Sol LeWitt Arcs from Sides or Corners, Grids & Circles 1972 screenprint in colors each: 14.875 h x 14.875 w in (38 x 38 cm) Signed and numbered to lower edge of each '21/100 LeWitt'. This complete portfolio of eight works is number 21 from the edition of 100 published by Pio Monti, Macerata, Italy. Literature: Krakow 1972.03 This work will ship from Lambertville, New Jersey.
Sol LeWitt Untitled (from the Bands of Color In Four Directions & All Combinations portfolio) 1971 etching in colors image: 11.25 h x 11.25 w in (29 x 29 cm) sheet: 21.5 h x 21.875 w in (55 x 56 cm) Signed and numbered to lower edge 'TP LeWitt'. This work is a trial proof apart from the edition of 25 printed by Crownpoint Press, Berkely and published by Parasol Press, New York. Literature: Krakow 1971.04 This work will ship from Chicago, Illinois.
Sol LeWitt Two works from Four Part Combinations of Geometric Figures in Four Colors 1980 woodcut on handmade Japanese Echizen-Kizuki Hosho 8.75 h x 18.25 w in (22 x 46 cm) 8.625 h x 17.875 w in (22 x 45 cm) Signed, numbered and inscribed to lower margin of each 'LeWitt I 7/40'. These works are number 7 from the edition of 40 printed by Adachi, Japan and published by Galerie Watari, Tokyo. Literature: Krakow 1980.07 This work will ship from Chicago, Illinois.
Sol LeWitt Untitled (from the Four x Four x Four portfolio) 1990 screenprint in colors 47.75 h x 47.75 w in (121 x 121 cm) Signed and numbered to lower right 'LeWitt 46/100'. This work is number 46 from the edition of 100 printed by Watanabe Studio, Ltd., Brooklyn and published by Parasol Press, New York. This work will ship from Lambertville, New Jersey.
Sol LeWitt Five Pointed Star with Color Bands 1992 screenprint in colors on Arches Cover 35.375 h x 24.75 w in (90 x 63 cm) Signed and numbered to lower right 'LeWitt HC 8/25'. This work is an hors commerce 8 of 25 apart from the edition of 250 printed by Watanabe Studio, Brooklyn and published by Puma Trading, Paris in celebration of the 100th anniversary of the Olympics games. Literature: Krakow 1992.03 This work will ship from Lambertville, New Jersey.
SOL LEWITT (United States, 1928 - 2007). "Five pointed star with colorbands", from the Olympic Centennial Suite, 1992. Silkscreen on 270 gr Velin d'Arches paper, copy 69/250. Signed and justified by hand. Measurements: 90 x 63 cm. Artist linked to several movements, among them conceptual art and minimal, Sol LeWitt expressed himself mainly through painting, drawing, photography and structures. Born into a Jewish family of Russian immigrants, after receiving a BFA from Syracuse University in 1949 he began a series of trips around Europe, where he was influenced by the great masters of painting. Settling in New York in the fifties, he focused his interest on graphic design, working for Seventeen Magazine. During the following decade the artist worked at the MoMA in New York, another experience that would mark the development of his work. During these years, LeWitt became one of the main representatives of conceptual art, which emphasizes that the idea, and not its physical form, is fundamental. He was one of the pioneers of this movement, as well as one of its most prominent theoreticians, and his work has also been related to minimalism. From 1965 LeWitt will be the subject of hundreds of solo exhibitions in museums and galleries around the world. His works include two- and three-dimensional works, from wall paintings (more than 1,200) to photographs, drawings and sculptures of all kinds, including towers, pyramids, geometric forms and progressions. Sol LeWitt frequently used open, modular structures based on the cube, a key form in the development of his language. In 1978, the Museum of Modern Art in New York dedicated his first retrospective exhibition to him. LeWitt is currently represented in that museum, as well as in the Guggenheim in New York and Bilbao, the Kunstmuseum in Basel, the Palazzo Forti in Verona, the SMAK in Ghent, the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden and the National Gallery in Washington, the Metropolitan in New York and the National Gallery of Australia, among many others.
