Carlo Maratti Paintings & Artwork for Sale | Carlo Maratti Art Value Price Guide

Jan. 05, 2025
CARLO MARATTA
Est: CHF900 - CHF1,400
(Camerano 1625–1713 Rom) Kopie des 18.Jhs. Madonna mit Kind. Öl auf Leinwand. 97,8x81 cm. Ohne Rahmen. - Doubliert.
Schuler Auktionen
Dec. 18, 2024
After CARLO MARATTI (Camerano, 1625 - Roma, 1713) "Portrait of Pope Clement IX"
Est: €150 - €200
After CARLO MARATTI (Camerano, 1625 - Roma, 1713) "Portrait of Pope Clement IX" Engraving 52 x 38,5 cm 150 - 200 €
Bayeu Subastas
Dec. 12, 2024
Carlo Maratta 1625 Camerano-1713 Roma, copia da Vestale Tuccia
Est: €3,000 - €4,000
olio su tela
Cambi Casa d'Aste
Dec. 12, 2024
Hilly landscape.
Est: €400 - €500
Pencil, brown ink and wash, 20,5 x 33,2 cm, laid paper, signed and dated "Carlo Maratti 1711" (some spots, tape traces and sm. tears on edges). - Carlo Maratti (1625-1713) was a leading painter in Late Baroque Rome.
Arenberg Auctions
Dec. 10, 2024
Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.;
Est: €1,000 - €2,000
Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.; Dim. total aprox.:109 x 98 cm. Restauros e craquelé. Emoldurado.
Palácio do Correio Velho
Dec. 07, 2024
After MARATTA (*1625), Homage to Raphael, Red chalk drawing
Est: €1,800 - €2,400
After Carlo Maratta (1625 Camerano - 1713 Rom): Homage to Raphael Epitaph with portrait of the artist surrounded by female figures and attributes and allegory of the Fama, 17th century, Red chalk drawing Technique: Washed Red chalk drawing on Paper Stamp: Verso Collector's stamp, Lugt no.: 2675. Carl von Zepharovich. Vienna. 19th century Inscription: Inscribed by the artist's hand: "D. O. M. Raphaeli. Sanctio. Ioan. F. Urbinat. Pictori Eminentiss. Veterumq. Aemulo. Cuius. Spiranteis. Prope. Imagineis [...]". Date: 17th century Description: Formerly attributed to Carlo Maratti. Person: Depicted: Raffael; Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom) Keywords: Raffaello; Raphael; Epitaph; Tomb; Commemoration; Tribute; Homage; Mourning; Allegory; Architecture; Architecture; Painting; Painting; Drawing; Disegno; Putti; Putto; Geometry, 17th century, Rococo, Depiction of Artists, Italy, Size: Paper: 31,2 cm x 38,8 cm (12,3 x 15,3 in)
Fichter Kunsthandel
Dec. 05, 2024
Carlo Maratta, 1625 Camerano – 1713 Rom, Umkreis des
Est: €6,000 - €8,000
Hauptmeister des klassizistischen römischen Hochbarock.CUPIDO ZIEHT VENUS EINEN DORN AUS DEM FUSS Öl auf Leinwand. Doubliert. 74 x 98 cm. In reliefiertem Rahmen. In einer hügeligen römischen Landschaft treibt rechts ein Hirte sein Vieh durch eine Furth. Im Vordergrund jedoch die in der Nähe eines jungen Baumes lagernde Venus bar fast jeden Sichtschutzes. Begleitet wird sie von einem Cupiden, der ihr eben einen Dorn aus der Ferse gezogen hat, und zwei weiteren Cupiden, die eine Taube einmal festhalten und einmal an einer Leine fliegen lassen; am Boden Köcher und Bogen. (1420642) (13)
Hampel Fine Art Auctions
Dec. 05, 2024
CARLO MARATTA
Est: CHF900 - CHF1,400
(Camerano 1625–1713 Rom) Kopie des 18.Jhs. Madonna mit Kind. Öl auf Leinwand. 97,8x81 cm. Ohne Rahmen. - Doubliert.
Schuler Auktionen
Dec. 04, 2024
Attrib. to Carlo Maratti, Italian 1625-1713, Roman Father Preaching Virtue to his Family, Graphite on Paper
Est: $500 - $700
Attrib. to Carlo Maratti Italian, 1625-1713 Roman Father Preaching Virtue to his Family Graphite on Paper In other hand, inscribed signature l.r., inscribed "Il Mano del maestro" l.l.
