William Linnell Sold at Auction Prices

LINNELL William (British 1826-1906), 'Surrey Landscape - Sunset', W/Clr with White Highlights, 33x53cm

LINNELL, William (British 1826-1906) 'Surrey Landscape - Sunset' Label verso for 'The Fine Art Society Ltd', New Bond St. London. No signature apparent. W/Clr with White Highlights 33x53cm

WILLIAM LINNELL (1826-1906) BUSY WITH THE HAY

WILLIAM LINNELL (1826-1906) BUSY WITH THE HAY Initialled Oil on canvas Old catalogue label verso (29cm x 44.5cm)

WILLIAM LINNEL (1826-1906)

Property from a London Collection WILLIAM LINNEL (1826-1906) NEAR TINTERN ABBEY, MONMOUTHSHIRE watercolour and coloured chalks image: 27 x 46.5cm; 10 1/2 x 18 1/4in framed: 53 x 71cm; 20 3/4 x 28in Provenance: Sale, Sotheby's London, 11th July 1985, lot 112, (acquired by the present owner)

WILLIAM LINNELL, GOAT HERDS IN THE APENNINES, O/C

Property of a Okatie, SC Estate Description: William Linnell (British, 1826-1906), Goat Herds in the Apennines, Oil on Canvas, 1864, signed, inscribed 'Rome', and dated 1864 lower left, depicting figures with goat herd in a mountainous landscape, with 'Kurt E. Schon, Ltd.' and 'Gridley & Palmer, Liverpool' gallery labels on verso, in a giltwood frame, Frame size: 41 in. 60 in. Provenance: Sotheby's London, 12 June 2003, lot 273; Kurt E. Schon, Ltd., New Orleans. Exhibited: Odessa, Texas, Ellen Noel Museum of Art, Where Will You Travel Next?- Destinations in Paintings, November 2012-February 2013; Albany, NY, Albany Museum of Art, January- April2014; Allentown, PA, Allentown Museum of the Lehigh Valley, June-September 2014; Scranton, PA, Everhart Museum of Natural History, Science& Art, Febrary-June2015; Lakeland, FL, Polk Museum of Art, July-December 2015. Literature: James Allen Scott, Where Will You Travel Next?- Destinations in Paintings, 2011, p. 38, illustrated. William Linnell was a British painter of rustic pastoral scenes. Today his work can be found in the collections of multiple galleries and museums in the United Kingdom, as well as in private collections. Measurements: Height: by sight 52 1/2 in. x Width: 44 1/2 in. Condition: Overall good condition, craquelure, crack in paint. In upper left quadrant in sky above mountain, small scattered areas of inpainting, particularly along edges, relined, cracks and small losses to frame. Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. Complete condition reports are available by request, no later than 24 hours prior to the live auction. All lots are offered and sold 'as is', and Everard Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated. We do not guarantee the condition of frames. By placing a bid, either in person, by phone, absentee or via the Internet, you signify that you agree to be bound by the conditions of sale. Everard Auctions does not provide any shipping or packing services. We recommend that all potential buyers obtain pack/ship estimates prior to bidding. Please contact us for a list of recommended shippers.

WILLIAM LINNELL SZENE AUS DEM ALTEN TESTAMENT

WILLIAM LINNELL 1826 - 1906 Scene from the Old Testament Oil on canvas (doubl.). 62 x 96 cm (F. 82 x 115 cm). Signed lower left 'William Linnell'. Part. min. dam. Frame.Zeichen(10)WILLIAM LINNELL 1826 - 1906 Szene aus dem Alten Testament Öl auf Leinwand (doubl.). 62 x 96 cm (R. 82 x 115 cm). Signiert unten links 'William Linnell'. Part. min. besch. Rahmen.

WILLIAM LINNELL (BRITISH 1826-1906)

WILLIAM LINNELL (BRITISH 1826-1906) WILLIAM LINNELL (BRITISH 1826-1906) Study of a landscape oil on card 35.8 x 52.5 cm (14 1/8 x 20 5/8) PROVENANCE: Mrs Linnell-Burton (the artist's grandaughter) Abbott & Holder, London

WILLIAM LINNELL (BRITISH 1826-1906) GATHERING WILD BERRIES

WILLIAM LINNELL (BRITISH 1826-1906) GATHERING WILD BERRIES Signed and indistinctly dated, oil on canvas (59cm x 69cm (23.25in x 27.25in)) Provenance: Property of an Edinburgh collector

WILLIAM LINNELL (LONDON 1826-1906) On the mountain road from Bettws-y-Coed

WILLIAM LINNELL (LONDON 1826-1906) On the mountain road from Bettws-y-Coed to Dolwyddelan, North Wales pencil, coloured chalks and watercolour on grey paper 17 7/8 x 22 7/8 in. (45.4 x 58 cm.)

WILLIAM LINNELL (LONDON 1826-1906) Study of trees pencil, watercolour and b

WILLIAM LINNELL (LONDON 1826-1906) Study of trees pencil, watercolour and bodycolour on grey paper 11 1/4 x 10 in. (28.5 x 25.5 cm.)

William Linnell (British, 1826-1906)

William Linnell (British, 1826-1906) Hay gatherers signed and dated 'William Linnell/1870' (lower left) oil on canvas 70 x 90cm Provenance: Gooden & Fox, 57 Pall Mall, London; Property from a Suffolk country house

WILLIAM LINNELL (British 1826-1910) A PAINTING, "Pilgrims and Shepherd Watch Watering Cows, Goats and Sheep,"

WILLIAM LINNELL (British 1826-1910) A PAINTING, "Pilgrims and Shepherd Watch Watering Cows, Goats and Sheep," oil on canvas, verso an old round rubber stamp. 27 1/4" x 36"

Yeats (William Butler) 3 Autograph Letters signed to [William] Linnell, 1 Autograph Letter signed to John Linnell & 1 Typed Letter signed to Katherine Riches, together 7pp., Dublin, London & Co. …

Yeats (William Butler, poet, 1865-1939) 3 Autograph Letters signed to [William] Linnell (1826-1906, artist), 1 Autograph Letter signed to John Linnell (1821-1906) & 1 Typed Letter signed to Katherine Riches (daughter of William Linnell), together 7pp., 8vo & 4to, 53 Mountjoy Square, Dublin, 18 Woburn Buildings, Euston Road, London & Tillyra Castle, Co. Galway, where Yeats was visiting Edward Martyn, [1896] & 1927, discussing the reproductions of William Blake's drawing for Yeats's articles in the Savoy Magazine., "... The publisher, Mr Smithers [Leonard Smithers 1861-1907] will send the photographer to Red Hill next Tuesday. I will certainly not print more than six designs with my article, as you suggest, it will however be necessary to photograph the whole nine ... Mr Dent is waiting to see the photographs before making an offer in the matter of the suggested book", [see The Collected Letters of W.B. Yeats, ed. John Kelly, vol 2, pp.34-5)... "'.. A great many thanks for you admirable & I think convincing criticism of the Blake reproductions. I was considerably disappointed in one or two of them. The statues; & Vergil; & Dante's Sleep which you think better is the second block made by its reproducer. I rejected the first. Not having the originals by me, to refer to, I was at this mercy in most cases. ... I will show your letter to the publisher of my return to London. He has divided my essay in three parts, instead of the two I intended, & is reproducing the other six illustrations & this is in excess of my bond. I can only apologise. I have written to Mr William Linnell about the matter" [to John Linnell jnr., see Letters, vol 2, p. 50], and to Mrs Riches, "regretting have missed her in Dublin, and reminiscing: "I need hardly say that I have very vivid memories of those days when I was very young and worked at the Blake Manuscripts. Was it in your father's or your grandfather's house..." [the published Letters do not yet extend to this date], folds, slightly browned (5). ⁂ Yeats had long been interested in the works of William Blake. He and Edwin John Ellis (1848-1916, a friend of his father) collaborated on Works of William Blake (Quaritch, 1893, vols.). In December 1889 they had 'discovered Linnell's MS of Blake's Vala (Letters, 1, xv). The discovery had been made on a visit to the Linnell home, Redhill in Surrey, where he studied the Blake relics from the collections of the late John Linnell (d. 1882).

Palmer (Samuel) 5 Autograph Letters signed, four to John Linnell jnr. and one to William Linnell, painters, 1860-64 to William Linnell, 1861, bids the Linnells farewell on their departure for Italy, …

Palmer (Samuel, landscape painter and etcher, 1805-81) 5 Autograph Letters signed, four to John Linnell jnr. (1821-1906, artist) and one to William Linnell (1826-1906 painter), 12pp., 8vo, Kensington & Furze Hill, Redhill, Surrey, 1860-64 where dated, the letter to William Linnell, from 6 Douro Place [Kensington], August 1861, bids the Linnells farewell on their departure for Italy, "... I hope you will fall upon the like now and then in Italy and see something which we did not, the best Italian Society. Their 'best society', in the best sense, is sometimes to be found where the shepherd in Virgil found love - among the rocks ... But you will lose sight of factory chimneys for a time, and see the olives and vintages and 'slow herdsman' of Virgil!", and asking for advice on how to raise a loan or mortgage to enable him to buy or lease Furze Hill House, 5 February 1864, "[I] should not like anything to transpire at present beyond the family, as whatever betrays my want of wealth to the people of Red Hill & Reigate, though not in the least really to my discredit, may be professionally injurious... ," with a page of calculations dated 1864 regarding the expense of becoming a yearly tenant of the property (£51 p.a. payable to Mr Nicholson), probably in John Linnell's hand, folds. ⁂ The Palmers had already been living in Furze Hill House for two years: '[They] moved in May 1862 to the rented property, Furze Hill House, Mead Vale, Redhill. Later in 1864, the house was bought by [John] Linnell [snr.] from John Fisher, a local builder, and given to his son John [Linnell jnr.], who continued to lease to the Palmers. The rent was £75 a year. ...' (The Letters of Samuel Palmer, ed. Raymond Lister, Oxford 1874, vol 2, page 649n). The present letters are apparently unpublished.

WILLIAM LINNELL (British 1826-1910) A PAINTING, "Pilgrims and Shepherd Watch Watering Cows, Goats and Sheep,"

WILLIAM LINNELL (British 1826-1910) A PAINTING, "Pilgrims and Shepherd Watch Watering Cows, Goats and Sheep," oil on canvas, verso an old round rubber stamp. 27 1/4" x 36"

Attributed to William Linnell (1826-1906) British. A Forest Path, with Figures and Cattle in a River Landscape, Oil on Canvas, 20 x 30 .

Attributed to William Linnell (1826-1906) British. A Forest Path, with Figures and Cattle in a River Landscape, Oil on Canvas, 20 x 30 .

William Linnell (British, 1826-1906) Undulating landscape with livestock being driven along a path

William Linnell (British, 1826-1906) Undulating landscape with livestock being driven along a pathsigned and dated 'William Linnell 1859' (lower right) oil on canvas 92.1 x 121.9cm (36 1/4 x 48in).

William Linnell (1826-1906) British. "Harvest Time", an Extensive Landscape, with a Harvesting Scene in the foreground, with Figures resting, Oil on Canvas, Signed, Inscribed 'Fecit', and Dated 1877, and Inscribed on a label on reverse, 39" x 64".

William Linnell (1826-1906) British. "Harvest Time", an Extensive Landscape, with a Harvesting Scene in the foreground, with Figures resting, Oil on Canvas, Signed, Inscribed 'Fecit', and Dated 1877, and Inscribed on a label on reverse, 39" x 64".

William Linnell (1826-1906) British. A Mountainous Landscape, with a Drover and Cattle, and Figures in the foreground, Oil on Canvas, Signed, 26" x 38".

William Linnell (1826-1906) British. A Mountainous Landscape, with a Drover and Cattle, and Figures in the foreground, Oil on Canvas, Signed, 26" x 38".

WILLIAM LINNELL (1826-1906) - RECLINING FEMALE NUDE

WILLIAM LINNELL (1826-1906) RECLINING FEMALE NUDE oil on canvas sold together with a drawing of a female nude by the same hand the first 42 cm by 72 cm; 16 1/2 in by 28 1/4 in

William Linnell (1826-1906) British. A Mountainous Landscape, with a Drover and Cattle, and Figures in the foreground, Oil on Canvas, Signed, 26" x 38".

William Linnell (1826-1906) British. A Mountainous Landscape, with a Drover and Cattle, and Figures in the foreground, Oil on Canvas, Signed, 26" x 38".

WILLIAM LINNELL (BRITISH, 1826-1906) FAMILY WITH HORSE AND CARAVAN ON A WOODED PATH Oil on canvas: 27 1/2 x 32 1/2 in.

WILLIAM LINNELL (BRITISH, 1826-1906) FAMILY WITH HORSE AND CARAVAN ON A WOODED PATH Oil on canvas: 27 1/2 x 32 1/2 in. Framed; lower left signed: W. Linnel

William Linnell (British, 1826-1906) Goat herds in the Apennines 27 x 45 1/2in (68.5 x 115.5cm)

William Linnell (British, 1826-1906) Goat herds in the Apennines signed, inscribed and dated 'William Linnell/ Roma 1864' (lower left) oil on canvas 27 x 45 1/2in (68.5 x 115.5cm) Footnotes Provenance Sale, Sotheby's, London, 12 June 2003, lot 273; with Kurt E. Schon, Ltd., New Orleans. Exhibited Odessa, Texas, Ellen Noel Museum of Art, Where Will You Travel Next?-Destinations in Paintings, November 2012-February 2013; Albany, New York, Albany Museum of Art, January-April 2014; Allentown, Pennsylvania, Allentown Museum of the Lehigh Valley, June-September 2014; Scranton, Pennsylvania, Everhart Museum of Natural History, Science & Art, February-June 2015; Lakeland, Florida, Polk Museum of Art, July-December 2015. Literature James Allen Scott, Where Will You Travel Next? Destinations in Paintings, 2011, p. 38, illustrated.

WILLIAM LINNELL (1826-1906) A LARGE FOLIO OF DRAWINGS AND WATERCOLOURS

WILLIAM LINNELL (1826-1906) A LARGE FOLIO OF DRAWINGS AND WATERCOLOURS Including studies of trees, landscapes, figure studies; watercolour with bodycolour and pencil, one oil on paper Various sizes (approx. 31) Provenance Linnell family; Sotheby's 12 October 1993, Lot 1658 ++in mixed condition, many sheets in very good condition with strong original colours, staining and tears to some other sheets

19th Century English School - Watercolour - View of a half timbered farmhou

19th Century English School - Watercolour - View of a half timbered farmhouse with farmyard and animals to foreground, 9.75ins x 16.75ins, and William Linnell (1826-1906) - Charcoal drawing - Male study, 9.25ins x 15ins (circa 1848 - unsigned but from the Collection of Mrs Linnell Burton), both in modern gilt moulded frames and glazed

19th Century English School - Watercolour - View of a half timbered farmhou

19th Century English School - Watercolour - View of a half timbered farmhouse with farmyard and animals to foreground, 9.75ins x 16.75ins, and William Linnell (1826-1906) - Charcoal drawing - Male study, 9.25ins x 15ins (circa 1848 - unsigned but from the Collection of Mrs Linnell Burton), both in modern gilt moulded frames and glazed

William Linnell (1826-1906), A TRAVELLING FAMILY WITH THEIR MULE AND DOG, 20.25" x 24.25" - 51.4 x 61.6 cm.

WILLIAM LINNELL (1826-1906), BRITISHA TRAVELLING FAMILY WITH THEIR MULE AND DOGOil on canvas; signed and dated 88 lower right20.25" x 24.25" - 51.4 x 61.6 cm.Provenance:The Fine Art Galleries, The T. Eaton Co. LimitedEstimate: $1,500-2,500

19th Century English School - Watercolour - View of a half timbered farmhouse with farmyard and anim

19th Century English School - Watercolour - View of a half timbered farmhouse with farmyard and animals to foreground, 9.75ins x 16.75ins, and William Linnell (1826-1906) - Charcoal drawing - Male study, 9.25ins x 15ins (circa 1848 - unsigned but from the Collection of Mrs Linnell Burton), both in modern gilt moulded frames and glazed

William Linnell (British, 1826-1906) Sheep in a

William Linnell (British, 1826-1906) Sheep in a rocky landscape, oils on canvas, signed and dated verso 1875, titled verso, oils on canvas, 29cm x 45cm

WILLIAM LINNELL (BRITISH, 1826-1906) - SHEEP ON A HILLSIDE

WILLIAM LINNELL (BRITISH, 1826-1906) SHEEP ON A HILLSIDE pastel 25.5cm x 34cm; 9 3/4in x 13 1/2in Provenance: The artist's granddaughter D. Colman Dunn

William Linnell (1826-1906), Harvest 'When labour

William Linnell (1826-1906), Harvest 'When labour drinks his boiling sweat to thrive' - Chapman's Hesiod, Oil on canvas, Signed and dated 59 lower left, Inscribed on label attached to stretcher, 80 x 121.9cm (31 1/2 x 48in), Exhibited: London, Royal Academy, 1859, No 661.

WILLIAM LINNELL (ENGLISH, 1826-1906) SEASCAPE ON

WILLIAM LINNELL (ENGLISH, 1826-1906) SEASCAPE ON THE DEVON COAST oil and gouache on paper (unframed) 26.5cm x 43cm;10 1/2 in x 17in Provenance: Mrs Linnell Burton

Attributed to William Linnell (1826-1906) Eight head studies of classical sculpture black and white chalk, unframed 15½ x 13 1/8 in. (39.4 x 33.3 cm.); and smaller (8)

William Linnell (1826-1906) 'A Rest by the Wayside' 30.5 x 50in.

William Linnell (1826-1906) oil on canvas, 'A Rest by the Wayside' Exhibited Royal Academy 1871, 30.5 x 50in.

William Linnell (1826-1906), View near Redhill,

William Linnell (1826-1906), View near Redhill, Surrey; Woodland near Redhill, two, watercolour and pastel, the larger 45cm x 65cm.(2)

ATTRIBUTED TO WILLIAM LINNELL (1826-1906), Studies

ATTRIBUTED TO WILLIAM LINNELL (1826-1906), Studies of Human Heads for Sculptures, six various pencil drawings heightened with white chalk, unsigned, two on buff paper, sizes approximately 14" x 11", unframed

ATTRIBUTED TO WILLIAM LINNELL (1826-1906), Study

ATTRIBUTED TO WILLIAM LINNELL (1826-1906), Study of a Female Head for a Sculpture, pencil drawing heightened with white, chalk on a buff paper, 14" x 11 1/2", gilt framed, together with two similar framed drawings, unsigned (3)

Property from the estate of Dr. William L. Sherman

Shepherds at rest signed and indistinctly dated 'Wm Linnell 187[.]' (lower left) oil on panel 18 x 24in

William Linnell (1826-1906)

William Linnell (1826-1906) View near Redhill, Surrey (illustrated); and Woodland near Redhill, Surrey the first oil on paper; the second watercolour and coloured chalks 17½ x 25¼ in. (44.5 x 64.1 cm.); and 17 x 21½ in. (43.2 x 54.6 cm.) (2)

Attributed to William Linnell (British,

Attributed to William Linnell (British, 1826-1906), "Posing Male Nud$E", c. 1845, black chalk, unsigned, sheet 27 1/4 in. x 19 1/2 in., unframed.

