Loading Spinner

Okumura Masanobu Sold at Auction Prices

Painter, Illustrator, Painter, b. 1686 - d. 1764

See Artist Details

0 Lots

Sort By:

Categories

Auction Date

Seller

Seller Location

Price Range

to
  • Okumura Masanobu Japanese Block Print
    Oct. 10, 2024

    Okumura Masanobu Japanese Block Print

    Est: $80 - $100

    Okumura Masanobu (Japanese, 1686-1764). Japanese block print, fight on Goji Bridge. 12" x 6" (with frame 21 1/4" x 17 1/4"). Toning to paper, horizontal crease at center, toning to mat, chips and losses to frame.

    Willow Auction House
  • OKUMURA MASANOBU (1686-1764). Actor with umbrella. Vertical hosoban: 12 7⁄8
    Sep. 17, 2024

    OKUMURA MASANOBU (1686-1764). Actor with umbrella. Vertical hosoban: 12 7⁄8

    Est: $2,000 - $3,000

    OKUMURA MASANOBU (1686-1764). Actor with umbrella. Vertical hosoban: 12 7⁄8 x 6 1⁄8 in. (32.7 x 15.6 cm.).

    Christie's
  • Okumura Masanobu Japanese Block Print
    Jul. 18, 2024

    Okumura Masanobu Japanese Block Print

    Est: $100 - $200

    Okumura Masanobu (Japanese, 1686-1764). Japanese block print, fight on Goji Bridge. 12" x 6" (with frame 21 1/4" x 17 1/4"). Toning to paper, horizontal crease at center, toning to mat, chips and losses to frame.

    Willow Auction House
  • OKUMURA MASANOBU (1686-1764): 'SHOKI'
    Jan. 17, 2024

    OKUMURA MASANOBU (1686-1764): 'SHOKI'

    Est: €700 - €1,400

    OKUMURA MASANOBU (1686-1764): 'SHOKI' Japan, 18th century. Woodcut, hand applied with urushi (lacquer) and washes of ink on paper. Mounted on paper. Depicting the demon queller Shoki standing in an animated pose apoplectic with rage with a grimace on his face. Inscriptions: To the left margin, signed 'Hogetsudo, Okumura Bunkaku Masanobu kinzu' 芳月堂、奥村文角政信謹圖 ('This is painted with respect by Okumura Bunkaku Masanobu, the studio name Hogetsudo'). One seal, 'Tanchosai' 丹鳥斎. Image SIZE 63 x 24.6 cm, SIZE incl. mounting 70.5 x 30.3 cm Condition: Shows tears, some wormholes, minor staining, browning, and few losses but still presenting well. Provenance: Van Stockum Gallery, The Hague. Collection of Robert and Isabelle de Strycker, acquired from the above and thence by descent within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Universite Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven's museum for an exhibition titled Oude kunst in Leuvens Privebezit ('Old Art in Private Collections in Leuven'), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen ('Japanese Art in Belgian Private Collections'). Shōki was a scholar of early seventh-century China who committed suicide after being cheated out of the first rank in civil service examinations, yet who was buried with honors after the emperor heard the tragic tale. To show his gratitude, Shōki appeared as an exorcist in a dream of a subsequent Chinese emperor and vowed to quell demons and banish disease. In Japan, auspicious images of Shōki were displayed for the Boys' Day Festival, celebrated on the fifth day of the fifth month. Shōki was generally depicted, based on the iconography, killing a small demon. However, in the Japanese popular cult that reveres him as guardian deity, he was also rendered standing alone in a more iconic mode. Okumura Masanobu (1686-1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga. The era Masanobu was born into was a prosperous and creatively fertile one, in which flourished the haiku poets Matsuo Bashō and Ihara Saikaku, the bunraku dramatist Chikamatsu Monzaemon, and the painter Ogata Kōrin. Masanobu was one of the most influential innovators of the ukiyo-e form, and popularizing Western-style perspective drawing. His career saw ukiyo-e evolve from its monochromatic origins to the verge of the full-color nishiki-e revolution of Suzuki Harunobu's time. Masanobu's ukiyo-e was mostly produced in the Kyōhō era. They display the printmaker's sense of line, color, and composition. The subjects are most often humorous and are executed in a lively manner with figures in brightly colored, fashionable clothing.

