gunta Stoelzl ran the weaving workshop. Another important and one of the Bauhaus's first workshops was the ceramic workshop which started out in Dornburg at the workshop of the master potter Max Krehan. Theodor Bogler was instrumental when the pottery workshop made a technological leap in 1923 by moving from the potters wheel to ceramic casting, prototypes for serial production were being made here. Bogler's famous "Kombinations Teekanne" (German for 'combination teapot'), which was based on the modular design principle, represents the ultimate example of the industrial approach to pottery at the Bauhaus. Other workshops at the Bauhaus were the theater workshop; stone and wood sculpture workshop and the carpentry workshop. In 1925 the Bauhaus moved to Dessau. This signified a radical change in style moving towards a futuristic international style. New workshops were formed here such as the photographic workshop taught by Walter Peterhans, which formed part of the advertising workshop. The Bauhaus wallpapers were designed in the mural paintings workshop and were an important commercial success for the Bauhaus. After Gropius' resignation in 1928 Hannes Meyer, a radical functionalist, became the new Bauhaus director. The school was forced to close and moved to Berlin in 1932. After a short existence in Berlin from 1932 to 1933 the artistic output of Bauhaus was declared as 'degenerate art' by the Nazis and forced to close. The director Mies van der Rohe as well as many other Bauhaus students and teachers immigrated to America where the philosophy of the Bauhaus continued to spread and the influence of the short-lived establishment is still strong today. EN Export: "Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance"
Various metals Germany, late 1920s/early 1930s Ferdinand Kramer (1898-1985) - German designer and architect Walter Gropius (1883-1969) - Architect and founder of the Bauhaus School Adolf Meyer (1881-1929) - Architect and Bauhaus master Several variants of modernist window handels, based on the design of the 1922 Bauhaus door handles by Adolf Meyer and Walter Gropius; some are likely designed by Ferdinand Kramer 37 Window handles and matching plates Width of the handle: 5 - 8 cm Good condition Provenance: Private collection, Great Britain A collection of 27 window handles, designed by the most famous names associated with the Bauhaus This lot comprises several variants of modernist window handles, based on the design of the 1922 'Bauhaus' door handle by Gropius and Meyer, as well as several of the fittings likely to have been created by Ferdinand Kramer for the 'New Frankfurt' social housing development of the mid to late 1920s. The 27 handles are true to the motto 'function determines the shape' and convince with a sober design that has proven to last to this day. The window handles are in good condition but show signs of use. The metal has partly tarnished, the plating shows some abrasion. The width for the handles lies between 5 and 8 cm. Housing project 'Neues Frankfurt' (1925-1930) The housing project 'Neues Frankfurt' was initiated in order to tackle the severe housing shortage in Frankfurt am Main. It unified the merits of classical modernism and functionalism and aimed towards an aesthetic standardisation for an inexpensive living comfort. Mainly municipal workshops as well as the Deutscher Werkbund (German Work Federation) and the Bauhaus were involved in the execution of the project. Bauhaus The 'Staatliches Bauhaus', generally known as Bauhaus, was an influential avant-garde art school of the decorative arts and design as well as fine arts, architecture and theater that existed in Germany between 1919 and 1933. The founder Walter Gropius believed that the foundation for any form of art was to be found in handcraft, ultimately aiming to remove any distinction between fine arts and applied arts. However new demands arose that could not be satisfied solely with handcraft. Walter Gropius recognized the need to divert the attention towards mass production and thus the Bauhaus changed its program in 1923 to art and technology, which later became the school's image. The school was situated in three different cities: Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin 1932 to 1933 under the leadership of three different directors: Walter Gropius the founder, in Weimar and partly in Dessau 1919 to 1928, Hannes Meyer from 1928 to 1930 in Dessau and Mies van der Rohe 1930 to 1933 partly in Dessau and later in Berlin. The three different locations also represent three different stages in the development of the Bauhaus. Founded by Walter Gropius in Weimar in 1919 the foundation of the school was very much based on arts and crafts and applied arts mixed with fine arts and theater. Important artists from this period were Josef Itten, Lyonel Feininger, Gerhard Marcks, Oskar Schlemmer, Paul Klee and Wassily Kandinsky. In 1922 the de Stijl movement entered into the life of the Bauhaus with influential leaders of the movement such as the Dutch painter Theo van Doesburg and the Russian constructivist El Lissitzky. From 1919 to 1922 Josef Itten taught the "Vorkurs" (Germany for 'preliminary course') introducing the new students to the concept of the Bauhaus. Itten was strongly influenced by the Blaue Reiter group in Munich. After his resignation the Hungarian designer Laszlo Moholy-Nagy continued teaching the Vorkurs, as well as operating as leader of the metal workshop. Later in 1928 Moholy-Nagy's most talented student Marianne Brandt took over the metal workshop. In the tradition of the school's variety there were many different workshops which were run by former students who became junior masters. Herbert Bayer was in charge of the typography workshop, Marcel Breuer of the joinery workshop, Hinnerk Scheper was head of the mural painting workshop, Joost Schmidt taught the sculpture workshop and Gunta Stoelzl ran the weaving workshop. Another important and one of the Bauhaus's first workshops was the ceramic workshop which started out in Dornburg at the workshop of the master potter Max Krehan. Theodor Bogler was instrumental when the pottery workshop made a technological leap in 1923 by moving from the potters wheel to ceramic casting, prototypes for serial production were being made here. Bogler's famous "Kombinations Teekanne" (German for 'combination teapot'), which was based on the modular design principle, represents the ultimate example of the industrial approach to pottery at the Bauhaus. Other workshops at the Bauhaus were the theater workshop; stone and wood sculpture workshop and the carpentry workshop. In 1925 the Bauhaus moved to Dessau. This signified a radical change in style moving towards a futuristic international style. New workshops were formed here such as the photographic workshop taught by Walter Peterhans, which formed part of the advertising workshop. The Bauhaus wallpapers were designed in the mural paintings workshop and were an important commercial success for the Bauhaus. After Gropius' resignation in 1928 Hannes Meyer, a radical functionalist, became the new Bauhaus director. The school was forced to close and moved to Berlin in 1932. After a short existence in Berlin from 1932 to 1933 the artistic output of Bauhaus was declared as 'degenerate art' by the Nazis and forced to close. The director Mies van der Rohe as well as many other Bauhaus students and teachers immigrated to America where the philosophy of the Bauhaus continued to spread and the influence of the short-lived establishment is still strong today. EN Export: "Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance"
Deckenlampe Zeiss IkonEntwurf Adolf Meyer um 1928, auf Schirm gem. Zeiss Ikon JST 22 Nr.1, an langem verchromten Stab abgehängter, unten offener Milchglasschirm, darüber verspiegelter Reflektorschirm, einflammig elektrifiziert, Schirm mit Sprung, L 200 cm, D 50 cm, Lit. vgl. Stefan Reinke, Et al design made in Germany, S. 36. ...weitere Informationen "
