Mateo Manaure Sold at Auction Prices

Painter, b. 1926 - d. 2018

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    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº1", 1970. Acrylic and wood. Presents on the back label of the Durban Gallery (Madrid). Signed and dated on the back.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº1", 1970. Acrylic and wood. Presents on the back label of the Durban Gallery (Madrid). Signed and dated on the back.

      Est: €30,000 - €40,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº1", 1970. Acrylic and wood. Presents on the back label of the Durban Gallery (Madrid). Signed and dated on the back. Measurements: 100 x 100 cm; 101 x 101 cm (frame). This work belongs to the series of the curvisiones, realized during the sixties and with which the artist reached one of the summits of his career. In the series Mateo Manaure captured his broad abstract knowledge and went a step further in the evolution of forms. In this work, Manaure, has managed to create a completely harmonious image highlighting the mastery of color and technique. It is an expressive, vitalistic and dynamic composition, in which an essentially geometric pattern is repeated. However, despite the rigidity associated with straight lines, the artist has used variations of color, thus intensifying a rhythmic perception of the piece. Mateo Manaure began his connection with the art world since his childhood, so he decided in 1939 to become a professional, studying at the School of Fine and Applied Arts in Caracas until 1947. This training was complemented with his plastic experience in the studio of the painter Pedro Angel. During this period his painting reflected traditional themes in an experimental way, in which a young artist sought his own personality in his work. In 1947, after finishing his studies in Venezuela, he decided to move to what was then the European capital of art. Arriving in Paris, he decided to continue his academic training, but at the same time, the cultural activity of the city and the social and artistic effervescence of the moment led him to join the artistic group "Los Disidentes". An artistic group formed before Manaure's arrival and which experimented plastically with neo-figurative art, receiving influences from the abstract movement and other currents of contemporary art. They broke with figurative art. That is why Paris has been considered a turning point in the painting of Manaure whose incursion into abstraction will make him a master of it, evolved in the representation of that style. Later he returned to Venezuela where he decided to create the Taller Libre de Artes de Caracas, through which his painting received aesthetic and conceptual influences from surrealism, which was a movement that had had a great force in the Latin American continent, with such notable examples as Wilfredo Lam. In 1952, on his return to the country, he also decided to create the Cuatro Muros Gallery, partnering with Carlos Garcia Bogen. It was in the 60's when Manaure returned to the plastic language of abstract character through a conception of a lyrical and even narrative character that his previous compositions had not had. Today Manaure's works belong to important art collections, both private and public, such as the MoMA in New York.

      Setdart Auction House
    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº1", 1970. Acrylic and wood. Presents on the back label of the Durban Gallery (Madrid). Signed and dated on the back.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº1", 1970. Acrylic and wood. Presents on the back label of the Durban Gallery (Madrid). Signed and dated on the back.

      Est: €30,000 - €40,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº1", 1970. Acrylic and wood. Presents on the back label of the Durban Gallery (Madrid). Signed and dated on the back. Measurements: 100 x 100 cm; 101 x 101 cm (frame). This work belongs to the series of the curvisiones, realized during the sixties and with which the artist reached one of the summits of his career. In the series Mateo Manaure captured his broad abstract knowledge and went a step further in the evolution of forms. In this work, Manaure, has managed to create a completely harmonious image highlighting the mastery of color and technique. It is an expressive, vitalistic and dynamic composition, in which an essentially geometric pattern is repeated. However, despite the rigidity associated with straight lines, the artist has used variations of color, thus intensifying a rhythmic perception of the piece. Mateo Manaure began his connection with the art world since his childhood, so he decided in 1939 to become a professional, studying at the School of Fine and Applied Arts in Caracas until 1947. This training was complemented with his plastic experience in the studio of the painter Pedro Angel. During this period his painting reflected traditional themes in an experimental way, in which a young artist sought his own personality in his work. In 1947, after finishing his studies in Venezuela, he decided to move to what was then the European capital of art. Arriving in Paris, he decided to continue his academic training, but at the same time, the cultural activity of the city and the social and artistic effervescence of the moment led him to join the artistic group "Los Disidentes". An artistic group formed before Manaure's arrival and which experimented plastically with neo-figurative art, receiving influences from the abstract movement and other currents of contemporary art. They broke with figurative art. That is why Paris has been considered a turning point in the painting of Manaure whose incursion into abstraction will make him a master of it, evolved in the representation of that style. Later he returned to Venezuela where he decided to create the Taller Libre de Artes de Caracas, through which his painting received aesthetic and conceptual influences from surrealism, which was a movement that had had a great force in the Latin American continent, with such notable examples as Wilfredo Lam. In 1952, on his return to the country, he also decided to create the Cuatro Muros Gallery, partnering with Carlos Garcia Bogen. It was in the 60's when Manaure returned to the plastic language of abstract character through a conception of a lyrical and even narrative character that his previous compositions had not had. Today Manaure's works belong to important art collections, both private and public, such as the MoMa in New York.

