Bartolomeo Manfredi Paintings & Artwork for Sale | Bartolomeo Manfredi Art Value Price Guide

Jun. 09, 2022
BARTOLOMEO MANFREDI (OSTIANO, NEAR MANTUA 1582-1622 ROME) A drinking and mu
Est: $4,000,000 - $6,000,000
BARTOLOMEO MANFREDI (OSTIANO, NEAR MANTUA 1582-1622 ROME) A drinking and musical party oil on canvas 52 x 77 3/8 in. (132 x 196.5 cm.)
Christie's
Jun. 04, 2022
BARTOLOMEO MANFREDI (Attr.le), Olio su tela
Est: €10,000 - €12,000
BARTOLOMEO MANFREDI (Attr.le) (Ostiano 1582 - Roma 1622) Figura di giovane con asino Olio su tela Pregevole cornice in legno intagliato e dorato. cm 74,5 x 61,5.
Benedetto Trionfante Auction House s.r.l
Dec. 28, 2021
BARTOLOMEO MANFREDI (Ostiano, 1582-Rome, 1622) "Judith with the head of Holofernes". Oil on canvas. Attached study of Don Gianni Papi. It has a frame of the nineteenth century. Size: 98 x 89 cm; 116 x 108 cm (frame).
Est: €40,000 - €50,000
BARTOLOMEO MANFREDI (Ostiano, 1582-Rome, 1622) "Judith with the head of Holofernes". Oil on canvas. Attached study of Don Gianni Papi. It has a frame of the nineteenth century. Size: 98 x 89 cm; 116 x 108 cm (frame). This work includes a study by Gianni Papi, Doctor in art history from the University of Florence. His research work focuses especially on the figure of Carvaggio, Ribera and the early Seicento in Rome. The image of this canvas is based on the biblical book of Judith, from the Old Testament. The book tells the story of a Hebrew widow, Judith daughter of Merari, in the midst of Israel's war against the Babylonian army, erroneously called Assyrian. With beautiful features, high education and enormous piety, religious zeal and patriotic passion, Judith discovers that the invading general, Holofernes, has fallen in love with her. Accompanied by her maid, the widow descends from her walled city besieged by the foreign army and, deceiving the soldier into believing that she is in love with him, manages to enter his tent. Once there, instead of yielding to his gallant claims, she intoxicates him. When Holofernes falls asleep, Judith cuts off his head, sowing confusion in the Babylonian army and thus obtaining victory for Israel. This is a frequent theme in the history of art, mainly from the Baroque period onwards. However, if during the 17th century the scene in which Judith kills Holofernes was preferred, the taste of the 19th century determines a less dramatic expression, which is why the author of this canvas has chosen the moment before the assassination. Judith is presented concentrated, sword in hand, already initiating the movement to decapitate the general. The latter appears sleeping peacefully, his weapons abandoned on the ground in a clearly symbolic detail. The painter has focused especially on the depiction of the face of the biblical heroine, who looks directly at the man with hatred and decision. Bartolomeo Manfredi was born in Ostiano, however, it is believed that his initial training took place in Mantua, under the guidance of the artist Cristoforo Roncalli, known as Pomarancio. Bibliographic sources do not reveal exactly when he arrived in Rome, but it is known that he was in the city during the first years of the 17th century. Manfredi was one of the first emulators of Caravaggio's innovative style, with his sustained chiaroscuro and his insistence on naturalism, with a gift for telling a story through the expression and body language of his characters. The Punishment of Cupid (Art Institute of Chicago), clearly shows this ancestry. Despite this influence, Manfredi brought a very personal touch to Caravaggio's themes. He also became the continuator and disseminator of Caravaggio's legacy to foreign painters, who came in particular from France and Utrecht, to study in Italy. Manfredi was, according to his biographer Giulio Mancini, "a man of distinguished appearance and refined behavior". Although he rarely appeared in public, he built his career around easel painting for private clients. He did not seek public commissions that would earn him greater notoriety, but his works entered large collections in the 17th century, a time when he was considered equal, if not superior, to Caravaggio.
