Charles Rennie Mackintosh Paintings & Artwork for Sale | Charles Rennie Mackintosh Art Value Price Guide

Apr. 18, 2025
Charles Rennie Mackintosh (Scottish, 1868-1928) Manufacturer: B.d Ediciones De Diseno (Spanish, 1972) Ebonized Wood with Mother of Pearl Inlay And Silver 1984, 'Candlestick'
Est: $400 - $600
Reproduced for B.D. Ediciones de Diseno (now B.D. Barcelona Design) based on a design by Mackintosh, a candlestick designed for the white bedroom at the Hous'Hill. Ebonized wood base with supports inset with mother of pearl. Silver candle cup at the top. The piece 1904.18 Candlestick number 16 produced by B.D and EIX is an exact reproduction in shape and materials of the original designed in 1904 by Charles Rennie Mackintosh, Signed by Roger Billcliffe in CR Mackintosh pamphlet. Provenance: Josep Melo (b.d ediciones de diseno, Barcelona, Spain) by way of Anthony Jones, Glasfow, Scotland; Purchased from above in 1984 by Gil and Lila Silverman, Bloomfield Hills, Michigan; The Property of the Detroit Institute of Arts, for the benefit of the museum Dimensions: 1 PC x H 12.25" W 5.82"
DuMouchelles
Apr. 18, 2025
Charles Rennie Mackintosh (Scottish, 1868-1928) Manufacturer: B.d Ediciones De Diseno (Spanish, 1972) Ebonized Wood And Silver Candlestick, 1984
Est: $400 - $600
Reproduced for B.D. Ediciones de Diseno (now B.D. Barcelona Design) based on a design by Mackintosh, a candlestick designed for the white bedroom at the Hous'Hill. Ebonized wood base and supports with a silver candle cup. The piece 1904.18A Chair number 3 produced by B.D and EIX is an exact reproduction in shape and materials of the original designed in 1904 by Charles Rennie Mackintosh, Signed by Roger Billcliffe in CR Mackintosh pamphlet. Provenance: Josep Melo (b.d ediciones de diseno, Barcelona, Spain) by way of Anthony Jones, Glasfow, Scotland; Purchased from above in 1984 by Gil and Lila Silverman, Bloomfield Hills, Michigan; The Property of the Detroit Institute of Arts, for the benefit of the museum Dimensions: 1 PC x H 12.25" W 5.82"
DuMouchelles
Apr. 18, 2025
Charles Rennie Mackintosh (Scottish, 1868-1928) Manufacturer: B.d Ediciones De Diseno (Spanish, 1972) Ebonized Mahagany, Mother of Pearl And Fabric 1984, 'Ladderback Chair'
Est: $700 - $900
The piece 1904.17 Chair number 68 produced by B.D and EIX is an exact reproduction in shape and materials of the original designed in 1904 by Charles Rennie Mackintosh, Signed by Roger Billcliffe in CR Mackintosh pamphlet. Seat height: 17". Provenance: Josep Melo (b.d ediciones de diseno, Barcelona, Spain) by way of Anthony Jones, Glasfow, Scotland; Purchased from above in 1984 by Gil and Lila Silverman, Bloomfield Hills, Michigan; The Property of the Detroit Institute of Arts, for the benefit of the museum Dimensions: 1 PC x H 43.75" W 16" Depth 16.50"
DuMouchelles
Apr. 18, 2025
Charles Rennie Mackintosh (Scottish, 1868-1928) Manufacturer: B.d Ediciones De Diseno (Spanish, 1972) Ebonized Mahogany , Metal, Leaded Glass, Mother of Pearl And Ceramic 1984, 'Writing Desk'
Est: $800 - $1,200
Based on the design by Mackintosh, example number 13, from model 1902-1904, The Hill House: Drawing Room, Writing Cabinet, made for Walter Blackie. Ebonized mahogany structure with mother-of-pearl and ivory inserts, upper part with two doors, base decorated with lilac glass inlays, internal cavity embellished with a leaded glass and white metal panel. On the back it bears the brand and serial number. The piece 1904.13 Writing Desk number 13 produced by B.D and EIX is an exact reproduction in shape and materials of the original designed in 1904 by Charles Rennie Mackintosh, Signed by Roger Billcliffe in CR Mackintosh pamphlet. Provenance: Josep Melo (b.d ediciones de diseno, Barcelona, Spain) by way of Anthony Jones, Glasfow, Scotland; Purchased from above in 1984 by Gil and Lila Silverman, Bloomfield Hills, Michigan; The Property of the Detroit Institute of Arts, for the benefit of the museum Literature: Pieces of furniture history (1989-1980) G. Chigiotti, G. C. Koeing, F. Alison, p. 28-31 Museo dell'arte contemporanea Ravenna; C. R. Mackintosh - The complete furniture, furniture drawings and interior designs, fourth edition by Roger Billcliffe, illustration; Some designs by C. R. Mackintosh, b.d Ediciones de Diseno. Dimensions: 1 PC x H 44.50" W 37" Depth 18.50"
DuMouchelles
Apr. 17, 2025
‡ CHARLES RENNIE MACKINTOSH (1868-1928)
Est: £100,000 - £150,000
CHARLES RENNIE MACKINTOSH (1868-1928) 'BOULETERNÈRE', CIRCA 1925 watercolour with traces of pencil, signed with initials in pencil lower right CRM, and inscribed to reverse of sheet, possibly by Margaret Macdonald Mackintosh D. BOULETENÈRE (SIC)/ C.R. MACKINTOSH 44cm x 44cm (frame size 72cm x 72cm x 3.5cm) Provenance: Ronald W.B. Morris Esq., Kilmacolm, an executor of the Estate of Margaret Macdonald Mackintosh, acquired after the Memorial Exhibition in 1933Christie's, Edinburgh, 'Fine Paintings and Drawings', April 27, 1989, Lot 570Donald & Eleanor Taffner, New YorkLyon & Turnbull, Edinburgh The Taffner Collection, 7 September 2012, lot 109Private European collection Exhibited: Glasgow, McLellan Galleries Charles Rennie Mackintosh and Margaret Macdonald Mackintosh: Memorial Exhibition, May 1933, no. 136;Glasgow, Glasgow Museum and Art Galleries, Mackintosh Watercolours, July 1979, no. 201;Glasgow, The Fine Art Society, The Memorial Exhibition: A Reconstruction 1983, no. 136Edinburgh, Royal Scottish Academy Mackintosh Watercolours, 8th August - 5th October 1986, no. 48Glasgow, McLellan Galleries, May 25th - September 30th 1996; New York, The Metropolitan Museum of Art, November 19th - February 16th 1996; Chicago, The Art Institute of