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William (1903) MacTaggart Sold at Auction Prices

Painter, b. 1903 - d. 1981

Sir William MacTaggart FRSE RA PPRSA (1903–1981) was a Scottish painter known for his landscapes of East Lothian, France, Norway and elsewhere. He is sometimes called William MacTaggart the Younger to distinguish him from his grandfather, the painter William McTaggart.

William MacTaggart was born on 15 May 1903 at Westbank in Loanhead, Midlothian, the son of Hugh Holmes MacTaggart an engineer and partner of MacTaggart Scott & Co.

He went to Edinburgh College of Art between 1918 and 1921, and there he made friends with other young artists like William Gillies, William Geissler, Anne Redpath, John Maxwell, William Crozier and Adam Bruce Thomson. Later they would be considered the core group of the Edinburgh School. Crozier was a major artistic influence on MacTaggart, and he joined his friend on some of his trips to the south of France, made for the sake of MacTaggart's health, as well as for painting opportunities.

In 1927 he joined the Society of Eight whose members included Cadell and Peploe, and two years later held his first solo exhibition. In the early 1930s he shared a studio with Gillies.

MacTaggart started teaching at Edinburgh College of Art in 1933 and was president of the Society of Scottish Artists between 1933 and 1936. In 1948 the Royal Scottish Academy made him an Academician and he later served as their President from 1959 to 1969. He was also a member of the Royal Academy in London and was knighted in 1962.

In 1967 he was elected a Fellow of the Royal Society of Edinburgh. His proposers were Harold R. Fletcher, Stanley Cursiter, Norman Feather and Neil Campbell.

He died on 9 January 1981.

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        • § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981)
          Dec. 05, 2024

          § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981)

          Est: £1,000 - £1,500

          SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981) SUNFLOWERS Signed, oil on board 28cm x 20cm (11in x 8in)

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981)
          Dec. 05, 2024

          § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981)

          Est: £2,000 - £3,000

          SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981) TAARBECK Signed, oil on board 28cm x 70cm (11in x 27.5in) Private Collection, Scotland. Exhibited:The Scottish Gallery, Edinburgh, Festival Exhibition, 1966, no. 17.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981)
          Dec. 05, 2024

          § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981)

          Est: £2,000 - £3,000

          SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON.R.S.W. (SCOTTISH 1903-1981) PROVENÇAL FARM Oil on board 41cm x 51cm (16in x 20in) H. MacTaggart and thence by family descent.

          Lyon & Turnbull
        • Advertising Poster Newcastle Northern Ireland Post Office MacTaggart GPO
          Nov. 16, 2024

          Advertising Poster Newcastle Northern Ireland Post Office MacTaggart GPO

          Est: £150 - £300

          Original vintage advertising poster issued by the General Post Office to encourage the public to use the correct postal address - This is Newcastle in Northern Ireland - featuring an illustration by a British artist William MacTaggart R.S.A. (1903-1981) in bold colours depicting a quaint seaside resort town Newcastle with buildings by the beach of the Irish Sea at the foot of Slieve Donard in the Mourne Mountains. Horizontal. Printed by J and Co LTD London and Middlesbrough. Very good condition, creasing, tears on edges. Country of issue: UK, designer: Wm. MacTaggart, size (cm): 74x92, year of printing: 1960s.

          Antikbar Original Vintage Posters
        • § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981)
          Jun. 06, 2024

          § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981)

          Est: £1,500 - £2,000

          SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981) A FRESH BREEZE Signed and dated ‘60, oil on board 30.5 x 41cm (12in x 16in) The Scottish Gallery, Edinburgh

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981)
          Jun. 06, 2024

          § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981)

          Est: £1,500 - £2,000

          SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981) SUNDOWN EAST LOTHIAN Signed and dated ‘69, oil on board 30.5cm x 41cm (12in x 16in)

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981)
          Jun. 06, 2024

          § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981)

          Est: £4,000 - £6,000

          SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., HON. R.S.W. (SCOTTISH 1903-1981) EVENING ON THE SOLWAY Signed, oil on board 63.5cm x 76cm (25in x 30in) Exhibited: Royal Scottish Academy, Edinburgh, 1978, no.166

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., Hon.R.S.W. (SCOTTISH 1903-1981)
          Jun. 06, 2024

          § SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., Hon.R.S.W. (SCOTTISH 1903-1981)

          Est: £3,000 - £5,000

          SIR WILLIAM MACTAGGART P.P.R.S.A., R.A., F.R.S.E., Hon.R.S.W. (SCOTTISH 1903-1981) SUMMER FLOWERS Signed, oil on board 61cm x 51cm (24in x 20in) The Stone Gallery, Newcastle-upon-Tyne

          Lyon & Turnbull
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Portobello
          May. 15, 2024

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Portobello

          Est: £2,000 - £3,000

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Portobello signed 'WMacTaggart Jr' (lower right) oil on board 24 x 29.5cm (9 7/16 x 11 5/8in).