    Galerie Zacke
  • Japan - Masanobu, Okumura (Edo 1686-1764; nach),
    Dec. 13, 2023

    Japan - Masanobu, Okumura (Edo 1686-1764; nach),

    Est: €150 - €200

    Daikoku to Yujo. Holzschnitt, tls. rot koloriert. Nicht sign. Japan, um 1740. 26,4 x 33,3 cm. (87) - - Darstellung des Glücksgottes, der einen großen Sack öffnet, aus dem die Kurtisane Yujo sowie eine weitere Person schlüpfen.

    Zisska & Lacher
  • Writing poetry on the eve of the Tanabata festival
    Dec. 08, 2023

    Writing poetry on the eve of the Tanabata festival

    Est: €1,000 - €2,000

    Ōban, yoko-e. Sumizuri-e. Title: Tanabata ni yoru imose. Writing poetry on the eve of the Tanabata festival. Signed: Okumura Masanobu zu. Seal: Masanobu. Publisher: Igaya Kan'emon (Bunkidō). 1710s.

    Kunsthaus Lempertz KG
  • Japan - Masanobu, Okumura (Edo 1686-1764; nach),
    Dec. 01, 2023

    Japan - Masanobu, Okumura (Edo 1686-1764; nach),

    Est: €150 - €200

    Daikoku to Yujo. Holzschnitt, tls. rot koloriert. Nicht sign. Japan, um 1740. 26,4 x 33,3 cm. (87) - - Darstellung des Glücksgottes, der einen großen Sack öffnet, aus dem die Kurtisane Yujo sowie eine weitere Person schlüpfen.

    Zisska & Lacher
  • OKUMURA MASANOBU (1686-1764): ‘SHOKI’
    Dec. 01, 2023

    OKUMURA MASANOBU (1686-1764): ‘SHOKI’

    Est: €800 - €1,500

    OKUMURA MASANOBU (1686-1764): ‘SHOKI’ Japan, 18th century. Woodcut, hand applied with urushi (lacquer) and washes of ink on paper. Mounted on paper. Depicting the demon queller Shoki standing in an animated pose apoplectic with rage with a grimace on his face. Inscriptions: To the left margin, signed ‘Hogetsudo, Okumura Bunkaku Masanobu kinzu’ 芳月堂、奥村文角政信謹圖 (‘This is painted with respect by Okumura Bunkaku Masanobu, the studio name Hogetsudo’). One seal, ‘Tanchosai’ 丹鳥斎. Image SIZE 63 x 24.6 cm, SIZE incl. mounting 70.5 x 30.3 cm Condition: Shows tears, some wormholes, minor staining, browning, and few losses but still presenting well. Provenance: Van Stockum Gallery, The Hague. Collection of Robert and Isabelle de Strycker, acquired from the above and thence by descent within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’). Shōki was a scholar of early seventh-century China who committed suicide after being cheated out of the first rank in civil service examinations, yet who was buried with honors after the emperor heard the tragic tale. To show his gratitude, Shōki appeared as an exorcist in a dream of a subsequent Chinese emperor and vowed to quell demons and banish disease. In Japan, auspicious images of Shōki were displayed for the Boys’ Day Festival, celebrated on the fifth day of the fifth month. Shōki was generally depicted, based on the iconography, killing a small demon. However, in the Japanese popular cult that reveres him as guardian deity, he was also rendered standing alone in a more iconic mode. Okumura Masanobu (1686-1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga. The era Masanobu was born into was a prosperous and creatively fertile one, in which flourished the haiku poets Matsuo Bashō and Ihara Saikaku, the bunraku dramatist Chikamatsu Monzaemon, and the painter Ogata Kōrin. Masanobu was one of the most influential innovators of the ukiyo-e form, and popularizing Western-style perspective drawing. His career saw ukiyo-e evolve from its monochromatic origins to the verge of the full-color nishiki-e revolution of Suzuki Harunobu's time. Masanobu's ukiyo-e was mostly produced in the Kyōhō era. They display the printmaker's sense of line, color, and composition. The subjects are most often humorous and are executed in a lively manner with figures in brightly colored, fashionable clothing.

    Galerie Zacke
  • OKUMURA, MASANOBU: Konvolut.
    Nov. 08, 2023

    OKUMURA, MASANOBU: Konvolut.