Chicago, March 29th - June 22nd 1997; Los Angeles, Los Angeles County Museum, August 3rd - October 12th 1997, Charles Rennie Mackintosh, Glasgow Museums Exhibition, Cat. No. 285Edinburgh, Scottish National Gallery of Modern Art Charles Rennie Mackintosh in France, 26th November - 5th February 2006, Cat. No. 292Literature: Billcliffe R. Mackintosh Watercolours, London 1978, p. 44, ill. p. 135, catalogue 201Robertson P. and Long P. Charles Rennie Mackintosh in France, Edinburgh 2006, pp. 34-5Crichton, Robin Monsieur Mackintosh: the Travels and Paintings of Charles Rennie Mackintosh in the Pyrénées-Orientales, Edinburgh 2006, pp. 63-5.The year 1923 saw the Mackintoshes move from London to France, in the Pyrénées-Orientales, at Amélie-les-Bains. Low sales of their artwork, and an increasing number of architectural projects failing to come to fruition saw times become tight for the couple. They would have been encouraged to make the move by their circle of friends in London. Among them, notably, would have been fellow Scot and artist J.D. Fergusson and his partner Margaret Morris, who were both veterans of long sojourns working in France. As well as the obvious attractions of a change in light, climate and landscape, it made sense at a very practical level, offering a far cheaper way of life. France marked the first time in Mackintosh’s life where there were no distractions from or demands away from his painting practice. Perhaps inevitably for an architect, Mackintosh was drawn to the local townscapes of the area. He was not attracted to grandeur however, rather the organic occurrence of more vernacular groups of dwelling - like the town of Bouleternère, somewhat vertiginously arranged on a sloping hill, culminating in a pinnacle topped with small church of rudimentary form. As Margaret remarked in a letter to Jessie Newbery in1925, “the buildings here (in this region of France) are a perpetual joy to us”. These views were not directly topographical, instead often culminations of various viewpoints, arranged ‘just-so’ for the purposes of the paintings’ design. Like many of the French works, Mackintosh employs pale tones demarked by sparer uses of colour in a high key that frequently depart from realism; here in the blue used to delineate the shadows cast by the overhang of the red tiled rooves. In addition, the French watercolours utilise a very foreshortened pictorial plane, a device that again enhances the sense of pattern and design that so distinctly defines his work across all the media and genres he turned his hand to. These artistic choices combine to produce works of great sophistication. The paintings produced in France – between 10-15 a year – are considered very important, being a period of “remarkable evolution in his artistic practice”, as his biographer Roger Billcliffe describes it. Their importance also lies in the chronology of Mackintosh’s output. As Billcliffe continues, “…these works underscore his innovative approach to landscape painting and suggest a promising future as a painter, tragically curtailed by his untimely death from cancer in 1928.''
Lyon & Turnbull
Apr. 17, 2025
‡ CHARLES RENNIE MACKINTOSH (1868-1928)
Est: £20,000 - £30,000
CHARLES RENNIE MACKINTOSH (1868-1928) SUITE OF CUTLERY, 1902 silver, comprising; A SINGLE SOUP SPOON, with deep almost circular bowl and with incised heel, pierced terminal, 26.5cm long; A SINGLE DESSERT SPOON, with deeper bowl and with incised heel, pierced terminal, 26.5cm long; A SINGLE DINNER FORK, with four prongs, pierced terminal, 26cm long; and A SINGLE DESSERT FORK, with four prongs, pierced terminal, 23cm long, each with maker’s mark DWH (David W. Hislop), hallmarked Glasgow 1902 (4) Provenance: Fra H. Newbery and Jessie NewberyElsie Newbery and by family descentBarclay Lennie Fine Art, GlasgowDonald & Eleanor Taffner, New YorkLyon & Turnbull, Edinburgh The Taffner Collection, 7 September 2012, lot 23Private European collection Literature: Howarth T. Charles Rennie Mackintosh and the Modern Movement, New York, 1953, pl. 50Neuwirth W. Josef Hoffmann: Cutlery for the Wiener Werkstätte, Vienna 1982, p. 30Mackintosh was commissioned in 1902 by Jessie and Francis (Fra) Newbery to create an elegant table set for 12 people. Fra Newbery, then director of the Glasgow School of Art, was a strong supporter of Mackintosh’s work and played a crucial role in promoting his career. His wife, Jessie Newbery, was an accomplished embroiderer and influential figure in the Arts & Crafts movement. Their long-standing friendship with Mackintosh and his wife, Margaret Macdonald, fostered many creative collaborations.The commissioned cutlery set included a soup spoon, dessert spoon, dinner fork, and dessert fork. The order was placed through the Glasgow jeweller Edwards & Company and was executed by David W. Hislop, a skilled silversmith who had previously worked with Mackintosh on various projects. The cutlery set was later divided between the Newberys' daughters, Mary and Elsie. Over time, Mary’s pieces were sold separately between 1970 and 1980.Mackintosh’s cutlery design is revolutionary in its form. The spoons and forks feature exceptionally long, slender handles with a distinctive longitudinal oval opening. The forks are particularly striking, as the transition between the handle and the bowl was seamless, creating the illusion of a single, continuous band of metal. On the back, the bowls (except for the dessert fork) have a rectangular support with vertical embossing. The design anticipates Josef Hoffmann’s 1903 flaches Modell (flat model) cutlery, which was later showcased at the 1906 Wiener Werkstätte exhibition Der gedeckte Tisch (The Laid Table).