          Bonhams
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Sunset
          Dec. 12, 2023

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Sunset

          Est: £800 - £1,200

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Sunset signed 'WMac/Taggart' (lower left), titled (on artist's label, verso) oil on board 46 x 29.5cm (18 1/8 x 11 5/8in).

          Bonhams
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) THE LIGHTS OF KLAMPENBORG
          Dec. 07, 2023

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) THE LIGHTS OF KLAMPENBORG

          Est: £4,000 - £6,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) THE LIGHTS OF KLAMPENBORG Signed, oil on board (71cm x 91cm (28in x 36in)) Provenance: The Artist's family and by descent Exhibited: The Scottish Gallery, Edinburgh, Festival Exhibition, 1966, no.9 Scottish National Gallery of Modern Art, Edinburgh, Sir William MacTaggart: A Retrospective Exhibition, 1968, no.59

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) NEAR HUMBIE
          Dec. 07, 2023

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) NEAR HUMBIE

          Est: £1,500 - £2,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) NEAR HUMBIE Signed and dated '67, signed and inscribed '£125' verso, oil on board (41cm x 51cm (16in x 20in))

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) AUTUMN LANDSCAPE
          Dec. 07, 2023

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) AUTUMN LANDSCAPE

          Est: £2,000 - £3,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) AUTUMN LANDSCAPE Signed, oil on board (46cm x 61cm (18in x 24in))

          Lyon & Turnbull
        • WILLIAM MACTAGGART, GPO - NORTH BERWICK, EAST LOTHIAN - CORRECT ADDRESS, POSTER
          Nov. 04, 2023

          WILLIAM MACTAGGART, GPO - NORTH BERWICK, EAST LOTHIAN - CORRECT ADDRESS, POSTER

          Est: $550 - $650

          Artist: William MacTaggart, Scottish (1903 - 1981) Title: GPO - North Berwick, East Lothian - Correct Address Year: circa 1965 Medium: Poster Size: 29 x 36 in. (73.66 x 91.44 cm)

          RoGallery
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Sunset
          Oct. 11, 2023

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Sunset

          Est: £1,500 - £2,000

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Sunset titled (on artist's label, verso) oil on board 46 x 29.5cm (18 1/8 x 11 5/8in).

          Bonhams
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Humbie, East Lothian; Dirleton 47 x 62cm (18 1/2 x 24 7/16in); and 28 x 41cm (11 x 16 1/8in). (2)
          Oct. 11, 2023

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Humbie, East Lothian; Dirleton 47 x 62cm (18 1/2 x 24 7/16in); and 28 x 41cm (11 x 16 1/8in). (2)

          Est: £200 - £300

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Humbie, East Lothian; Dirleton two works both signed 'WMacTaggart' (one lower left, the other lower right) watercolour and ink, the larger also with chalks 47 x 62cm (18 1/2 x 24 7/16in); and 28 x 41cm (11 x 16 1/8in). (2)

          Bonhams
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Harvest Field, East Lothian
          Oct. 11, 2023

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Harvest Field, East Lothian

          Est: £800 - £1,200

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Harvest Field, East Lothian indistinctly signed 'W-Mactaggart' (lower right) oil on board 21.5 x 29cm (8 7/16 x 11 7/16in).

          Bonhams
        • § SIR WILLIAM MACTAGGART, F.R.S.E., P.R.S.A., R.A., R.W.S. (BRITISH, 1903-1981)
          Jul. 04, 2023

          § SIR WILLIAM MACTAGGART, F.R.S.E., P.R.S.A., R.A., R.W.S. (BRITISH, 1903-1981)

          Est: £800 - £1,200

          § SIR WILLIAM MACTAGGART, F.R.S.E., P.R.S.A., R.A., R.W.S. (BRITISH, 1903-1981) SIR WILLIAM MACTAGGART, F.R.S.E., P.R.S.A., R.A., R.W.S. (BRITISH, 1903-1981) Barn at dusk signed 'MacTaggart' (lower left) oil on board 19 x 36 cm. (7 1/2 x 14 in.) ARR

          Chiswick Auctions
        • SIR WILLIAM MACTAGGART FRSE RA PPRSA, SCOTTISH 1903-1981, ROSES AGAINST THE NIGHT SKY, DRUMMOND PLA
          Jun. 15, 2023

