Pietro Malombra Sold at Auction Prices

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    • PIETRO MALOMBRA (attr. a)
      Nov. 29, 2022

      PIETRO MALOMBRA (attr. a)

      Est: €2,000 - €3,000

      (Venezia, 1556 - 1618) Predica di San Francesco Olio su tela, cm 82X112 Le tele evocano per stile le indicazioni fornite dalle Sette Maniere del Boschini, in cui il pittore sembra partecipe affiancando Palma il Giovane, Andrea Vicentino e Leonardo Corona sulla scia degli esempi tizianeschi, del Tintoretto e di Paolo Veronese. Attribuite a Pietro Malombra (Venezia, 1556 - 1618), le scene sorprendono per la ricchezza cromatica e la raffinata descrizione delle vesti, in analogia con il Ritratto del Doge Marino Grimani conservata al Walters Art Museum di Baltimora, mentre le scene evocano le diverse tele dell'autore dedicate alle riunioni del Maggior Consiglio che si tenevano a Palazzo Ducale. La personalità di Malombra è ancora in gran parte da ricostruire, con un catalogo le cui opere sovente furono riferite ad altri autori come Tintoretto e Paolo Veronese, ma in modo particolare a Palma il Giovane, come avvenuto per Venere e Marte della National Gallery di Londra (N.Penny, National Gallery Catalogues. The Sixteenth Century Italian Paintings. Volume II. Venice 1540 - 1600, London 2008, pp. 102-107).

      Wannenes Art Auctions
    • PIETRO MALOMBRA (attr. a)
      Nov. 29, 2022

      PIETRO MALOMBRA (attr. a)

      Est: €2,000 - €3,000

      (Venezia, 1556 - 1618) Papa Innocenzo III approva la proto-regola francescana Olio su tela, cm 82X112 Vedi scheda al lotto successivo.

      Wannenes Art Auctions
    • Pietro Malombra
      Nov. 09, 2022

      Pietro Malombra

      Est: €120,000 - €180,000

      (Venice 1556–1618) The Nativity, indistinctly signed lower centre: PE... AL...MBRA... O, oil on canvas, 191.5 x 246 cm, framed Provenance: Private European collection We are grateful to Mauro Lucco for confirming the attribution after examining the present painting in the original. This previously unpublished painting, signed by the artist on the stone step beneath the Madonna, is an important addition to the oeuvre of Pietro Malombra. Born in Venice, Malombra became a pupil of Giuseppe Porta called Il Salviati, only later, gradually drawing closer to the Venetian grand manner of Tintoretto and Palma Giovane. Although at present only very few certain works of his are known, Marco Boschini included Malombra in sixth place among the ‘pittori delle sette maniere’ – that is among the ‘painters of the seven manners’ – the term coined by the scholar to identify those artists that shared a common inspiration in the great works of Titian, Tintoretto and Veronese (see M. Boschini, Le ricche minere della pittura veneziana, Venice 1674). According to Lucco this work belongs to Malombra’s full maturity, specifically around 1615. During this period Malombra had been employed on a series of important commissions at Padua, where in about 1610 he supplied the Saint Stanislaus Altarpiece for the chapel of the Polish Nation in the Basilica del Santo. The present painting can also be compared to the Christ and the Adulteress in the Národní Galerie, Prague (inv. no. DO 4277, 122 x 181 cm) with which it shares a similarly monumental composition, as well as the identical placement, and kneeling pose of the figures of Mary and Christ respectively. Malombra was principally a painter of altarpieces and mythological works. He was closely involved with the large-scale restoration of the Palazzo Ducale in Venice following the fires of 1574 and 1577 for which he supplied many canvases, including those depicting Innocence, Concord, Equity and other Virtues of the Magistrate, all for the Sala dell’Auditor Nuovo of circa 1608. However, the majority of the paintings attributed to him in the documents have been lost or remain unidentified. Likewise, his drawings have survived in limited numbers, but those that are known clearly reveal his talent (see A. Palma, Disegni di Pietro Malombra, in: Arte Veneta, 1984, pp. 72–78).

      Dorotheum
    • PIETRO MALOMBRA (attr. a)
      Jun. 15, 2021

      PIETRO MALOMBRA (attr. a)

      Est: €3,000 - €5,000

      (Venezia, 1556 - 1618) Papa Innocenzo III approva la proto-regola francescana Olio su tela, cm 82X112

      Wannenes Art Auctions
    • PIETRO MALOMBRA (attr. a)
      Jun. 15, 2021

      PIETRO MALOMBRA (attr. a)