    Est: CHF150 - CHF300

    OKUMURA, MASANOBU (Edo (Tokyo) 1686 - 1764) : Konvolut, 2 Blätter: 1. Inaba der Hamaguriya in Yoshiwara. 2. Ein Paar wird von einer Angestellten bedient; Holzschnitte; je dai oban, je 28x41 cm; je sig. Okumura Masanobu ga, Siegel Masanobu

    Dobiaschofsky Auktionen AG
  • Framed Japanese Print of a Woman Signed by Masanobu Okumura
    Oct. 14, 2023

    Framed Japanese Print of a Woman Signed by Masanobu Okumura

    Est: $50 - $100

    Framed Japanese Print of a Woman Signed by Masanobu Okumura. A woman in traditional kimono dress with head scarf stands poised in this colored woodblock print. We believe this is a print of a work by Masanobu Okumura (Japanese, 1686-1764) per the bottom-right characters. Dimensions including the frame are 33.25 in h x 14.5 in w x .5 in d. Condition is good with visible discoloration and fading, inner wear near fabric mat, minor wear to frame. Please call or email for a detailed condition report.

    Public Sale Auction House
  • Een map met prenten: "Les gandes peintres du XVIII siècle Okou-Moura-Massanobou," ca. 1900
    Sep. 27, 2023

    Een map met prenten: "Les gandes peintres du XVIII siècle Okou-Moura-Massanobou," ca. 1900

    Est: €100 - €150

    Een serie van 16 antieke kleurenhoutsnedes naar Okumura Masanobu (1686-1764) - opgeplakt, band defect. B 25 x 37 cm / 48.5 x 35 cm

    Veilinghuis Onder de Boompjes
  • Okumura Masanobu Woodblock Print On Paper
    Jul. 15, 2023

    Okumura Masanobu Woodblock Print On Paper

    Est: -

    Frame is in good condition. Frame measures approximately 16in x 20.5in. Image measures approximately 10.5in x 15in. BH14889 SA

    EJ'S Auction & Appraisal
  • ATTRIBUTED TO OKUMURA MASANOBU (Japan, 1686-1764), Two figural views:, Woodblock prints, oban yoko-e, 9.5” x 14” sight. Framed 14” x 20”.
    Jun. 27, 2023

    ATTRIBUTED TO OKUMURA MASANOBU (Japan, 1686-1764), Two figural views:, Woodblock prints, oban yoko-e, 9.5” x 14” sight. Framed 14” x 20”.

    Est: $200 - $400

    ATTRIBUTED TO OKUMURA MASANOBU Japan, 1686-1764 Two figural views: 1) "Sarimawashi with His Monkey Approaches Two Ladies". 2) Two seated ladies in an interior.

    Eldred's
  • OKUMURA MASANOBU (1686-1764)
    May. 04, 2023

    OKUMURA MASANOBU (1686-1764)

    Est: $2,000 - $4,000

    "Cat and Peony" pigment on sik 12 3/4 x 18 3/4 inches; 46 1/2 x 25 1/2 inches overall. N.B. A sales receipt from Alice Spalding Bowen, Honolulu dated 1955 describes and accompanies this lot.

    John McInnis Auctioneers
  • Masanobu, Okumura: Bijin-ga. Badeszene mit einem Hühnerpärchen.
    Apr. 18, 2023

    Masanobu, Okumura: Bijin-ga. Badeszene mit einem Hühnerpärchen.

    Est: €200 - €300

    Masanobu, Okumura. Bijin-ga. Badeszene mit einem Hühnerpärchen. Ukiyo-e Farbholzschnitt. Signiert: "Hôgetsudô shômei Okumura Bunkaku Masanobu shôhitsu" mit der Siegelmarke "Tanchôsai". Format ôban tate-e 27,5 x 21 cm. Edo (Tokio) um 1740. -- Bijin-ga - die "Bilder von schönen Frauen" waren das vielleicht populärste Genre der Ukiyo-e Künstler, die meist junge Frauen in verschiedenen Tätigkeiten darstellten: Hier entstieg ein Mädchen gerade ihrem Bade, das sie in einem großen Holzbottich absolviert hat. Sie tritt nur mit einem Manteltuch übergeworfen auf die Terrasse ins Freie, wo ein Hühnerpärchen neugierig auf sie zukommt. Die sexuelle Konnotation liegt auf der Hand und ist charakteristisch für das Werk des Okumura Masanobu (1686-1764), der auch für seine "Frühlingsbilder", die Shungas bekannt ist. – Winziger Eckausriss oben rechts, minimales Löchleich, sonst bemerkenswert wohlerhalten und in prachtvollem Farbdruck.

    Bassenge Auctions
  • OKUMURA MASANOBU (JAPANESE, 1685-1764) - WOODBLOCK PRINT.
    Mar. 09, 2023

    OKUMURA MASANOBU (JAPANESE, 1685-1764) - WOODBLOCK PRINT.