          SIR WILLIAM MACTAGGART FRSE RA PPRSA, SCOTTISH 1903-1981, ROSES AGAINST THE NIGHT SKY, DRUMMOND PLA

          Est: £300 - £500

          Sir William MacTaggart FRSE RA PPRSA, Scottish 1903-1981, Roses Against the Night Sky, Drummond Place, 1957; lithograph in colours on wove,  signed, numbered 24/50 and dated '57' in graphite,  image: 69 x 44.5 cm,  (framed) (ARR) 

          Roseberys
        • William MacTaggart, GPO - North Berwick, East Lothian - Correct Address, Poster
          Jun. 03, 2023

          William MacTaggart, GPO - North Berwick, East Lothian - Correct Address, Poster

          Est: $550 - $650

          Artist: William MacTaggart, Scottish (1903 - 1981) Title: GPO - North Berwick, East Lothian - Correct Address Year: circa 1965 Medium: Poster Size: 29 x 36 in. (73.66 x 91.44 cm)

          RoGallery
        • Advertising Poster Newcastle Northern Ireland Post Office MacTaggart GPO
          Apr. 22, 2023

          Advertising Poster Newcastle Northern Ireland Post Office MacTaggart GPO

          Est: £120 - £240

          Original vintage advertising poster issued by the General Post Office to encourage public to use correct postal address - This is Newcastle in Northern Ireland - featuring an illustration by a British artist William MacTaggart R.S.A. (1903-1981) in bold colours depicting a quaint seaside resort town Newcastle with buildings by the beach of the Irish Sea at the foot of Slieve Donard in the Mourne Mountains. Horizontal. Very good condition, minor creasing, small tears. Country of issue: UK, designer: Wm. MacTaggart, size (cm): 74x92, year of printing: 1960s.

          Antikbar Original Vintage Posters
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROSES AGAINST THE NIGHT SKY (DRUMMOND PLACE) - 1957
          Feb. 07, 2023

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROSES AGAINST THE NIGHT SKY (DRUMMOND PLACE) - 1957

          Est: £300 - £500

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROSES AGAINST THE NIGHT SKY (DRUMMOND PLACE) - 1957 Colour lithograph, 48/50, signed, numbered and dated in pencil to margin (69cm x 44cm (27.25in x 17.25in)) Provenance: Open Eye Gallery, Edinburgh

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) HARVEST TIME EAST LOTHIAN
          Dec. 08, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) HARVEST TIME EAST LOTHIAN

          Est: £3,000 - £5,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) HARVEST TIME EAST LOTHIAN Signed and dated '59, oil on board (51cm x 61cm (20in x 24in))

          Lyon & Turnbull
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Red roofs 50 x 61 cm. (19 11/16 x 24 in.)
          Oct. 19, 2022

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Red roofs 50 x 61 cm. (19 11/16 x 24 in.)

          Est: £1,500 - £2,000

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Red roofs signed 'W MacTaggart YR.' (lower left) oil on canvas 50 x 61 cm. (19 11/16 x 24 in.)

          Bonhams
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Some Yellow Roses 61 x 50.8 cm. (24 x 20 in.)
          Oct. 19, 2022

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Some Yellow Roses 61 x 50.8 cm. (24 x 20 in.)

          Est: £1,500 - £2,000

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Some Yellow Roses signed 'W MacTaggart/YR.' (lower left) oil on board 61 x 50.8 cm. (24 x 20 in.)

          Bonhams
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) UNTITLED (THROUGH THE TREES)
          Jul. 14, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) UNTITLED (THROUGH THE TREES)

          Est: £400 - £600

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) UNTITLED (THROUGH THE TREES) Mixed media on paper (20cm x 25.5cm (8in x 10in)) Exhibited: St. Andrew's Fine Art Exhibition, April 1982 Artist's studio stamp reference no.: 229 Label verso notes that picture comes from the artist's sketchbook.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) UNTITLED (HOUSE BY THE BRIDGE)
          Jul. 14, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) UNTITLED (HOUSE BY THE BRIDGE)

          Est: £500 - £700

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) UNTITLED (HOUSE BY THE BRIDGE) Watercolour and conté, and a companion, 'Study for 'Untitled (Through the Trees)', conté on paper (19.5cm x 26cm (7.75in x 10.25in) / 20cm x 25cm (8in x 9.75in)) Qty: (2) Exhibited: St. Andrew's Fine Art Exhibition, April 1982 Labels verso note that pictures come from the artist's sketchbook.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) EVENING ON SOLWAY
          Jun. 16, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) EVENING ON SOLWAY

          Est: £4,000 - £6,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) EVENING ON SOLWAY Signed, oil on board (61cm x 76cm (24in x 30in)) Exhibited: Royal Scottish Academy 1972, no.178

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) FLOWERS AND GOBLET
          Jun. 16, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) FLOWERS AND GOBLET

