John James Masquerier Sold at Auction Prices

JOHN JAMES MASQUERIER (LONDRES 1778-1855 BRIGHTON). Portrait présumé de Jan

JOHN JAMES MASQUERIER (LONDRES 1778-1855 BRIGHTON). Portrait présumé de Jane Macintyre. pastel sur papier marouflé sur toile monté sur châssis 75,5 x 61 cm (29 ¾ x 24 in.).

JOHN JAMES MASQUERIER (LONDRES 1778-1855 BRIGHTON). Portrait présumé d'Eliz

JOHN JAMES MASQUERIER (LONDRES 1778-1855 BRIGHTON). Portrait présumé d'Elizabeth Ford, née Lawson. pastel sur papier marouflé sur toile monté sur châssis 78 x 64 cm (30 ¾ x 25 ¼ in.).

FRENCH SCHOOL PORTRAIT OF A LADY OIL ON CANVAS

French School, attributed to John James Masquerier (French, 1778-1855). Untitled - Portrait of a Lady - late 18th/early 19th century, oil on canvas, apparently unsigned, with attribution plate 'John James Masquerier, 1778-1855'. Framed. Approximate dimensions: stretcher h. 36", w. 28"; frame h. 43.5", w. 35.5".

ATTRIBUTED TO JOHN JAMES MASQUERIER (BRITISH, 1778-1855)

ATTRIBUTED TO JOHN JAMES MASQUERIER (BRITISH, 1778-1855) ATTRIBUTED TO JOHN JAMES MASQUERIER (BRITISH, 1778-1855) Portrait of a Lady, half-length, wearing a blue dress, with curled powdered hair, in a feigned oval oil on canvas 80 x 65.5 cm (31 1/2 x 26 in.) overall framed: 89 x 75.5 cm (35 x 30 in.) John James Masquerier was born in Chelsea, London, and studied at the Royal Academy of Arts. He received commissions from members of the British aristocracy and other notable figures, including King George IV and the Duke of Wellington.

ATTRIBUTED TO JOHN JAMES MASQUERIER (BRITISH 1778-1855)

ATTRIBUTED TO JOHN JAMES MASQUERIER (BRITISH 1778-1855) ATTRIBUTED TO JOHN JAMES MASQUERIER (BRITISH 1778-1855) Portrait of a Lady, half-length, wearing a blue dress, with curled powdered hair, in a feigned oval oil on canvas 80 x 65.5 cm John James Masquerier was born in Chelsea, London, and studied at the Royal Academy of Arts. He received commissions from members of the British aristocracy and other notable figures, including King George IV and the Duke of Wellington.

JOHN JAMES MASQUERIER (1778 - 1855)

Portrait of Laura Micklethwaite, wearing a white dress and standing on a terrace at Cottesbrooke, arched top in an elaborate gilt plaster frame. Pastel. Literature: See, Masquerier and His Circle, London 1992, p 210. Note: Laura Charlotte Micklethwait married Herbert Langham in 1839. Illustration.

John James Masquerier British, 1778-1855 Portrait of a Lady

John James Masquerier British, 1778-1855 Portrait of a Lady Black, white and red chalk on paper Sight 10 x 6 1/2 inches (25.5 x 16.5 cm) C An Upper East Side Private Collection

A lady's portrait

Pastel on cardboard Signed and dated 1834 (?)

John James Masquerier (1778-1855), Portrait de femme, huile sur toile, 61,5x51 cm

John James Masquerier (1778-1855), Portrait de femme, huile sur toile, 61,5x51 cm

JAMES MASQUERIER (FRENCH 1778-1855) PORTRAIT

John James masquerier (French 1778-1855). Original pastel portrait painting of who we believe pastel portrait painting Langham (1772-1809) was the 2nd daughter of Sir James Langham. Measure approx 12" H x 9 3/4" w x 3 1/4" frame. Sotheyby's sold a portrait of Masquerier for $16,240.