Lyon & Turnbull
Apr. 17, 2025
CHARLES RENNIE MACKINTOSH (1868-1928)
Est: £15,000 - £20,000
CHARLES RENNIE MACKINTOSH (1868-1928) 'PIMPERNEL', 1901 pencil and watercolour, signed and inscribed lower right PIMPERNEL/ HOLY ISLAND/ JULY 1901/ M T, framed 22cm x 17cm (frame size 44.5cm x 39cm) Provenance: Provenance: William Marshall, GlasgowScottish Private CollectionPencil inscription to verso of frame reads ‘The previous frame’s backboard had written (handwritten) in pencil: ‘The Property of William Marshall/ 45 Cecil Street/ Glasgow (top flat)’Scottish Private Collection
Lyon & Turnbull
Apr. 17, 2025
CHARLES RENNIE MACKINTOSH (1868-1928)
Est: £15,000 - £20,000
CHARLES RENNIE MACKINTOSH (1868-1928) 'BROOKWEED', 1901 pencil and watercolour, signed and inscribed lower right BROOKWEED/ HOLY ISLAND/ JULY 1901/ MT FB C, framed 22cm x 17cm (frame size 44.5cm x 39.5cm) Provenance: William Marshall, GlasgowScottish Private Collection Exhibited: Edinburgh, London, Darmstadt, Zürich, Charles Rennie Mackintosh (1868-1928) Architecture, Design and Painting, 1968, Catalogue number 289, lent by William Marshall, Glasgow1901 was a productive and exciting time for Mackintosh professionally, being the year that he was made a partner in the Glaswegian architectural practice where he worked. Seeking some brief respite from his busy roster of commissions, he and his wife Margaret took a holiday to Holy Island in the month of July, joined by the other members of ‘The Four’: Margaret’s sister Frances Macdonald and her husband Herbert McNair, as well as Margaret and Frances’s brother, Charles.Given the trip was for such a short duration, sketches from this excursion are scarce. Nonetheless, the impact of this visit on both Mackintosh’s artistic and architectural practice was marked. For example, the surviving sketches show that he was deeply absorbed by Lindisfarne Castle. It has been noted that its sweeping, austere curves find echoes in his architectural language, for example in the Glasgow School of Art’s design which was completed in phases between 1896 and 1909. Mackintosh had begun to develop his botanical studies in the 1890s, but the series of works from Holy Island are notable in that they crystallize the format for his botanical drawings thereafter. It is here, for example, that he begins to add his distinctive, almost Japanistic ‘cartouche’, featuring the initials of the companions present at the time of the work’s inception. In the past some have implied that the presence of ‘MM’ on such works suggest that Margaret did the colouring, but this does not fit with what is known of his attitude as an artist. Those close to him, notably Mary Sturrock - daughter of his friend and mentor Fra Newbery - are adamant that Mackintosh would not have let his artwork be added to in such a manner. Further support for this can be found in ‘Brookweed’ and other Holy Island watercolours, some of which feature more than two sets of initials. In ‘Brookweed’ the picture is signed M (for Margaret Macdonald), T (Tosh for Mackintosh himself), F (for Frances Macdonald), B (for Herbert (Bertie) McNair), and C (for Charles Macdonald, Margaret and Frances's brother), which appears to confirm the theory that the inscriptions were more of an aide memoire or dedication to those who were present when the pictures were made. Botanic studies were central to Mackintosh’s artistic practise. Even when he was busy with his architectural business, they remain a mainstay. Mackintosh’s ideology had sprung from the tenets of the Arts and Crafts Movement, in tandem with European Art Nouveau, and it is crucial to understand that his design language, whether that be architecturally or artistically, ultimately found its basis in his belief that nature was the source of beauty. His work across all media is characterised by a sinewy, linear approach to form, the distillation of the essential patterns and design of the natural world. This fascinating, alchemical process by which Mackintosh transforms the organic into design is arguably most tangible in his botanical studies, which perhaps explains their enduring appeal. The drawings vary subtly over the course of time. From naturalistic depictions on Holy Island in 1901, to analytical, almost scientific studies in Sintra in 1908. Ultimately a more wholly decorative interest was developed post-1910, enhanced by the fact he is highly likely to have begun pressing his flower stems in order to more clearly expose the decorative formal possibilities. Finally, there was the explosion of botanical studies in Walberswick in 1914 (40 over a period of approximately 12 months), which marked a move from depictions purely of wildflowers to the inclusion of cultivated blooms.Writing for The Studio in 1897, London critic Gleeson White remarked that the work of the ‘Spook School’, “is singularly free from vulgarity of idea, redundance of ornament, and misapplication of material…”. This sentiment holds across all aspects of Mackintosh’s work, but perhaps most particularly his botanical studies. This meeting of classicism and modernity, precision and invention, the spare and the decorative, goes some way to explain the timelessness of these pieces.
Lyon & Turnbull
Apr. 17, 2025
CHARLES RENNIE MACKINTOSH (1868-1928)
Est: £4,000 - £6,000
CHARLES RENNIE MACKINTOSH (1868-1928) CABINET FOR SCOTLAND STREET SCHOOL, 1906 stained beech and pine, with brass fittings 156.5cm wide, 137cm high, 46cm deep Provenance: Scotland Street School, Glasgow, Scotland Literature: Billcliffe R. Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings & Interior Designs, Cameron & Hollis, 2009, p. 237, no. 1906.23 where an example of this cabinet is illustrated.Several examples held by Glasgow Museums (accession nos. ME.2000.8.52-4 and ME.2000.8.87)Scotland Street School in Glasgow was designed by Mackintosh in 1903-4 and was to be his last totally new architectural work for the city. He was also responsible for the interiors, as was the case for other projects including The Glasgow School of Art and the Ingram Street Tearooms. The simpler design of this cabinet compared to other Mackintosh furniture reflects the more practical, institutional setting for which it was destined.