          Est: £3,000 - £5,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) FLOWERS AND GOBLET Signed and dated '54, signed and inscribed on a label verso, oil on board (51cm x 61cm (20in x 24in))

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) BY THE LOCH
          Jun. 16, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) BY THE LOCH

          Est: £2,000 - £3,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) BY THE LOCH Inscribed and dated verso 'To Ellen and Kristoffer with love from Fanny and Willie September 1951', oil on board (51cm x 61cm (20in x 24in))

          Lyon & Turnbull
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) East Lothian landscape 50 x 60 cm. (19 11/16 x 23 5/8 in.)
          May. 18, 2022

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) East Lothian landscape 50 x 60 cm. (19 11/16 x 23 5/8 in.)

          Est: £2,000 - £3,000

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) East Lothian landscape signed and dated 'W. MacTaggart '59' (lower right) oil on board 50 x 60 cm. (19 11/16 x 23 5/8 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • Advertising Poster Newcastle Northern Ireland Post Office MacTaggart
          Apr. 23, 2022

          Advertising Poster Newcastle Northern Ireland Post Office MacTaggart

          Est: £90 - £180

          Original vintage advertising poster issued by the General Post Office to encourage public to use correct postal address - This is Newcastle in Northern Ireland - featuring an illustration by a British artist William MacTaggart R.S.A. (1903-1981) in bold colours depicting a quaint seaside resort town Newcastle with buildings by the beach of the Irish Sea at the foot of Slieve Donard in the Mourne Mountains. Horizontal. Fair condition, tears, paper losses, pinholes, creasing, bottom edge trimmed. Country of issue: UK, designer: Wm. MacTaggart, size (cm): 63x92, year of printing: 1960s.

          Antikbar Original Vintage Posters
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) PORT LOGAN
          Feb. 09, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) PORT LOGAN

          Est: £400 - £600

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) PORT LOGAN Signed lower left, charcoal and black ink on buff paper (27.25cm x 39cm (10.75in x 15.25in)) Provenance: From the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art Collection Footnote: Exhibited: Scottish National Gallery of Modern Art, Edinburgh, William MacTaggart 1903-1981,14 February - 10 Mat 1998, cat.no.43

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) SAND DUNES, GULLANE
          Jan. 19, 2022

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) SAND DUNES, GULLANE

          Est: £1,500 - £2,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) SAND DUNES, GULLANE Signed lower right, oil on board (25cm x 34.5cm (9.75in x 13.5in)) Provenance: From the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art Collection

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) VENETIAN FACADE
          Dec. 09, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) VENETIAN FACADE

          Est: £2,000 - £3,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) VENETIAN FACADE Signed and dated '59, oil on board (38cm x 56cm (15in x 22in)) Footnote: Exhibited: The Stone Gallery, Newcastle Upon Tyne, 1962, where purchased by the present owners. Note: This work is accompanied by the National Galleries of Scotland 'William MacTaggart' exhibition catalogue, 1998.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROAD TO BRAEHEADS
          Dec. 09, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROAD TO BRAEHEADS

          Est: £1,500 - £2,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROAD TO BRAEHEADS Signed twice, oil on canvas (41cm x 51cm (16in x 20in)) Footnote: From the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art Collection

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROCKY COASTLINE
          Dec. 09, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROCKY COASTLINE

          Est: £2,000 - £3,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROCKY COASTLINE Signed, oil on board (51cm x 61cm (20in x 24in))

          Lyon & Turnbull
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Still Life; Yellow and White 60.5 x 50 cm. (23 13/16 x 19 11/16 in.)
          Oct. 14, 2021

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Still Life; Yellow and White 60.5 x 50 cm. (23 13/16 x 19 11/16 in.)

          Est: £6,000 - £8,000

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) Still Life; Yellow and White signed 'W McTaggart' (lower right) oil on board 60.5 x 50 cm. (23 13/16 x 19 11/16 in.) For further information on this lot please visit the Bonhams website

          Bonhams
        • Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) After the Storm 17.8 x 25.4cm (7 x 10in).
          Oct. 14, 2021

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) After the Storm 17.8 x 25.4cm (7 x 10in).

