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Claude Lorrain Sold at Auction Prices

Landscape painter, Naval painter, Etcher, b. 1600 - d. 1682

(b Chamagne (Vosges), France, 1600; d Rome, 1682) French painter. Lorrain is one of the most enduringly admired and imitated landscape painters of the western tradition. His compositions have inspired artists as diverse as Turner and Vernet. He was patronized and later collected by the international elite- popes, cardinals, princes and kings- on a scale that was rivaled in his day only by Rubens and van Dyck. Working for most of his life in Rome, Lorrain eschewed the earlier, somewhat drier, landscape style of his master Agostino Tassi and other contemporaries such as the Fleming Paulus Bril and, under the influence of the Carracci school-- particularly Domenichino-- reinvented the idealized, Arcadian landscape. Using drawings taken from nature, in which he anticipated the painters of both the Barbizon and Impressionist schools, Lorrain was able to compose his landscapes with great naturalism, making revolutionary use of light and dark, form and space, to create idealized pictures which represented a nature that was more perfect than nature itself. (Credit: Sotheby’s, New York, Important Old Master Paintings, January 26, 2006, lot 51)

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              • Claude Lorrain (1600-1682) - Forum Romanum - 1636
                Dec. 12, 2024

                Claude Lorrain (1600-1682) - Forum Romanum - 1636

                Est: €280 - €360

                Forum Romanum in Rome; Le Campo Vaccino. This is the only etching by Claude Lorrain that shows a true view of Rome . View of the forum in Rome with many people. Under the ground, the columns of temples, right the arch from Septimius Severus. In the foreground and on the field are shepherds with their cows. Extensive info with date and Claude Gelleé invent et Sculp in text line, als signed CL.I bottom left. A final state on medium thick woven paper.

                Old Master Print
              • Lorrain, Claude
                Dec. 07, 2024

                Lorrain, Claude

                Est: -

                Lorrain, Claude 1600 Champagne - 1682 Rom. Kupferstich. Le Paysage du gué, um 1650. Unten rechts im Druck wohl unleserlich bezeichnet. In einem Passepartout an den oberen Ecken des Blattes montiert. Unter dem Blatt mit Bleistift bezeichnet. Plattengröße ca. 10,5 x 17 cm. Größe des Passepartouts ca. 24 x 29,5 cm. Lorrain, Claude 1600 Champagne - 1682 Rome. Copper engraving. Le Paysage du gué, c. 1650. Probably illegibly inscribed lower right in the print. Mounted in a passepartout at the upper corners of the sheet. Inscribed in pencil below the sheet. Plate size approx. 10.5 x 17 cm. Size of the mount approx. 24 x 29.5 cm.

                Auktionshaus Sieglin GmbH
              • Claude Gellée, gen. Claude Lorrain, Art des Antique-like shoreline landscape with figures
                Dec. 04, 2024

                Claude Gellée, gen. Claude Lorrain, Art des Antique-like shoreline landscape with figures

                Est: €3,500 - €4,000

                Claude Gellée, gen. Claude Lorrain, Art des 1600 Chamagne b. Mirecourt - 1682 Rom Antique-like shoreline landscape with figures Oil auf canvas. 88 x 113.5 cm. Restored. Damaged. Framed (97.5 x 123 cm).

                Neumeister
              • Claude Lorrain
                Nov. 30, 2024

                Claude Lorrain

                Est: €6,500 - €13,000

                (1600 Charmes - 1682 Rom) Nachfolger des 17./18. Jhs.; Italienische Ideallandschaft mit Wassermühle Die atmosphärische, fein lasierend gemalte gestimmte Landschaft im warmen, goldenen Abendlicht wird im Vordergrund durch rastende Figuren belebt, die sich am Teich der Wassermühle versammelt haben: unter einem hohen Baum links eine Hirtin mit Ziegen und Kühen, von denen sie eine melkt, auf der rechten Bildseite ein Reiter, der sein Pferd seinen Durst löschen lässt. Im Mittelgrund dahinter die pittoreske Wassermühle mit rundem Turm, flankiert von einem baumbestandenen Felsenhang. Der weite, tiefe Blick führt auf eine bergige Landschaft mit fantasiereicher, antiker Architektur. In mehrfacher Hinsicht gehen nicht nur die Bildstruktur, sondern auch die Motive auf Werke Claude Lorrains zurück: Die Komposition und das Motiv der Wassermühle basieren auf einem bekannten Gemälde Lorrains von 1631, dass sich heute im Museum of Fine Arts in Boston, Massachusetts befindet sowie auf einer Radierung Lorrains von 1634. Zu den Künstlern, welche sich diese zum Vorbild nahmen, gehörte u. a. der Niederländer Jan Hackaert (1629 bis nach 1685), wie eine Zeichnung in der Hamburger Kunsthalle belegt (Inv.-Nr.: 22006). Öl/Lwd., doubl.; 60,5 cm x 79 cm. Rahmen. Follower of Claude Lorain (1600 - 1682) active 17th/18th century. Oil on canvas, relined.

