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Ken Lum Sold at Auction Prices

b. 1956 -

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      • Ken Lum (Canadian, b. 1956) Study for Untitled (GA-HOB-VI!), 1987
        Dec. 11, 2024

        Ken Lum (Canadian, b. 1956) Study for Untitled (GA-HOB-VI!), 1987

        Est: $500 - $700

        Ken Lum (Canadian, b. 1956) Study for Untitled (GA-HOB-VI!), 1987 graphite on vellum signed Ken Lum and dated (lower right) 19 x 24 inches. Property from the Estate of Robbin Lockett, Chicago, Illinois

        Freeman’s | Hindman
      • KEN LUM (B. 1956). Leonida Pizzeria. Plexiglas, plastic letters and enamel
        Oct. 03, 2024

        KEN LUM (B. 1956). Leonida Pizzeria. Plexiglas, plastic letters and enamel

        Est: €5,000 - €7,000

        KEN LUM (B. 1956). Leonida Pizzeria. Plexiglas, plastic letters and enamel with powder-coated lacquered aluminum, in artist's frame 198 x 183cm..

        Christie's
      • Ken Lum (b. 1956), I DON’T KNOW WHETHER TO LAUGH OR CRY, 2003 (FROM THE CONTACT PHOTOGRAPHY COLLECTION)
        May. 16, 2024

        Ken Lum (b. 1956), I DON’T KNOW WHETHER TO LAUGH OR CRY, 2003 (FROM THE CONTACT PHOTOGRAPHY COLLECTION)

        Est: $1,000 - $2,000

        Ken Lum (b. 1956), Canadian I DON’T KNOW WHETHER TO LAUGH OR CRY, 2003 (FROM THE CONTACT PHOTOGRAPHY COLLECTION) giclee print on Arches paper signed and numbered 58/75 to margin image 20 x 7.75 in — 50.8 x 19.7 cm Provenance: CONTACT Photography Festival, Toronto, ON Note: Since the creation of the CONTACT Photography Festival in 1997, this community-based event helps to support and unite artists from Canada and around the world. The proceeds from the sale of the works consigned to Waddington’s by the CONTACT Photography Festival help to expand viewership for the best examples of photography on the market today, and further the creative possibilities of the medium in the past, present, and future. Ken Lum won last year’s Scotiabank Photography Award with his now-iconic “I Don’t Know Whether to Laugh or Cry,” 2003. The artist is associated with Vancouver’s photo conceptualist movement, and borrows his aesthetic from advertisements. Lum plays with stereotypes, and often juxtaposes images with text, leveraging the dichotomy between the two to ask the viewer to consider what it is that they really see. Estimate: $1,000—2,000

        Waddington's
      • KEN LUM (B. 1956) each: Untitled (Language Painting) each: enamel on plywo
        Nov. 22, 2022

        KEN LUM (B. 1956) each: Untitled (Language Painting) each: enamel on plywo

        Est: €5,000 - €7,000

        KEN LUM (B. 1956) each: Untitled (Language Painting) each: enamel on plywood (i) 122.5 x 91cm. (ii) 61 x 76cm. (2)

        Christie's
      • Ken Lum, (b. 1956, Canadian), Untitled, 1995, Cibachrome and iris prints on paper under Plexiglas, 36" H x 21.25" W
        Jun. 09, 2021

        Ken Lum, (b. 1956, Canadian), Untitled, 1995, Cibachrome and iris prints on paper under Plexiglas, 36" H x 21.25" W

        Est: $1,200 - $1,800

        Ken Lum (b. 1956, Canadian) Untitled, 1995 Cibachrome and iris prints on paper under Plexiglas Edition 5/6, appears unsigned, dated on a gallery label affixed to the backing paper 36" H x 21.25" W Provenance: Paula Cooper Gallery, New York, NY The Blake Byrne Collection

        John Moran Auctioneers
      • Massive Ken Lum Mixed Media, SHOPKEEPER Series
        May. 20, 2021

        Massive Ken Lum Mixed Media, SHOPKEEPER Series

        Est: $3,000 - $5,000

        Work is titled "Shirley's Bakery." Lot is accompanied by a copy of the purchase receipt issued by Galerie Grita Insam, Wien, Austria, dated 12.1.2005. Provenance: Galerie Grita Insam, Wien, Austria.

        Palm Beach Modern Auctions
      • Ken Lum - Vancouver 1956 - lebt in Philadelphia
        May. 09, 2020

        Ken Lum - Vancouver 1956 - lebt in Philadelphia

        Est: -

        Pete Norris could use a Drink!. Farb. Photographie. 1989. 14,8 x 24,5 cm. Auf dem Etikett signiert und datiert. (11) Eines von etwa 20 Exemplaren. – Erschienen im Verlag der Kölner Galerien von Daniel Buchholz und Anna Friese. – Auf Photopapier von "Fujichrome". – Dazu: Pamela Gloggins is candi sweet. Ebenso. – Beide Photographien in den vom Künstler vorgesehenen Rahmen und sehr gut erhalten. – "Pamela Gloggins" ohne das Etikett mit der Signatur.