    Est: $200 - $400

    Okumura Masanobu (Japanese, 1685-1764) - Woodblock Print. 26x37cm.

    Pasarel
  • Japanese Woodblock Print Okumura Masanobu
    Jan. 28, 2023

    Japanese Woodblock Print Okumura Masanobu

    Est: $160 - $200

    Japanese Woodblock Print by Okumura Masanobu Ono no komachi

    Woodblock Prints World
  • OKUMURA MASANOBU (JAPANESE, 1685-1764) - OMORI HIKOSHICHI, WOODBLOCK PRINT.
    Dec. 21, 2022

    OKUMURA MASANOBU (JAPANESE, 1685-1764) - OMORI HIKOSHICHI, WOODBLOCK PRINT.

    Est: $200 - $400

    Okumura Masanobu (Japanese, 1685-1764) - Omori Hikoshichi, Woodblock Print. 31x44cm. Omori Hikoshichi, a retainer of the Ashikaga, carrying a young girl across a stream on his back as she is changing into a demon. From an album, reproduced in Shibui's article on Masanobu's sumisuri-e albums, in: Ukiyo-e Kenkyu, vol. 3, 1929, series H, no. 11. Source: Israel Museum.

    Pasarel
  • Japanese Print Okumura Masanobu, Woman Making Tea
    Oct. 15, 2022

    Japanese Print Okumura Masanobu, Woman Making Tea

    Est: $100 - $200

    Japanese Print Woman Making Tea was probably created by the early Ukiyo-e print artist Okumura Masanobu (1636-1764). The print is an early 20th century reproduction of the 18th century print.  The stylish woman sits near vessels containing hot and cold water and whisks tea in a cup. Dimensions: Print 12 " x 5 1/2" Frame: 20 1/2" x 11 1/2" Condition: Good condition with slight fading from light exposure.

    Neue Auctions
  • Okumura Masanobu (1686 - 1764) Courtesan playing a shamisen for Fukurokuju and Daikokuten
    Sep. 28, 2022

    Okumura Masanobu (1686 - 1764) Courtesan playing a shamisen for Fukurokuju and Daikokuten

    Est: -

    Houtsnede - met vier stukjes tape op papier geplakt. B 25.3 x 37.5 cm / niet ingelijst

    Veilinghuis Onder de Boompjes
  • TŌBU YAMATO (Okumura Masanobu 1686-1768).
    Sep. 28, 2022

    TŌBU YAMATO (Okumura Masanobu 1686-1768).

    Est: €200 - €300

    Une estampe monochrome noire sumizuri-e, format ōban yoko-e représentant le personnage légendaire Sakata Kinpira Nyudo. Signée Tôbu Yamato gako Okumura Masanobu zu. Cachet Masanobu. Monochrome woodblock print, Sumizuri-e Sakata Kinpira Nyudo. Signed Tôbu Yamato gako Okumura Masanobu zu, seal Masanobu. Encre sur papier. Ca. 1710. Dimensions : 26 x 38,7 cm. Deux pliures verticales coupant l’estampe, celle-ci a été doublée, traces d’usure, état moyen. Ref. : Estampe similaire au Metropolitan Museum NY.

    Alde
  • OKUMURA MASANOBU (1686-1768).
    Sep. 28, 2022

    OKUMURA MASANOBU (1686-1768).

    Est: €200 - €300

    La Courtisane Yūjo et Daikoku lui révélant le contenu du sac aux trésors de Hotei. Une estampe encre sur papier, sumizuri-e format ōban yoko-e. Daikoku to Yūjo. A print, ink on paper, sumizuri-e, ōban tate-e format. Daikoku Revealing to the courtesan Yujo the Contents of Hotei's Bag of Precious Things. Éditeur inconnu, tirage probablement tardif. Dimensions : 27,7 x 39 cm. Pli central, taches d’oxydation, quelques taches d’encre en bas.