JOHN JAMES MASQUERIER | Portrait of Miss Bristow, half length, with a white dress and red cloak falling from shoulders

oil on canvas

Monumental Painting by the Acclaimed John James Masquerier R.A. Entitled “The Minstrel Singing his lay to the Duchess of Buccleugh” 1805

Very Large 19th Century Oil Painting by John James Masquerier (1778-1855) The Minstrel singing his lay to the Duchess of Buccleugh; from Walter Scott’s The Lay of the Last Minstrel, dated 1805, Oil on Canvas | Housed In its Original Gilt Plaster Frame. THIS PAINTING WAS EXHIBITED AT THE ROYAL ACADEMY IN 1809 | Housed in a magnificent original ornate gold gilded gesso and wood frame | Measures 44″ H x 56.5″ W (Image Only); 58.25″ H x 70″ W (With Frame). Painting was acquired by Worthington Galleries at Sotheby’s of London. The Sotheby’s catalogue states the following: “Condition Report: The canvas has a firm relining, but elements of impasto painting still stand proud of the paint surface, which is clean, with a clear and even varnish. The painting is in overall good condition. Inspection under ultraviolet light reveals sensitive restoration to an old ‘I’-shaped tear, lower left, vertically measuring 58 cm., with horizontal lines of 20 cm. at the top, and 40 cm. at the bottom. There is retouching to a small horizontal tear or surface scratch, measuring approx. 6cm., in the chests of the women standing behind the chair, right. There are also scattered networks of retouching to reduce the appearance of craquelure in several areas: in the minstrel’s leg, parts of his harp, in the figure of the boy next to him, and in the background above these two figures. There is some strengthening to the foliage seen in the window, upper left." | Exhibited: London, British Institution, 1809, no. 97. Masquerier Paintings have been exhibited at Museums and Galleries throughout the world, including several exhibits at the Royal Academy in London. Masquerier Portraits and Figurative paintings have sold at the world’s most reputable auction houses including Christie’s, Sotheby’s, Phillips, Lawrences and William. The painting recounts one of Sir Walter Scott’s earliest epic poems, The Lay of the Last Minstrel. The poem was a publishing phenomenon and launched Scott to instant fame. It tells of a sixteenth-century Border feud, as recounted over a century and a half later, by an aging minstrel to Ann, Duchess of Buccleuch, in gratitude for the hospitality she showed him at Newark Castle.

JOHN JAMES MASQUERIER (1778-1835)Two boys, Francis Nathaniel, b.1841 and Herbert Hay Langham, b.1840 with a pet goat in the park at CottesbrookePasteltogether with;A portrait of Laura Micklethwait, wearing a white dress and standing on a terrace

JOHN JAMES MASQUERIER (1778-1835)Two boys, Francis Nathaniel, b.1841 and Herbert Hay Langham, b.1840 with a pet goat in the park at CottesbrookePasteltogether with;A portrait of Laura Micklethwait, wearing a white dress and standing on a terrace at CottesbrookePastel, 25 x 21cm, arched topIn an elaborate gilt plaster frameLaura Charlotte Micklethwait married Herbert Langham in 1839Provenance: Cottesbrooke Hall, Temple Manor, Sold HOKLiterature: See, Masquerier and His Circle, London 1922, p.210

JOHN JAMES MASQUERIER (1778-1835)A portrait of Juliana, Lady Langham, d.1810, seated by a spinning wheel, wearing a bonnet and cloakOil on canvas, 126 x 104cmLiterature: See, Masquerier and His Circle, London 1922 Provenance: Cottesbrooke Hall, T

JOHN JAMES MASQUERIER (1778-1835)A portrait of Juliana, Lady Langham, d.1810, seated by a spinning wheel, wearing a bonnet and cloakOil on canvas, 126 x 104cmLiterature: See, Masquerier and His Circle, London 1922 Provenance: Cottesbrooke Hall, Temple Manor, Sold HOK, The Langham Collection at Slane Castle

FOLLOWER OF JOHN JAMES MASQUERIER (BRITISH 1778-1855) PORTRAIT OF A LADY, THREE-QUARTER LENGTH, IN A LANDSCAPE 125cm x 102cm (49in x...

FOLLOWER OF JOHN JAMES MASQUERIER (BRITISH 1778-1855) PORTRAIT OF A LADY, THREE-QUARTER LENGTH, IN A LANDSCAPE oil on canvas 125cm x 102cm (49in x 40 in)

SOUTHEY (ROBERT) PORTRAIT ATTRIBUTED TO JOHN JAMES MASQUERIER (1778-1855),

SOUTHEY (ROBERT) PORTRAIT ATTRIBUTED TO JOHN JAMES MASQUERIER (1778-1855), half-length, seated at a writing slope, his right hand resting on an open book, oil on canvas, framed, 36 x 28 in. (914 x 711mm.), [c.1812]

Bonaparte Reviewing The Consular Guards. Bonaparte, as First Consul, was installed in the Tuileries Palace in February 1800. In that same year, John James Masquerier (1778-1855) , an English born Frenchman, came to Paris where he did the first authentic portrait of Bonaparte seen in England. He also painted this scene at the same time. (Roustam 1780-1845). The First Consul's Mameluke bodyguard is seen behind his master. Colored Mezzotint, circa 1800-1801. After a painting by Masquerier and engraved by Charles Turner (1773-1857). 23-3/4" x 19-1/2".

