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Esteban March Sold at Auction Prices

Painter, b. 1610 - d. 1668

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    • ESTEBAN MARCH (Valencia, c. 1610 - 1662/67) "Cabin with shepherds and cattle"
      Oct. 29, 2024

      ESTEBAN MARCH (Valencia, c. 1610 - 1662/67) "Cabin with shepherds and cattle"

      Est: €9,000 - €12,000

      Oil on canvas. On the reverse, old label with the collection number and the General Repairs Fund. Reference bibliography: ANGULO, D. AND PEREZ SANCHEZ, AE, Toledo painting. First half of the 17th century, Diego Velazquez Institute, Madrid, 1972, p. 350, plate 280; MARCO, V., Baroque painting in Valencia (1600-1637), CEEH, Madrid, 2021, p. 409, cat. no. 57. One of the painters who best assimilated Pedro Orrente's style in 17th-century Valencia was Esteban March. His initial training is uncertain, possibly in the Ribalta circle, but there is no doubt about the influence that Orrente's models and technique had on most of his production. Although very little specific information is known about his biography, his signed works present him as one of his main followers, both in repertoires and models as well as in the type of loose brushstrokes and chromatic palette, often of Venetian origin. His battles are well known, but he also frequently practised religious painting, especially paintings with biblical themes, portraits and genre painting. In this field, in which numerous drawings by his hand known popularly as "caprichos" are preserved, his dependence on Orrente is also evident both in the models and in the technique, as in this totally unpublished painting that represents the arrival of some shepherds to the sheepfold. In it, his characteristic loose brushstrokes, a typical chromatic palette of earthy tones in a Valencian key and his usual models can be perfectly appreciated. Among them, it is worth highlighting the pair of shepherds leading the cattle, with their outfits, hats and staffs, identical to those that appear in his “capricious works” on paper. The Orrentean taste for the anecdotal and the everyday can be found in the pots in the foreground and in the wide range of beasts that appear populating the scene, among which are the typical lambs, an ox, a goat, a mule, a dog, two rabbits and a turkey. Two pigeons are also resting on one of the elements of the cabin. The influence of Orrente is also evident in its twilight landscape in the background. The painting, which is one of the few examples of genre painting in the Valencian school of the 17th century, must be put in relation to a work by Orrente kept in the Prado Museum that was attributed a few years ago to Esteban March (Marco 2021, p. 409, cat. no. 57). With similar dimensions (58 x 90 cm), it seems to represent a narrative sequence of this same episode: The Return from the Sheepfold (P001020); although in this one only a shepherd appears and the group of animals is much smaller as the ones from the corral, such as the turkey and the rabbits, are not present. Both share the same technique and models,a similar composition and an identical background landscape. Dimensions: 64 x 93 cm.

      Ansorena
    • Cavalry Charge Mallorcan Baroque school from the circle of Esteban March (ca 1610-ca 1668) 17th century
      Jun. 26, 2024

      Cavalry Charge Mallorcan Baroque school from the circle of Esteban March (ca 1610-ca 1668) 17th century

      Est: €4,500 - €5,000

      Oil on canvas measurements: 75 x 55 cm measurements with old frame included: 95 x 73 cm

      Templum Fine Art Auctions
    • Flemish artist active in northern Italy, seventeenth century - Game on a table
      May. 28, 2024

      Flemish artist active in northern Italy, seventeenth century - Game on a table

      Est: €5,000 - €8,000

      oil on canvas 75 x 92 cm In the collection of provenance the painting was traditionally attributed to Esteban March (Valencia, circa 1610-1668).

      Finarte
    • Flemish artist active in northern Italy, seventeenth century - Hunting triumph with pigeons in a wicker basket
      May. 28, 2024

      Flemish artist active in northern Italy, seventeenth century - Hunting triumph with pigeons in a wicker basket

      Est: €5,000 - €8,000

      oil on canvas 74 x 93 cm The work is accompanied by an expertise by Ferdinando Arisi who attributes the painting to Esteban March (Valencia, circa 1610 - 1668).

      Finarte
    • Attributed to March, Esteban (Valencia, 1610 - Valencia, 1668) Spanish school of the 17th century
      Dec. 20, 2023

      Attributed to March, Esteban (Valencia, 1610 - Valencia, 1668) Spanish school of the 17th century

      Est: €10,000 - €12,000

      Oil on canvas, unreserved lot. Measurements: 100 x 80 cm. Valencian painter and one of the greatest exponents of Valencian chiaroscuro, disciple of the Murcian master Pedro Orrente. Little biographical information is known about him, except for the cliché that he had an explosive and variable temperament, commented on by Palomino, among others. He became famous as a painter of religious scenes and battle paintings. The types of his figures and his compositions refer us to Orrente, although in them he displays a greater baroque style. Most of his battle scenes are taken from engravings by Italian authors such as Antonio Tempesta, comparing him, saving the distance, with Aniello Falcone. He is one of the first Valencian painters who frequently draws inspiration from prints of Rubens' works. In his creations on evangelical themes he conceives large, theatrical spaces in which he arranges the figures grouped in dispersed groups, which are connected by their gestures and gestures. He was also a famous portraitist, a facet that we know through his self-portrait and the portrait of his son Miguel, who was his best successor, along with Juan Conchillos and Senén Vila (Sánchez del Peral, JR in: EMNP, 2006, volume IV, pp. 1475-1476).

