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Louis Stanislas Marin-Lavigne Sold at Auction Prices

Genre Painter, Lithographer

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    • L. MARIN-LAVIGNE (*1797) after LALLEMAND (*1716), Napoleon Bonaparte with monocular, Lithography
      Apr. 27, 2024

      L. MARIN-LAVIGNE (*1797) after LALLEMAND (*1716), Napoleon Bonaparte with monocular, Lithography

      Est: €2,550 - €3,400

      Louis Stanislas Marin-Lavigne (1797 Paris - 1860 ibid.) after Jean-Baptiste Lallemand (1716 Dijon - around 1803 Paris): Portrait of Napoleon Bonaparte as a general with monoculars, , Lithography Technique: Lithography on , rolled-on on Paper Inscription: At the lower part signed in the printing plate: "L'allemand pinxt. / Marin Lavigne lith.". At the lower part inscribed in the printing plate: "Napoléon / Paris, publié par Jeannin, Place du Louvre, 20. / Herausgegeben von F.C.Vogel in Frankfurt S./M.". Date: Description: In this half-length portrait, Napoleon Bonaparte is depicted as a general and commander, prominent but at the same time forlorn. As a silent observer of a battle, his focussed gaze is distracted by an event to his left. Taking the telescope from his eye, the experienced tactician follows a turn of battlefield fortune that was to have devastating consequences for him. Retrospectively, the portrait artist Conrad L'Allemand, who is best known for his portraits of the royal family of Hanover, was evidently concerned with the rise of Napoleon and the decline of his power after the Battle of Waterloo in 1815. This portrait shows the once mighty Emperor of the French in a tense posture with slumped shoulders, the epaulettes of his uniform roughly displaced and the medals of the Legion of Honour and the Order of the Iron Crown proudly worn on his chest shamefacedly concealed by his hand and the cuff of his coat. In the right background, the cavalry of the Grande Armée rides through the gunpowder vapour of Prussian artillery and disappears like shadows in the mist. In this portrait of Napoleon, the artist, who lamented the spread of photography, especially towards the end of his creative period, provides an impressive example of the way in which painting and graphic art can carry a meaningful content beyond the lifelike depiction of a person, which can often only be recognised in finely accentuated details. Keywords: Napoleon Bonaparte; half-length portrait; general; commander; battle; telescope; concentrated gaze; tactician; fighting skill; Battle of Waterloo; Conrad LAllemand; royal family of Hanover; rise of Napoleon; decline of power; Emperor of the French; uniform; epaulettes; badge of honour; Legion of Honour; Order of the Iron Crown; gunpowder; Prussian guns; Grande Armée; cavalry; fog; painting; graphic; photography; meaningful content; details, 19th century, Biedermeier, Portraits, France,

      Fichter Kunsthandel
    • L. MARIN-LAVIGNE (*1797) after LALLEMAND (*1716), Napoleon Bonaparte with Monoculars, Lithography
      Aug. 26, 2023

      L. MARIN-LAVIGNE (*1797) after LALLEMAND (*1716), Napoleon Bonaparte with Monoculars, Lithography

      Est: €2,550 - €3,400

      Louis Stanislas Marin-Lavigne (1797 Paris - 1860 ibid.) after Jean-Baptiste Lallemand (1716 Dijon - around 1803 Paris): Portrait of Napoleon Bonaparte as a general with monoculars, 19th century, Lithography Technique: Lithography on , rolled-on on Paper Inscription: At the lower part signed in the printing plate: "L'allemand pinxt. / Marin Lavigne lith.". At the lower part inscribed in the printing plate: "Napoléon / Paris, publié par Jeannin, Place du Louvre, 20. / Herausgegeben von F.C.Vogel in Frankfurt S./M.". Date: 19th century Description: Prominent but at the same time forlorn, Napoleon Bonaparte is depicted as a general and general in this half-figure portrait. A silent observer of a battle, his concentrated gaze is diverted by an event to his left. The telescope removed from his eye, the experienced tactician follows a turn of battle fortune that was to have disastrous consequences for him. Retrospectively, the portrait artist Conrad L'Allemand, best known for portraits of the royal family of Hanover, was evidently concerned with Napoleon's rise and fall from power after the Battle of Waterloo in 1815. Thus this portrait shows the once powerful Emperor of the French in a tense posture with slumped shoulders, the epaulettes of his uniform crudely displaced and the Legion of Honour and Order of the Iron Crown merit badges proudly worn on his chest shamefully concealed by his hand and coat lapels. In the right background, the cavalry of the Grande Armée rides through the gunpowder steam of Prussian guns and disappears like shadows in the mist. In this portrait of Napoleon, the artist, who lamented the spread of photography especially towards the end of his creative period, gives an impressive example of the way in which painting and graphic art can carry a meaningful content beyond the lifelike depiction of a person, which can often only be discerned in finely accentuated details. Keywords: Napoleon Bonaparte; half-length portrait; general; commander; battle; telescope; concentrated gaze; tactician; skill in battle; Battle of Waterloo; Conrad Lallemand; Royal Family of Hanover; rise of Napoleon; decline of power; Emperor of the French; uniform; epaulettes; badge of merit; Legion of Honour; Order of the Iron Crown; gunpowder smoke; Prussian guns; Grande Armée; cavalry; fog; painting; graphic art; photograph; meaningful content; details, 19th century, Biedermeier, Portraits, France,

      Fichter Kunsthandel
    • Louis Stanislas Marin-Lavigne (1797-1860)
      Apr. 18, 2015

      Louis Stanislas Marin-Lavigne (1797-1860)

      Est: Kč600 - Kč1,200

      Louis Stanislas Marin-Lavigne (1797-1860) BATTLE OF VALMY. The battle of French revolutionary army with Prussian troops (21 September 1792). According to the painting of Horace Vernet from 1826. Lithography on paper, 296x480 mm, marked 'Marin Lavigne del.t / J. V. Quénot direx.it / Lith. de Ch: Motte' in print in lower margin. Mounted. Louis Stanislas Marin-Lavigne (1797-1860) BITVA U VALMY. Bitva francouzské revoluční armády s pruským vojskem (21. září 1792). Podle obrazu Horace Verneta z r. 1826. Litografie na papíře, 296x480 mm, zn. dole v tisku „Marin Lavigne del.t / J. V. Quénot direx.it / Lith. de Ch: Motte". Paspartováno. Louis Stanislas Marin-Lavigne (1797-1860) KANONADE VON VALMY. Schlacht zwischen dem preußischen Kontingent der antifranzösischen Koalition und der französischen Revolutionsarmee (21. September 1792). Nach dem Bild von Horace Vernet aus dem Jahr 1826. Lithografie auf Papier, 296x480 mm, unten im Druck „Marin Lavigne del.t / J. V. Quénot direx.it / Lith. de Ch: Motte". Passepartout.

      Auction House Zezula
    • Marin-Lavigne, Louis Stanislas (1797-1860) nach
      Jun. 20, 2009

      Marin-Lavigne, Louis Stanislas (1797-1860) nach

      Est: -

      Marin-Lavigne, Louis Stanislas (1797-1860) nach Darstellung Napoleons. Kolorierte Lithographie (Gebrauchsspuren), in der Darstellung sign. und betitelt SOUVENIR. 35x 25 cm. PP. R.

      Dannenberg
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