Bonaparte Reviewing The Consular Guards. Bonaparte, as First Consul, was installed in the Tuileries Palace in February 1800. In that same year, John James Masquerier (1778-1855) , an English born Frenchman, came to Paris where he did the first authentic portrait of Bonaparte seen in England. He also painted this scene at the same time. (Roustam 1780-1845). The First Consul's Mameluke bodyguard is seen behind his master. Colored Mezzotint, circa 1800-1801. After a painting by Masquerier and engraved by Charles Turner (1773-1857). 23-3/4" x 19-1/2".

JOHN JAMES MASQUERIER, R.A. | The Minstrel singing his lay to the Duchess of Buccleugh; from Walter Scott's The Lay of the Last Minstrel, 1805 

oil on canvas, in its original gilt plaster frame

John Masquelier (1778-1855), Atrributed, Two Sisters, c. 1810

Oil on canvas Great Britain, c. 1810 John James Masquerier (1778-1855), attributed - British history and portrait painter Dimensions: 81 x 100 cm Golden stucco frame: 105 x 122 cm Good condition Provenance: The Parker Gallery, London (label verso) Charming portrait of two sisters sitting on a red sofa, pursuing her pastime Estimate by Auctionata Expert: 5,500 Euro Condition: The painting is in good overall condition. It shows slight craquelure (partly retouched) and a few small restorations in the field of figures, visible under UV light. The stretcher is causing light pressure marks on the front, otherwise overall of good impression. The image dimensions are 81 x 100 cm, the frame dimensions 105 x 122 cm. The frame is partly damaged. John James Masquerier (1778-1855) Masquelier was born in Chelsea in 1778 as the son of French parents. In 1789 he moved to Paris, where he was initially trained by Françoise Vincent and Vernet. He then went to London, where he became acquainted with Charles Turner and debuted at the Royal Academy in 1795. In 1800, he was drawn back to Paris, where he painted a portrait of Napoleon Bonaparte, which should earn him a certain reputation in London. Masqueriers works are among others collected by the National Gallery London. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

John James Masquerier British, 1778-1855 Portrait of a Lady in White

John James Masquerier British, 1778-1855 Portrait of a Lady in White Oil on canvas 30 x 25 inches (76.2 x 63.5 cm) Provenance: Private collection C 

†John Masquerier (1778-1855), "Infant Dan Beale, Mary Bones," 1792, mixed media, pencil titled lower center margin, pen signed and da..

John Masquerier (1778-1855), "Infant Dan Beale, Mary Bones," 1792, mixed media, pencil titled lower center margin, pen signed and dated l.r. margin, framed, H.- 7 in., W.- 8 3/4 in.

Four prints including: Antoine Massant (French, 17th C.), engraving, portrait of Nicolas Mignard, 1663, ss: 13 1/4" h. x 10" w.; mez...

Four prints including: Antoine Massant (French, 17th C.), engraving, portrait of Nicolas Mignard, 1663, ss: 13 1/4" h. x 10" w.; mezzotint by Charles Turner of Major Scott Waring after painting by John James Masquerier (British, 1778-1855), ss: 15 1/4" h. x 10" w.; colored mezzotint of Anne-Hilarion de Contentin, 1787, ss: 10 1/2" h. x 7 1/4" w.; engraving after Ferdinand Poilly, "Le Maréchal Abraham Fabert," bears a partial Frederick Keppel label, ss: 14 1/4" h. x 10 1/2" w., all matted and framed under glass, none examined out of frame.

Four prints including: Antoine Massant (French, 17th C.), engraving, portrait of Nicolas Mignard, 1663, ss: 13 1/4" h. x 10" w.; mez...

Four prints including: Antoine Massant (French, 17th C.), engraving, portrait of Nicolas Mignard, 1663, ss: 13 1/4" h. x 10" w.; mezzotint by Charles Turner of Major Scott Waring after painting by John James Masquerier (British, 1778-1855), ss: 15 1/4" h. x 10" w.; colored mezzotint of Anne-Hilarion de Contentin, 1787, ss: 10 1/2" h. x 7 1/4" w.; engraving after Ferdinand Poilly, "Le Maréchal Abraham Fabert," bears a partial Frederick Keppel label, ss: 14 1/4" h. x 10 1/2" w., all matted and framed under glass, none examined out of frame.