William Linnell (1826-1906)

William Linnell (1826-1906) A chance meeting in the Highlands signed and dated 'William Linnell 1887' (lower right) oil on canvas 24 x 36 in. (61 x 91.4 cm.)

William Linnell (1826-1906)

William Linnell (1826-1906) Harvest 'When labour drinks his boiling sweat to thrive' - Chapman's Hesiod. signed and dated 'William Linnell 59' (lower left) and inscribed 'Harvest/'When labour drinks his boiling sweat to thrive'/Chapmans Hesio/William Linnell/Red... Wood/Redhill/Surrey/1859' (on a label on the stretcher) oil on canvas 31½ x 48 in. (80 x 121.9 cm.)

WILLIAM LINNELL (1826-1906), Shepherds Tending

WILLIAM LINNELL (1826-1906), Shepherds Tending Their Flock at Dusk, oil on canvas, signed, 28 1/4" x 40", unframed

William Linnell (British, 1826-1906) Shepherds

William Linnell (British, 1826-1906) Shepherds with their Flock in a Mountainous Landscape Oil on canvas, 61.5 x 94cm Signed and dated 1889

WILLIAM LINNELL (1826-1906) "Under the beech

WILLIAM LINNELL (1826-1906) "Under the beech tree", a landscape with woman and two children seated, a shepherd with dog in foreground, sheep and a further figure in the background, oil on canvas, signed, 51 x 67 cm (ILLUSTRATED)

William Linnell (1826-1906)

Gathering the flock signed and dated 'William Linnell 1863' (lower left) oil on canvas 21 3/8 x 37 3/8 in. (54.2 x 94.9 cm.)

PROPERTY OF VARIOUS OWNERS BLAKE, WILLIAM

Illustrations of the Book of Job. London: William Blake and John Linnell, 1825 [i.e., 1826] Engraved broadsheets (16 x 10 7/8 in.; 406 x 276 mm). Engraved title and 21 engraved plates on unwatermarked wove paper; light scattered foxing. Publisher's flexible tan boards, printed label on upper cover with manuscript correction of Linnell's address to 38 Porchester Terrace, Bayswater, and the word "French" before "Proofs," green cloth spine; upper board detached and stained, endpapers stained, spine torn, text block split in half. PROVENANCE Thomas G. Linnell (pencil signature, 1872 on front free endpaper) LITERATURE AND REFERENCES Bentley/Nurmi 339; Bentley Blake Books 421; Keynes 55 CATALOGUE NOTE First edition, descended through the Linnell family, bearing the signature of Thomas G. Linnell and the date 1872 on the front free endpaper. John Linnell commissioned Blake to produce a series of engravings, based on designs and watercolors relating to Job that Blake had made decades earlier for his patron Thomas Butts. According to Linnell's Job accounts, there were 150 "Proof" copies printed on India paper, 65 French paper "Proofs," and 100 plain copies on "drawing paper" printed after the word "Proof" had been burnished out of the lower right corner of each plate. The label of the present copy has been marked in a contemporary hand to read "French Proofs." The engravings retain the word "Proof" and are printed on unwatermarked wove paper. The label on the front cover has been emended in a contemporary hand to indicate Linnell's new address at 38 Porchester Terrace, Bayswater, where Linnell had had a house built for his family in 1829. It is quite plausible that this emendation, and that of the inclusion of the word "French" before "Proofs" on the label are in Linnell's own hand. The ownership inscription on the front free endpaper is that of Thomas G. Linnell. John Linnell, Senior had three sons, James Thomas, William and John, Jr.?all talented painters like himself?and a daughter who married the watercolor painter Samuel Palmer. Thomas G. Linnell was most likely a grandson.

William Linnell (1826-1906)

Under the beech tree signed 'W.Linnell (lower right) oil on canvas 20 1/8 x 26 1/4 in. (51.1 x 55.7 cm.)

William Linnell British, 1826-1906 SHEPHERDS AND THEIR FLOCK AT REST