Lyon & Turnbull
Apr. 17, 2025
CHARLES RENNIE MACKINTOSH (1868-1928)
Est: £800 - £1,200
CHARLES RENNIE MACKINTOSH (1868-1928) HIGH STOOL, CIRCA 1894 stained beech 33cm diameter, 69cm high Literature: Billcliffe R. Charles Rennie Mackintosh: The Complete Furniture Drawings & Interior Designs, Moffatt 2009, page 32, illus. D1894-96.1Made for Queen Margaret Medical College, Glasgow, the treatment of the stretchers in these stools appears to echo those of the domino table designed by Mackintosh in 1898 for the Argyle Street Tea Rooms.
Lyon & Turnbull
Apr. 17, 2025
CHARLES RENNIE MACKINTOSH (1968-1928) AND MARGARET MACDONALD MACKINTOSH (1865-1933) INTEREST
Est: £1,000 - £1,500
CHARLES RENNIE MACKINTOSH (1968-1928) AND MARGARET MACDONALD MACKINTOSH (1865-1933) INTEREST MEMORIAL EXHIBITION CATALOGUE, 1933 McLellan Galleries, Glasgow, 4-27th May 1933, printed by Begg Kennedy & Elder Printers, Glasgow, together with; THE ANNUAL REPORT OF THE GLASGOW SCHOOL OF ART, Session: 1904-05; THE GLASGOW SCHOOL OF ART PROSPECTUS, Session: 1906-07; a GLASGOW SCHOOL OF ARCHITECTURE PRESENTATION TOKEN, inscribed to George F. S. Shanks, Session 1916-17, for excellence in Architectural Design, 2.7cm wide, 4cm high; and TWO GLASGOW SCHOOL OF ARCHITECTURE MEDALLIONS, for Excellence in Architecture, inscribed to George Annand, Session 1932-33, and William H. Sanders, Session 1936-37, both cased, 4.8cm diameter (6)
Lyon & Turnbull
Mar. 25, 2025
CHARLES RENNIE MACKINTOSH (Scotland, 1868 - 1928) for BD. Domino side table, ca. 1980. Black lacquered wood. Original design from 1911.
Est: €1,700 - €2,000
CHARLES RENNIE MACKINTOSH (Scotland, 1868 - 1928) for BD. Domino side table, ca. 1980. Black lacquered wood. Original design from 1911. Measurements: 70,5 x 50 x 50 cm. Iconic table model "Domino" originally designed by Charles Mackintosh in 1911 for Glasgow tearooms and produced by BD in the 1980s. It consists of a circular top and a lower shelf formed by four squares, establishing in both a bold play of geometric shapes and clean lines. Mackintosh was a Scottish architect, designer and watercolorist who played a key role in the Arts & Crafts movement, and was also the leading exponent of Art Nouveau in the UK. He decided to devote himself to architecture at the age of sixteen, and during his life he dedicated himself to transforming the buildings, furniture and art of Glasgow. Virtually all of his furniture creations were designed by Mackintosh for the tea rooms he decorated, the most famous of which was the Willow Tea Room. He rose to fame after exhibiting his pieces at the Vienna Secession exhibition of 1900. In fact, his style was one of the most prominent of modernism in its geometric version, also practiced by the Viennese. Thus, he developed a work marked by decorative sobriety and straight lines. He shares with organic modernism the search for asymmetry and inspiration in the plant world, but his interpretation is radically different. Most of his work is collected in the Hunterian Art Gallery of the University of Glasgow, as well as in the Metropolitan Museum and MoMA in New York, the Orsay Museum in Paris, the Design Museum, the Tate Gallery and the Victoria & Albert in London, among others.
Setdart Auction House
Mar. 25, 2025
Charles Rennie Mackintosh (Scottish, 1868-1928) Hill House 1 Chair, designed 1904, height 140 cm
Est: $800 - $1,200
Charles Rennie Mackintosh (Scottish, 1868-1928) Hill House 1 Chair, designed 1904 manufactured by Cassina, ebonised wood, wool upholstery, retains factory stamp to the underside
Shapiro Auctioneers
Mar. 01, 2025
Charles Rennie Mackintosh (1868-1928)
Est: kr2,000 - kr4,000
Table with folding frame in black lacquered ash wood. Table top with 2 flaps. Produced in 1999 for Cassina, labelled at the bottom. H. 75. B. 125. L. 57/177 cm. Presents with normal signs of wear. Shows signs of age-related use. No resale rights
Svendborg Auktionerne ApS
Feb. 25, 2025
Charles Rennie Mackintosh (Glasgow 1868 - Londra 1928) nello stile di
Est: €400 - €600
Charles Rennie Mackintosh (Glasgow 1868 - Londra 1928) nello stile di Mobile espositore angolare Legno laccato nero e coperture in metallo, ripiani in cristallo molato trasparente Prod. Italia, 1970 ca. 156,5 x 45 x 45 cm Charles Rennie Mackintosh (Glasgow 1868 - London 1928) in the style of A corner display cabinet Black lacquered wood and metal covers, transparent bevelled glass shelves Italy Prod., ca. 1970 156,5 x 45 x 45 cm
Lucas Aste
Feb. 24, 2025
CHARLES RENNIE MACKINTOSH (Scotland, 1868 - 1928) for BD. Domino side table, ca. 1980. Lacquered wood. In overall good condition.