    Alde
  • OKUMURA MASANOBU (1686-1764), TORII KIYOHIRO (ACT. 1737-1776) AND KITAGAWA
    Sep. 27, 2022

    OKUMURA MASANOBU (1686-1764), TORII KIYOHIRO (ACT. 1737-1776) AND KITAGAWA

    Est: $1,000 - $2,000

    OKUMURA MASANOBU (1686-1764), TORII KIYOHIRO (ACT. 1737-1776) AND KITAGAWA A group of three print of actors and courtesans 1) Hosoban: 12 1/4 x 6 in. (31.1 x 15.2 cm.) 2) Hosoban: 14 x 7 in. (35.6 x 17.8 cm.) 3) Vertical oban: 15 1/8 x 10 1/2 in. (38.5 x 26.7 cm.) (3)

    Christie's
  • OKUMURA MASANOBU (1686-1764) AND KATSUKAWA SHUNKŌ (1743-1812) Two Woodblock PrintsEdo period (1615-1868), 18th/19th century
    Sep. 21, 2022

    OKUMURA MASANOBU (1686-1764) AND KATSUKAWA SHUNKŌ (1743-1812) Two Woodblock PrintsEdo period (1615-1868), 18th/19th century

    Est: $1,500 - $2,000

    OKUMURA MASANOBU (1686-1764) AND KATSUKAWA SHUNKŌ (1743-1812) Two Woodblock Prints Edo period (1615-1868), 18th/19th century The fist, a chūban yoko-e print with hand-applied color with a collage of calligraphy and images of Suetsumu hana (Saffron Flower Lady), Chapter 6 from Genji monogatari (The Tale of Genji), sealed Okumura; the second, a koban tate-e print entitled Tōto hakkei Shibaura kihan (Eight Views of the Eastern Capital: Returning Sailboats at Shibaura), signed Shunkō ga (2) 4 5/8 x 6 1/8in (11.7 x 15.5cm); 8 3/4 x 7in (22.2 x 17.7cm) For further information on this lot please visit the Bonhams website

    Bonhams
  • Masanobu (1686-1764). Yoshiwara Shinmachi (Shinmashi in the Yoshiwara).
    May. 19, 2022

    Masanobu (1686-1764). Yoshiwara Shinmachi (Shinmashi in the Yoshiwara).

    Est: €100 - €150

    Masanobu (1686-1764). Yoshiwara Shinmachi (Shinmashi in the Yoshiwara). Col. handcol. woodcut ôban. - Laid down on modern thin Japanese. = Meiji-period print from recut block. Utamaro (1754-1806). (Parody of the Killing of the Nue). Col. woodcut ôban, signed Utamaro hitsu, publisher Omiya Gonkurô. - Laid down on modern thin Japanese; sm. pinholes in the right corners. = Meiji-period print from recut block. Asano and Clark 259-61. AND 1 other colour woodcut by TOYOHARU, also Meij print from recut block, (Landscape at Mimeguri).

    Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
  • OKUMURA MASANOBU (1686-1764), REKISEITEI EIRI (ACTIVE CIRCA 1790-1800), KATSUKAWA SHUNSHO (1726–1792), KATSUKAWA SHUNKO (1743-1812), KIKUKAWA EIZAN (1787-1867), UTAGAWA HIROSHIGE (1797-1858), UTAGAWA TOYOKUNI III (1786-1865), AND OTHERS Edo ...
    May. 12, 2022

    OKUMURA MASANOBU (1686-1764), REKISEITEI EIRI (ACTIVE CIRCA 1790-1800), KATSUKAWA SHUNSHO (1726–1792), KATSUKAWA SHUNKO (1743-1812), KIKUKAWA EIZAN (1787-1867), UTAGAWA HIROSHIGE (1797-1858), UTAGAWA TOYOKUNI III (1786-1865), AND OTHERS Edo ...