                Kunstauktionshaus Schloss Ahlden
              • Lorrain, Claude: Der Raub der Europa
                Nov. 27, 2024

                Lorrain, Claude: Der Raub der Europa

                Est: €2,600 - €3,500

                Der Raub der Europa. Radierung. 20,1 x 26,2 cm. 1634. Robert-Dumesnil 22, Manocci 14 IV (von VII). Die Darstellung "Raub der Europa" zählt zu den druckgraphischen Hauptblättern Lorrains und verkörpert in seiner kompositorischen Dichte und der subtilen Wiedergabe von Licht und Atmosphäre seine Formenwelt auf vollkommene Weise. Prachtvoller, kontrastreicher und toniger Druck mit gleichmäßigem Rand, vor der Verstärkung der Einfassungslinie und vor der Nummer. Geringfügig stockfleckig, verso kleine Montierungsreste in den oberen Ecken, sonst vorzüglich erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

                Bassenge Auctions
              • Lorrain, Claude (1600-1682). La Danse sous les arbres (The country dance, small plate).
                Nov. 22, 2024

                Lorrain, Claude (1600-1682). La Danse sous les arbres (The country dance, small plate).

                Est: €100 - €150

                Lorrain, Claude (1600-1682). La Danse sous les arbres (The country dance, small plate). Etching, ±1637, 13,5x19,2 cm. - Trimmed a few mm. outside the platemark, corners of the leaf rounded. = Nineteenth century impression on velin paper. Mannocci 19, state 7 (of 7). Idem. Scene des brigands (Landscape with brigands). Etching, 12,6x19,7 cm., w. "Claudius in sup. P" vaguely engr. below the image. - Trimmed a few mm. outside the platemark. = Nineteenth century impression. Mannocci 11, 9th and final state; Robert-Dumesnil 12.

                Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
              • Claude Le Lorrain Colored Engraving
                Nov. 07, 2024

                Claude Le Lorrain Colored Engraving

                Est: $10 - $10,000

                Published June 1776 John Boydell Engraver In Cheapside. Framed And Under Glass: 13.5" X 15".

                Berner's Auction Gallery
              • R. EARLOM (*1743) after LORRAIN (*1600), Landscape with fortress, 1807, Aquatint
                Oct. 26, 2024

                R. EARLOM (*1743) after LORRAIN (*1600), Landscape with fortress, 1807, Aquatint

                Est: €300 - €400

                Richard Earlom (1743 London - 1822 ibid.) after Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): Mountainous landscape with fortress, 1807, Aquatint Technique: Aquatint on Paper Inscription: At the lower part signed in the printing plate: "Claude Lorraine delt. | Rich. Earlom sculpt.". Date: 1807 Description: Picturesque landscape with a view of fortress-like architecture in the hills. On the left a resting shepherd with his cattle. | Watermark: Coat of arms with crossbar under lily Keywords: Italy, nature, architecture, pastoral idyll, 19th century, Romanticism, Landscape, Italy, Size: Paper: 37,7 cm x 27,6 cm (14,8 x 10,9 in), Plate: 30,2 cm x 25,6 cm (11,9 x 10,1 in), Depiction: 28,2 cm x 24,4 cm (11,1 x 9,6 in)

                Fichter Kunsthandel
              • CLAUDE LORRAIN, eigentl. CL. GELLEE : L’Apparition.
                Oct. 19, 2024

                CLAUDE LORRAIN, eigentl. CL. GELLEE : L’Apparition.

                Est: €180 - €250

                CLAUDE LORRAIN, eigentl. CL. GELLEE Chamagne bei Mirecourt 1600 - 1682 Rom L’Apparition. Radierung um 1630. Robert-Dumesnil 2 und Mannocci 5, jeweils letzter Zustand. - Auf Vèlin. 10 x 17 cm (Darstellung). Mit ca. 3 mm großem Rändchen um die Darstellung. Abdruck ab 1816. [bg]

                Winterberg-Kunst
              • CLAUDE GELLÉE, LE LORRAIN Le Bouvier.
                Oct. 17, 2024

                CLAUDE GELLÉE, LE LORRAIN Le Bouvier.