Est: €1,500 - €1,600
CHARLES RENNIE MACKINTOSH (Scotland, 1868 - 1928) for BD. Domino side table, ca. 1980. Lacquered wood. In overall good condition. Measurements: 70,5 x 50 x 50 cm. Iconic Domino table originally designed by Charles Mackintosh in 1911 for Glasgow tearooms and produced by the Barcelona-based publisher BD in the 1980s. Mackintosh was a Scottish architect, designer and watercolorist who played a key role in the Arts & Crafts movement, and was also the leading exponent of Art Nouveau in the UK. He decided to devote himself to architecture at the age of sixteen, and during his life he dedicated himself to transforming the buildings, furniture and art of Glasgow. Virtually all of his furniture creations were designed by Mackintosh for the tea rooms he decorated, the most famous of which was the Willow Tea Room. He rose to fame after exhibiting his pieces at the Vienna Secession exhibition of 1900. In fact, his style was one of the most prominent of modernism in its geometric version, also practiced by the Viennese. Thus, he developed a work marked by decorative sobriety and straight lines. He shares with organic modernism the search for asymmetry and inspiration in the plant world, but his interpretation is radically different. Most of his work is collected in the Hunterian Art Gallery of the University of Glasgow, as well as in the Metropolitan Museum and MoMA in New York, the Orsay Museum in Paris, the Design Museum, the Tate Gallery and the Victoria & Albert in London, among others.
Setdart Auction House
Feb. 18, 2025
Charles Rennie Mackintosh 1868 Glasgow-London 1928 Chair model 326 Willow 2
Est: €200 - €400
Charles Rennie Mackintosh 1868 Glasgow-London 1928 Chair model 326 Willow 2 1904-1970s Black painted wood and rope seat cm h 104.5x45.5x40 Manufacturer's mark (Cassina) and serial number under the seat
Casa d'aste ARCADIA
Feb. 13, 2025
CHARLES RENNIE MACKINTOSH (1868 - 1928). FOR CASSINA. "HILL HOUSE" MODEL CHAIR.
Est: €400 - €900
Model designed in 1902 for the project for the room at Hill House in Helensburgh, near Glasgow, Scotland, from which it takes its name. Mackintosh, together with his wife Margaret Macdonald and the group ‘The Four’, was one of the leading figures of geometric Art Nouveau movement that flourished in early 20th-century in Europe. Since 1973, Cassina has been reissuing Mackintosh's designs with furniture craftsmen from Meda, in the Brianza region, north of Milan. Structure in solid ash wood stained in black. Seat in solid beech with elastic cross webbing and upholstered in ochre velvet. Minor chipping at the waist. 140.5 x 41 x 32.5 cm.
Subarna Subastas
Feb. 13, 2025
CHARLES RENNIE MACKINTOSH (1868 - 1928). FOR CASSINA. "WILLOW 1" MODEL ARMCHAIR.
Est: €750 - €1,900
This model was designed in 1903 for the ‘Willow Tea Room’ project in Glasgow, from which it takes its name. The large backrest was used to divide the anteroom from the rear lounge, framing the seat in an articulated pattern of lines and shapes which reflects Mackintosh's geometric style. Mackintosh, together with his wife Margaret Macdonald and the group "The Four", was one of the leading figures in the geometric Art Nouveau movement that flourished in early 20th century in Europe. Since 1973, Cassina has been reissuing Mackintosh's designs in collaboration with furniture craftsmen from Meda, in the Brianza region, north of Milan. Backrest structure in solid ash wood stained in black. Base in ash-veneered beech plywood stained in black. Cushion in polyurethane foam and upholstery in green velvet. It has some chipping and a restoration on the backrest. 119 x 93 x 42.5 cm.
Subarna Subastas
Feb. 11, 2025
CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928), AURICULA
Est: £2,000 - £3,000
CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928)AURICULAWatercolour and pencilSigned with monogram, titled and dated 'AP.25' (lower right)12 x 17cm (4½ x 6½ in.)
Dreweatts 1759 Fine Sales
Feb. 11, 2025
CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928), DOUBLE CHERRY
Est: £2,000 - £3,000
CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928)DOUBLE CHERRY, PINKWatercolour and pencilSigned with monogram, titled and dated 'AP.24.07'(lower right)12 x 19.5cm (4½ x 7½ in.)
Dreweatts 1759 Fine Sales
Feb. 04, 2025
Charles Rennie MACKINTOSH (1868-1928)
Est: €200 - €300
Chaise, modèle Hill House, modèle créé en 1903 En bois noir Édition Cassina 141 x 41 x 35 cm Le modèle originale a été réalisé en 1903 pour la Villa Hill House à Helensburg près de Glasgow. Bibliographie: Modèle similaire reproduit in - Sembach, Leuthauser, Gossel, Le Design du Meuble Au XXe siècle, Taschen, Cologne, 1989, p. 54-55 A 'Hill House' chair by Charles Rennie Mackintosh
Maurice Auction
Dec. 12, 2024
MACKINTOSH CHARLES RENNIE (1868 - 1928) - Cupboard with extractable shelf for Cassina, Meda
Est: €1,200 - €1,600
MACKINTOSH CHARLES RENNIE (1868 - 1928). Cupboard with extractable shelf for Cassina, Meda. 1990s. Production mark.. 170,50 x 46 x 161 cm.
Capitolium Art
Nov. 29, 2024
Charles Rennie Mackintosh (Glasgow 1868-Londra 1928) - Sideboard by Charles Rennie Mackintosh for Cassina, in black lacquered ash, 1980
Est: €3,000 - €99,999
Base with six cubic drawers above three wardrobe doors, decoration with leaded glass panel, slightly spun.
ArtLaRosa
Nov. 14, 2024
Charles Rennie Mackintosh for Cassina (Scottish, 1868-1928) Hill House Chair, Ca. 1980s, H 55" W 16.5" Depth 14.5"
Est: $300 - $600
Black lacquered wood frame with a ladder-back design. Black upholstered seat cushion.
DuMouchelles
Nov. 13, 2024
THREE VITRA DESIGN MUSEUM MINIATURE CHAIRS Early 20th Century Heights from 5" to 9".