Nye & Company
Nov. 27, 2024
Maratta, Carlo: Die Verkündigung
Est: €360 - €450
Die Verkündigung. Radierung. 21,1 x 14,6 cm. B. 2, TIB (Commentary) .002 S2. Wz. Dreiberg mit Vogel im Kreis (?). Prachtvoller Druck knapp bis an die Plattenkante geschnitten. Verso geglättete vertikale und horizontale Mittelfalte, minimal nur angestaubt, fleckig, unten rechts winziger Randeinriss, verso Montierungsreste, sonst tadellos. Beigegeben von demselben die Radierung "Die Heimsuchung" (B. 3). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 24, 2024
Carlo MARATTI (1625-1713) ? Umkreis/ Nachfolge
Est: €600 - €1,200
Carlo MARATTI (1625-1713) ? Umkreis/ Nachfolge "Maria mit Kind" Gemälde - Öl auf Leinwand (altdoubliert), 79 cm x 65 cm, verso alter Klebezettel mit Künstlerangabe Carlo MARATTI (1625-1713) ? Circle/ Succession ‘Mary with Child’ Painting - oil on canvas (old doubling), 79 cm x 65 cm, verso old label with artist's inscription
Auktionshaus Kloss
Nov. 22, 2024
Maratta, Carlo: Das Martyrium des heiligen Andreas
Est: €200 - €400
Maratta, Carlo - The Martyrdom of St Andrew (Camerano 1625-1713 Rome) Etching after Domenichino. Sheet 29.6 x 43.5 cm. - Mounted on card in three places, soiled. - Thieme/Becker 24. // Maratta, Carlo Das Martyrium des heiligen Andreas (Camerano 1625-1713 Rom) Radierung nach Domenichino. Blatt 29,6 x 43,5 cm. - An drei Stellen auf Karton montiert, angeschmutzt. - Lit. Thieme/Becker 24.
Kunstauktionshaus Schlosser
Nov. 16, 2024
Carlo Maratta
Est: €220 - €330
Carlo Maratta 1625 Camerano nahe Ancona - 1713 Rom - Das Martyrium des Heiligen Andreas - Radierung/Papier. 30 x 45 cm (Passepartoutausschnitt). Passepartout. Unter Glas gerahmt. Gebräunt. Vereinzelt leicht stockfleckig.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Nov. 14, 2024
Carlo Maratti Adoration of the Magi
Est: €300 - €500
Etching, 207 x 137 mm (plate), 222 x 154 mm (sheet). State II of 2, with the inscription. Bartsch XXI.91.5, Bellini 11. Printed on laid paper. Sheet in very good condition.
Bertolami Fine Art s.r.l.
Nov. 14, 2024
Carlo Maratti The Assumption of the Virgin
Est: €300 - €400
Etching, 213 x 145 mm. Bartsch XXI.92.8, Bellini 44 Very fine impression on thin laid paper. Proof with very thin margins, in good condition except for some stains.
Bertolami Fine Art s.r.l.
Nov. 13, 2024
Carlo Maratti (and assistants) Camerano 1625-Rome 1713 Madonna with book
Est: €20,000 - €30,000
Carlo Maratti (and assistants) Camerano 1625-Rome 1713 Madonna with book On the reverse bears sealing wax stamp of the Corsini family oil on canvas 70x57 cm - with frame 100x90 cm
Casa d'aste ARCADIA
Nov. 13, 2024
Carlo Maratti (workshop) Camerano 1625-Rome 1713 Madonna with child
Est: €2,000 - €4,000
Carlo Maratti (workshop) Camerano 1625-Rome 1713 Madonna with child oil on canvas 73x61 cm - with frame 84x71 cm
Casa d'aste ARCADIA
Oct. 26, 2024
C. MARATTA (1625-1713), Annunciation, Etching
Est: €450 - €600
Carlo Maratta (1625 Camerano - 1713 Rom): Annunciation with the angel Gabriel and the Virgin Mary, 17th century, Etching Technique: Etching on Paper, relined on Paper Inscription: lower left signed in the printing plate: "[Carolus Ma]ratus in. et fecit Romae.". Date: 17th century Description: The artwork illustrates a scene of the Annunciation. The angel Gabriel, floating on clouds, addresses the kneeling Virgin Mary. Highly symbolic elements such as the Holy Spirit in the form of a dove and heavenly clouds in the background reinforce the theological complexity and narrative structure of this iconographic depiction from the Christian tradition. Keywords: Annunciation; Angel Gabriel; Virgin Mary; Holy Spirit; Christian iconography; heavenly clouds; religious art; Renaissance; dove; theological discourse; Christian tradition; prayer position; female figure; prayer desk; angelic figure; symbolism; art history; allegory; sacred art; Madonna, 17th century, Baroque, Biblical, Italy, Size: Paper: 21,1 cm x 14,5 cm (8,3 x 5,7 in)
Fichter Kunsthandel
Oct. 26, 2024
W. MOTE (*1803) after MARATTA (*1625), Robert Spencer, Earl of Sutherland, Steel engraving
Est: €60 - €100