SOL LEWITT (Connecticut, 1928 - New York, 2007). "Tangeld bands", 2002. Gouache on paper. Presents information label of the Juana de Aizpuru Gallery. Framed with museum glass. Signed in the lower right corner. Measurements: 75 x 57 cm; 98 x 81 cm (frame). During the later artistic period other forms began to feature more prominently in LeWitt's drawings and murals, which also began to incorporate elements of Optical, or Op, Art. The designs of his wall drawings became freer and more playful as LeWitt experimented with curved lines and stains, as in the Squiggly Brushstrokes and Wavy Lines series. The line and its fluidity became one of the recurring resources in the artist's late artistic experimentation. This work is a clear reflection of this statement, an image where the color also has a great protagonism since it abandons the vibrant shades, lowering the intensity of the red that seems to merge with the black color of the black lines. This symbiosis between the main element of the composition and the background is recurrent in LeWitt's work, although in this case it acquires a tactile quality. An artist linked to several movements, including conceptual and minimal art, Sol LeWitt expressed himself mainly through painting, drawing, photography and structures. Born into a Jewish family of Russian immigrants, after receiving a BFA from Syracuse University in 1949 he began a series of trips through Europe, where he was influenced by the great masters of painting. Settling in New York in the fifties, he focused his interest in graphic design, working for Seventeen Magazine. During the following decade the artist worked at the MoMA in New York, another experience that would mark the development of his work. During these years, LeWitt became one of the main representatives of conceptual art, which emphasizes that the idea, and not its physical form, is fundamental. He was one of the pioneers of this movement, as well as one of its most prominent theoreticians, and his work has also been related to minimalism. From 1965 LeWitt will be the subject of hundreds of solo exhibitions in museums and galleries around the world. His works include two- and three-dimensional works, from wall paintings (more than 1,200) to photographs, drawings and sculptures of all kinds, including towers, pyramids, geometric forms and progressions. Sol LeWitt frequently used open, modular structures based on the cube, a key form in the development of his language. In 1978, the Museum of Modern Art in New York dedicated his first retrospective exhibition to him. LeWitt is currently represented in that museum, as well as in the Guggenheim in New York and Bilbao, the Kunstmuseum in Basel, the Palazzo Forti in Verona, the SMAK in Ghent, the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden and the National Gallery in Washington, the Metropolitan in New York and the National Gallery of Australia, among many others. Framed with museum glass.
Sol Lewitt (Hartford, 1928 - ) Open cube in black on white 2004 Linoleumgrafia di cm. 31x31 su carta di cm. 43x43 Firma e tiratura in basso a destra. Stampatore: "Watanabe Studio, Ltd.", Brooklyn, New York. Editore: "Gli Ori" Pistoia.
Sol Lewitt (Hartford, 1928 - ) Rectangles of Color 1994 Xilografia di cm. 10,8 × 60,6 su carta di cm. 25,1 × 73,3 Firma e tiratura in basso a destra. Stampatore: Watanabe Studio Ltd., Brooklyn, New York. Editore "Museo Pecci", Prato.
Sol Lewitt (American, 1928â2007). "25th New York Film Festival" poster. Serigraph. 45 x 30" (overall); together with an unattributed 20th-Century American School sculpture. Color block sponge sculpture in a plexiglass box. 19 1/2 x 13 1/2 x 4" (no apparent signature found). Provenance: Property from the Estate of a Manhattan Art Collector.
Two limited edition t-shirts made for the 1996 Sao Paulo Biennale. 1996. Serigraph on cotton t-shirt. Produced by M. Officer. Tagged with artist information on bottom right. Both tagged: Size 3.