Est: $250 - $350
THREE VITRA DESIGN MUSEUM MINIATURE CHAIRS Early 20th Century 1) Josef Hoffmann "Nr. 371" (1906) in mahogany with stain and shellac varnish. 2) Charles Rennie Mackintosh "Hill House 1" (1903) in black-stained maple and green fabric. 3) Mies Van Der Rohe "MR 20" (1927) in dark blue wicker and nickel plated tubular steel.
Eldred's
Oct. 26, 2024
Mackintosh, Charles Rennie: Ein Paar Cranstone-Kerzenleuchter
Est: €400 - €600
Charles Rennie Mackintosh 1868 - 1929 A pair of Cranstone candlesticks Metal, silver plated; H 31.5 cm each; each hallmarked several times: ''Charles Rennie Mackintosh'' ''Sabatini Italy'' ''1985''; Nr. 00035'' or ''Nr. 00036''; production from the 80s
Peter Karbstein - Kunst und Auktionshaus
Oct. 17, 2024
CHARLES RENNIE MACKINTOSH (1968-1928) FOR MISS CRANSTON'S ARGYLE STREET TEA ROOMS
Est: £4,000 - £6,000
CHARLES RENNIE MACKINTOSH (1968-1928) FOR MISS CRANSTON'S ARGYLE STREET TEA ROOMS STOOL, 1898 stained oak 44.5cm wide, 38.5cm high, 38cm deep Provenance: Private Collection, Glasgow Literature: Billcliffe R. Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings & Interior Designs, Cameron & Hollis, 2009, pp. 10-12, 55, 56 and 59., 1898.H where the stools are illustrated in situ, and 1898.34 where this example is illustratedHowarth T. Charles Rennie Mackintosh and The Modern Movement. Routledge and Kegan Paul 1952, pl. 49BNote: In 1898, early in Mackintosh’s career entrepreneur Catherine Cranston - known as Miss Cranston - commissioned him to furnish her new rooms at her tearooms on Argyle Street, Glasgow. Miss Cranston was to be an important patron for the young architect, who came to rely on a relatively small number of patrons throughout his career. The commission afforded Mackintosh a new freedom to experiment, whilst leading to further projects, including the Ingram Street Tea Rooms (1900) and the Willow Tea Rooms (1903)The work at Argyle Street followed on from his previous work at Miss Cranston's new Buchannan Street Tea Rooms, which had been conceived two years earlier in 1896. mackintosh was commissioned to decorate the walls with designer George Walton the furnishings. In this new undertaking, however, Mackintosh found himself in a role reversal, being fully in charge of the furnishings whilst Walton was preoccupied with designing the interiors.The furniture Mackintosh designed for these new rooms exhibit a new, more robust evolution of his repertoire and established a style for much of his work up to 1900. The bold and simple aesthetic of the designs marked him out from his contemporaries, and for the first time the distinctive furniture he produced was also employed to define and separate the rooms as designed by Walton.This rare stool, one of five seen in contemporary photographs, was part of a group of furniture he designed for the Billiards and Smoking Rooms, which occupied the building's top two floors above the tea and luncheon rooms. The tearooms were a haven from the city for both men and women, however the Smoking and Billiards Rooms were purely a masculine domain and the design and construction of the furniture is a reflection of that fact.Combining English Arts & Crafts and Scottish vernacular design, Mackintosh produced three types of sturdy and generous seating for these rooms; a ladderback armchair, its long, rectangular back rail adorned with ascending wooden slats; a cube shaped armchair, a version of the previous chair without the tall back; and a stool, only seen in the Smoking Room from contemporary photographs. All of the furniture was either clear-varnished or dark-stained and waxed. The construction of the stools is traditional, although the panelling and distinctively shaped cut-out handles to each side certainly not. The shaped seat is reflected in the other seating in these rooms.The Argyle Street Tea Rooms closed in 1920, and much of the furniture was dispersed. The robust construction of the furniture has helped them withstand many years of use, however it is their beautiful and functional design which has stood the test of time.
Lyon & Turnbull
Oct. 10, 2024
CHARLES RENNIE MACKINTOSH (1868 - 1928). FOR CASSINA. "WILLOW 1" MODEL ARMCHAIR.
Est: €1,000 - €1,900
This model was designed in 1903 for the ‘Willow Tea Room’ project in Glasgow, from which it takes its name. The large backrest was used to divide the anteroom from the rear lounge, framing the seat in an articulated pattern of lines and shapes which reflects Mackintosh's geometric style. Mackintosh, together with his wife Margaret Macdonald and the group "The Four", was one of the leading figures in the geometric Art Nouveau movement that flourished in early 20th century in Europe. Since 1973, Cassina has been reissuing Mackintosh's designs in collaboration with furniture craftsmen from Meda, in the Brianza region, north of Milan. Backrest structure in solid ash wood stained in black. Base in ash-veneered beech plywood stained in black. Cushion in polyurethane foam and upholstery in green velvet. It has some chipping and a restoration on the backrest. 119 x 93 x 42.5 cm.
Subarna Subastas
Oct. 10, 2024
CHARLES RENNIE MACKINTOSH (1868 - 1928). FOR CASSINA. "HILL HOUSE" MODEL CHAIR.
Est: €500 - €900
Model designed in 1902 for the project for the room at Hill House in Helensburgh, near Glasgow, Scotland, from which it takes its name. Mackintosh, together with his wife Margaret Macdonald and the group ‘The Four’, was one of the leading figures of geometric Art Nouveau movement that flourished in early 20th-century in Europe. Since 1973, Cassina has been reissuing Mackintosh's designs with furniture craftsmen from Meda, in the Brianza region, north of Milan. Structure in solid ash wood stained in black. Seat in solid beech with elastic cross webbing and upholstered in ochre velvet. Minor chipping at the waist. 140.5 x 41 x 32.5 cm.