William Henry Mote (1803 - 1871 ) after Carlo Maratta (1625 Camerano - 1713 Rom): Portrait of Robert Spencer (1641-1702), Earl of Sutherland, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: Signed in printing plate below the image and titled with the sitter's name. Date: 19th century Description: Steel engraving on strong paper. After the original by Carlo Maratta (1625 Camerano - 1713 Rome). Keywords: 19th century, Romanticism, Portraits, United Kingdom, Size: Paper: 26,1 cm x 17,5 cm (10,3 x 6,9 in), Depiction: 12,7 cm x 9,9 cm (5 x 3,9 in)
Fichter Kunsthandel
Oct. 16, 2024
Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown
Est: £400 - £600
Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown * Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown, pen, brown and black ink, grey wash heightened with white, on oval laid paper, with collector's mark of Alexandre-Humbert Chatelain (Lugt 135), 270 x 193 mm (10 5/8 x 7 5/8 ins), inlaid to modern backing paper, window-mounted QTY: (1) NOTE: Provenance: Alexandre-Humbert Chatelain (1778-1852), painter and critic, Lyon. Chatelain formed a fine collection of Old Master drawings, particularly of the French School, but including examples of the Dutch and Italian masters. His collection was sold in Lyon by A. Brun, January 30-February 9, 1872; Estate of Michael Jaffé (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge.
Dominic Winter Auctions
Oct. 09, 2024
Monumental Complete Italian Calvary Scene from the 17th century, Possibly Carlo Maratta or Maratti (1625-1713), 181 x 130 cm
Est: €40,000 - €45,000
Scene from Calvary, where we see the crucified Christ surrounded by figures displaying deep emotions, from pain to resignation. The details in the clothing and the composition suggest the hand of Carlo Maratta, or at least of his circle, highlighting the drama and chromatic richness.
Templum Fine Art Auctions
Sep. 30, 2024
Our Lady with the Child Jesus surrounded by angels
Est: €4,400 - €6,600
Our Lady with the Child Jesus surrounded by angels, oil on canvas according to the original painting by Carlo Maratta (1625-1713), which can be found at the Capella of Sylva, Sant'Isidoro a Capo le Case Church, Rome, Italian school, 17th/18th C., relined, restoration, grid replaced. Notes: vd. https://www.britishmuseum.org/collection/object/P_1974-0720-15 - consulted on 16-11-2023, at 16:37; and https://www.britishmuseum.org/collection/object/P_1874-0808-1689 - consulted on 16-11-2023, at 16:45., Dim. - 110 x 80 cm
Cabral Moncada Leilões
Sep. 26, 2024
CARLO MARATTA, 1625 CAMERANO – 1713 ROM, ZUGESCHRIEBEN
Est: €8,000 - €12,000
DIE DREI MARIEN MIT MUTTERGOTTES UND DORNENKRANZ VOR GOLGOTA Öl auf Leinwand. 72,5 x 59,5 cm. Verso auf der Leinwand alte Sammlungsnummer „262“. Auf dem Keilrahmen mit vermuteter Künstlernennung „Carlo Dolci“. In ebonisiertem Profilrahmen. Carlo Maratta, der auch als „Carletto delle Madonne“ bekannt war, stellt auf dieser Leinwand den Besuch der drei Marien am leeren Grab Christi dar, die von der Jungfrau Maria begleitet werden (Mk 16,6-7). Ein Engel nähert sich und zeigt der Mutter die Dornenkrone, das Symbol für die Passion ihres Sohnes. Von der vorliegenden Darstellung gibt es mindestens zwei weitere Versionen, die als autograf angesehen werden: Die eine war für Papst Alexander VIII Ottoboni bestimmt, wurde aber dem gleichnamigen Kardinal übergeben, da der Pontifex inzwischen verstorben war, während die andere Version für Niccolò Maria Pallavicini bestimmt war. Andere Künstler wie Sebastiano Conca und Francesco Trevisiani bezogen sich in ihren Werken auf diese Komposition, die für den römischen Barock so bezeichnend ist. Anmerkung: Eine vergleichbare Version war in Auktion bei Sotheby‘s, Mailand, 30. November 2004, Lot 76 (86 x 71,5 cm). Ebenso vergleichbar die Version in der Fondazione Sorgente Group, Rom, mit dem Gutachten von Giancarlo Sestieri vom 15. Juni 2005, der darauf hinweist, dass es von dieser Komposition mindestens zwei autografe Versionen gibt. Des Weiteren soll es eine Version in Melbourne Hall, Derby, Großbritannien geben. Der talentierte Maler wurde bereits mit zwölf Jahren Schüler des Andrea Sacchi (1599-1661). Um 1700 wurde Maratti Präsident der Accademia de San Luca in Rom und dann schließlich in den Ritterstand erhoben. Sein Gesamtwerk ist überwiegend von religiösen Themen geprägt.(13700211) (13) Carlo Maratta, 1625 Camerano – 1713 Rome, attributed THE THREE MARYS WITH THE VIRGIN MOTHER AND CROWN OF THORNS IN FRONT OF GOLGOTHA Oil on canvas. 72.5 x 59.5 cm.
