Vicente Macip Sold at Auction Prices

b. 1474 - d. 1550

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      • VICENTE MACIP (Valencia, ca. 1555-1623). "The Adoration of the Child", c. 1510-1525. Oil on panel. Attached expert report issued by Don Alberto Velasco. It presents restorations in the pictorial surface.
        Apr. 10, 2024

        VICENTE MACIP (Valencia, ca. 1555-1623). "The Adoration of the Child", c. 1510-1525. Oil on panel. Attached expert report issued by Don Alberto Velasco. It presents restorations in the pictorial surface.

        Est: €40,000 - €50,000

        VICENTE MACIP (Valencia, ca. 1555-1623). "The Adoration of the Child", c. 1510-1525. Oil on panel. Attached expert report issued by Don Alberto Velasco. It presents restorations in the pictorial surface. Measurements: 89.5 x 65 cm; 121 x 94 cm (frame). According to the words of the expert Mr. Alberto Velasco "This is an unpublished work that represents an important contribution to the catalog of paintings by Vicente Macip, the former Master of Cabanyes, one of the introducers of the Renaissance language in Valencian lands. The work, of great effectiveness thanks to the perspectival treatment, the richness of the details and the partially classicist design of the architectures, connects perfectly with the known of the Valencian master and places us before the result of a significant union of the Flemish tradition with the Italianizing novelties that at the beginning of the 16th century were taking root in the Hispanic kingdoms.the protagonists of the episode appear represented in the foreground, with Mary and Joseph kneeling adoring the Child. Another of the protagonists of the episode is God the Father, who is depicted bust-length in the upper area surrounded by scalloped clouds of notable atmospheric charge. The image of the Almighty emphasizes the transcendent nature of an episode that takes place in the human world, the birth and advent of his Son. As for the three shepherds, one of them has entered the space where Jesus is and has also prostrated himself on his knees. He is dressed as such and covers his head with a turban, while holding a lamb in his hands. The other two shepherds appear somewhat separated from the action, on the outside, sheltered behind a parapet. One of the most significant aspects is the hybridization that occurs between the square columns decorated with candelieri motifs and the ribbed vaults that top them, which tells us about this transitional language and how the novelties were adapted to the existing tradition. Iconographically, one of the most striking aspects, which could even be considered a rarity, is the presence of St. John in the foreground receiving a remarkable prominence by placing him in the central axis of the composition". Vicente Macip Comes, Renaissance painter also known as "Vicente Joanes" and son of the painter Joan de Joanes, also known as Juan de Juanes. Apparently, the only documented work of the master is the altarpiece of the parish church of Bocairente, which his father contracted in 1578 and could not finish because he died a year later, being, therefore, his son the one who took care of finishing it but still maintaining the collaboration with his father, which makes it difficult for experts to see the son's own hand.

        Setdart Auction House
      • 3 ATTRIBUÉ À VICENTE MACIP (1475–1545) VIERGE ALLAITANT L’ENFANT
        Mar. 29, 2019

        3 ATTRIBUÉ À VICENTE MACIP (1475–1545) VIERGE ALLAITANT L’ENFANT

        Est: €20,000 - €30,000

        3 Attribué à Vicente MACIP (1475–1545) 
Vierge allaitant l’Enfant 
Panneau de peuplier, quatre planches renforcées 
62 x 52,5 cm 
Fentes et manques On peut le rapprocher de trois tableaux d’atelier qui dérivent d’un modèle de Joan de Joanes conservé dans la collection Villanueva à Madrid (voir José Albi, Joan de Joanes y su circulo artistico, Valence, 1978, tome I, pp.425-427 et reproduits tome III, planche 76). On connait de cette composition trois autres versions avec de nombreuses variantes : - La première est dans la collection Batlle à Villafamés (voir J. Albi, opus.cite supra., Valence, 1978, tome I, pp.98-100, reproduit tome III, pl. 2) avec des variantes dans les personnages latéraux. - La seconde version est dans la collection Marti à Valence avec l’adjonction d’un Saint Joseph à droite (voir J. Albi, op.cite supra, tome I, pp.115-117, reproduit tome III, pl. 8). - La troisième version est au musée de Valence (voir J. Albi, op.cite supra, tome I, pp.117-118, reproduit tome III, pl. 9). Ces trois versions présentent des variantes avec la nôtre qui est la seule qui comporte un paysage. 20 000 - 30 000 € OIL, POPLAR PANEL, ONE PLANK; 24 1/4 X 20 2/2 IN.; CRACK ON THE PANE

        Leclere - Maison de ventes
      • VICENT MAÇIP | The Madonna and Child with saints
        Dec. 06, 2018

        VICENT MAÇIP | The Madonna and Child with saints

        Est: £20,000 - £30,000

        oil on panel

        Sotheby's
      • Vincente MACIP (connu à Valence vers 1490 - 1550) Descente de Croix Panneau de pin, Elément de retable 96 x 72 cm
        Dec. 16, 2016

        Vincente MACIP (connu à Valence vers 1490 - 1550) Descente de Croix Panneau de pin, Elément de retable 96 x 72 cm

        Est: €15,000 - €20,000

        Vincente MACIP (connu à Valence vers 1490 - 1550) Descente de Croix Panneau de pin, Elément de retable 96 x 72 cm Vincente MACIP (connu à Valence vers 1490-1550) Descente de croix Panneau de pin, trois planches, renforcé, élément de retable Restaurations anciennes Descent from the Cross, pine panel, element of an altar 96 X 72cm - 37 3/4 X 28 3/8 IN.

        Tajan
      • École de VALENCE vers 1550, entourage de Vicente MACIP L'Adoration de l'Enfant jésus Panneau de pin, trois planches, renforcé 85 x 6...
        Oct. 15, 2015

        École de VALENCE vers 1550, entourage de Vicente MACIP L'Adoration de l'Enfant jésus Panneau de pin, trois planches, renforcé 85 x 6...

        Est: €2,000 - €3,000

        École de VALENCE vers 1550, entourage de Vicente MACIP L'Adoration de l'Enfant jésus Panneau de pin, trois planches, renforcé 85 x 66cm Accidents, manques et restaurations Sans cadre

        Tajan
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