JOHN JAMES MASQUERIER, R.A.

JOHN JAMES MASQUERIER, R.A. CHELSEA 1778 - 1855 BRIGHTON PORTRAIT OF A LADY oil on canvas 30 by 25 in.; 76.2 by 63.5 cm 30 by 25 in.; 76 by 63.5 cm.

Attributed to John James Masquerier (1778-1855)

Attributed to John James Masquerier (1778-1855) Portrait of a young woman in neo-classical dress in a landscape, Oil on unlined canvas, 73 x 59cm

John James Masquerier, R.A. Chelsea 1778 - 1855 Brighton , Self Portrait, Age 15 oil on canvas

three quarters length, standing at a desk in front of an arcitectural background, wearing a dark coat, breeches and a white vest, holding a crayon in his right hand oil on canvas

Circle of John James Masquerier (London 1778-1855 Brighton)

Circle of John James Masquerier (London 1778-1855 Brighton) Portrait of a gentleman, half-length, in a brown coat and pink waistcoat oil on canvas 26¾ x 22 in. (68 x 55.8 cm.)

John James Masquerier, R.A. , Chelsea 1778 - 1855 Brighton Self Portrait, Age 15 oil on canvas

three quarters length, standing at a desk in front of an arcitectural background, wearing a dark coat, breeches and a white vest, holding a crayon in his right hand oil on canvas

Portrait of a young boy, three-quarter-length, in school uniform, holding a black hat in his left hand, in a landscape

John James Masquerier (London 1778-1855 Brighton) Portrait of a young boy, three-quarter-length, in school uniform, holding a black hat in his left hand, in a landscape oil on canvas 30 x 25 in. (76.3 x 63.5 cm.)

D'APRES JOHN JAMES MASQUERIER (1778-1855)

Bonaparte reviewing the Consular Guards par Charles Turner Aquatinte en couleurs, papier insolé, salissures, petits accidents dans les marges, non examinée hors de son cadre 64,5 x 57 cm. (25 3/8 x 22 1/2 in.) On joint d'après Eugène Alexandre Bellangé (1837-1895), Napoléon devant la Malmaison par Louis-Léon Desjardins, fac similé, contrecollé, légères piqûres, non examiné hors de son cadre 27 x 20,5 cm. (10 5/8 x 8 1/8 in.) (2)

JOHN JAMES MASQUERIER, R.A. 1778-1855

A GIRL LOOKING AT HERSELF IN THE MIRROR A GIRL LOOKING AT HERSELF IN THE MIRROR measurements note 88 by 66 cm., 34 1/2 by 26 in. oil on canvas EXHIBITED British Institution, 1808, no.319 LITERATURE R.R.M. See, Masquerier and his Circle, 1922, pp.196 & 246 NOTE Exhibited at the British Institution in 1808, the present painting may relate to the painting exhibited at the Royal Academy in the same year, entitled January and May (no.189). This showed what would appear to be the same model, possibly the actress Mlle Parisot, in a similar pose with a raised arm, as the wife of an old husband, beckoning to her lover. Sociable, attractive to women, and an inveterate traveller, Masquerier moved in the world of theatre and the arts as a young man in the early 1800s. Born in Chelsea in 1778 of French origin, he was taken to Paris where he studied under the tutelage of Vincent and Carle Vernet. He entered the Royal Academy Schools in 1792, and later worked as Hoppner's pupil and assistant. His friendships with fashionable and ambitious actresses, such as Dorothy Jordan, mistress of the Duke of Clarence, Anna Maria Crouch, pupil of Thomas Linley, and mistress of the Prince of Wales, Mrs Inchbald and others, certainly advanced his position, and gave him access to a more elevant level of patron. He travelled in Ireland and Scotland, where he knew Raeburn, whose style he was also influenced by.

John James Masquerier (1778-1855)

Portrait of Marianne Langham (1772-1809), small full-length, seated in a white dress holding an open book in her right hand oil on board 23 x 21 in. (58.4 x 53.3 cm.)

JOHN JAMES MASQUERIER, R.A. 1778-1855 PORTRAIT OF A LADY

Half length, wearing a white dress oil on canvas

JOHN JAMES MASQUERIER (British 1778-1855) "Self Portrait" oil on canvas, inscribed on verso "Masquerier by himself 1795". 34"x43".