Hampel Fine Art Auctions
Sep. 07, 2024
Maratti, Carlo
Est: -
Maratti, Carlo 1625 Camerano - 1730 Rom, nach. Die Heilige Familie. Öl auf Leinwand (doubliert). Größe ca. 65 x 49 cm. In kapitalem Rahmen, teils vergoldet, ca. 90 x 74 cm. Leinwand doubliert, mit starkem Craquelé. Es handelt sich hier wohl um eine Interpretation des Originals von 1700-1705, welches sich heute im Toledo Museum of Art befindet. Maratti, Carlo 1625 Camerano - 1730 Rome, after. The Holy Family. Oil on canvas (relined). Size approx. 65 x 49 cm. In capital frame, partly gilt, ca. 90 x 74 cm. Canvas relined, with heavy craquelure. This is probably an interpretation of the original from 1700-1705, which is now in the Toledo Museum of Art.
Auktionshaus Sieglin GmbH
Jul. 25, 2024
Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown
Est: £500 - £800
Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown * Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown, pen, brown and black ink, grey wash heightened with white, on oval laid paper, with collector's mark of Alexandre-Humbert Chatelain (Lugt 135), 270 x 193 mm (10 5/8 x 7 5/8 ins), inlaid to modern backing paper, window-mounted QTY: (1) NOTE: Provenance: Alexandre-Humbert Chatelain (1778-1852), painter and critic, Lyon. Chatelain formed a fine collection of Old Master drawings, particularly of the French School, but including examples of the Dutch and Italian masters. His collection was sold in Lyon by A. Brun, January 30-February 9, 1872; Estate of Michael Jaffé (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge.
Dominic Winter Auctions
Jul. 06, 2024
After MARATTA (*1625), Homage to Raphael, Red chalk drawing
Est: €1,800 - €2,400
After Carlo Maratta (1625 Camerano - 1713 Rom): Homage to Raphael Epitaph with portrait of the artist surrounded by female figures and attributes and allegory of the Fama, 17th century, Red chalk drawing Technique: Washed Red chalk drawing on Paper Stamp: Verso Collector's stamp, Lugt no.: 2675. Carl von Zepharovich. Vienna. 19th century Inscription: Inscribed by the artist's hand: "D. O. M. Raphaeli. Sanctio. Ioan. F. Urbinat. Pictori Eminentiss. Veterumq. Aemulo. Cuius. Spiranteis. Prope. Imagineis [...]". Date: 17th century Description: Formerly attributed to Carlo Maratti. Person: Depicted: Raffael; Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom) Keywords: Raffaello; Raphael; Epitaph; Tomb; Commemoration; Tribute; Homage; Mourning; Allegory; Architecture; Architecture; Painting; Painting; Drawing; Disegno; Putti; Putto; Geometry, 17th century, Rococo, Depiction of Artists, Italy, Size: Paper: 31,2 cm x 38,8 cm (12,3 x 15,3 in)
Fichter Kunsthandel
Jul. 06, 2024
After MARATTA (*1625), Death of Joseph, after 1676, Chalk
Est: €1,050 - €1,400
After Carlo Maratta (1625 Camerano - 1713 Rom): The Death of St Joseph, copy after Maratta's painting, after 1676, Chalk Technique: Washed Chalk on Paper, mounted on Cardboard Date: after 1676 Description: After the painting "Death of St Joseph" from 1676 in the Kunsthistorisches Museum in Vienna (Inv. No. Gemäldegalerie, 121) Keywords: Jesus Christ; Joseph; Mary; Deathbed; Father; Angel; Kunsthistorisches Museum Vienna, 17th century, Baroque, Religious, Italy, Size: Paper: 45,5 cm x 28,4 cm (17,9 x 11,2 in)
Fichter Kunsthandel
Jul. 04, 2024
Madonna reading surrounded by musical angels
Est: £20,000 - £30,000
Carlo Maratta and workshop Camerano 1625–1713 Madonna reading surrounded by musical angels oil on canvas unframed: 70.5 x 57 cm.; 27¾ x 22⅜ in. framed: 89.5 x 76 cm.; 35¼ x 30 in.