          Est: £1,000 - £1,500

          Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) After the Storm signed 'MacTaggart' (lower left) oil on board 17.8 x 25.4cm (7 x 10in). For further information on this lot please visit the Bonhams website

          Bonhams
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) MOONRISE
          Jul. 14, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) MOONRISE

          Est: £300 - £500

          Signed and dated '19, pastel and pencil on brown paper. (Dimensions: 27.5cm x 38cm (10.75in x 15in)) (27.5cm x 38cm (10.75in x 15in))

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROLLING HILLS
          Jul. 14, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) ROLLING HILLS

          Est: £400 - £600

          Signed, pencil (Dimensions: 20cm x 26.5cm (8in x 10.5in)) (20cm x 26.5cm (8in x 10.5in))

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) TREE ON A COUNTRY ROAD
          Jul. 14, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) TREE ON A COUNTRY ROAD

          Est: £500 - £800

          Signed, oil on panel (Dimensions: 59cm x 69cm (23.25in x 27.25in)) (59cm x 69cm (23.25in x 27.25in))

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) STILL LIFE
          Jun. 10, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) STILL LIFE

          Est: £5,000 - £8,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) STILL LIFE Signed, oil on canvas (76cm x 56cm (30in x 22in)) Footnote: Provenance: Collection of Dugald McTaggart Lindsay. Note: Lyon & Turnbull are pleased to present to market a fine selection of work by Sir William MacTaggart. MacTaggart is an interesting figure within Scottish Art. His approach to his subject, distinctive technique of paint application, and above all his jewel-toned palette, renders his work highly recognisable. He was the grandson of William McTaggart, who had been a huge force for change and lasting influence within Scottish art. He shared his forebear’s talent for capturing atmospheric light, as well as an interest in landscape painting from an elemental perspective. Growing up under this important influence, MacTaggart set out to become an artist from the tender age of fifteen. Respiratory issues blighted his childhood and his studies at the Edinburgh College of Art. The outcome was that he spent a lot of time in the healing warmer climate of the South of France - the land of Cezanne - whose influence was notable in his early career work, as it had been in the work of the Scottish Colourists before him. These periods of convalescence also meant he never became fully indoctrinated in the Edinburgh College of Art’s artistic approach at the time, which was still staunchly traditional and centred round draughstmanship, form and tone. His friend and contemporary student H. Harvey Wood wrote in his 1974 monograph on MacTaggart that in many ways his work, and particularly his distinctive palette, was a reaction to the College’s doctrine and relative disinterest in colour (a reaction interestingly also pursued by his contemporaries William Gillies and John Maxwell). His distinctive aesthetic was also due to his shifting interest from the French Impressionist school towards the German Expressionist and Nordic masters like Nolde and Munch. As a result, we see his tones becoming less French and sun-baked, and his later period explores a sense of the Autumnal, the crepuscular, and the nocturnal. The distinctive use of colour, which matured into a palette Harvey Wood likens to the glow of medieval cathedral stained glass, was perfect for achieving MacTaggart’s artistic aim: to capture within his work a sense of mood. There is something brooding and emotional, tempestuous even within his paintings, which was apparently at odds with the moderate and considered outward demeanour of the man himself. As evidenced abundantly in the works offered here, MacTaggart is an artist who adores his material, a fact immediately apparent to the viewer. There is a sensuality to his handling of paint, and a great richness. As Harvey Wood described so vividly; “His skill with paint is like the exquisite cutting of a lapidary artist”. Not only was he an interesting and notable member of the so-called Edinburgh School of Artists, MacTaggart was also a leader amongst them, serving as President of the Royal Scottish Academy where he is remembered for his energetic and astute tenure. Described as having a “crusading spirit”, he was responsible for promoting and assisting the Arts Council to launch a series of major painting exhibitions, sponsored jointly by the Academy. Thanks to his efforts, works by Braque, the Blau Reiter Group, Delacroix, Modigliani, Soutine and Corot graced the walls of the Academy and served to inspire a new generation of aspiring artistic talented in Scotland.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) FLOWERS AT NIGHT DRUMMOND PLACE
          Jun. 10, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) FLOWERS AT NIGHT DRUMMOND PLACE