      Setdart Auction House
    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº2". Acrylic on wood. Presents on the back label of the Durban Gallery.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº2". Acrylic on wood. Presents on the back label of the Durban Gallery.

      Est: €30,000 - €40,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Curvisión Nº2". Acrylic on wood. Presents on the back label of the Durban Gallery. Measurements: 100 x 100 cm; 101 x 101 cm (frame). This work belongs to the series of the curvisiones, realized during the sixties and with which the artist reached one of the summits of his career. In the series Mateo Manaure captured his broad abstract knowledge and went a step further in the evolution of forms. In this work, Manaure, has managed to create a completely harmonious image highlighting the mastery of color and technique. It is an expressive, vitalistic and dynamic composition, in which an essentially geometric pattern is repeated. However, despite the rigidity associated with straight lines, the artist has used variations of color, thus intensifying a rhythmic perception of the piece. Mateo Manaure began his connection with the art world since his childhood, so he decided in 1939 to become a professional, studying at the Escuela de Bellas Artes Plásticas y Aplicadas de Caracas until 1947. This training was complemented with his plastic experience in the studio of the painter Pedro Angel. During this period his painting reflected traditional themes in an experimental way, in which a young artist sought his own personality in his work. In 1947, after finishing his studies in Venezuela, he decided to move to what was then the European capital of art. Arriving in Paris, he decided to continue his academic training, but at the same time, the cultural activity of the city and the social and artistic effervescence of the moment led him to join the artistic group "Los Disidentes". An artistic group formed before Manaure's arrival and which experimented plastically with neo-figurative art, receiving influences from the abstract movement and other currents of contemporary art. They broke with figurative art. That is why Paris has been considered a turning point in the painting of Manaure whose incursion into abstraction will make him a master of it, evolved in the representation of that style. Later he returned to Venezuela where he decided to create the Taller Libre de Artes de Caracas, through which his painting received aesthetic and conceptual influences from surrealism, which was a movement that had had a great force in the Latin American continent, with such notable examples as Wilfredo Lam. In 1952, on his return to the country, he also decided to create the Cuatro Muros Gallery, partnering with Carlos Garcia Bogen. It was in the 60's when Manaure returned to the plastic language of abstract character through a conception of a lyrical and even narrative character that his previous compositions had not had. Today Manaure's works belong to important art collections, both private and public, such as the MoMa in New York.

      Setdart Auction House
    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Structure in space Nº4", 1970. Acrylic on wood. Presents on the back labels of the Durban Gallery (Madrid). Signed and dated on the back.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Structure in space Nº4", 1970. Acrylic on wood. Presents on the back labels of the Durban Gallery (Madrid). Signed and dated on the back.

      Est: €30,000 - €40,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Structure in space Nº4", 1970. Acrylic on wood. Presents on the back labels of the Durban Gallery (Madrid). Signed and dated on the back. Measurements: 110 x 110 cm. This work of Mateo Manaure presents a geometric pattern of optical style, characterized by the repetition of angular and rectilinear forms that generate a sensation of depth and movement. The composition is dominated by dark and contrasting tones: black, white, gray and an intense blue, which are arranged in parallel and diagonal bands. The lines are interspersed in different thicknesses and directions, creating a visual sequence that seems to extend indefinitely, evoking an architectural structure or a design of great mathematical rigor. The work reflects the influence of optical and kinetic art, in which Manaure explored repetitive visual patterns and illusory effects. Angles and lines generate a kind of visual vibration that seems to move according to the viewer's perspective. This focus on the use of geometric shapes and solid colors is characteristic of Manaure's abstract and geometric exploration, and suggests an interest in the interplay between form, color and perception. The meticulous repetition and precision of the design invites detailed contemplation, highlighting Manaure's ability to play with visual perception and symmetry. Mateo Manaure began his connection with the art world since his childhood, so he decided in 1939 to become a professional, studying at the School of Fine and Applied Arts in Caracas until 1947. This training was complemented with his plastic experience in the studio of the painter Pedro Angel. During this period his painting reflected traditional themes in an experimental way, in which a young artist sought his own personality in his work. In 1947, after finishing his studies in Venezuela, he decided to move to what was then the European capital of art. Arriving in Paris, he decided to continue his academic training, but at the same time, the cultural activity of the city and the social and artistic effervescence of the moment led him to join the artistic group "Los Disidentes". An artistic group formed before Manaure's arrival and which experimented plastically with neo-figurative art, receiving influences from the abstract movement and other currents of contemporary art. They broke with figurative art. That is why Paris has been considered a turning point in the painting of Manaure whose incursion into abstraction will make him a master of it, evolved in the representation of that style. Later he returned to Venezuela where he decided to create the Taller Libre de Artes de Caracas, through which his painting received aesthetic and conceptual influences from surrealism, which was a movement that had had a great force in the Latin American continent, with such notable examples as Wilfredo Lam. In 1952, on his return to the country, he also decided to create the Cuatro Muros Gallery, partnering with Carlos Garcia Bogen. It was in the 60's when Manaure returned to the plastic language of abstract character through a conception of a lyrical and even narrative character that his previous compositions had not had. Today Manaure's works belong to important art collections, both private and public, such as the MoMa in New York.

