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Nyoman Masriadi Art for Sale and Sold Prices

b. 1973 -

I Nyoman Masriadi (born 1973) is a painter and a leading artist of the post-Suharto era in Indonesia. His works have gained a collectors base which includes prominent collectors in and around the region.

Masriadi was born 1973, in Gianyar, Bali. Masriadi received his training in art at the Indonesian Institute of the Arts, Yogyakarta (ISI).

Work: In Bali, where he was born, there were two traditions of painting - a sacred one and one of words for a Western audience - but his relationship to these is indirect. Masriadi received his training in art at the Institute Seni Indonesia (ISI) Yogyakarta. From the time he was an art student, he had already been recognized by peers as one of the first contemporary Balinese artists who eased himself away from an encompassing concern with Balinese life, culture and traditions in his works. He is reputed to have stood in front of the canvas on a cardboard box to restrict himself from any distractions and fidgety behavior; to learn the skill of painting.

The visual imagery and narratives in his paintings are derived from keen and intelligent observations of social life and behavioural traits. His visual vocabulary is striking, continuously refreshing and contemporaneously relevant. Early works show him sparring with Western modernism in the guise of cubism but meshing it with caricature, the language of street advertising and graffiti. The way he has overdrawn his finished paintings with a marker can best be seen as a means of inscribing himself in or against that tradition.

"Masriadi: Black Is My Last Weapon" was the artist's maiden solo show at the Singapore Art Museum which was co organised by Gajah Gallery in 2008. The exhibit spanned Masriadi's 10-year career and explored the evolution of his signature black-skinned figures, a motif now widely copied by other Indonesian painters.

Masriadi's works are marked by consistent high quality — thoughtful in the messages that transmit from scenes and figures in his pictorial world, and painstakingly detailed in execution and finish. These qualities have led him to receive positive reception from the art collecting world at large. He is Southeast Asia's most well-received contemporary artist at auctions;[citation needed] the appreciation of his works is a testimony to his forte and talent as a painter as well as a barometer of the ascendency of Southeast Asian contemporary art.

Awards & accolades: He was awarded the prize for Best Painting at the Dies Natalis ISI Yogyakarta in 1997. He has participated in group exhibitions in Australia and the Netherlands, and in Indonesia: In Bali,Singapore,Jakarta, Mungkid (Mageland), Solo, Surabaya and Yogyakarta.

Masriadi is one of Southeast Asia's most well-received contemporary artists at auction.

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About Nyoman Masriadi

b. 1973 -

Related Styles/Movements

Contemporary and Modern Southeast Asian Art

Biography

I Nyoman Masriadi (born 1973) is a painter and a leading artist of the post-Suharto era in Indonesia. His works have gained a collectors base which includes prominent collectors in and around the region.

Masriadi was born 1973, in Gianyar, Bali. Masriadi received his training in art at the Indonesian Institute of the Arts, Yogyakarta (ISI).

Work: In Bali, where he was born, there were two traditions of painting - a sacred one and one of words for a Western audience - but his relationship to these is indirect. Masriadi received his training in art at the Institute Seni Indonesia (ISI) Yogyakarta. From the time he was an art student, he had already been recognized by peers as one of the first contemporary Balinese artists who eased himself away from an encompassing concern with Balinese life, culture and traditions in his works. He is reputed to have stood in front of the canvas on a cardboard box to restrict himself from any distractions and fidgety behavior; to learn the skill of painting.

The visual imagery and narratives in his paintings are derived from keen and intelligent observations of social life and behavioural traits. His visual vocabulary is striking, continuously refreshing and contemporaneously relevant. Early works show him sparring with Western modernism in the guise of cubism but meshing it with caricature, the language of street advertising and graffiti. The way he has overdrawn his finished paintings with a marker can best be seen as a means of inscribing himself in or against that tradition.

"Masriadi: Black Is My Last Weapon" was the artist's maiden solo show at the Singapore Art Museum which was co organised by Gajah Gallery in 2008. The exhibit spanned Masriadi's 10-year career and explored the evolution of his signature black-skinned figures, a motif now widely copied by other Indonesian painters.

Masriadi's works are marked by consistent high quality — thoughtful in the messages that transmit from scenes and figures in his pictorial world, and painstakingly detailed in execution and finish. These qualities have led him to receive positive reception from the art collecting world at large. He is Southeast Asia's most well-received contemporary artist at auctions;[citation needed] the appreciation of his works is a testimony to his forte and talent as a painter as well as a barometer of the ascendency of Southeast Asian contemporary art.

Awards & accolades: He was awarded the prize for Best Painting at the Dies Natalis ISI Yogyakarta in 1997. He has participated in group exhibitions in Australia and the Netherlands, and in Indonesia: In Bali,Singapore,Jakarta, Mungkid (Mageland), Solo, Surabaya and Yogyakarta.

Masriadi is one of Southeast Asia's most well-received contemporary artists at auction.