          Est: £8,000 - £12,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) FLOWERS AT NIGHT DRUMMOND PLACE Signed, oil on canvas (76cm x 61cm (30in x 24in)) Footnote: Note: Lyon & Turnbull are pleased to present to market a fine selection of work by Sir William MacTaggart. MacTaggart is an interesting figure within Scottish Art. His approach to his subject, distinctive technique of paint application, and above all his jewel-toned palette, renders his work highly recognisable. He was the grandson of William McTaggart, who had been a huge force for change and lasting influence within Scottish art. He shared his forebear’s talent for capturing atmospheric light, as well as an interest in landscape painting from an elemental perspective. Growing up under this important influence, MacTaggart set out to become an artist from the tender age of fifteen. Respiratory issues blighted his childhood and his studies at the Edinburgh College of Art. The outcome was that he spent a lot of time in the healing warmer climate of the South of France - the land of Cezanne - whose influence was notable in his early career work, as it had been in the work of the Scottish Colourists before him. These periods of convalescence also meant he never became fully indoctrinated in the Edinburgh College of Art’s artistic approach at the time, which was still staunchly traditional and centred round draughstmanship, form and tone. His friend and contemporary student H. Harvey Wood wrote in his 1974 monograph on MacTaggart that in many ways his work, and particularly his distinctive palette, was a reaction to the College’s doctrine and relative disinterest in colour (a reaction interestingly also pursued by his contemporaries William Gillies and John Maxwell). His distinctive aesthetic was also due to his shifting interest from the French Impressionist school towards the German Expressionist and Nordic masters like Nolde and Munch. As a result, we see his tones becoming less French and sun-baked, and his later period explores a sense of the Autumnal, the crepuscular, and the nocturnal. The distinctive use of colour, which matured into a palette Harvey Wood likens to the glow of medieval cathedral stained glass, was perfect for achieving MacTaggart’s artistic aim: to capture within his work a sense of mood. There is something brooding and emotional, tempestuous even within his paintings, which was apparently at odds with the moderate and considered outward demeanour of the man himself. As evidenced abundantly in the works offered here, MacTaggart is an artist who adores his material, a fact immediately apparent to the viewer. There is a sensuality to his handling of paint, and a great richness. As Harvey Wood described so vividly; “His skill with paint is like the exquisite cutting of a lapidary artist”. Not only was he an interesting and notable member of the so-called Edinburgh School of Artists, MacTaggart was also a leader amongst them, serving as President of the Royal Scottish Academy where he is remembered for his energetic and astute tenure. Described as having a “crusading spirit”, he was responsible for promoting and assisting the Arts Council to launch a series of major painting exhibitions, sponsored jointly by the Academy. Thanks to his efforts, works by Braque, the Blau Reiter Group, Delacroix, Modigliani, Soutine and Corot graced the walls of the Academy and served to inspire a new generation of aspiring artistic talented in Scotland.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) CASSIS
          Jun. 10, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) CASSIS

          Est: £3,000 - £5,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) CASSIS Signed, oil on board (48cm x 38cm (18in x 15in)) Provenance: Lady MacTaggart and thence through the family Footnote: Exhibited: 1922 Group Edinburgh, 1924 Scottish National Gallery of Modern Art, Sir William MacTaggart Retrospective Exhibition 1968, no.4 Note: Lyon & Turnbull are pleased to present to market a fine selection of work by Sir William MacTaggart. MacTaggart is an interesting figure within Scottish Art. His approach to his subject, distinctive technique of paint application, and above all his jewel-toned palette, renders his work highly recognisable. He was the grandson of William McTaggart, who had been a huge force for change and lasting influence within Scottish art. He shared his forebear’s talent for capturing atmospheric light, as well as an interest in landscape painting from an elemental perspective. Growing up under this important influence, MacTaggart set out to become an artist from the tender age of fifteen. Respiratory issues blighted his childhood and his studies at the Edinburgh College of Art. The outcome was that he spent a lot of time in the healing warmer climate of the South of France - the land of Cezanne - whose influence was notable in his early career work, as it had been in the work of the Scottish Colourists before him. These periods of convalescence also meant he never became fully indoctrinated in the Edinburgh College of Art’s artistic approach at the time, which was still staunchly traditional and centred round draughstmanship, form and tone. His friend and contemporary student H. Harvey Wood wrote in his 1974 monograph on MacTaggart that in many ways his work, and particularly his distinctive palette, was a reaction to the College’s doctrine and relative disinterest in colour (a reaction interestingly also pursued by his contemporaries William Gillies and John Maxwell). His distinctive aesthetic was also due to his shifting interest from the French Impressionist school towards the German Expressionist and Nordic masters like Nolde and Munch. As a result, we see his tones becoming less French and sun-baked, and his later period explores a sense of the Autumnal, the crepuscular, and the nocturnal. The distinctive use of colour, which matured into a palette Harvey Wood likens to the glow of medieval cathedral stained glass, was perfect for achieving MacTaggart’s artistic aim: to capture within his work a sense of mood. There is something brooding and emotional, tempestuous even within his paintings, which was apparently at odds with the moderate and considered outward demeanour of the man himself. As evidenced abundantly in the works offered here, MacTaggart is an artist who adores his material, a fact immediately apparent to the viewer. There is a sensuality to his handling of paint, and a great richness. As Harvey Wood described so vividly; “His skill with paint is like the exquisite cutting of a lapidary artist”. Not only was he an interesting and notable member of the so-called Edinburgh School of Artists, MacTaggart was also a leader amongst them, serving as President of the Royal Scottish Academy where he is remembered for his energetic and astute tenure. Described as having a “crusading spirit”, he was responsible for promoting and assisting the Arts Council to launch a series of major painting exhibitions, sponsored jointly by the Academy. Thanks to his efforts, works by Braque, the Blau Reiter Group, Delacroix, Modigliani, Soutine and Corot graced the walls of the Academy and served to inspire a new generation of aspiring artistic talented in Scotland.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) PALMA, MAJORCA
          Jun. 10, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) PALMA, MAJORCA