      Setdart Auction House
    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Cuvisión Nº 3", 1970. Acrylic on wood. Presents Durban gallery label. Registration no. 96-468.P Signed and dated on the back.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Cuvisión Nº 3", 1970. Acrylic on wood. Presents Durban gallery label. Registration no. 96-468.P Signed and dated on the back.

      Est: €30,000 - €40,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Cuvisión Nº 3", 1970. Acrylic on wood. Presents Durban gallery label. Registration no. 96-468.P Signed and dated on the back. Measurements: 100 x 100 cm; 101 x 101 cm (frame). This work belongs to the series of the curvisiones, made during the sixties and with which the artist reached one of the summits of his career. In the series Mateo Manaure captured his broad abstract knowledge and went a step further in the evolution of forms. In this work, Manaure, has managed to create a completely harmonious image highlighting the mastery of color and technique. It is an expressive, vitalist and dynamic composition, in which an essentially geometric pattern is repeated. However, despite the rigidity associated with straight lines, the artist has used variations of color, thus intensifying a rhythmic perception of the piece. Mateo Manaure began his connection with the art world since his childhood, so he decided in 1939 to become a professional, studying at the School of Fine and Applied Arts in Caracas until 1947. This training was complemented with his plastic experience in the studio of the painter Pedro Angel. During this period his painting reflected traditional themes in an experimental way, in which a young artist sought his own personality in his work. In 1947, after finishing his studies in Venezuela, he decided to move to what was then the European capital of art. Arriving in Paris, he decided to continue his academic training, but at the same time, the cultural activity of the city and the social and artistic effervescence of the moment led him to join the artistic group "Los Disidentes". An artistic group formed before Manaure's arrival and which experimented plastically with neo-figurative art, receiving influences from the abstract movement and other currents of contemporary art. They broke with figurative art. That is why Paris has been considered a turning point in the painting of Manaure whose incursion into abstraction will make him a master of it, evolved in the representation of that style. Later he returned to Venezuela where he decided to create the Taller Libre de Artes de Caracas, through which his painting received aesthetic and conceptual influences from surrealism, which was a movement that had had a great force in the Latin American continent, with such notable examples as Wilfredo Lam. In 1952, on his return to the country, he also decided to create the Cuatro Muros Gallery, partnering with Carlos Garcia Bogen. It was in the 60's when Manaure returned to the plastic language of abstract character through a conception of a lyrical and even narrative character that his previous compositions had not had. Today Manaure's works belong to important art collections, both private and public, such as the MoMA in New York.

      Setdart Auction House
    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Structure in space", 1970. Acrylic and wood. Signed on the back. Presents label on the back of the Durban Gallery (Caracas). Measurements: 100 x 100 cm.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Structure in space", 1970. Acrylic and wood. Signed on the back. Presents label on the back of the Durban Gallery (Caracas). Measurements: 100 x 100 cm.