Sotheby's
Jun. 27, 2024
Carlo Maratta, 1625 Camerano – 1713 Rom, zugeschrieben
Est: €3,000 - €5,000
MADONNA MIT DEM KIND IN DEN ARMEN Öl auf Leinwand. 48 x 35 cm. Verso auf dem Keilrahmen alter gebräunter Klebezettel mit zwei Lacksiegeln und Aufschrift „Eigentum von Emil Adam, Inv. Nr. /Meister / Elisabeta Sirani 1638 - 1660.“ Ferner weiterer entsprechend besch Gerahmt. Das Gemälde aus der Sammlung des Emil Adam (1843-1924), eines bedeutenden Malers der Münchner Schule, zeigt in vollkommener Weise den Stil des Malers. Das Gemälde zeigt die jugendliche Maria mit dem Kind vor einem Vorhang sitzend, den Blick auf das Kind gerichtet, im Hintergrund eine im Licht stehende Stadtbefestigung mit runder Barbakane und Turm, auf den eine Steinbrücke zuführt. Die Wahl des Hintergrunds dürfte nicht beliebig, sondern aus der Kenntnis symbolischer Motive erfolgt sein. Der Maler war einer der Hauptmeister der klassizistischen Strömung des Hochbarock in Rom, stark beeinflusst durch seinen Lehrer Andrea Sacchi (1599-1661). Provenienz: Emil Adam (1843-1924) war Sohn des Tiermalers Benno Raffael Adam (1812-1982) und wurde berühmt für seine Pferdebilder, die zumeist in höfischem Auftrag entstanden. (13700212) (11)
Hampel Fine Art Auctions
Jun. 27, 2024
Carlo Maratta, 1625 Camerano – 1713 Rom, zugeschrieben
Est: €8,000 - €12,000
DIE DREI MARIEN MIT MUTTERGOTTES UND DORNENKRANZ VOR GOLGOTA Öl auf Leinwand. 72,5 x 59,5 cm. Verso auf der Leinwand alte Sammlungsnummer „262“. Auf dem Keilrahmen mit vermuteter Künstlernennung „Carlo Dolci“. In ebonisiertem Profilrahmen. Carlo Maratta, der auch als „Carletto delle Madonne“ bekannt war, stellt auf dieser Leinwand den Besuch der drei Marien am leeren Grab Christi dar, die von der Jungfrau Maria begleitet werden (Mk 16,6-7). Ein Engel nähert sich und zeigt der Mutter die Dornenkrone, das Symbol für die Passion ihres Sohnes. Von der vorliegenden Darstellung gibt es mindestens zwei weitere Versionen, die als autograf angesehen werden: Die eine war für Papst Alexander VIII Ottoboni bestimmt, wurde aber dem gleichnamigen Kardinal übergeben, da der Pontifex inzwischen verstorben war, während die andere Version für Niccolò Maria Pallavicini bestimmt war. Andere Künstler wie Sebastiano Conca und Francesco Trevisiani bezogen sich in ihren Werken auf diese Komposition, die für den römischen Barock so bezeichnend ist. Der Maler war einer der Hauptmeister der klassizistischen Strömung des Hochbarock in Rom, stark beeinflusst durch seinen Lehrer Andrea Sacchi (1599-1661). Anmerkung: Eine vergleichbare Version war in Auktion bei Sotheby‘s, Mailand, 30. November 2004, Lot 76 (86 x 71,5 cm). Ebenso vergleichbar die Version in der Fondazione Sorgente Group, Rom, mit dem Gutachten von Giancarlo Sestieri vom 15. Juni 2005, der darauf hinweist, dass es von dieser Komposition mindestens zwei autografe Versionen gibt. Des Weiteren soll es eine Version in Melbourne Hall, Derby, Großbritannien geben. (13700211) (13) Carlo Maratta, 1625 Camerano – 1713 Rome, attributed THE THREE MARYS WITH THE VIRGIN MOTHER AND CROWN OF THORNS IN FRONT OF GOLGOTHA Oil on canvas. 72.5 x 59.5 cm.