        Dr. Andreas Sturies Moderne Kunst & Auktionen
      • KEN LUM (1956-), I DON’T KNOW WHETHER TO LAUGH OR CRY, 2003, Digital inkjet print on archival paper; signed and numbered 46/75 in pencil to margin; titled and dated 2003 to label verso, 22.5 x 15 in — 57.2 x 38.1 cm
        Apr. 12, 2018

        KEN LUM (1956-), I DON’T KNOW WHETHER TO LAUGH OR CRY, 2003, Digital inkjet print on archival paper; signed and numbered 46/75 in pencil to margin; titled and dated 2003 to label verso, 22.5 x 15 in — 57.2 x 38.1 cm

        Est: $500 - $700

        KEN LUM (1956-), CANADIANI DON’T KNOW WHETHER TO LAUGH OR CRY, 2003Digital inkjet print on archival paper; signed and numbered 46/75 in pencil to margin; titled and dated 2003 to label verso22.5 x 15 in — 57.2 x 38.1 cmProvenance:Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography FestivalEstimate: $500—700

        Waddington's
      • KEN LUM | McGill and Son Paper and Printing
        Mar. 05, 2018

        KEN LUM | McGill and Son Paper and Printing

        Est: $8,000 - $12,000

        enamel, glue, plastic letters and Plexiglas, in artist's frame 

        Sotheby's
      • Ken Lum in honour of Boon Hui
        Oct. 17, 2017

        Ken Lum in honour of Boon Hui

        Est: €200 - €400

        - LUM, Ken (Chinese, Canadian 1956). Boon Hui Photography, c. 1987. Chromogenic print, from the limited edition of 9 copies (unnumbered); framed under passe-partout behind glass. Unexamined out of the frame, apparently in very good condition.

        Adams Amsterdam Auctions
      • KEN LUM, I DON'T KNOW WHETHER TO LAUGH OR CRY, 2013, inkjet print, sheet 22.5 ins x 15 ins; 57.2 cms x 38.1 cms
        Apr. 13, 2015

        KEN LUM, I DON'T KNOW WHETHER TO LAUGH OR CRY, 2013, inkjet print, sheet 22.5 ins x 15 ins; 57.2 cms x 38.1 cms

        Est: $700 - $900

        KEN LUM I DON'T KNOW WHETHER TO LAUGH OR CRY, 2013 inkjet printsigned and numbered 51/75 sheet 22.5 ins x 15 ins; 57.2 cms x 38.1 cms Provenance:Donated by the artist; sold to benefit the Scotiabank CONTACT Photography FestivalNote:Ken Lum is a key figure in the Vancouver conceptual and post-conceptual school of artists that includes, most notably, Jeff Wall, Rodney Graham and Ian Wallace. Working in a range of media that includes painting, photography, installation and large-scale public commissions, Lum addresses issues of personal and cultural identity with an edge of social critique. Particularly attuned to the individual's rights in our age of globalization and migration, Lum's work, spanning over 40 years, was the subject of a major 2011 survey at the Vancouver Art Gallery. Photo-text works such as I Don't Know Whether to Laugh or Cry (2013), along with his mock low rent strip mall signs and his staged portraits, are among Lum's signature works.A prolific and celebrated creator, critic, writer and teacher, Lum was appointed a Guggenheim Fellow in 1999 and a Hnatyshyn Foundation Visual Arts award in 2007. In 2012, he left Vancouver to assume the position of Director of the Undergraduate Fine Art Program at the prestigious University of Pennsylvania School of Design.

        Waddington's
      • KEN LUM, A TALE OF TWO CHILDREN: A WORK FOR STRATHCONA, each 30" x 39.5" - 75 x 98.8 cm. (2 Pieces)
        Mar. 08, 2012

        KEN LUM, A TALE OF TWO CHILDREN: A WORK FOR STRATHCONA, each 30" x 39.5" - 75 x 98.8 cm. (2 Pieces)

        Est: $6,000 - $8,000

        KEN LUM, A TALE OF TWO CHILDREN: A WORK FOR STRATHCONA, signed; edition of 10, each 30" x 39.5" - 75 x 98.8 cm.Provenance: Private Collection, Toronto.Note: Printed in 1999Distinguished Vancouver-based conceptual artist Ken Lum works in painting, photography, sculpture, installation, and large-scale public commissions, addressing issues of personal and cultural identity with an edge of social critique. Particularly attuned to the individual's rights in our age of globalization and migrations, Lum's work over 40 years was the subject of a large-scale 2011 survey at the Vancouver Art Gallery. Among the exhibited works were his recent Rorschach Shopkeeper Signs. Photo-text works such as these, along with his mock low-rent strip mall signs and his staged portraits, are among Lum's signature pieces. He represented Canada at Documenta XI (2002), the Istabul Biennial (2007) and the Gwangju Biennial in South Korea (2008), the Moscow Biennale (2011) and is increasingly visible in the burgeoning Chinese art scene. His 2000 public installation near the Kunsthalle in Vienna, there is no place like home, controversially points to the rise of the right in Europe and sets the tone for other public works that identify social imbalances or speak for the silenced. A prolific and celebrated creator, critic, writer, and teacher, Lum was appointed a Guggenheim Fellow in 1999 and a Hnatyshyn Foundation Visual Arts Award in 2007.

        Waddington's
      • Ken Lum 1956 - Canadian photograph on photo paper
        Sep. 24, 2009

        Ken Lum 1956 - Canadian photograph on photo paper

        Est: $2,000 - $3,000

        Ken Lum 1956 - Canadian photograph on photo paper - fibre base Pamela Gloggins is Candi Sweet 5 x 9 inches 12.7 x 22.9 centimeters on verso signed on a gallery label, titled Candi Sweet and dated 1989 on a gallery label Provenance:Galerie Daniel Buchholz, Cologne, Germany Anna Friebe Galerie, Cologne Private Collection, Vancouver A copy of this photograph is included in the collection of the Vancouver Art Gallery.

        Heffel
      • Ken Lum (CANADIAN, B. 1956)
        May. 20, 2009

        Ken Lum (CANADIAN, B. 1956)

        Est: €1,500 - €2,000

        Ken Lum (CANADIAN, B. 1956) A Tale of two Children both signed and dated 'Ken Lum 2007' (lower right) two digital prints on paper, unframed each: 101 x 77.5 cm. Executed in 2007. This work is number one from an edition of five. (2)

        Christie's
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