Subarna Subastas
Oct. 09, 2024
CHARLES RENNIE MACKINTOSH (1868-1928) / CASSINA
Est: €400 - €500
Hill House chair. Design 1902. Black lacquered ash wood and green velvet. With signature, stamp Cassina and number underneath. Description FR Chaise Hill House. Conçue en 1902. Bois de frêne laqué noir et velours vert. Avec signature au revers, cachet Cassina et numéro. Beschrijving NL Hill House stoel. Ontwerp 1902. Zwart gelakt essenhout en groen fluweel. Met onderaan signatuur, stempel Cassina en nummer.
Bernaerts Auctioneers
Oct. 08, 2024
CHARLES RENNIE MACKINTOSH. Four chairs for CASSINA
Est: €700 - €900
CHARLES RENNIE MACKINTOSH (Glasgow 1868-Londra 1928). Four Ingram model chairs in lacquered wood with padded seat covered in fabric. Made by CASSINA. With manufacturer's brand and code under the seat. 1970s. Signs of wear and tear. Measurements of two low-backed chairs: approx. 106x47x43 cm. Measurements of two high-backed chairs: approx. 150.5x47x43 cm. CHARLES RENNIE MACKINTOSH (Glasgow 1868-Londra 1928). Quattro sedie modello Ingram in legno laccato con seduta imbottita rivestita in tessuto. Produzione CASSINA. Con marchio del produttore e codice sotto la seduta. Anni '70. Segni di usura del tempo. Misure due sedie con schienale basso: 106x47x43 cm ca. Misure due sedie con schienale alto: 150,5x47x43 cm ca.
Viscontea Casa d'Aste s.r.l.
Oct. 01, 2024
CHARLES RENNIE MACKINTOSH, ESSTISCH "322 - DS1"
Est: CHF500 - CHF800
(Glasgow 1868–1928 London) Entwurf von 1915. Lizenzierte Reedition von Cassina. Esche, schwarz gebeizt. Herstellerbezeichnung "Cassina No 5038 C. R. Mackintosh (Faksimile-Signatur) MADE IN ITALY". 125x180x75 cm. - Alters- und Gebrauchsspuren.
Schuler Auktionen
Sep. 18, 2024
CHARLES RENNIE MACKINTOSH, ESSTISCH "322 - DS1"
Est: CHF500 - CHF800
(Glasgow 1868–1928 London) Entwurf von 1915. Lizenzierte Reedition von Cassina. Esche, schwarz gebeizt. Herstellerbezeichnung "Cassina No 5038 C. R. Mackintosh (Faksimile-Signatur) MADE IN ITALY". 125x180x75 cm. - Alters- und Gebrauchsspuren.
Schuler Auktionen
Jul. 20, 2024
Prints, Charles Rennie Mackintosh
Est: $100 - $200
(lot of 3) Charles Rennie Mackintosh (Scottish, 1868-1928), "Sea Pink, Holy Island", 1901; "Spurge With Yham", 1909, Published by Camasail Fine Art, Dunbartonshire, Scotland; and "Fritillaria Walberswick", 1915, Published by Gareloch Prints, Clynder, Dunbartonshire, offset prints, gallery labels (Hunterian Art Gallery, University of Glasgow, Mackintosh Collection) affixed verso, overall (with frame, for each): 16"h x 14"w
Clars Auctions
Jul. 16, 2024
Charles Rennie Mackintosh, Hill House chairs from the Collection of Jim Carrey, pair
Est: $2,000 - $3,000
Charles Rennie Mackintosh Hill House chairs from the Collection of Jim Carrey, pair Cassina United Kingdom / Italy, 1902 / c. 2000 stained ash, hand-painted velvet upholstery 55.125 h x 16.75 w x 14 d in (140 x 43 x 36 cm) Provenance: The Jim Carrey Collection This work will ship from Los Angeles, California.
Los Angeles Modern Auctions
Jul. 05, 2024
Charles Rennie Mackintosh Table model "322". Produced by Cassina, Meda, 1970s/1980s. Solid and black painted veneered oak. (h 79 cm.; d 170 cm.) (slight defects) Literature G. Bosoni, Made in Cassina, Skira, Milano 2008, p. 101...
Est: €450 - €500
(Glasgow 1868 - Londra 1928) Table model "322". Produced by Cassina, Meda, 1970s/1980s. Solid and black painted veneered oak. (cm 177x75x125) (slight defects) Literature G. Bosoni, Made in Cassina, Skira, Milano 2008, p. 101 IT Tavolo modello "322". Produzione Cassina, Meda, anni '70/'80. Legno di rovere massello e impiallacciato tinto nero. (cm 177x75x125) (lievi difetti) Bibliografia G. Bosoni, Made in Cassina, Skira, Milano 2008, p. 101
Il Ponte Auction House
Jun. 29, 2024
Charles Rennie MACKINTOSH (1868-1928) - SABATTINI Editeur
Est: €500 - €800
BOUGEOIR modèle "Cranston" Quatre tiges soutenant une coupelle Métal argenté, signé N° 00194 H. 32,5 cm
OXIO
Jun. 27, 2024
Charles Rennie Mackintosh (1868-1928) Scottish, Architectural Sketch: Canterbury Cathedral from Slaters Yard, signed 'C R. M' and dated 11 Sept /93, pencil, image 17 cm x 24 cm, framed and glazed 36 cm x 42 cm.
Est: £800 - £1,200
Charles Rennie Mackintosh (1868-1928) Scottish, Architectural Sketch: Canterbury Cathedral from Slaters Yard, signed 'C R. M' and dated 11 Sept /93, pencil, image 17 cm x 24 cm, framed and glazed 36 cm x 42 cm.