          Est: £4,000 - £6,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) PALMA, MAJORCA Signed, dated on a label verso 1933, oil on board (61cm x 51cm (24in x 20in)) Footnote: Provenance: Sir William and Lady MacTaggart and thence by family descent Note: Lyon & Turnbull are pleased to present to market a fine selection of work by Sir William MacTaggart. MacTaggart is an interesting figure within Scottish Art. His approach to his subject, distinctive technique of paint application, and above all his jewel-toned palette, renders his work highly recognisable. He was the grandson of William McTaggart, who had been a huge force for change and lasting influence within Scottish art. He shared his forebear’s talent for capturing atmospheric light, as well as an interest in landscape painting from an elemental perspective. Growing up under this important influence, MacTaggart set out to become an artist from the tender age of fifteen. Respiratory issues blighted his childhood and his studies at the Edinburgh College of Art. The outcome was that he spent a lot of time in the healing warmer climate of the South of France - the land of Cezanne - whose influence was notable in his early career work, as it had been in the work of the Scottish Colourists before him. These periods of convalescence also meant he never became fully indoctrinated in the Edinburgh College of Art’s artistic approach at the time, which was still staunchly traditional and centred round draughstmanship, form and tone. His friend and contemporary student H. Harvey Wood wrote in his 1974 monograph on MacTaggart that in many ways his work, and particularly his distinctive palette, was a reaction to the College’s doctrine and relative disinterest in colour (a reaction interestingly also pursued by his contemporaries William Gillies and John Maxwell). His distinctive aesthetic was also due to his shifting interest from the French Impressionist school towards the German Expressionist and Nordic masters like Nolde and Munch. As a result, we see his tones becoming less French and sun-baked, and his later period explores a sense of the Autumnal, the crepuscular, and the nocturnal. The distinctive use of colour, which matured into a palette Harvey Wood likens to the glow of medieval cathedral stained glass, was perfect for achieving MacTaggart’s artistic aim: to capture within his work a sense of mood. There is something brooding and emotional, tempestuous even within his paintings, which was apparently at odds with the moderate and considered outward demeanour of the man himself. As evidenced abundantly in the works offered here, MacTaggart is an artist who adores his material, a fact immediately apparent to the viewer. There is a sensuality to his handling of paint, and a great richness. As Harvey Wood described so vividly; “His skill with paint is like the exquisite cutting of a lapidary artist”. Not only was he an interesting and notable member of the so-called Edinburgh School of Artists, MacTaggart was also a leader amongst them, serving as President of the Royal Scottish Academy where he is remembered for his energetic and astute tenure. Described as having a “crusading spirit”, he was responsible for promoting and assisting the Arts Council to launch a series of major painting exhibitions, sponsored jointly by the Academy. Thanks to his efforts, works by Braque, the Blau Reiter Group, Delacroix, Modigliani, Soutine and Corot graced the walls of the Academy and served to inspire a new generation of aspiring artistic talented in Scotland.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) AT GOSFORD, EAST LOTHIAN
          Jun. 10, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) AT GOSFORD, EAST LOTHIAN