                Est: $3,000 - $5,000

                CLAUDE GELLÉE, LE LORRAIN Le Bouvier. Etching and drypoint, 1636. 132x196 mm; 5¼x7¾ inches. Trimmed within or on the plate mark. Fourth state (a) (of 6), before the scratch on the tree branch. Mannocci 18. We have found fewer than 11 other lifetime impressions like the current work at auction in the past 30 years.

                Swann Auction Galleries
              • Lorrain, Claude (1600 Chamagne - 1682 Rome) (1600 Chamagne - 1682 Rome) after,
                Oct. 12, 2024

                Lorrain, Claude (1600 Chamagne - 1682 Rome) (1600 Chamagne - 1682 Rome) after,

                Est: -

                Lorrain, Claude (1600 Chamagne - 1682 Rome) (1600 Chamagne - 1682 Rome) after, "Landscape with Hagar and the Angel", watercolour on paper, 1646, 32 x 24.5 cm (PA), framed under glass Lorrain, Claude (1600 Chamagne - 1682 Rom) nach, "Landschaft mit Hagar und dem Engel", Aquarell auf Papier, 1646, 32 x 24.5 cm (PA), unter Glas gerahmt

                Auktionshaus Plückbaum
              • E. CHALLIS (19th) after LORRAIN (*1600), Cephalus and Procris, around 1840, Steel engraving
                Sep. 28, 2024

                E. CHALLIS (19th) after LORRAIN (*1600), Cephalus and Procris, around 1840, Steel engraving

                Est: €45 - €75

                Ebenezer Challis (19th century) after Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): Cephalus and Procris, c. 1840, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part signed in the printing plate: "Engraved by E. Challis.". At the lower part inscribed in the printing plate: "CEPHALUS UND PROCRIS./ From the Original Picture by Claude Lorraine in/ The National Gallery. / N° 67/ Jones & C° Temple of the Muses, Fisnbury Square London". Date: c. 1840 Keywords: 19th century, Romanticism, Landscape, Germany, Size: Paper: 19,0 cm x 22,8 cm (7,5 x 9 in), Depiction: 12,5 cm x 17,3 cm (4,9 x 6,8 in)

                Fichter Kunsthandel
              • Lorrain, Claude (d.i. Claude Gellée
                Sep. 27, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €120 - €180

                1600 Champagne - Rom 1683). La Danse sous les Arbres (Der Tanz unter den Bäumen). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Blgr. 13,8 x 19,8 cm. - Verso Reste v. Klebspuren, etw. restauriert. - Mannocci 19. R

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée
                Sep. 27, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €160 - €240

                1600 Chamagne - Rom 1682). Le Campo Vaccino. Radierung auf Bütten, 1636. Blgr. 18,7 x 25,5 cm. In d. Pl. "CL I". - Alle 4 Ecken kleine Fehlststellen durch frühere Montierung, nur im weißen Rand. R

                Kiefer Buch- und Kunstauktionen
              • Claude Lorrain (1600 - 1682), Cattle in Italianate
                Sep. 26, 2024

                Claude Lorrain (1600 - 1682), Cattle in Italianate

                Est: £100 - £200

                Claude Lorrain (1600 - 1682), Cattle in Italianate Landscape, engraving, 19cm x 25cm, framed

                Burstow & Hewett
              • Claude Lorrain (1600 - 1682), The Rape of Europa,
                Sep. 26, 2024

                Claude Lorrain (1600 - 1682), The Rape of Europa,

                Est: £100 - £200

                Claude Lorrain (1600 - 1682), The Rape of Europa, engraving, plate 20cm x 26cm, mounted

                Burstow & Hewett
              • ANONYMOUS
                Sep. 17, 2024

                ANONYMOUS

                Est: €300 - €600

                Anonymous, romantic landscape with figures on a bridge, possibly Claude Gelée (1600-1682), canvas 23.5x28.5 cm (lined)

                Derksen Veilingbedrijf
              • Claude Gellée, genannt Le Lorrain: Paysage à la grande tour
                Sep. 12, 2024

                Claude Gellée, genannt Le Lorrain: Paysage à la grande tour

                Est: CHF32,000 - CHF40,000

                Claude Gellée, genannt Le Lorrain (Chamagne 1600 - 1682 Rom) Paysage à la grande tour Schwarzer Bleistift, Feder in Tusche mit Pinsellavierung über Kreide, auf Bütten / Black pencil, pen and ink with brush wash over chalk, on laid paper Um 1635-1637 15,6x22 cm, Zeichnung; 20,2x27,4 cm, Unterlage / 15.6x22 cm, drawing; 20.2x27.4 cm, support Provenienz / Provenance Das Albumblatt verso mit dem Sammlerstempel Lugt 5081, dort als "marque non identifée" angeführt und als evtl. dem Sammler Maria Paternò Castello Ricci (ca. 1847 – 1915) zugehörig identifiziert (der Lugt-Eintrag nennt auch die bei Kornfeld 1974 versteigerte Gruppe von Claude-Zeichnungen) Auktion Galerie Kornfeld und Klipstein, Bern, 12. Juni 1974, Los 66 Auktion Galerie Kornfeld, Bern, 22. Juni 1984, Los 93 Slg. Eberhard W. Kornfeld, Bern, Lugt 913b The album sheet with the collector's stamp Lugt 5081 on the verso, listed there as "marque non identifée" and possibly identified as belonging to the collector Maria Paternò Castello Ricci (ca. 1847 - 1915) (the Lugt entry also mentions the group of Claude drawings auctioned by Kornfeld in 1974) Auction Galerie Kornfeld und Klipstein, Bern, 12 June 1974, lot 66 Auction Galerie Kornfeld, Bern, 22 June 1984, lot 93 The Eberhard W. Kornfeld Collection, Bern, Lugt 913b Literatur / Literature Marcel Röthlisberger, Dessins inédits de Claude Lorrain, in: L’œil, Nr. 226, Mai 1974, pag. 35, Nr. 7 Marcel Röthlisberger, Dessins inédits de Claude Lorrain, in: L'œil, no. 226, May 1974, p. 35, no. 7 Ausstellungen / Exhibitions Nancy 1980, Musée des Beaux-Arts, Autour d’une acquisition: Cent dessins de Claude Gellée, dit le Lorrain, Nr. 5 Nancy 1982, Musée des Beaux-Arts, Claude Gellée et les peintures lorrains en Italie au XVII siècle, Addendum, III München 1983, Haus der Kunst, Im Licht von Claude Lorrain, Landschaftsmalerei aus drei Jahrhunderten, Nr. 32 Nancy 1980, Musée des Beaux-Arts, Autour d'une acquisition: Cent dessins de Claude Gellée, dit le Lorrain, no. 5 Nancy 1982, Musée des Beaux-Arts, Claude Gellée et les peintures lorrains en Italie au XVII siècle, Addendum, III Munich 1983, Haus der Kunst, Im Licht von Claude Lorrain, Landschaftsmalerei aus drei Jahrhunderten, no. 32 Zustand / Condition Blasser brauner Fleck in rechter oberer Ecke, auf altem Albumbogen aufgezogen. In gutem Gesamtzustand Pale brown stain in upper right corner, mounted on old album sheet. In good overall condition Erläuterungen / Comments Das Blatt wurde von Marcel Roethlisberger in einem Nachtrag zu seinem Werkverzeichnis der Zeichnungen Claudes publiziert. Es ordnet sich zu einer Gruppe von drei weiteren Zeichnungen (Roethlisberger 181 recto und verso und 182), die eine ähnliche Komposition zeigen, wobei Roethlisberger die Abfolge von deren Entstehung offen lässt. Bislang konnte kein dazugehöriges Gemälde nachgewiesen werden, doch finden sich verschiedene Elemente in der Komposition "Coast View with a Battle on a Bridge" (Liber Veritatis 27, Roethlisberger 183) wieder. Kaum eine andere so umfassende Gruppe ähnlicher Blätter erlaubt einen vergleichbaren Einblick in Claudes Schaffensprozess, in dem eine kompositionelle Grundstruktur in mehreren Varianten durchgespielt wird. The sheet was published by Marcel Roethlisberger in a supplement to his catalogue raisonné of Claude's drawings. It belongs to a group of three other drawings (Roethlisberger 181 recto and verso and 182) that show a similar composition, although Roethlisberger leaves the sequence of their creation date open. No corresponding painting has yet been identified, but various elements can be found in the composition "Coast View with a Battle on a Bridge" (Liber Veritatis 27, Roethlisberger 183). Hardly any other such comprehensive group of similar sheets provides a comparable insight into Claude's creative process, in which a basic compositional structure is played out in several variations. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 20:55 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-

                Galerie Kornfeld Auktionen AG
              • Lorrain, Claude (d.i. Claude Gellée 1600 Champagne…
                Sep. 07, 2024

                Lorrain, Claude (d.i. Claude Gellée 1600 Champagne…

                Est: €240 - €720

                Lorrain, Claude (d.i. Claude Gellée 1600 Champagne - Rom 1683, nach) - "Der Morgen" und "Der Mittag", zwei Kupferstiche aus der Folge "Die vier Tageszeiten mit Szenen aus dem Alten und Neuen Testament", gestochen von Christian Haldenwang (1770 Durlach - 1831 Rippoldsau), erschienen im Verlag Amsler&Ruthardt, Berlin, in der Platte datiert 1822/1824, nachgebräunt, Darstellungsmaße jeweils ca. 40,5 x 57,5 cm, einzeln unter Glas gerahmt, Gesamtmaße jeweils ca. 52 x 67,5cm

                Auktionshaus Blank
              • Lorrain, Claude (d.i. Claude Gellée 1600 Champagne…
                Sep. 07, 2024

                Lorrain, Claude (d.i. Claude Gellée 1600 Champagne…

                Est: €200 - €600

                Lorrain, Claude (d.i. Claude Gellée 1600 Champagne - Rom 1683) - Zwei Radierungen aus "A Collection of Original Etchings bei John McCreery", London 1816, 1x "Mercure et Argus / Merkur und Argus", unten rechts in der Platte bezeichnet "Claudio Gillee inuen. in Roma i662 con lizensa de superiori", Plattenmaße: 16,5 x 22,5 cm, 1x "Le Troupeau à l'abreuvoir / Die Herde an der Tränke", Plattenmaße: 10,5 x 17 cm, einzeln mit Passepartout unter Glas gerahmt, Gesamtmaße: 30,5 x 36 cm, Passepartout fleckig

                Auktionshaus Blank
              • C. LORRAIN (1600-1682), Harbour scene, Etching
                Aug. 17, 2024

                C. LORRAIN (1600-1682), Harbour scene, Etching

                Est: €750 - €1,000

                Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): Harbour scene with lighthouse and sailing ships, 17th century, Etching Technique: Etching on Paper Inscription: Indistinctly inscribed and monogrammed in the lower centre of the printing plate Date: 17th century Literature: Mannocci, Lino: The Etchings of Claude Lorrain; New Haven 1988. Cat. Rais. No.: 37.III.B. Robert-Dumesnil, Alexandre Pierre François: Le peintre-graveur français, ou catalogue raisonné des estampes. Gravées Par Les Peintres Et Les Dessinateurs De L'École Française. Par A.-P.-F. Robert-Dumesnil. Ouvrage Faisant Suite Au Peintre-Graveur De M. Bartsch; Paris 1967; vol. XI. Cat. Rais. No.: 11.III. Keywords: printmaking, Italy, France, landscape, harbour, lighthouse, sea, ship, boat, barrel, 17th century, Baroque, Seafaring, Italy, Size: Paper: 13,0 cm x 19,6 cm (5,1 x 7,7 in)

                Fichter Kunsthandel
              • After LORRAIN (*1600), River landscape with cattle, Reproduction
                Jul. 27, 2024

                After LORRAIN (*1600), River landscape with cattle, Reproduction

                Est: €300 - €400

                After Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): River landscape with cattle near old house, 20th century, Reproduction Technique: Reproduction on Paper Stamp: Verso Collector's stamp, Unknown/not identified. Mark: "GES". 20th century Inscription: The print is signed and inscribed lower right below the print. Date: 20th century Description: After Claude Lorrain, river landscape with cattle and shepherds by the water, in booklet with 14 English text pages from 'The Modern Disciples of Rembrandt' and 'What Etchings Are', 20th century, reproduction of an etching. Keywords: 20th century, Figurative, Landscape, Netherlands, Size: Paper: 20,2 cm x 29,8 cm (8 x 11,7 in), Depiction: 13,4 cm x 20,0 cm (5,3 x 7,9 in)

                Fichter Kunsthandel
              • CLAUDE LORRAIN Champagne (1600) / Rome (1682) "Europe"
                Jul. 22, 2024

                CLAUDE LORRAIN Champagne (1600) / Rome (1682) "Europe"

                Est: €135 - €180

                Steel engraving Zeus, in love with Europa, takes the form of a bull to seduce and kidnap her. Measurements: 20.3 x 23.4 cm

                Ansorena
              • LORRAIN, Claude (1600-1682). 185 plates from "Liber Veritatis or a collection of prints after original design of Claude Le Lorrain". London: Boydell, 1774-1777.
                Jul. 17, 2024

                LORRAIN, Claude (1600-1682). 185 plates from "Liber Veritatis or a collection of prints after original design of Claude Le Lorrain". London: Boydell, 1774-1777.

                Est: €500 - €800

                A collection of plates from the famous collection of drawings originally created and collected by Lorrain to illustrate the paintings he made during his career and which are now in the British Museum. This is one of the masterpieces of art reproduction, designed by the publisher Boydell and engraved by Smith, Earlom and Lipton for the Duke of Devonshire, the original owner of the collection. 185 (of 200) plates (marginal spotting and some light wear) missing plates 9, 19, 24, 29, 30, 71, 73, 80, 96, 146, 153, 163, 164, 165, 167 [IN LOT WITH:] plates 8, 9, 12, 14, 17, and 20 from the 1802-1804 reissue. (1)

                Wannenes Art Auctions
              • Claude Lorrain (1600-1682) – After
                Jul. 16, 2024

                Claude Lorrain (1600-1682) – After

                Est: €500 - €1,000

                Claude Lorrain (1600-1682) – After, capriccio of a southern town, oil on canvas, framed, 60 x 92 cm

                Deutsch Auktionen
              • Italy and The Grand Tour - François Vivares (1709-1780), by, Claude Lorrain (1604-1682), after, A View Over Naples, engraving laid on canvas, 49cm x 60cm
                Jul. 05, 2024

                Italy and The Grand Tour - François Vivares (1709-1780), by, Claude Lorrain (1604-1682), after, A View Over Naples, engraving laid on canvas, 49cm x 60cm

                Est: £40 - £60

                Italy and The Grand Tour - François Vivares (1709-1780), by, Claude Lorrain (1604-1682), after, A View Over Naples, engraving laid on canvas, 49cm x 60cm

                Bamfords Auctioneers and Valuers Ltd
              • Lorrain, Claude (d.i. Claude Gellée
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €120 - €180

                1600 Champagne - Rom 1683). La Danse sous les Arbres (Der Tanz unter den Bäumen). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Blgr. 13,8 x 19,8 cm. - Verso Reste v. Klebspuren, etw. restauriert. - Mannocci 19. R

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €40 - €60

                1600 Champagne - Rom 1683), nach. Port maritime avec Ulysse rendant Chryséis à son père Chrysès (Seehafen mit Odysseus, der Chryseis an ihren Vater Chryses zurückgibt). Radierung v. Dominique Barrière aus: A Collection of Original Etchings bei John McCreery, London 1816. Plgr. 19,7 x 26 cm. Mit Namenszügen u. Dat. i.d.Pl. - Punktuell auf Karton mont. ╔Dabei: Ders., nach╗ Hafenszene mit der Ankunft Odysseus aus dem Land der Phönizier. Rad. v. Dominique Barrière aus: A Collection of Originals bei John McCreery, London 1816. Plgr. 19,8 x 26 cm. Mit Namenszügen i.d.Pl. - Punktuell auf Karton mont.

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée,
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée,

                Est: €50 - €80

                1600 Champagne - Rom 1683). Le Troupeau à l'abreuvoir (Die Herde an der Tränke). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Darstellungsgr. ca. 10,5 .17 cm. Punktuell auf Karton mont. - Ecken etw. leimspurig. - Mannocci 16.

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €50 - €80

                1600 Champagne - Rom 1683). La Fuite en Egypte (Die Flucht nach Ägypten). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Plgr. ca. 10,5 x 17 cm. Punktuell auf Karton mont. - Minimal fl. - Mannocci 9.

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €50 - €80

                1600 Champagne - Rom 1683). Scène de Brigands (Die Briganten). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Plgr. 13,2 x 20,2 cm. Punktuell auf Karton mont. - An den Ecken gering leimfl. - Mannocci 11.

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €30 - €50

                1600 Champagne - Rom 1683). L'Apparition (Die Erscheinung). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Plgr. 10,5 x 17,2 cm. Punktuell auf Karton mont. - An 3 Ecken gering leimfl. - Manocci 5.

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €50 - €80

                1600 Champagne - Rom 1683). Les quatres chèvres (Die vier Ziegen). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Blgr. 20,4 x 13,5 cm. Punktuell auf Karton mont. - An den Ecken gering leimfl. - Manocci 8.

                Kiefer Buch- und Kunstauktionen
              • Lorrain, Claude (d.i. Claude Gellée
                Jul. 05, 2024

                Lorrain, Claude (d.i. Claude Gellée

                Est: €50 - €80

                1600 Champagne - Rom 1683). Le pont du bois (Die Holzbrücke). Radierung aus: A Collection of Original Etchings bei John McCreery, London 1816. Blgr. 13,8 x 19,8 cm. - Verso Reste v. Klebspuren. - Mannocci 38.

                Kiefer Buch- und Kunstauktionen
              • CLAUDE LORRAIN (1600-1682). Four Etchings. Plate 130 x 200 mm., Sheet 135 x
                Jul. 02, 2024

                CLAUDE LORRAIN (1600-1682). Four Etchings. Plate 130 x 200 mm., Sheet 135 x

                Est: - £2,500

                CLAUDE LORRAIN (1600-1682). Four Etchings. Plate 130 x 200 mm., Sheet 135 x 208 mm. (M. 11) (4).

                Christie's
              • CLAUDE LE LORRAIN (1600-1682), FOLLOWER
                Jun. 29, 2024

                CLAUDE LE LORRAIN (1600-1682), FOLLOWER

                Est: CHF300 - CHF600

                Landscape with Raphael and Tobias Oil on canvas, minor damages, unsigned, probably 18th c. 35 x 42 cm

                Galerie Moenius
              • CLAUDE LORRAIN (French 1600-82), 'le Soleil Levant' (The Rising Sun), etching on laid paper, 1634, 6th state of 8, inscribed lower m.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'le Soleil Levant' (The Rising Sun), etching on laid paper, 1634, 6th state of 8, inscribed lower m.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'le Soleil Levant' (The Rising Sun), etching on laid paper, 1634, 6th state of 8, inscribed lower margin: 'Claudius inv. et F. Roma sub licentia', and '11' lower left margin, plate 13 x 19.5 cm, sheet 21.5 x 27 cm. Reference: Robert-Dumesnil 15; Duplessis 15; Blum 10; Knab 118; Russell 23; Mannocci 15. This etching is regarded as one of Lorrain's finest combining his mastery of the etching technique, and his love of harbour scenes. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'La Danse au bord de 'eau' (The Dance on the Riverbank), etching and drypoint on laid paper, 1634,.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'La Danse au bord de 'eau' (The Dance on the Riverbank), etching and drypoint on laid paper, 1634,.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'La Danse au bord de 'eau' (The Dance on the Riverbank), etching and drypoint on laid paper, 1634, 7th state of 7, inscribed '2' lower left margin, plate 13 x 20 cm, sheet 21.5 x 27.5 cm. References: Robert-Dumesnil 6; Duplessis 6; Blum 19; Knab 126; Russell 24; Mannocci 13. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'La Danse sous les arbres' (The Country Dance), etching on laid paper, 1634-37, 5th state of 7, wit.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'La Danse sous les arbres' (The Country Dance), etching on laid paper, 1634-37, 5th state of 7, wit.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'La Danse sous les arbres' (The Country Dance), etching on laid paper, 1634-37, 5th state of 7, with curved scratch in sky upper centre, inscribed '6' lower left margin, plate 13.5 x 19.5 cm, sheet 21.5 x 27.5 cm. Reference: Robert -Dumesnil 10; Duplessis 10; Blum 35; Knab 129; Russell 28; Mannocci 19. There is a preparatory sketch incised for transfer for this etching in the Ashmolean Museum, Oxford. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Scene de Brigands' (The Brigands), etching on laid paper, 1633, state 7 of 9, inscribed lower righ.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Scene de Brigands' (The Brigands), etching on laid paper, 1633, state 7 of 9, inscribed lower righ.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'Scene de Brigands' (The Brigands), etching on laid paper, 1633, state 7 of 9, inscribed lower right margin:'Claudius in sup. P.', and '8' left margin, plate 13 x 20 cm, sheet 21.5 x 27.5 cm. Reference: Robert-Dumesnil 12; Duplessis 12; Blum 7; Knab 117; Russell 17; Mannocci 11. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Rebecca and Eliezer', etching on laid paper, 1638-41, 6th state of 7, inscribed '10' lower left m
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Rebecca and Eliezer', etching on laid paper, 1638-41, 6th state of 7, inscribed '10' lower left m

                Est: $400 - $600

                CLAUDE LORRAIN (French 1600-82), 'Rebecca and Eliezer', etching on laid paper, 1638-41, 6th state of 7, inscribed '10' lower left margin, plate 13 x 19 cm, sheet 21.5 x 27.5 cm. Reference: Robert-Dumesnil 14; Duplessis 14; Blum 33; Knab 141; Russell 46; Manocci 38. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Le Bouvier' (The Cowherd), etching on laid paper, 1636, watermark fleur de lys over shield, 5th st.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Le Bouvier' (The Cowherd), etching on laid paper, 1636, watermark fleur de lys over shield, 5th st.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'Le Bouvier' (The Cowherd), etching on laid paper, 1636, watermark fleur de lys over shield, 5th state of 6, inscribed lower right margin: 'Claudius' and '4' left margin, plate 13 x 20 cm, sheet 21.5 x 27.5 cm. References: Robert-Dumesnil 8; Duplessis 8; Blum 18; Knab 124; Russell 27; Mannocci 18. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Le port de mer au fanal' (Harbour scene with a lighthouse), etching on laid paper, 1638-41, 4th st.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Le port de mer au fanal' (Harbour scene with a lighthouse), etching on laid paper, 1638-41, 4th st.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'Le port de mer au fanal' (Harbour scene with a lighthouse), etching on laid paper, 1638-41, 4th state of 5, inscribed no. 7 left hand margin, watermark of fleur de lis over shield upper centre, plate 14 x 19.5 cm, sheet 22 x 27 cm. Reference: Robert-Dumesnil 11; Duplessis 11; Blum 13; Knab 138; Russell 22; Mannocci 37. Regarding the subject portrayed in this print, H Dianne Russell in 'Claude Lorrain 1600–1682' (1982, National Gallery of Art, Washington, Exh. cat.) offers the following insights: "…it seems that the etching was not made for reproductive purposes but as a variant of the painting, the artist desiring to explore light effect in the etching. …one of his best-known and most admired etching." (p. 340). The motif of the ship within the portal of a building itself another example of the placing of a Roman monument in a harbour setting, is first seen in a painting dated 1633 in the collection of the Duke of Buccleuch. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Le Depart pour les Champs' (Departure for the Fields), etching on laid paper, 1638-41, watermark f.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Le Depart pour les Champs' (Departure for the Fields), etching on laid paper, 1638-41, watermark f.

                Est: $500 - $800

                CLAUDE LORRAIN (French 1600-82), 'Le Depart pour les Champs' (Departure for the Fields), etching on laid paper, 1638-41, watermark fleur de lys over shield, 4th state of 4, plate 13 x 18 cm, sheet 21.5 x 27 cm. Reference: Robert-Dumesnil 16; Duplessis 16; Blum 15; Knab 136; Russell 30; Mannocci 34. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Le Naufrage' (The Shipwreck), etching on laid paper, 1638-41, 4th state of 5, inscribed 'CL' in m
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Le Naufrage' (The Shipwreck), etching on laid paper, 1638-41, 4th state of 5, inscribed 'CL' in m

                Est: $500 - $800

                CLAUDE LORRAIN (French 1600-82), 'Le Naufrage' (The Shipwreck), etching on laid paper, 1638-41, 4th state of 5, inscribed 'CL' in middle lower margin, and '3' lower left margin, plate 12.5 x 18 cm, sheet 21.5 x 27.5 cm. Reference: Robert-Dumesnil 7; Duplessis 7; Blum 12; Knab 128; Russell 44; Mannocci 35. There is a pen and wash drawing closely related to this plate, 'A Storm off the Coast' held in the British Museum Collection. It is in the same direction as the etching but the ship faces left instead of right. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Le dessinateur' (Coast Scene with an Artist), etching on laid paper, 1638-41, 4th state of 5, wate.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Le dessinateur' (Coast Scene with an Artist), etching on laid paper, 1638-41, 4th state of 5, wate.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'Le dessinateur' (Coast Scene with an Artist), etching on laid paper, 1638-41, 4th state of 5, watermark fleur de lys over shield, plate 12.5 x 17.5 cm, sheet 21.5 x 27.5 cm. Reference: Robert-Dumesnil 9; Duplessis 9; Blum 14; Knab 137; Russell 45; Mannocci 36. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'La Tempete' (The Tempest), etching on laid paper, 1630, 5th state of 7, signed in plate lower left.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'La Tempete' (The Tempest), etching on laid paper, 1630, 5th state of 7, signed in plate lower left.

                Est: $500 - $1,000

                CLAUDE LORRAIN (French 1600-82), 'La Tempete' (The Tempest), etching on laid paper, 1630, 5th state of 7, signed in plate lower left: 'Claude Jelle in et fec', and 'Cl. Inv.' lower centre, plate 12.5 x 17.5 cm, sheet 21.5 x 27.5 cm. Reference: Robert-Dumesnil 5; Duplessis 5; Blum 1; Knab 112; Russell 4; Mannooci 6. There is a preparatory drawing (MRD 46), dated 1630 in the British Museum Collection which is incised for transfer to copper plate. This is the earliest dated etching by Claude Lorrain. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
              • CLAUDE LORRAIN (French 1600-82), 'Le Chervrier' (The Goatherd), etching on laid paper, 1663, state 4A of 5, inscribed lower left cor.
                Jun. 25, 2024

                CLAUDE LORRAIN (French 1600-82), 'Le Chervrier' (The Goatherd), etching on laid paper, 1663, state 4A of 5, inscribed lower left cor.

                Est: $500 - $800

                CLAUDE LORRAIN (French 1600-82), 'Le Chervrier' (The Goatherd), etching on laid paper, 1663, state 4A of 5, inscribed lower left corner: 'R1663.A. G', barely legible, plate 17.5 x 23 cm, sheet 18.5 x 24.5 cm. Reference: Robert-Dumesnil 19; Duplessis 19; Blum 40; Knab 147; Russell 5; Mannocci 44. Provenance: Estate of the Late Oliver Bedford.

                Raffan Kelaher & Thomas
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