    Est: £800 - £1,000

    OKUMURA MASANOBU (1686-1764), REKISEITEI EIRI (ACTIVE CIRCA 1790-1800), KATSUKAWA SHUNSHO (1726–1792), KATSUKAWA SHUNKO (1743-1812), KIKUKAWA EIZAN (1787-1867), UTAGAWA HIROSHIGE (1797-1858), UTAGAWA TOYOKUNI III (1786-1865), AND OTHERS Edo period (1615-1868), 18th to 19th century Ten prints of various formats and subjects: the first a hosoban by Masanobu depicting a rich retired gentleman impersonating Daikoku, two courtesans seated beside, signed Hogetsudo Oku Bunkaku [...]; the second an oban by Eiri of Tenji Tenno: Aki no ta (Emperor Tenji: Autumn Rice Field) from the series Hyakunin isshu mitate hakkei (Eight Views of the Hundred Poets), signed Rekisentei ga; the third a chuban by Shunsho of No.6 from the series Kaiko yashinai gusa (Silkworm Cultivation), signed Shunsho ga; the fourth a hosoban by Shunko depicting a kabuki actor, signed Shunko ga; the fifth an oban by Eizan depicting Hanamurasaki of the Tamaya, signed Kikukawa Eizan hitsu; the sixth an oban, attributed to Kunisada, of Mayuzumi of the Sanotsuchiya, no signature; the seventh an oban by Utagawa school of Urino of the Okamonotoya, no signature; the eighth an oban by Hiroshige of Fukagawa Hachiman yamabiraki (Opening of the Garden of the Hachiman Shrine at Fukagawa) from the series Meisho Edo hyakkei (100 Famous Views of Edo), signed Hiroshige ga; the ninth an oban by Hiroshige and Toyokuni III of Kakegawa from the series Sohitsu gojusantsugi (53 Stations by Two Brushes), signed Hiroshige ga and Toyokuni ga; the last an oban by Hiroshige II of Banshu Maiko no hama (Maiko Beach, Harima Province) from the series Shokoku meisho hyakkei (100 Famous Views in the Various Provinces), signed Hiroshige ga; all variously published; all framed and glazed. The smallest: 28.5cm x 14.5cm (11¼in x 5¾in); the largest: 36.5cm x 24cm (14 3/7in x 9 7/16in). (10). For further information on this lot please visit the Bonhams website

    Bonhams
  • OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1740 (3)
    May. 12, 2022

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1740 (3)

    Est: £25,000 - £30,000

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1740 Set of 12 large oban shunga (erotic picture) prints from the series (Someiro no yama) Neya no hinagata (Mountains of Dyed Colours: Patterns for the Bedroom), with hand-colouring, mounted as a handscroll, including the wrapper with the title inside a kosode kimono with two collector's seals Fuji and Ichiai at the beginning, the aforementioned two collector's seals, a third collector's seal and the artist's signature at the end, depicting 12 scenes of love making in the 12 months, each with an associated haiku poem; signed Yamato gako Hogetsudo Tanchosai Okumura Shinmyo Masanobu no zu, with a wood storage box and a lacquered-wood outer storage box. Overall: 518.5cm x 26cm (204 1/8in x 10¼in); image: 454cm x 24.2cm (178¾in x 9½in). (3). For further information on this lot please visit the Bonhams website

    Bonhams
  • OKUMURA MASANOBU (Japan, 1686-1764), A seated nobleman beneath pine and prunus., Woodblock print, kakemono, 22.5” x 10” sight. Framed 40" x 24.5".
    Apr. 28, 2022

    OKUMURA MASANOBU (Japan, 1686-1764), A seated nobleman beneath pine and prunus., Woodblock print, kakemono, 22.5” x 10” sight. Framed 40" x 24.5".

    Est: $400 - $600

    OKUMURA MASANOBU Japan, 1686-1764 A seated nobleman beneath pine and prunus.

    Eldred's
  • OKUMURA MASANOBU (1686-1764) Takeda Shingen Vertical ooban: 22 5/8 x 9 5/8
    Mar. 22, 2022

    OKUMURA MASANOBU (1686-1764) Takeda Shingen Vertical ooban: 22 5/8 x 9 5/8

    Est: $15,000 - $25,000

    OKUMURA MASANOBU (1686-1764) Takeda Shingen Vertical ooban: 22 5/8 x 9 5/8 in. (57.5 x 24.4 cm.)

    Christie's
  • OKUMURA MASANOBU (1686-1764) The actor Sanogawa Ichimatsu I Hashira-e: 24
    Mar. 22, 2022

    OKUMURA MASANOBU (1686-1764) The actor Sanogawa Ichimatsu I Hashira-e: 24

    Est: $25,000 - $35,000

    OKUMURA MASANOBU (1686-1764) The actor Sanogawa Ichimatsu I Hashira-e: 24 1/8 x 6 in. (61.3 x 15.2 cm.)

    Christie's
  • OKUMURA MASANOBU (1686-1764) Fuga Wada no sakamori uki-e kongen (Original
    Dec. 14, 2021

    OKUMURA MASANOBU (1686-1764) Fuga Wada no sakamori uki-e kongen (Original

    Est: $3,000 - $4,000

    OKUMURA MASANOBU (1686-1764) Fuga Wada no sakamori uki-e kongen (Original perspective picture: an elegant... Horizontal oban: 11 3/8 x 16 1/2 in. (28.9 x 41.9 cm.)