          Est: £2,000 - £3,000

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) AT GOSFORD, EAST LOTHIAN Signed, inscribed on a label verso, oil on canvas (76cm x 63.5cm (30in x 25in)) Footnote: Note: Lyon & Turnbull are pleased to present to market a fine selection of work by Sir William MacTaggart. MacTaggart is an interesting figure within Scottish Art. His approach to his subject, distinctive technique of paint application, and above all his jewel-toned palette, renders his work highly recognisable. He was the grandson of William McTaggart, who had been a huge force for change and lasting influence within Scottish art. He shared his forebear’s talent for capturing atmospheric light, as well as an interest in landscape painting from an elemental perspective. Growing up under this important influence, MacTaggart set out to become an artist from the tender age of fifteen. Respiratory issues blighted his childhood and his studies at the Edinburgh College of Art. The outcome was that he spent a lot of time in the healing warmer climate of the South of France - the land of Cezanne - whose influence was notable in his early career work, as it had been in the work of the Scottish Colourists before him. These periods of convalescence also meant he never became fully indoctrinated in the Edinburgh College of Art’s artistic approach at the time, which was still staunchly traditional and centred round draughstmanship, form and tone. His friend and contemporary student H. Harvey Wood wrote in his 1974 monograph on MacTaggart that in many ways his work, and particularly his distinctive palette, was a reaction to the College’s doctrine and relative disinterest in colour (a reaction interestingly also pursued by his contemporaries William Gillies and John Maxwell). His distinctive aesthetic was also due to his shifting interest from the French Impressionist school towards the German Expressionist and Nordic masters like Nolde and Munch. As a result, we see his tones becoming less French and sun-baked, and his later period explores a sense of the Autumnal, the crepuscular, and the nocturnal. The distinctive use of colour, which matured into a palette Harvey Wood likens to the glow of medieval cathedral stained glass, was perfect for achieving MacTaggart’s artistic aim: to capture within his work a sense of mood. There is something brooding and emotional, tempestuous even within his paintings, which was apparently at odds with the moderate and considered outward demeanour of the man himself. As evidenced abundantly in the works offered here, MacTaggart is an artist who adores his material, a fact immediately apparent to the viewer. There is a sensuality to his handling of paint, and a great richness. As Harvey Wood described so vividly; “His skill with paint is like the exquisite cutting of a lapidary artist”. Not only was he an interesting and notable member of the so-called Edinburgh School of Artists, MacTaggart was also a leader amongst them, serving as President of the Royal Scottish Academy where he is remembered for his energetic and astute tenure. Described as having a “crusading spirit”, he was responsible for promoting and assisting the Arts Council to launch a series of major painting exhibitions, sponsored jointly by the Academy. Thanks to his efforts, works by Braque, the Blau Reiter Group, Delacroix, Modigliani, Soutine and Corot graced the walls of the Academy and served to inspire a new generation of aspiring artistic talented in Scotland.

          Lyon & Turnbull
        • § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) NORWEGIAN FJORD
          Jun. 10, 2021

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) NORWEGIAN FJORD

          Est: £1,000 - £1,500

          § SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) NORWEGIAN FJORD Signed and dated '54, oil on board (24cm x 36cm (9.5in x 14in)) Footnote: Note: Lyon & Turnbull are pleased to present to market a fine selection of work by Sir William MacTaggart. MacTaggart is an interesting figure within Scottish Art. His approach to his subject, distinctive technique of paint application, and above all his jewel-toned palette, renders his work highly recognisable. He was the grandson of William McTaggart, who had been a huge force for change and lasting influence within Scottish art. He shared his forebear’s talent for capturing atmospheric light, as well as an interest in landscape painting from an elemental perspective. Growing up under this important influence, MacTaggart set out to become an artist from the tender age of fifteen. Respiratory issues blighted his childhood and his studies at the Edinburgh College of Art. The outcome was that he spent a lot of time in the healing warmer climate of the South of France - the land of Cezanne - whose influence was notable in his early career work, as it had been in the work of the Scottish Colourists before him. These periods of convalescence also meant he never became fully indoctrinated in the Edinburgh College of Art’s artistic approach at the time, which was still staunchly traditional and centred round draughstmanship, form and tone. His friend and contemporary student H. Harvey Wood wrote in his 1974 monograph on MacTaggart that in many ways his work, and particularly his distinctive palette, was a reaction to the College’s doctrine and relative disinterest in colour (a reaction interestingly also pursued by his contemporaries William Gillies and John Maxwell). His distinctive aesthetic was also due to his shifting interest from the French Impressionist school towards the German Expressionist and Nordic masters like Nolde and Munch. As a result, we see his tones becoming less French and sun-baked, and his later period explores a sense of the Autumnal, the crepuscular, and the nocturnal. The distinctive use of colour, which matured into a palette Harvey Wood likens to the glow of medieval cathedral stained glass, was perfect for achieving MacTaggart’s artistic aim: to capture within his work a sense of mood. There is something brooding and emotional, tempestuous even within his paintings, which was apparently at odds with the moderate and considered outward demeanour of the man himself. As evidenced abundantly in the works offered here, MacTaggart is an artist who adores his material, a fact immediately apparent to the viewer. There is a sensuality to his handling of paint, and a great richness. As Harvey Wood described so vividly; “His skill with paint is like the exquisite cutting of a lapidary artist”. Not only was he an interesting and notable member of the so-called Edinburgh School of Artists, MacTaggart was also a leader amongst them, serving as President of the Royal Scottish Academy where he is remembered for his energetic and astute tenure. Described as having a “crusading spirit”, he was responsible for promoting and assisting the Arts Council to launch a series of major painting exhibitions, sponsored jointly by the Academy. Thanks to his efforts, works by Braque, the Blau Reiter Group, Delacroix, Modigliani, Soutine and Corot graced the walls of the Academy and served to inspire a new generation of aspiring artistic talented in Scotland.

          Lyon & Turnbull
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