      Templum Fine Art Auctions
    • ATTRIBUÉ À ESTEBAN MARCH (Valence 1610-1668) SAINT JOSEPH Toile Accidents, soulèvements et manques Sans cadre Attr. to E....
      Oct. 26, 2023

      ATTRIBUÉ À ESTEBAN MARCH (Valence 1610-1668) SAINT JOSEPH Toile Accidents, soulèvements et manques Sans cadre Attr. to E....

      Est: €2,000 - €3,000

      ATTRIBUÉ À ESTEBAN MARCH (Valence 1610-1668) SAINT JOSEPH Toile Accidents, soulèvements et manques Sans cadre Attr. to E. March, Saint Joseph, canvas, accidents, liftings and lacks, unframed 129,50 x 97 CM - 51 x 38,2 IN

      Tajan
    • ATTRIBUE A ESTEBAN MARCH (1610-1668)
      Mar. 23, 2023

      ATTRIBUE A ESTEBAN MARCH (1610-1668)

      Est: €4,000 - €6,000

      ATTRIBUE A ESTEBAN MARCH (1610-1668) SAINT JOSEPH Toile Accidents, soulèvements et manques Sans cadre Attr. to E. March, Saint Joseph, canvas, accidents, lifts and lacks, without frame 129,50 x 97cm - 51 x 38,2 in.

      Tajan
    • Exceptional Battle Scene, attributed to Esteban March, (Ca. 1610- Ca.1668), Valencian school of the 17th century
      Oct. 06, 2022

      Exceptional Battle Scene, attributed to Esteban March, (Ca. 1610- Ca.1668), Valencian school of the 17th century

      Est: €15,000 - €18,000

      Esteban March, (Ca. 1610- Ca. 1668), was a Spanish Baroque painter, born in Valencia and according to Antonio Palomino, he is considered the best disciple of Pedro Orrente, specializing in the painting of battles and biblical scenes. The influence of Pedro Orrente is clearly perceptible in a painting such as The Passage of the Red Sea in the Museo Nacional del Prado, in which the painter painstakingly depicted the animals that accompanied the people of Israel on their way out of Egypt. But he also had to be influenced by the great Italian battle painters, such as Aniello Falcone, Salvator Rosa or Antonio Tempesta, who he would come to know through engravings. His brushwork is nervous and abbreviated, conveniently suited to the content of his subjects: scenes of biblical battles, as in the two paintings preserved in the Museum of Fine Arts in Valencia, Joshua stopping the course of the sun and the Triumph of David, subjects that require agitated compositions according to the nervous temperament of the painter. Framed measurements: 160 x 115, canvas measurements: 139 x 94 cm

      Templum Fine Art Auctions
    • Attributed to Esteban March (Valencia, 1610 - 1668) "Battle scene"
      Dec. 14, 2020

      Attributed to Esteban March (Valencia, 1610 - 1668) "Battle scene"

      Est: €2,000 - €2,500

      Attributed to Esteban March (Valencia, 1610 - 1668) "Battle scene" Oil on canvas 65 x 122 cm

      Goya Subastas
    • Attributed to Esteban March (Valencia, 1610 - 1668) "Batle scene"
      Dec. 18, 2019

      Attributed to Esteban March (Valencia, 1610 - 1668) "Batle scene"

      Est: €2,500 - €3,000

      Atribuido a Esteban March (Valencia, 1610 - 1668) "Batle scene" Oil on canvas 65 x 122 cm 2.500 - 3.000 €

      Goya Subastas
    • ESTEBAN MARCH (1610-1668). Attributed to. Battle.
      May. 29, 2019

      ESTEBAN MARCH (1610-1668). Attributed to. Battle.

      Est: €2,000 - €2,400

      Oil on canvas On the back, an inscription numbers and attributes the work: "n 17 Marc". With 18th Century frame in carved, painted and gilt wood 62.5x86.5 cm.

      Balclis
    • Attributed to Esteban March Valencia 1610 - 1668 Battle Oil on canvas 91x137,5 cm
      Mar. 15, 2018

      Attributed to Esteban March Valencia 1610 - 1668 Battle Oil on canvas 91x137,5 cm

      Est: €2,500 - €3,250

      Attributed to Esteban March Valencia 1610 - 1668 Battle Oil on canvas 91x137,5 cm

      Balclis
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