    Christie's
  • OKUMURA MASANOBU (1686 / 1764) "Ukiyo-e Genso"
    Sep. 29, 2021

    OKUMURA MASANOBU (1686 / 1764) "Ukiyo-e Genso"

    Est: €450 - €600

    Later period edition . Colored Xylography

    Ansorena
  • OKUMURA MASANOBU (1686-1764) Shogatsu (First month) Horizontal oban: 10 7/8
    Sep. 21, 2021

    OKUMURA MASANOBU (1686-1764) Shogatsu (First month) Horizontal oban: 10 7/8

    Est: $6,000 - $8,000

    OKUMURA MASANOBU (1686-1764) Shogatsu (First month) Horizontal oban: 10 7/8 x 14 ½ in. (27.6 x 36.8 cm.)

    Christie's
  • [ASIAN ARTS & PHOTOGRAPHY] [JAPANESE WOODBLOCK PRINTS ETC.] 8 ITEMS: (1) WANG GAI (18TH CENT). (LANDSCAPE)
    Jun. 24, 2021

    [ASIAN ARTS & PHOTOGRAPHY] [JAPANESE WOODBLOCK PRINTS ETC.] 8 ITEMS: (1) WANG GAI (18TH CENT). (LANDSCAPE)

    Est: €70 - €140

    Col. woodcut in round fan shape, two attached sheets, total size 26 x 30 cm, from the Mustard Seed Garden Painting Manual (Kaishien garden), 1753, under passe-partout. Sl. foxed; fingersoiled in lower corners; (2) Okumura Masanobu (1686-1764). (Court scene). Col. woodcut, 22 x 31 cm, under passe-partout. Sl. soiled; neatly restored with thin paper on verso. And 6 more, including 2 handcoloured woodblock prints by the Korean artist Sang Keun Lee. (total 8)

    Zwiggelaar Auctions
  • Okumura Masanobu (1686-1764) Edo period (1615-1868), mid-18th century
    May. 13, 2021

    Okumura Masanobu (1686-1764) Edo period (1615-1868), mid-18th century

    Est: £20,000 - £25,000

    Okumura Masanobu (1686-1764) Edo period (1615-1868), mid-18th century A large oban benizuri-e print depicting a pair of lovers in the guise of komuso (mendicant monks), each dressed in elaborately patterned robes with a black monk's stole draped across their shoulders, walking in high geta (clogs) and playing the classic komuso tune renbo nagashi on their shakuhachi (bamboo flutes), the youth wearing the characteristic deep sedge tengai hat, his companion donning a saki kogai hairstyle, a hokku verse to the right of the girl, stamped at the bottom right corner with the collector's seal of Henri Vever; signed Hogetsudo Tanchosai Okumura Bunkaku Masanobu shohitsu with two seals Tanchosai and Okumura Masanobu. 42.3cm x 30.7cm (16¾in x 12 1/16in). For further information on this lot please visit the Bonhams website

    Bonhams
  • OKUMURA MASANOBU (1686 / 1764) "Young lady with mirror"
    Apr. 09, 2021

    OKUMURA MASANOBU (1686 / 1764) "Young lady with mirror"

    Est: €150 - €200

    Incomplete image according to the specimen in the British Museum. Inscrip: Hogetsudo...Okumura Bunkaku Masanobu. Stamp. Ref.: Hizo Ukiando-e taikan Vol 2 British Museum No.: 1959,0411,0.13

    Ansorena
  • OKUMURA MASANOBU (1686 / 1764) "Japanese lady under a tree"
    Apr. 09, 2021

    OKUMURA MASANOBU (1686 / 1764) "Japanese lady under a tree"

    Est: €150 - €200

    colour woodblock engraving

    Ansorena
  • OKUMURA MASANOBU (1686 / 1764) "Scenes from theatrical performances"
    Apr. 09, 2021

    OKUMURA MASANOBU (1686 / 1764) "Scenes from theatrical performances"

    Est: €375 - €500

    Set of five japanese engravings

    Ansorena
  • OKUMURA MASANOBU (1686 / 1764) "Evening with musicians in front of the sea"
    Apr. 09, 2021

    OKUMURA MASANOBU (1686 / 1764) "Evening with musicians in front of the sea"

    Est: €300 - €400

    Set of three japanese engravings

    Ansorena
  • OKUMURA MASANOBU (1686 / 1764) "Figure with blue kimono"
    Apr. 09, 2021

    OKUMURA MASANOBU (1686 / 1764) "Figure with blue kimono"

    Est: €300 - €400

    Possible image of an actor or actress.