      Est: €3,000 - €5,000

      (Venezia, 1556 - 1618) Predica di San Francesco Olio su tela, cm 82X112 Le tele evocano per stile le indicazioni fornite dalle Sette Maniere del Boschini, in cui il pittore sembra partecipe affiancando Palma il Giovane, Andrea Vicentino e Leonardo Corona sulla scia degli esempi tizianeschi, del Tintoretto e di Paolo Veronese. Attribuite a Pietro Malombra (Venezia, 1556 - 1618), le scene sorprendono per la ricchezza cromatica e la raffinata descrizione delle vesti, in analogia con il Ritratto del Doge Marino Grimani conservata al Walters Art Museum di Baltimora, mentre le scene evocano le diverse tele dell'autore dedicate alle riunioni del Maggior Consiglio che si tenevano a Palazzo Ducale. La personalità di Malombra è ancora in gran parte da ricostruire, con un catalogo le cui opere furono sovente riferite ad altri autori come Tintoretto e Paolo Veronese, ma in modo particolare a Palma il Giovane, come avvenuto per Venere e Marte della National Gallery di Londra (n. penny, National Gallery Catalogues. The Sixteenth Century Italian Paintings. Volume II. Venice 1540 - 1600, London 2008, pp. 102 ; 107).

      Wannenes Art Auctions
    • ATTRIBUTED TO PIETRO MALOMBRA INK WASH ON PAPER
      Oct. 14, 2018

      ATTRIBUTED TO PIETRO MALOMBRA INK WASH ON PAPER

      Est: $500 - $700

      ATTRIBUTED TO OR STYLE OF PIETRO MALOMBRA (ITALIAN, 1556–1618), INK WASH ON PAPER, H 4 1/2", W 7 1/2" :With frame H 13'' x W 15 1/2''. Signed "Malombra" along bottom edge just to the left of center. Date of drawing is unknown.

      DuMouchelles
    • Attributed to Pietro Malombra (Cremona 1556-1618) Portrait of an Ottoman D
      Oct. 25, 2017

      Attributed to Pietro Malombra (Cremona 1556-1618) Portrait of an Ottoman D

      Est: £5,000 - £7,000

      Attributed to Pietro Malombra (Cremona 1556-1618) Portrait of an Ottoman Dignitary, three-quarter-length, in Turkish costume

      Bonhams
    • Pietro Malombra (Venice 1556-1618), The Doge and the Senators in the Sala del Collegio in Palazzo Ducale
      Nov. 15, 2016

      Pietro Malombra (Venice 1556-1618), The Doge and the Senators in the Sala del Collegio in Palazzo Ducale

      Est: €8,000 - €12,000

      oil on canvas, cm 178x143

      Cambi Casa d'Aste
    • Attribué à Pietro Malombra Venise, 1556 - 1618 L'audience devant trois évêques Plume et encre brune, lavis brun et rehauts de blanc...
      Jun. 03, 2015

      Attribué à Pietro Malombra Venise, 1556 - 1618 L'audience devant trois évêques Plume et encre brune, lavis brun et rehauts de blanc...

      Est: €2,000 - €3,000

      Attribué à Pietro Malombra Venise, 1556 - 1618 L'audience devant trois évêques Plume et encre brune, lavis brun et rehauts de blanc sur papier bleu, porte une marque de collection non identifiée en bas à gauche Sans cadre h: 26,50 w: 34 cm Provenance : Collection P. H. Landrink, son cachet (L.2090) en bas à gauche ; Vente anonyme ; Bruxelles, Henri Godts, 5 mai 2001, n° 41 ; Acquis à cette occasion par les actuels propriétaires Commentaire : La tête de femme de profil à l'extrême droite de notre dessin peut être comparée à celle d'une autre feuille attribuée à Pietro Malombra actuellement conservée à Paris au musée du Louvre (inv. n°5065).

      Artcurial
    • CIRCLE OF PIETRO MALOMBRA (1556-1618)
      Oct. 27, 2012

      CIRCLE OF PIETRO MALOMBRA (1556-1618)

      Est: $12,000 - $18,000

      "The Coronation of Saint Cosmas and Saint Damian," oil on canvas, unframed. The two saints are standing in a colonnaded interior. 100 1/2 by 55 3/4 inches PROVENANCE Lot 230, "Old Master Pictures," Christie's, London, Sale number 5999, July 10, 1998

      Julien's Auctions
    • PIETRO MALOMBRA
      Jan. 26, 2012

      PIETRO MALOMBRA

      Est: $40,000 - $60,000

      PROPERTY FROM THE COLLECTION OF DODIE ROSEKRANS VENICE 1556 - 1618 THE DOGE AND SENATORS IN THE SALA DEL COLLEGIO, PALAZZO DUCALE, VENICE inscribed on the ceiling: CVSTO/DES LIBER/TATIS oil on canvas, unframed 73 by 88 in.; 185.5 by 223.5 cm.

      Sotheby's
    • Pietro Malombra , Venice 1556 - 1618 the finding of the true cross Pen and brown ink and wash heightened with white over black chalk, on blue-green paper
      Jan. 23, 2008

      Pietro Malombra , Venice 1556 - 1618 the finding of the true cross Pen and brown ink and wash heightened with white over black chalk, on blue-green paper

      Est: $7,000 - $9,000

      Pen and brown ink and wash heightened with white over black chalk, on blue-green paper

      Sotheby's
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