      Est: €35,000 - €45,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Structure in space", 1970. Acrylic and wood. Signed on the back. Presents label on the back of the Durban Gallery (Caracas). Measurements: 100 x 100 cm. This work of Mateo Manaure presents a geometric pattern of optical style, characterized by the repetition of angular and rectilinear forms that generate a sensation of depth and movement. The composition is dominated by dark and contrasting tones: black, white, gray and an intense red, which are arranged in parallel and diagonal bands. The lines are interspersed in different thicknesses and directions, creating a visual sequence that seems to extend indefinitely, evoking an architectural structure or a design of great mathematical rigor. The work reflects the influence of optical and kinetic art, in which Manaure explored repetitive visual patterns and illusory effects. Angles and lines generate a kind of visual vibration that seems to move according to the viewer's perspective. This focus on the use of geometric shapes and solid colors is characteristic of Manaure's abstract and geometric exploration, and suggests an interest in the interplay between form, color and perception. The meticulous repetition and precision of the design invites detailed contemplation, highlighting Manaure's ability to play with visual perception and symmetry. Mateo Manaure began his connection with the art world since his childhood, so he decided in 1939 to become a professional, studying at the School of Fine and Applied Arts in Caracas until 1947. This training was complemented with his plastic experience in the studio of the painter Pedro Angel. During this period his painting reflected traditional themes in an experimental way, in which a young artist sought his own personality in his work. In 1947, after finishing his studies in Venezuela, he decided to move to what was then the European capital of art. Arriving in Paris, he decided to continue his academic training, but at the same time, the cultural activity of the city and the social and artistic effervescence of the moment led him to join the artistic group "Los Disidentes". An artistic group formed before Manaure's arrival and which experimented plastically with neo-figurative art, receiving influences from the abstract movement and other currents of contemporary art. They broke with figurative art. That is why Paris has been considered a turning point in the painting of Manaure whose incursion into abstraction will make him a master of it, evolved in the representation of that style. Later he returned to Venezuela where he decided to create the Taller Libre de Artes de Caracas, through which his painting received aesthetic and conceptual influences from surrealism, which was a movement that had had a great force in the Latin American continent, with such notable examples as Wilfredo Lam. In 1952, on his return to the country, he also decided to create the Cuatro Muros Gallery, partnering with Carlos Garcia Bogen. It was in the 60's when Manaure returned to the plastic language of abstract character through a conception of a lyrical and even narrative character that his previous compositions had not had. Today Manaure's works belong to important art collections, both private and public, such as the MoMA in New York.

      Setdart Auction House
    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Polychrome columns", 1976. Mixed media (papier-mâché and painting) on and tablex. Presents informative labels and label of the Museo de Arte Contemporáneo de Caracas.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Polychrome columns", 1976. Mixed media (papier-mâché and painting) on and tablex. Presents informative labels and label of the Museo de Arte Contemporáneo de Caracas.

      Est: €35,000 - €40,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). "Polychrome columns", 1976. Mixed media (papier-mâché and painting) on and tablex. Presents informative labels and label of the Museo de Arte Contemporáneo de Caracas. Measurements: 143 x 56 cm; 151 x 64 cm (frame). This work exemplifies a great theoretical work, in which the artist uses color fields and parallel lines, completely reinventing the vision of the work, depending on where the viewer is located. The piece is part of the kinetic movement Op Art, or Optical Art, a pictorial movement born in the United States in 1958, as a derivation of geometric abstraction. Mainly abstract, it is based on the pictorial composition of purely optical phenomena, seeking the sensation of movement on a two-dimensional surface, deceiving the eye through complex optical illusions. Structures of repetition with a clear order are used, based on rigorous scientific principles in order to produce unprecedented visual effects. Mateo Manaure began his connection with the art world since his childhood, so he decided in 1939 to become a professional, studying at the School of Fine and Applied Arts in Caracas until 1947. This training was complemented with his plastic experience in the studio of the painter Pedro Angel. During this period his painting reflected traditional themes in an experimental way, in which a young artist sought his own personality in his work. In 1947, after finishing his studies in Venezuela, he decided to move to what was then the European capital of art. Arriving in Paris, he decided to continue his academic training, but at the same time, the cultural activity of the city and the social and artistic effervescence of the moment led him to join the artistic group "Los Disidentes". An artistic group formed before Manaure's arrival and which experimented plastically with neo-figurative art, receiving influences from the abstract movement and other currents of contemporary art. They broke with figurative art. That is why Paris has been considered a turning point in the painting of Manaure whose incursion into abstraction will make him a master of it, evolved in the representation of that style. Later he returned to Venezuela where he decided to create the Taller Libre de Artes de Caracas, through which his painting received aesthetic and conceptual influences from surrealism, which was a movement that had had a great force in the Latin American continent, with such notable examples as Wilfredo Lam. In 1952, on his return to the country, he also decided to create the Cuatro Muros Gallery, partnering with Carlos Garcia Bogen. It was in the 60's when Manaure returned to the plastic language of abstract character through a conception of a lyrical and even narrative character that his previous compositions had not had. Today Manaure's works belong to important art collections, both private and public, such as the MoMa in New York.

      Setdart Auction House
    • MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). Untitled, 1970. Acrylic on wood. It features a label from the Durban gallery. Registration number 96-743.P. Signed and dated on the back.
      Nov. 27, 2024

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). Untitled, 1970. Acrylic on wood. It features a label from the Durban gallery. Registration number 96-743.P. Signed and dated on the back.

      Est: €30,000 - €40,000

      MATEO MANAURE (Uracoa, Venezuela, 1926- Caracas, Venezuela 2018). Untitled, 1970. Acrylic on wood. It features a label from the Durban gallery. Registration number 96-743.P. Signed and dated on the back. Measures: 100 x 100 cm; 101 x 101 cm (frame).

      Setdart Auction House
    • MATEO MANAURE (b. 1926). Composición No. 1. oil on panel 31 1⁄8 x 19 ½ in.
      Oct. 02, 2024

      MATEO MANAURE (b. 1926). Composición No. 1. oil on panel 31 1⁄8 x 19 ½ in.

      Est: $60,000 - $80,000

      MATEO MANAURE (b. 1926). Composición No. 1. oil on panel 31 1⁄8 x 19 ½ in. (79.07 x 49.53 cm.).

      Christie's
    • Poss. Mateo Manaure (Venezuela, 1926) Modern Abstract Painting On Board
      Jan. 09, 2024

      Poss. Mateo Manaure (Venezuela, 1926) Modern Abstract Painting On Board

      Est: $200 - $2,000

      DESCRIPTION: Possibly by Mateo Manaure (Venezuelan, 1926-2018) modern abstract painting on board. In a combination of orange and white hues. Mateo Manaure was a modern artist. In Venezuela he is considered a master of abstractionism, and is known for his works in the University City of Caracas and for creating the largest glass mural in the world. CIRCA: 20th Century ORIGIN: Venezuela DIMENSIONS: Approx. H: 73 1/2" W: 60" CONDITION: With signs of age and use. Chipped paint and corners. Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.

      Akiba Galleries
    • Mateo Manaure, Untitled (Abstract Composition)
      Dec. 14, 2023

      Mateo Manaure, Untitled (Abstract Composition)

      Est: $2,000 - $3,000

      Mateo Manaure Untitled (Abstract Composition) 1958 mixed media and collage on paper 14.25 h x 11.25 w in (36 x 29 cm) Signed and dated to lower right 'Mateo Manaure 58'. Provenance: Estudio Actual, Caracas | The Clara Diament Sujo Collection of Latin American Art This work will ship from Lambertville, New Jersey.

      Rago Arts and Auction Center
    • Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph
      Mar. 05, 2023

      Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph

      Est: $200 - $800

      Thought provoking abstract, multi media, modern graphic art with male characters and mannequins with a victorian feel and painted graphics. Artist signed and dated on bottom. Sight: 13.5 inches tall by 10.5 inches wide. Framed: 15.25 inches tall by 12.25 inches wide. Framed behind glass in a distressed look teal frame. About the artist: Mateo Manaure, master of abstractionism, studied at the Escuela de Artes Plastics y Artes Aplicadas where he studied graphic arts. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris in 1950 and became involved in the artist movement of Los Disentes founded in Paris in 1945, lasting until around 1950 composed of a group of Venezuelan artists. He returned to Caracas in 1952 to found the Galeria Cuatro Muros and gave the first exhibition of abstract art in Venezuela. He also collaborated with architect Carlos Raul Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was promoted to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-grade of that time. He later returned to more traditional graphic art forms, especially lithography as shown in this example. In 1984 he was named President of the Associacion Venezolana de Artistas Plasicos. In 2009 the Mateo Manaure Museum of Contempory Art was opened in Maturin, Monagas. Artist: Mateo Manaure Issued: 1960's Country of Origin: Venezuela

      Lion and Unicorn
    • Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph
      Mar. 05, 2023

      Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph

      Est: $200 - $800

      Thought provoking abstract, multi media, modern graphic art of Katherine Deneuve, other actors of the time period and painted graphics. Artist signed and dated on bottom. Sight: 13.5 inches tall by 10.5 inches wide. Framed: 15.25 inches tall by 12.25 inches wide. Framed behind glass in a distressed look teal frame. About the artist: Mateo Manaure, master of abstractionism, studied at the Escuela de Artes Plastics y Artes Aplicadas where he studied graphic arts. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris in 1950 and became involved in the artist movement of Los Disentes founded in Paris in 1945, lasting until around 1950 composed of a group of Venezuelan artists. He returned to Caracas in 1952 to found the Galeria Cuatro Muros and gave the first exhibition of abstract art in Venezuela. He also collaborated with architect Carlos Raul Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was promoted to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-grade of that time. He later returned to more traditional graphic art forms, especially lithography as shown in this example. In 1984 he was named President of the Associacion Venezolana de Artistas Plasicos. In 2009 the Mateo Manaure Museum of Contempory Art was opened in Maturin, Monagas. Artist: Mateo Manaure Issued: 1963 Country of Origin: Venezuela

      Lion and Unicorn
    • Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph
      Feb. 05, 2023

      Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph

      Est: $200 - $800

      Thought provoking abstract, multi media, modern graphic art of Manaure surrounded symbols of affection and painted graphics. Artist signed and dated on bottom. Sight: 10.5 inches tall by 13.5 inches wide. Framed: 12.25 inches tall by 15.25 inches wide. Framed behind glass in a distressed look teal frame. About the artist: Mateo Manaure, master of abstractionism, studied at the Escuela de Artes Plastics y Artes Aplicadas where he studied graphic arts. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris in 1950 and became involved in the artist movement of Los Disentes founded in Paris in 1945, lasting until around 1950 composed of a group of Venezuelan artists. He returned to Caracas in 1952 to found the Galeria Cuatro Muros and gave the first exhibition of abstract art in Venezuela. He also collaborated with architect Carlos Raul Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was promoted to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-grade of that time. He later returned to more traditional graphic art forms, especially lithography as shown in this example. In 1984 he was named President of the Associacion Venezolana de Artistas Plasicos. In 2009 the Mateo Manaure Museum of Contempory Art was opened in Maturin, Monagas. Artist: Mateo Manaure Issued: 1963 Country of Origin: Venezuela

      Lion and Unicorn
    • Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph
      Feb. 05, 2023

      Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph

      Est: $200 - $800

      Thought provoking abstract, multi media, modern graphic art with classic cars and linear graphics. Artist signed and dated on bottom. Sight: 10.5 inches tall by 13.5 inches wide. Framed: 12.25 inches tall by 15.25 inches wide. Framed behind glass in a distressed look teal frame. About the artist: Mateo Manaure, master of abstractionism, studied at the Escuela de Artes Plastics y Artes Aplicadas where he studied graphic arts. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris in 1950 and became involved in the artist movement of Los Disentes founded in Paris in 1945, lasting until around 1950 composed of a group of Venezuelan artists. He returned to Caracas in 1952 to found the Galeria Cuatro Muros and gave the first exhibition of abstract art in Venezuela. He also collaborated with architect Carlos Raul Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was promoted to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-grade of that time. He later returned to more traditional graphic art forms, especially lithography as shown in this example. In 1984 he was named President of the Associacion Venezolana de Artistas Plasicos. In 2009 the Mateo Manaure Museum of Contempory Art was opened in Maturin, Monagas. Artist: Mateo Manaure Issued: 1965 Country of Origin: Venezuela

      Lion and Unicorn
    • Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph
      Jan. 29, 2023

      Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph

      Est: $200 - $800

      Thought provoking abstract, multi media, modern graphic art interpretation of temptation and painted graphics. Artist signed and dated on bottom. Sight: 10.5 inches tall by 13.5 inches wide. Framed: 12.25 inches tall by 15.25 inches wide. Framed behind glass in a distressed look teal frame. About the artist: Mateo Manaure, master of abstractionism, studied at the Escuela de Artes Plastics y Artes Aplicadas where he studied graphic arts. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris in 1950 and became involved in the artist movement of Los Disentes founded in Paris in 1945, lasting until around 1950 composed of a group of Venezuelan artists. He returned to Caracas in 1952 to found the Galeria Cuatro Muros and gave the first exhibition of abstract art in Venezuela. He also collaborated with architect Carlos Raul Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was promoted to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-grade of that time. He later returned to more traditional graphic art forms, especially lithography as shown in this example. In 1984 he was named President of the Associacion Venezolana de Artistas Plasicos. In 2009 the Mateo Manaure Museum of Contempory Art was opened in Maturin, Monagas. Artist: Mateo Manaure Issued: 1960 "™s Country of Origin: Venezuela

      Lion and Unicorn
    • Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph
      Jan. 29, 2023

      Mateo Manaure (Venezuelan, 1926-2018) Multi-Media Lithograph

      Est: $200 - $800

      Thought provoking abstract, multi media, modern graphic art with revolutionist, movie clips and painted graphics. Artist signed and dated on bottom. Sight: 10.5 inches tall by 13.5 inches wide. Framed: 12.25 inches tall by 15.25 inches wide. Framed behind glass in a distressed look teal frame. About the artist: Mateo Manaure, master of abstractionism, studied at the Escuela de Artes Plastics y Artes Aplicadas where he studied graphic arts. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris in 1950 and became involved in the artist movement of Los Disentes founded in Paris in 1945, lasting until around 1950 composed of a group of Venezuelan artists. He returned to Caracas in 1952 to found the Galeria Cuatro Muros and gave the first exhibition of abstract art in Venezuela. He also collaborated with architect Carlos Raul Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was promoted to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-grade of that time. He later returned to more traditional graphic art forms, especially lithography as shown in this example. In 1984 he was named President of the Associacion Venezolana de Artistas Plasicos. In 2009 the Mateo Manaure Museum of Contempory Art was opened in Maturin, Monagas. Artist: Mateo Manaure Issued: 1965 Country of Origin: Venezuela