    Ansorena
  • Antique Japanese Okumura Masanobu Ukiyo-e Woodblock Print Riverbank Picnic
    Feb. 20, 2021

    Antique Japanese Okumura Masanobu Ukiyo-e Woodblock Print Riverbank Picnic

    Est: $50 - $300

    Described and Photographed by: Amanda HFA DBJQ TSS Title: Antique Japanese Okumura Masanobu Ukiyo-e Woodblock Print Riverbank Picnic Description: This is an amazing early ukiyo-e woodblock print by famous Japanese printer Okumura Masanobu. Okumura was a formative figure in early ukiyo-e and helped build the foundation for the movement which would persist until modern times. This print shows a group of people having a picnic on the riverbank, complete with tea, food, smoking, and music. Another group of people lounges on a boat in the river, admiring the full moon. It is signed Okumura Masanobu with his seal on the bottom right corner. Printed in black ink with red-orange ink on select areas. Circa: 1700-1740s, no way to date exactly when this was made as it predates the date-seal and censor seal system. Sight Size: 12.75x19.75 inches Mat Size: 16.5x25.5 inches Condition: Good condition. Some signs of age including browning on the paper. Some light bug damage, including two small holes in the paper (see photos). Mat looks to have been glued to backing board around the paper, not to the paper. Box Size: 31x25x6 inches, 22 lbs. *Shipping Note* The shipping weight shown is a dimensional weight, and the Mail Carrier charges a flat weight amount regardless of the item's actual weight.

    Hess Fine Art
  • Japanese Woodblock Print Okumura Masanobu
    Nov. 21, 2020

    Japanese Woodblock Print Okumura Masanobu

    Est: $250 - $300

    Japanese Woodblock Print by Okumura Masanobu Beauty Washing a Book

    Woodblock Prints World
  • OKUMURA MASANOBU (1686-1764) - Tiger and bamboo
    Sep. 22, 2020

    OKUMURA MASANOBU (1686-1764) - Tiger and bamboo

    Est: $3,000 - $5,000

    OKUMURA MASANOBU (1686-1764) Tiger and bamboo Hosoban: 12 ½ x 5 7/8 in. (31.8 x 14.9 cm.)

    Christie's
  • Okumura Masanobu (1686-1764): A Woman Dressed for Travel
    Aug. 06, 2020

    Okumura Masanobu (1686-1764): A Woman Dressed for Travel

    Est: $400 - $600

    Woodcut in colors on paper. 25 1/4 x 5 1/2 in. (image), 38 1/8 x 12 in. (frame).

    STAIR
  • OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), 1743-1753
    Jul. 22, 2020

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), 1743-1753

    Est: $2,500 - $3,500

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), 1743-1753 An oban tate-e benizuri-e print entitled Boys Masquerading as Chinese, signed Hogetsudo Okumura Bunkaku Masanobu ga 16 3/4 x 12 1/8in (42.6 x 30.7cm) For further information on this lot please visit the Bonhams website

    Bonhams
  • OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1745
    Jul. 22, 2020

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1745

    Est: $2,000 - $3,000

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1745 A hashira-e print entitled Shoki (Zhong Kui, the Demon Queller), signed Hogetsudo Tanchosai Okumura Bunkaku Masanobu Baio ga 26 1/2 x 4in (67.4 x 10.3cm) For further information on this lot please visit the Bonhams website

    Bonhams
  • OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1745
    Jul. 22, 2020

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1745

    Est: $3,000 - $5,000

    OKUMURA MASANOBU (1686-1764) Edo period (1615-1868), circa 1745 A wide hashira-e print entitled Shoki (Zhong Kui, the Demon Queller), signed Hogetsudo Okumura Bunkaku Masanobu kinzu 26 7/8 x 9 7/16in (68.3 x 23.9cm) For further information on this lot please visit the Bonhams website

    Bonhams
  • Okumura Masanobu (1690-1720)
    Dec. 12, 2019

    Okumura Masanobu (1690-1720)

    Est: €100 - €150

    Le dieu de la Prospérité Daikoku, le maillet à sa ceinture, montant sur des balles de riz pour couper une branche de prunier. Editeur: Iguya Daikoku. Réedition par Takamizawa. Retirage Taisho/Showa, Identique à l’original. Hoso-e. Provenance: Collection de Monsieur B. Spécialiste et passionné d'art Nippon ayant vécu sur place entre 1980 et 2000.

    Asium
Lots Per Page: