Gregório (1490) Lopes Sold at Auction Prices

Painter, b. 1490 - d. 1550

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  • Gregorio López. The Seven Games
    Mar. 26, 2025

    Gregorio López. The Seven Games

    Est: -

    "THE SEVEN PARTIDAS.- OF THE WISE KING DON ALONSO THE IX, newly glossed by Licentiate Gregorio López of the Royal Council of the Indies of His Majesty" Facsimile edition of the one from Salamanca: Adnrea de Portonaris, 1555. M.: Official State Gazette, 1974. 4th largest, guaflex. 3 vols. in a case. Provenance: Enrique Múgica Herzog Collection

    Duran Arte y Subastas
  • Jesus praying in the Garden of Olives
    Mar. 24, 2025

    Jesus praying in the Garden of Olives

    Est: €200,000 - €300,000

    GREGÓRIO LOPES - 1490-1550 Jesus praying in the Garden of Olives oil on oak wood c. 1530 small restoration support with minor traces of woodworms. Notes: represented in CARVALHO José Alberto Seabra de - "Gregório Lopes". Lisbon: Edições INAPA 2004 pp. 40-41. Work studied and presented by CAETANO Joaquim Oliveira - "Uma desconhecida obra-prima de Gregório Lopes". In "Estudo da pintura portuguesa - Oficina de Gregório Lopes - Actas" - Lisbon: José de Figueiredo Institute 1999 pp. 129-132. Gregório Lopes was one of the most important Portuguese painters of the first half of the 16th century having occupied the position of royal painter to King D. Manuel I from 1521 a position that would be confirmed by King D. João III and which he held until his death in 1550. Trained in the workshop of Jorge Afonso his father-in-law he worked with other contemporary artists such as Francisco Henriques Garcia Fernandes or Cristóvão de Figueiredo with whom he was one of the main people responsible for the renewal and updating of the taste in Portuguese painting of his time. His workshop was responsible for the execution of some of the most important works that were carried out in Portugal in the first half of the 16th century namely the altarpiece of Saint Benedict initially made for the convent of Saint Francis in Lisbon; the altarpiece of Paradise or the set of panels he made for the Convent of Christ in Tomar and for the church of Saint John the Baptist in the same city. Two other paintings "Resurrection of Lazarus" and "Ascension of Mary Magdalene into Heaven" are in the Olivenza Museum - see https://museodeolivenza.com/salas/otras/sala-de-arte-sacro/ accessed on 3-3-2025 at 11:55. Dim. - 114 x 134 5 cm

    Cabral Moncada Leilões
  • The seven games of the wise King Alonso el Nono
    Jun. 25, 2024

    The seven games of the wise King Alonso el Nono

    Est: -

    "THE SEVEN DEPARTURES OF THE WISE KING DON ALONSO EL NONO.- again glossed, by Mr. Gregorio López, of His Majesty's Royal Council of the Indies" Valladolid: Diego Fernández de Cordova, 1587. Folio, cardboard. Seven games in 3 volumes. Port. of volume I in two inks, and each one with a large engraved imperial agilea. Some ports (third and fifth items) have a small lack of paper at the bottom that does not affect the imprint. Followed by: "VERY COPIOUS REPORT OF THE TEXT AND LAWS of the seven games, now in this last impression, made by the lawyer Don Gregorio López de Tovar, goes by its alphabet" Valladolid: Diego Fernández de Córdova, 1588 (small lack of paper in the lower margin of the title page, without affecting the imprint). Rust stains and some old water stains. Old handwritten notes.

    Duran Arte y Subastas
  • The seven games of the wise King Alonso el Nono
    Apr. 24, 2024

    The seven games of the wise King Alonso el Nono

    Est: -

    "THE SEVEN DEPARTURES OF THE WISE KING DON ALONSO EL NONO.- again glossed, by Mr. Gregorio López, of His Majesty's Royal Council of the Indies" Valladolid: Diego Fernández de Cordova, 1587. Folio, cardboard. Seven games in 3 volumes. Port. of volume I in two inks, and each one with a large engraved imperial agilea. Some ports (third and fifth items) have a small lack of paper at the bottom that does not affect the imprint. Followed by: "VERY COPIOUS REPORT OF THE TEXT AND LAWS of the seven games, now in this last impression, made by the lawyer Don Gregorio López de Tovar, goes by its alphabet" Valladolid: Diego Fernández de Córdova, 1588 (small lack of paper in the lower margin of the title page, without affecting the imprint). Rust stains and some old water stains. Old handwritten notes.

    Duran Arte y Subastas
  • López, Gregorio: Commentationes in apocalypsim
    Apr. 13, 2021

    López, Gregorio: Commentationes in apocalypsim

    Est: €100 - €150

    López, Gregorio. Commentationes in apocalypsim ex hispanica lingua conversae, & in lucem nunc primum editae. S. Thomae Aquinatis O. P. opusculorum quae in edit Romana sunt IV. V. VI. VII. VIII. Nicolai Eschii spiritualium exercitiorum libellus. Cura & studio Fr. Bernardini. XVI, 482 S., 1 Bl. Mit gestochenem Portrait. 15,5 x 11,5 cm. Pergament d. Z. (etwas fleckig und berieben, mit altem hs. RTitel und neuerem hs. Deckeltitel). Rom, Erben Johann Lorenz Barbiellini, 1756. -- Erste lateinische Ausgabe des spanischen Apokalypsekommentars des biographisch kaum nachweisbaren Anachoreten Gregorio Lopez (1542-1596). Enthält auch eine Auslegung des Thomas von Aquin in seinen Schriften De caritate, De articulis fidei, Super symbolo apostolorum, Super oratione dominica und Super salutatione angelicas sowie als dritten Teil eine Kompilation spiritueller Übungen des niederländischen Mönches Nicolaus van Esche (1507-1578), einem heute vergessenen Vertreter des praktischen Mystizismus aus der Fraterschule des spätmittelalterlichen Scholastikers und Bußpredigers Geert Groote (1340-1384). – Etwas fleckig.

    Bassenge Auctions
  • Lopez, Gregorio
    Dec. 11, 2007

    Lopez, Gregorio

    Est: $10,000 - $15,000

    Lettera Annua della Provincia delle Filippine dell Anno M.D.CVIII. Rome: Bartolomeo Zanetti, 1611 Small 8vo (6 x 4 in.; 152 x 102 mm). Woodcut Jesuit device on title, decorative woodcut initial; small dampstain in upper inner corner a first few leaves, some light marginal spotting in last few leaves. Limp vellum.

    Sotheby's
  • LOPEZ, GREGORIO
    Dec. 11, 2006

    LOPEZ, GREGORIO

    Est: $8,000 - $12,000

    Libro de Medisina por orden alfavetico, compuesto por el Venerable siervo de Dios Gregorio Lopez. Mexico, late 17th century Manuscript, 8vo (8 ½ x 5 7/8 inches; 218 x 150 mm.). 108 leaves, written in six hands, in brown ink, after leaf 10 an autograph letter, signed by Mariano Sanroenan? to Don Domingo Rafael, Mexico, 30-31 November no year, 2 pp.; first leaf browned, some worm punctures on first leaf and a few bottom margins, a few fore-edges bumped or frayed. Modern red cloth, gold-stamped title on spine. LITERATURE Francisco Guerra, El Tesoro de Medicinas (1982), introduction; Idem, Historia de la Materia Medica Hispano-Americana (1973), nos. 211-216; Idem, "The paradox of The Treasury of Medicines by Gregorio Lopez," in Clio Medica 4 (1966), 273-288 NOTE The most influential work of popular therapeutics in Hispanic America, commonly attributed to Gregorio Lopez (1542-1596), a Spanish hermit who lived most of his life in Mexico, but now seen as a compilation from Mexican and European sources, put together by the editors of the first edition. First published in Mexico in 1672, it appeared again in 1674, and then in Madrid in 1708. These editions, not commonly available, were transcribed and widely kept in homes as compilations of popular remedies with a variety of arrangements and contents added to by the family owners. Over one hundred such compilations were seen by Guerra. The present manuscript contains notes citing "Salcedo" and "Brizuela" and so must be based on the 1674 edition which contained notes by the doctors Mathias de Salzedo Mariaca and Joseph Dias Brizuela. The alphabetical order of the entries exhibits two ranges of A-Z, and starts again at the end, suggesting a possible misbinding. The letter bound in by Mariano Sanroenan[?] refers to the Colegio de San Ignacio, but makes no reference to the manuscript. Lopez did evidently write an herbal of native plant remedies, which Guerra has identified in the autograph manuscript, and in a transcription prepared for the canonization process at the Vatican in the 18th century, but it was generally unknown until its publication by Guerra in 1982.

    Sotheby's
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