Hampel Fine Art Auctions
Jun. 03, 2024
Our Lady with the Child Jesus surrounded by angels
Est: €5,000 - €7,500
Our Lady with the Child Jesus surrounded by angels, oil on canvas according to the original painting by Carlo Maratta (1625-1713), which can be found at the Capella of Sylva, Sant'Isidoro a Capo le Case Church, Rome, Italian school, 17th/18th C., relined, restoration, grid replaced. Notes: vd. https://www.britishmuseum.org/collection/object/P_1974-0720-15 - consulted on 16-11-2023, at 16:37; and https://www.britishmuseum.org/collection/object/P_1874-0808-1689 - consulted on 16-11-2023, at 16:45., Dim. - 110 x 80 cm
Cabral Moncada Leilões
Jun. 01, 2024
Maratta Carlo
Est: CHF1,600 - CHF2,000
Entwurf für Verkündigung der Heiligen Joachim und Anna Unten rechts mit der Inschrift: Il Maratta fece Sammlung Alessandro Maggiori, Sammlung Claudio Argentieri (gestempelt unten links, Lugt 486b), Sammlung Pier Giulio Breschi (gestempelt unten rechts, PGB, Lugt .2079b) Gerahmt unter Passepartout Ausrufdatum: 01.06.2024 Ungefähre Ausrufzeit: 18:40
Auktionshaus Zofingen
May. 27, 2024
CARLO MARATTI (da)
Est: €200 - €500
(Camerano, 1625 - Roma, 1713) Davide con la testa di Golia Matita e acquerello su carta, cm 48X32,5
Wannenes Art Auctions
May. 17, 2024
Carlo Maratta, ink & wash on paper, inscribed
Est: $1,000 - $1,500
Carlo Maratta (Italian, 1625-1713), possibly a study for Jael Salying Sisera, on laid paper, Italian notations including artist's name in pen and ink on verso, loose and unframed, 8.5"h x 6.25"w (sheet)
Millea Bros Ltd
May. 15, 2024
Carlo Maratti (1625 - 1713) , da Omnia vincit Amor
Est: -
Carlo Maratti (1625 - 1713) , da Omnia vincit Amor Olio su tela 62 x 75 cm Elementi distintivi: al verso, sull’asse inferiore della cornice, in penna nera «Ak 5, 62x74,3, TELA 2,2 cm, NERO PATINATO COME FOTO, NO MARMO», sull’asse superiore del telaio, al centro, etichetta stampata «This is one of the capital pi[ct]ures of Poussin. It was painted for Monsieur G...lier at Rome; and afterwards belonged to M. de L’Isle Sourdiere, to the President de Believre, to M. de Dreux, the Marquis de Seignelay, and lattest [?] came into the Orleans Collection. It was painted at the period which is considered his best, and when He had (?)…»; accanto, un’etichetta in carta postale, in penna nera «15 Juin, M Corme, 61 av de Nevilly, MAI 20.56»; più a destra, sul riepegamento della tela sull’asse del telaio, in lapis «AEX (?)» Stato di conservazione. Supporto: 85% (rintelo, gore d'acqua) Stato di conservazione. Superficie: 90% (buono stato di conservazione, esigui restauri sul ventre di Dafne, mano di Amore, sullo sfondo al di sopra di Apollo) Il dipinto riproduce una fortunata opera di Carlo Maratti, anche noto come Maratta (1625-1713), oggi nota come "Apollo insegue Dafne" (olio su tela 221,1x224 cm), datata al 1681 e oggi conservata, resecata ai lati, presso i Musées Royaux des Beaux-Arts de Belgique a Bruxelles (inv. 269), dove giunse, come si legge dalla scheda museale, con il primo invio del governo francese nel 1802. L'immagine appare in controparte, e con scelte cromatiche diverse dal dipinto originale (si vedano i panneggi, per esempio), il che indica la mediazione di una stampa, quasi certamente quella realizzata dall'incisore fiammingo Robert van Audenaerde, o Ouden-Aerd (1663–1748), trasferitosi a Roma a 22 anni, dove divenne allievo proprio di Maratti. Il registro inferiore della stampa indica anche il titolo originale dell'opera, "Omnia vincit Amor", con dedica al Marchese Niccolò Maria Pallavicini (1650-1714), che il Maratti celebra in un dipinto del 1705, oggi presso la collezione Stourhead, in Wiltshire ("Il Marchese Niccolò Maria Pallavicini guidato al Tempio della virtù da Apollo", in cui compare a destra anche l'autoritratto dell'artista intento a dipingere). La scena è tratta dalle "Metamorfosi" del poeta romano Ovidio. La prestigiosa commissione per questo dipinto venne, nel 1681, da Luigi XIV di Francia (1638-1715), mediante Jean-Baptiste Colbert, e l'esito valse a Maratta la nomina a "peintre du roi" in aggiunta a una lauta ricompensa. Il tema mitologico, in realtà, si poneva anche come una allegoria del “Re Sole” identificato con Apollo “divinità solare”. I contemporanei dovettero rimanere particolarmente colpiti dall’opera. Grandi furono gli elogi di Giovan Pietro Bellori, amico del pittore, nel capitolo "Dafne trasformata in lauro, pittura del signor Carlo Maratti, dedicata ai trionfi di Luigi XIV il Magno", nella "Vite" (G.P. Bellori, Vite dei pittori, scultori ed architetti moderni, Roma 1672, ed. consultata Pisa 1821, III, pp. 243-256). Va sottolineato che molti artisti francesi tentarono di migliorare la composizione di Maratti osservando le regole accademiche nelle proprie opere con lo stesso tema. In questo modo la pittura di Maratti divenne non solo una delle prime, ma anche una delle manifestazioni più influenti del classicismo alla corte francese; e il modello del nostro dipinto, famosissimo. La tela in asta presenta, nel trattamento delle fisionomie, alcuni tratti fiamminghi. Emilio Negro ha ipotizzato che l'autore possa essere Guy-Louis Vernansal, di cui sono attestati alcuni passaggi a Roma. Tale ipotesi non è confermata da Pascal Bertrand, specialista del pittore, che pure segnala la qualità dell'opera (comunicazione del 25.09.2023). Ringraziamo il Professor Pascal Bertrand per il supporto dato nella catalogazione dell’opera.