      Lion and Unicorn
    • Mateo Manaure Pencil on paper
      Sep. 17, 2020

      Mateo Manaure Pencil on paper

      Est: -

      Mateo Manaure Untitled Pencil on paper

      Casa de Subastas Odalys
    • Mateo Manaure Ink and crayon on paper
      Sep. 17, 2020

      Mateo Manaure Ink and crayon on paper

      Est: -

      Mateo Manaure Untitled Ink and crayon on paper

      Casa de Subastas Odalys
    • Mateo Manaure Crayon on paper
      Sep. 17, 2020

      Mateo Manaure Crayon on paper

      Est: -

      Mateo Manaure Untitled Crayon on paper

      Casa de Subastas Odalys
    • Mateo Manaure Acrylic on wood
      Sep. 17, 2020

      Mateo Manaure Acrylic on wood

      Est: -

      Mateo Manaure Columna Policromada Acrylic on wood

      Casa de Subastas Odalys
    • Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right
      Nov. 22, 2019

      Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right

      Est: -

      Mateo Manaure Untitled Silkscreen on paper. A.P. Signed lower right

      Casa de Subastas Odalys
    • Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right
      Nov. 22, 2019

      Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right

      Est: -

      Mateo Manaure Untitled Silkscreen on paper. A.P. Signed lower right

      Casa de Subastas Odalys
    • Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right
      Nov. 22, 2019

      Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right

      Est: -

      Mateo Manaure Untitled Silkscreen on paper. A.P. Signed lower right

      Casa de Subastas Odalys
    • Mateo Manaure. Suelos de mi tierra. Oil on canvas. Signed lower right
      Nov. 22, 2019

      Mateo Manaure. Suelos de mi tierra. Oil on canvas. Signed lower right

      Est: -

      Mateo Manaure Suelos de mi tierra Oil on canvas Signed lower right

      Casa de Subastas Odalys
    • Mateo Manaure. Suelos de mi tierra. Oil on canvas. Signed lower right
      Nov. 22, 2019

      Mateo Manaure. Suelos de mi tierra. Oil on canvas. Signed lower right

      Est: -

      Mateo Manaure Suelos de mi tierra Oil on canvas Signed lower right

      Casa de Subastas Odalys
    • Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right
      Nov. 22, 2019

      Mateo Manaure. Untitled. Silkscreen on paper. A.P.. Signed lower right

      Est: -

      Mateo Manaure Untitled Silkscreen on paper. A.P. Signed lower right

      Casa de Subastas Odalys
    • Mateo Manaure
      Jul. 13, 2019

      Mateo Manaure

      Est: €1,200 - €1,440

      Untitled Mateo Manaure Acrylic on wood

      Casa de Subastas Odalys
    • Mateo Manaure (1926-2018) Untitled oil on wood 15 ¾ x 15 ¾ in. (40 x 40 cm.)
      May. 23, 2019

      Mateo Manaure (1926-2018) Untitled oil on wood 15 ¾ x 15 ¾ in. (40 x 40 cm.)

      Est: $40,000 - $60,000

      Mateo Manaure (1926-2018) Untitled signed and dated 'Mateo Manaure 56' (on the reverse) oil on wood 15 ¾ x 15 ¾ in. (40 x 40 cm.) Painted in 1956.

      Christie's
    • Mateo Manaure
      Jun. 28, 2018

      Mateo Manaure

      Est: -

      Columna policromada

      Casa de Subastas Odalys
    • Mateo Manaure
      Jun. 28, 2018

      Mateo Manaure

      Est: -

      Untitled

      Casa de Subastas Odalys
    • Mateo Manaure
      Jun. 28, 2018

      Mateo Manaure

      Est: -

      Untitled

      Casa de Subastas Odalys
    • Mateo Manaure
      Jun. 28, 2018

      Mateo Manaure

      Est: -

      Untitled

      Casa de Subastas Odalys
    • Mateo Manaure
      Jun. 28, 2018

      Mateo Manaure

      Est: -

      Untitled

      Casa de Subastas Odalys
    • Mateo Manaure (b. 1926) - Columna policromada
      Nov. 22, 2017

      Mateo Manaure (b. 1926) - Columna policromada

      Est: $25,000 - $35,000

      Mateo Manaure (b. 1926) Columna policromada acrylic on paper laid on board 33 1/8 x 9 ½ in. (84.2 x 24.1 cm.)

      Christie's
    • Mateo Manaure
      Oct. 26, 2017

      Mateo Manaure

      Est: -

      Mateo Manaure Columna Policromada Acrílico sobre madera 2000 160 x 60 cm

      Casa de Subastas Odalys
    • Mateo Manaure. Untitled
      Oct. 26, 2017

      Mateo Manaure. Untitled

      Est: -

      MANAURE, MATEO (1926). "Sin título". Monotipo sobre papel. Firmado y fechado 1970 en el ángulo inferior derecho. 65 x 47 cm

      Duran Arte y Subastas
    • MATEO MANAURE (B. 1926) | Composición No 2
      May. 26, 2015

      MATEO MANAURE (B. 1926) | Composición No 2

      Est: $60,000 - $80,000

      duco on wood

      Sotheby's
    • MATEO MANAURE (b. 1926): LA NOCHE
      Dec. 06, 2014

      MATEO MANAURE (b. 1926): LA NOCHE

      Est: $3,500 - $5,000

      MATEO MANAURE (b. 1926): LA NOCHE Oil on canvas, 1951, unsigned. 29 x 23 3/4 in., 34 x 28 1/2 in. (frame). Note: Venezuelan artist Mateo Manaure was a friend and colleague of author Julian Padron (1910-1954) and his wife, Gladys. This painting was a gift to Gladys and was then passed down to her son. According to the family, there was an inscription on the back of the painting that read 'to Gladys with love from Mateo' that was inadvertently removed when the painting was cleaned in 2000. Provenance: Gift of the artist to Gladys Padron Toro; thence by descent.

      STAIR
    • MATEO MANAURE, Suelos de mi tierra, Firmado y fechado 92. Óleo sobre tela, 40 x 30 cm, Con certificado del artista.
      Aug. 21, 2014

      MATEO MANAURE, Suelos de mi tierra, Firmado y fechado 92. Óleo sobre tela, 40 x 30 cm, Con certificado del artista.

      Est: $30,000 - $40,000

      MATEO MANAURE Suelos de mi tierra Firmado y fechado 92. Óleo sobre tela. Con certificado de autenticidad del artista, Caracas, agosto de 1994. (N. Uracoa, Monagas, Venezuela, 1926 - ) "Pocos artistas de la plástica suelen permanecer activos más allá de los 80 años de edad, pero Mateo Manaure, que revolucionó el arte venezolano con su apreciación abstracta hace más de cinco décadas, continúa creando. Resalta en su obra la creatividad implícita y opuesta a la figuración, además de una invitación muy categórica a la interpretación. Un concepto artístico que acentúa la manera de exponer las formas, al mismo tiempo que las aleja de cualquier apreciación evidente que el artista pone en manos del espectador". Jesús Hernández. Véase: HERNÁNDEZ, Jesús. "Mateo Manaure expone una síntesis de su obra". Miami EE.UU. Diario Las Américas, sección Vida y Artes. 40 x 30 cm

      Morton Subastas
    • * Manaure (Mateo, 1926-). Head of a girl, 1947,
      Feb. 08, 2012

      * Manaure (Mateo, 1926-). Head of a girl, 1947,

      Est: £100 - £150

      * Manaure (Mateo, 1926-). Head of a girl, 1947, black charcoal on paper, signed and dated to card mount, 24 x 17.2cm (9.5 x 6.75ins), framed and glazed. The Venezuelan artist Mateo Manaure was a student at the Caracas Art School, and in 1947 won the National Plastic Arts Prize, enabling him to travel to Paris. He is best known for his abstract work, although a similar early charcoal drawing dated 1948 appeared for auction at Odalys in Caracas in July 1998. (1) Please Note: Buyer's premium is 23.4% of the hammer price

      Dominic Winter Auctions
    • Manaure (Mateo, 1926-). Head of a girl, 1947,
      Jul. 21, 2011

      Manaure (Mateo, 1926-). Head of a girl, 1947,

      Est: £150 - £200

      Manaure (Mateo, 1926-). Head of a girl, 1947, black charcoal on paper, signed and dated to card mount, 24 x 17.2cm (9.5 x 6.75ins), framed and glazed The Venezuelan artist Mateo Manaure was a student at the Caracas Art School, and in 1947 won the National Plastic Arts Prize, enabling him to travel to Paris. He is best known for his abstract work, although a similar early charcoal drawing dated 1948 appeared for auction at Odalys in Caracas in July 1998. (1)

      Dominic Winter Auctions
    • Mateo Manaure Mujer con gallo, 1948 Mixta
      Feb. 17, 2008

      Mateo Manaure Mujer con gallo, 1948 Mixta

      Est: - €5,000

      Mateo Manaure Mujer con gallo, 1948 Mixta s/canvas, 49 x 40 cm Firmado abajo derecha Exposiciones: Taller Libre de Arte, Caracas, Venezuela, 1948 Mateo Manaure, Museo de Bellas Artes, Caracas, Venezuela, 1947

      Casa de Subastas Odalys
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