Setdart Auction House
Apr. 23, 2021
BARTOLOMEO MANFREDI (OSTIANO, NEAR MANTUA 1582-1622 ROME) Judith with the h
Est: $70,000 - $90,000
BARTOLOMEO MANFREDI (OSTIANO, NEAR MANTUA 1582-1622 ROME) Judith with the head of Holofernes oil on canvas 38 ¼ x 34 ¾ (97.3 x 88.3 cm.)
Christie's
Nov. 19, 2020
Manfredi, Bartolomeo: David with the Head of Goliath
Est: €100,000 - €120,000
Manfredi, Bartolomeo Ostiano 1582 - Rome 1622 - and workshop 1620-1622. Oil on canvas. Relined. 129 x 95,5cm. Framed. Certificate: M. Gregori, Florenz, following assessment of the original on 23.06.2015. Provenance: Private ownership, Italy. Like Michelangelo Merisi, known as Caravaggio, Bartolomeo Manfredi comes from Lombardy and was born in Ostiano near Cremona in 1582, but settled in Rome in the early 17th century. We have no reliable information about his education and his artistic and personal relationship with Caravaggio (although there is much speculation about this) certainly Manfredi was one of the protagonists of the Caravaggists in Rome, the main figure of that very diverse group of artists who, a few years after Caravaggio's flight from Rome and his death in 1610, took his place to satisfy the growing demand of the art market and collectors. At the beginning of the second decade of the 17th century, Manfredi was a star of the first order in Rome and received numerous commissions from princes, cardinals and wealthy collectors. The Roman registers of registrations often record Manfredi in the company of servants who also worked as apprentices and painters. His students also came from many other cities, not only from Italy, to study with him. Manfredi's most important merit is the foundation of his own school of painting in the spirit of Caravaggio and his extraordinary contribution to the spread of Caravaggism in Italy and Europe. Two of his most important students were the Frenchman Nicolas Tournier and the Flemish Nicolas Régnier, while many others remain nameless or have indirectly adopted his style. Manfredi mainly produced paintings for the market and private collections only one altarpiece is known (Leonessa, St. Peter's). His works are characterized by the lifelike reproduction of life-size half-figure compositions of simpler subjects, such as players or fortune tellers. The painting presented here depicts David as a triumphant over the Philistine giant Goliath, whose head the future king of Israel proudly shows. The painting was considered by Mina Gregori to be an authentic work painted by Bartolomeo Manfredi (written communication to the consignor dated 23.06.2015) this attribution was recently qualified somewhat by John Gash, who sees in this painting the - albeit minimal - support of a collaborator. As a model for this work, Gash cites David's Triumph, now in the Louvre in Paris, in which David - armed with a sword and with the head of Goliath - stands on the left side of the painting, while a maid with a tambourine accompanies him on the right. The figure of David in the Louvre painting has many similarities with our painting: the figures are indeed depicted in very similar poses and both wear the same clothes. However, there are also some very significant variations, such as the giant's head pointing in a different direction. The David with the head of Goliath is probably a direct evolution of this painting, which was reworked in some details to be sold on the art market, where such paintings were very sought after. We are grateful to John Gash, Aberdeen, who confirmed the attribution of the present painting based on high resolution digital photography. Explanations to the Catalogue Bartolomeo Manfredi Caravaggisti 17th C. Old Masters Old Testament Painting Figure / Figures Estimated Shippingcost for this lot: Arrangement after the auction.
Van Ham Kunstauktionen
Jul. 02, 2020
ECCE HOMO
Est: €10,000 - €15,000
AMBITO DI BARTOLOMEO MANFREDI (Ostiano, 1582 - Rome, 1622) Ecce Homo Oil on canvas, cm. 96x75. Framed PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
Jun. 09, 2020
Bartolomeo Manfredi (Ostiano 1582 - Roma 1622) (attr.), Still life.
Est: €4,000 - €8,000
Oil on canvas, cm 34x53. Framed.