Bonino
May. 11, 2024
CARLO MARATTA (Bottega di), La Vergine Maria, Olio su tela
Est: €2,000 - €3,000
CARLO MARATTA (Bottega di) (Camerano 1625 - Roma 1713) La Vergine Maria Olio su tela Cornice in legno laccato e dorato Provenienza: Nobile Famiglia siciliana. cm 101 x 85,5.
Benedetto Trionfante Auction House s.r.l
May. 04, 2024
Maratta, Carlo
Est: -
Maratta, Carlo 1625 Camerano - 1713 Rom (zugeschrieben) Cupido zieht Venus einen Dorn aus dem Fuß. Öl/Lwd./doubl., 74 x 98 cm.
Dusseldorfer Auktionshaus
Apr. 19, 2024
Carlo Maratti (Camerano 1625-Roma 1713). Annunciation
Est: €400 - €500
Etching, 212 x 147 mm. I state, before inscription. Bartsch XXI.2, Bellini 9. Fine, fresh and sharp impression on laid paper. Trimmed but with small margins beyond the platemark. In very good condition except for two very small abrasions. A handwritten inscription at the bottom left and notes on the reverse.
Bertolami Fine Art s.r.l.
Apr. 19, 2024
Carlo Maratti (Camerano 1625-Roma 1713). The Nativity of the Virgin
Est: €400 - €500
Etching, 216 x 146 mm. II state on 2. Bartsch XXI.1, Bellini 6. Fine impression on thin laid paper. Trimmed. A long tear at the top restored on the reverse, some scattered stains.
Bertolami Fine Art s.r.l.
Apr. 19, 2024
Carlo Maratti (Camerano 1625-Roma 1713). Madonna and Child with Saint Magdalene
Est: €300 - €400
Etching, 174 x 129 mm (plate), 186 x 140 mm (sheet). II state on 4. Bartsch XXI.6, Bellini 12. Beautiful, clear impression on thin laid paper with watermark. In excellent condition. An old handwritten number on the back. With passe-partout.
Bertolami Fine Art s.r.l.
Apr. 19, 2024
Carlo Maratti (Camerano 1625-Roma 1713). Martyrdom of Saint Andrew
Est: €300 - €400
Etching, 288 x 435 mm (plate), 302 x 448 mm (sheet). I state on 5, before the plate reduction. Bartsch XXI.11, Bellini 10. Sharp impression on laid paper with watermark. Margins preserved on all sides (2-10 mm). Uniformly browned sheet, with light spots and creases. Generally in good condition.
Bertolami Fine Art s.r.l.
Apr. 18, 2024
IMMACOLATA CONCEZIONE CARLO MARATTA (SEGUACE DI) (1625 - 1713) IMMACOLATA CONCEZIONE
Est: €600 - €800
olio su tela L'opera è una parziale ripresa dell'opera dal medesimo soggetto conservata nella Chiesa di S. Isidoro a Roma.
DAMS Casa d'Aste
Apr. 18, 2024
Carlo Maratti Male nude study
Est: €2,500 - €3,500
Oil on canvas Canvas cm. 64,5x49. We are grateful to Prof. Francesco Petrucci for recognising the painting as an autograph work by Carlo Maratti (oral communication to the owners). The painting bears a brush inscription on the back: "ECC.MO SING. E INGE. DI SCILLA ONLE DI CARLO MARATTI 387".
Bertolami Fine Art s.r.l.
Apr. 17, 2024
Carlo Maratti (workshop of) (Camerano 1625-Rome 1713) Ascent to Calvary Oil on copper 22x16 cm - with frame 34x30 cm The prototype is kept in the collections of Palazzo Chigi in Ariccia and was painted by Carlo Maratti in 1650.
Est: €750 - €1,500
Carlo Maratti (workshop of) (Camerano 1625-Rome 1713) Ascent to Calvary Oil on copper 22x16 cm - with frame 34x30 cm The prototype is kept in the collections of Palazzo Chigi in Ariccia and was painted by Carlo Maratti in 1650.
Casa d'aste ARCADIA
Apr. 17, 2024
Carlo Maratti (workshop of)(Camerano 1625-Rome 1713)Saint Gregory the Great
Est: €600 - €800
Carlo Maratti (workshop of) (Camerano 1625-Rome 1713) Saint Gregory the Great Oil on copper 24x19 cm - with frame 38x32 cm This delightful copper replicates the detail depicting Saint Gregory the Great from the large altarpiece, undisputed masterpiece by Carlo Maratti from 1686, depicting the Immaculate Conception kept in the Cybo Chapel of Santa Maria del Popolo . The only substantial difference, compared to the altarpiece, is the position of the dove. This iconography will be taken up by Antonio Balestra for the altarpiece of the main altar of San Gregorio al Celio.
Casa d'aste ARCADIA
Mar. 24, 2024
(2pc) [ATTRIB] CARLO MARATTA (Italian, 1625-1713)
Est: $300 - $400
Sanguine drawings Two sanguine drawings attributed to Carlo Maratta (Italian, 1625-1713) including "Virgin and child on cloud", unsigned (4-3/4 x 4-1/4 in.); and "Studies of three heads", unsigned (3-3/4 x 4 in.); identified from old labels on verso from previous framing overall: 17 1/2 x 12 in. (frame)
Butterscotch Auction Gallery LLC
Mar. 21, 2024
SELECTION OF FOURTEEN 16TH TO 18TH CENTURY EUROPEAN ENGRAVINGS OR MEZZOTINTS, MOSTLY PORTRAITS.
Est: $300 - $400
SELECTION OF FOURTEEN 16TH TO 18TH CENTURY EUROPEAN ENGRAVINGS OR MEZZOTINTS, MOSTLY PORTRAITS. Selection of fourteen (14) original 16th to 18th century European engravings or mezzotints; Brief description as follows: (1) Carlo Maratti (Italian, Camerano 1625-1713 Rome): "The Assumption of the Virgin" (2) Herman van Swanevelt (Dutch, 1603 - 1655): Three small engraved landscapes dated 1652, (3) Abel de Pujol ( French, 1785-1861) "Death of Julius Caesar" (4) Engraving of Sir Matthew Lister, M.D. (1571?-1656), a physician to Anne of Denmark, the consort of King James I, and physician in ordinary to King Charles I from whom he received the honour of knighthood. (5) After Sir Anthony van Dyck (1599-1741) and engraved by James MacArdell (Irish, 1729?-1765) "Rubens 2nd Wife. James McArdell, after Sir Anthony Van Dyck. A Portrait of Helena Fourment, second wife of Rubens." Mezzotint. (6) After John Closterman (English 1660 - 1711): "Henry Scott, first earl of Deloraine" engraved by William Faithorne the younger (1656 - 1701) (7) Portrait of William Camden as Clarenceux King of Arms engraved by Robert White (1645-1703). Published in Edmund Gibson's translation of Camden's 1586 Britannia: or a Chorographical Description of Great Britain and Ireland, 2nd edition, (London: Awnsham Churchill, 1722). (8) Engraved Portrait of Lancelot Andrewes,1632, "Effigies R.P. Lanceloti Andrewes Episcopi Wintoniensis" (9) Engraved portrait of Henry Stuart, Lord Darnley (1545-1567), Second Consort of Mary, Queen of Scots by George Vertue (1683-1756), after Hans Eworth(active 1540-died 1574), circa 1732, (10) Engraving of Robert Tichborne (1610 or 1611-1682), Lord Mayor of London, circa 1657 by unidentified engraver. (11) Thomas Cromwell, Earl of Essex, by John Fillian, printed and published by Peter Stent, after Hans Holbein the Younger, circa 1653 (12) Helena Eleanor, Princess de Sieveri, by Dutch artist Cornelis Visscher (about 1628 - 1658) after Sir Anthony van Dyck (1599 - 1641)
Sloans & Kenyon
Mar. 21, 2024
Attribué à Carlo MARATTA Camerano, 1625 - 1713, Rome Etude pour le retable de La Vierge Marie apparaissant à saint Philippe Néri
Est: €1,500 - €2,000
Attribué à Carlo MARATTA Camerano, 1625 - 1713, Rome Etude pour le retable de La Vierge Marie apparaissant à saint Philippe Néri Pierre noire sur papier bleu 50 x 35.5 cm - 19 11/16 x 14 in. Preparatory Study for The Virgin Mary appearing to St. Philip Neri, black chalk on blue paper Réalisé pour l'église Saint-Jean-des-Florentins, le retable se trouve aujourd'hui au Palazzo Pitti à Florence.
Aguttes