Dawsons Auctioneers
Jun. 20, 2024
Charles Rennie Mackintosh 'Hill House Chair' replica (140 x 42 x 40cm)
Est: $100 - $150
Charles Rennie Mackintosh 'Hill House Chair' replica (140 x 42 x 40cm)
Lawsons
Jun. 05, 2024
Charles Rennie Mackintosh, Canary Creeper, Walberswick
Est: $15,000 - $20,000
(Scottish, 1868-1928) Tropioleum Carieriancis, circa 1914-15, inscribed with title in lower right, watercolor over pencil on Original Castle Mill laid paper with watermark, 10-1/8 x 7-7/8 in. (26 x 20.3 cm.); parcel gilt frame, 16 x 13-7/8 x 3/4 in. Provenance: Widow of the artist, Margaret MacDonald Mackintosh; Ronald W.B. Morris, Esq., Kilmacolm, Renfrewshire; The Piccadilly Gallery, London (label verso); Davis & Long Company, New York, No. DL 858 (labels verso); The Collection of Clare and Jared Edwards, West Hartford, Connecticut Exhibited: Charles Rennie Mackintosh, 1868-1928 ; architecture, design and painting. A centenary exhibition arranged by the Scottish Arts Council in association with the Edinburgh Festival Society [and shown at the] Victoria and Albert Museum, 30 Oct.-29 Dec, 1968, no. 296, pp 61-62, (accompanied by a facsimile of the catalog entry) Note: Andrew McLaren Young states in the exhibition catalog, 'Exceptionally, Mackintosh has not dated this study. It is, however, in the style of his Walberswick flowers of 1914-15. Mackintosh's spelling was always idiosyncratic: his attempt at the Linnean name of the flower shows it no less unusual in Latin than in English.'
Brunk Auctions
May. 24, 2024
Charles Rennie Mackintosh Glasgow 1868-Londra 1928 Willow 1 armchair in lacquered ash wood
Est: €700 - €900
Willow 1 armchair in lacquered ash wood Produced by Cassina, Italy 1980sSeat width cm 36Mark inside the container compartment cm 119x94x41
Gliubich Casa d'Aste
May. 24, 2024
Charles Rennie Mackintosh Glasgow 1868-Londra 1928 Hill House
Est: €700 - €900
Hill House Produced by Cassina, Italy 1980s cm 140x36x41
Gliubich Casa d'Aste
May. 08, 2024
CHARLES RENNIE MACKINTOSH 1868-1928 Due sedie produzione Cassina anni '80 - CHARLES RENNIE MACKINTOSH 1868-1928 Two Cassina production chairs 1980s
Est: €375 - €450
Legno, paglia intrecciata. Marchio originale. Lievi difetti. 76,00 x 50,00 x 46,00 cm (2) - Wood, braided straw. Original mark. Minor defects.. 29.92 x 19.68 x 18.11 in. (2)
Aste Bolaffi
May. 08, 2024
CHARLES RENNIE MACKINTOSH 1868-1928 Due poltroncine produzione Cassina anni '80 - CHARLES RENNIE MACKINTOSH 1868-1928 Two Cassina production armchairs 1980s
Est: €250 - €300
Legno verniciato, tessuto. Marchio e numerazione. Difetti. 72,00 x 44,00 x 35,00 cm (2) - Painted wood, fabric. Marked and numbered. Defects. 28.35 x 17.32 x 13.78 in. (2)
Aste Bolaffi
Apr. 20, 2024
Charles Rennie Mackintosh (2) Willow 1 Chairs for Cassina, designed 1904, produced 1973
Est: $2,000 - $4,000
Charles Rennie Mackintosh (Scottish, 1868-1928) (2) Willow 1 Chairs for Cassina, designed 1904, produced 1973 Stained black ashwood and beech plywood with beige leather cushion Stamped Cassina Charles Rennie Mackintosh 1435, underside of each seat door Dimensions reflect each chair.
Larsen Art Auction
Apr. 18, 2024
CHARLES RENNIE MACKINTOSH AND JESSIE MARION KING
Est: £300 - £500
CHARLES RENNIE MACKINTOSH AND JESSIE MARION KING COLLECTION OF BOOKS AND CATALOGUES Blair, Matthew, The Paisley Thread, Paisley: Alexander Gardner; Howarth, Thomas, Charles Rennie Mackintosh and the Modern Movement, Glasgow University Publications; Scottish Art Review, vol. XIV no.4, Glasgow Art Gallery and Museums Association; ‘Charles Rennie Mackintosh (1868-1928): Architecture, Design and Painting’ (Exhibition Catalogue, Edinburgh Festival, 1968); Billcliffe, Roger, Mackintosh Watercolours, Glasgow Art Gallery in association with The Fine Art Society; Charles Rennie Mackintosh, Five Flower Drawings, 915/1000, published May 1979 by Alexander Woodrow & Son Ltd; Burkhauser Jude (ed.), Glasgow Girls: Women in Art and Design 1880-1920, Canongate; White, Colin, The Enchanted World of Jessie M. King, Canongate; McCardel, James, New Kilpatrick Parish and its Story, Bell and Bain Limited, Glasgow; ‘Jessie M. King (1875-1949)’ 1971-2, The Scottish Arts Council; ‘The Royal Glasgow Institute of The Fine Arts, Catalogue of the Seventy-Fourth Exhibition’, 1935, McLellan Galleries, Glasgow; ‘Glasgow Society of Lady Artists, in 1882', Glasgow Society of Women Artists; Holme, C. Geoffrey, Artists' Country, London: The Studio Ltd.; ‘Jessie Marion King’, Barclay Lennie Fine Art Ltd, 1989; Holme, Charles (ed.) Paris Past and Present, Special Autumn Number of ‘The Studio’ 1915; The Studio, Special Winter-Number 1899-1900; The Studio Magazine, vols. 60-61 (10) (17)
Lyon & Turnbull
Apr. 18, 2024
CHARLES RENNIE MACKINTOSH (1868-1928)
Est: £800 - £1,200
CHARLES RENNIE MACKINTOSH (1868-1928) EASEL FOR THE GLAGSOW SCHOOL OF ART, CIRCA 1910 stained pine 76cm wide, 238cm high, 73cm deep Literature: Billcliffe R. Charles Rennie Mackintosh, The Complete Furniture, Furniture Drawings and Interior Designs, Moffatt 2009, pp. 258-9, 1910.10 illus.
Lyon & Turnbull