Ansuini 1860 Auctions
Mar. 05, 2020
BARTOLOMEO MANFREDI (seguace di)
Est: €3,000 - €5,000
(Ostiano, 1582 - Roma, 1622) Omero Olio su tela, cm 105X130 Il dipinto si data entro la metà del XVII secolo e manifesta una interessante forza espressiva di carattere caravaggesco. L'artista, quindi, si riconosce partecipe di quel naturalismo che caratterizza alcune tra le migliori scuole della penisola, dove il linguaggio del Merisi e quello manfrediano evolve secondo filoni distinti. Non sorprende allora la tradizionale attribuzione dell'opera a Bartolomeo Manfredi, nome un tempo spesso impiegato per riunire in un unico comparto quelle creazioni che si discostavano dal caravaggismo osservante e declinavano in delicatezze che accomunano alcuni dei francesi all'epoca attivi a Roma. La composizione rivela altresì una buona regia luministica.
Wannenes Art Auctions
Mar. 05, 2020
BARTOLOMEO MANFREDI (maniera di)
Est: €3,000 - €5,000
(Ostiano, 1582 - Roma, 1622) Scena di taverna Olio su tela, cm 88X116 Già attribuito a Bartolomeo Manfredi, la tela in esame è altresì di difficile datazione, ma è indubbio che si tratti di un autore ammaliato dalla Manfrediana methodus, sulla scia di Valentin de Boulogne, Nicolas Tournier e Nicolas Reigner. Questi autori tradussero il caravaggismo con influenze che per sensualità plastica erano anche intrise di cultura emiliana, mentre la loro sensibilità luministica risultava decisamente nordica per quella chiarezza ottica tipica di quella tradizione pittorica. La tela in esame presenta inoltre un cangiantismo di manieristica memoria, addolcendo di conseguenza gli aspetti più crudi dettati dal Merisi e dei suoi stretti seguaci. Peculiare e più volte vista indossata dai protagonisti di questo momento artistico è la veste del giovane a sinistra, che già presente nel celebre Narciso di Antonio Galli la rivediamo più volte adottata dal Valentin e in modo particolare da Nicolas Tournier- se tentiamo di avanzare un idea più precisa sul nostro autore, possiamo pensarlo seguace di quest'ultimo o comunque di spirito francese e forse attivo a Venezia.
Wannenes Art Auctions
Dec. 04, 2019
Bartolomeo Manfredi (Ostiano 1582-1622) - Ecce Homo
Est: £50,000 - £80,000
Bartolomeo Manfredi (Ostiano 1582-1622) Ecce Homo oil on canvas 38 ¾ x 28 ¾ in. (98.4 x 73.1 cm.)
Christie's
Jun. 26, 2018
Bartolomeo Manfredi (Ostiano 1582- Rome 1622, attr.), Still life
Est: €6,000 - €12,000
Oil on canvas, 51x33cm.
Ansuini 1860 Auctions
Feb. 13, 2018
After Bartolomeo Manfredi, century XVII
Est: €6,000 - €8,000
Da Bartolomeo Manfredi, sec. XVII CAINO E ABELE olio su tela, cm 148,5x119 After Bartolomeo Manfredi, century XVII abel and cain oil on canvas, cm 148,5x119
Pandolfini Casa d'Aste
Feb. 01, 2018
BARTOLOMEO MANFREDI | Christ Blessing
Est: $100,000 - $150,000
oil on canvas
Sotheby's
Jan. 17, 2018
MANFREDI Bartolomeo (1582 - 1622) - Huile sur toile marouflée sur toile "L'
Est: €1,000 - €1,500
MANFREDI Bartolomeo (1582 - 1622) - Huile sur toile marouflée sur toile "L'arrestation du Christ". D'après Bartolomeo Manfredi. Ecole italienne. Epoque: XVIIème. Dim.:101,5x141cm.
Vanderkindere
Nov. 12, 2016
MANFREDI Bartolomeo (suiveur de), école FRANÇAISE du XVIIème siècle [F
Est: CHF5,000 - CHF7,000
MANFREDI Bartolomeo (suiveur de), école FRANÇAISE du XVIIème siècle [FR]. Les joueurs de cartes, huile sur toile (138 x 196 cm).
Galartis SA
Apr. 25, 2008
Christ among the Doctors
Est: -
Circle of Bartolomeo Manfredi (Ostiano, nr Mantua 1582-1622) Christ among the Doctors oil on canvas 50¼ x 72½ in. (127.6 x 184.2 cm.)
Christie's