Sol Lewitt (1928-2007) Stars The complete set of six linocuts printed in colours, 2002, each signed in pencil, numbered from the edition of 100, printed by Watanabe Studio, New York, on Somerset wove paper, with full margins, each sheet 688 x 688mm (27 x 27in)
screenprint in colours, signed in pencil, numbered P.P.3/4 (the edition was 125), on Somerset textured white paper, published by Livet Reichard, New York, printed by Hidemi Nomura at Watanabe Studio Ltd., Brooklyn, with full margins
SOL LEWITT (American, 1928-2007) Irregular Grid signed and dated 'S. Lewitt 01' (lower right); with a label from Pace Wildenstein Gallery, New York (affixed to the backing) gouache on paper 45 x 42 in. (114.3 x 106.7 cm) framed 50 x 47 x 1 3/4 in. (127.0 x 119.4 x 4.5 cm)
SOL LEWITT (1928-2007) Irregular Grid 2000 Signé et daté en bas à droite Gouache sur papier Getekend en gedateerd rechtsonder Gouache op papier Signed and dated lower right Gouache on paper 37,5 x 57,5 cm
SOL LEWITT (1928-2007) Sans titre 1988 Signé et daté en bas à droite Gouache sur papier Getekend en gedateerd rechtsonder Gouache op papier Signed and dated lower right gouache on paper 56 x 75 cm
Sol LEWITT (1928-2007), ohne Titel (1992), aus ''Olympic Centennial Suite'', Farbsiebdruck auf Arches Bütten, u.re. mit Bleistift sign. und num., Expl. 151/250, u. Mitte Trockenstempel ''Olympische Ringe'', Bogenmaße: ca. 90 x 63 cm, o.re. Ecke mit leichten Knickspuren. ''Olympic Centennial Suite'' vereint 50 Werke internationaler Künstler. Herausgegeben vom Internationalen Olympischen Komitee, Lausanne, anlässlich dessen 100-jährigen Gründungs-Jubiläums.
'Twelve Forms Derived From a Cube', 1984. Screenprint. Signed and numbered in pencil 33/70. Frame. Description FR 'Twelve Forms Derived From a Cube', 1984. Sérigraphie. Signée et numérotée au crayon 33/40. Cadre. Beschrijving NL 'Twelve Forms Derived From a Cube', 1984. Zeefdruk. Getekend en genummerd in potlood 33/40. Kader.
SOL LEWITT offset lithograph Prospect for book Dimensions: Frame Height: 15 inches, Frame Width: 11.5 inches. - Image Size: Image Height: 9 inches, Image Width: 7 inches. --- - We offer curbside delivery for most items to NYC, Manhattan, Close Brooklyn, Hoboken about a week after the auction at reasonable rates. Next Trip December 11. See details at our website. https://www.uniquesandantiques.com/nyc/
SOL LEWITT designed music poster for The Kitchen Dimensions: Frame Height: 15 inches, Frame Width: 12 inches. - Image Size: Image Height: 9.5 inches, Image Width: 10.5 inches. --- US Packing and Shipping charge: In house shipping available. Will be calculated once destination known. Plus insurance at a rate of $1 per hundred. - We offer curbside delivery for most items to NYC, Manhattan, Close Brooklyn, Hoboken about a week after the auction at reasonable rates. Next Trip December 11. See details at our website. https://www.uniquesandantiques.com/nyc/
Sol LEWITT Vertical brushstrokes - 1994 Gouache sur papier Signé et daté en bas à droite "S. LeWitt, 94" 28.0 x 19.0 cm Provenance : Collection particulière, Paris (acquis directement auprès de l'artiste) Vente, Paris, Artcurial, 7 juin 2016, lot 277 Acquis directement au cours de cette vente par l'actuel propriétaire Gouache on paper; signed and dated lower right Sol LEWITT 28.0 x 19.0 cm Gouache on paper; signed and dated lower right
Sol LEWITT Semi-cube series, 7X - 1974 Encre sur papier Signé et daté en bas à droite "LeWitt, 1974", titré en bas à gauche "7X" 30.0 x 30.0 cm Provenance : John Weber Gallery, New York Acquis directement auprès de cette dernière par l'actuel propriétaire en 1974 Ink on paper; signed and dated lower right, titled lower left Lot en importation temporaire. L'acquéreur devra acquitter des frais d'importation, soit 5,5% en sus du prix d'adjudication sauf s'il réexporte immédiatement le lot hors de l'Union Européenne. This work is in temporary import. The buyer will have to pay import fees of 5.5% in addition to the hammer price, unless the buyer immediately re-exports the lot outside the European Union. Sol LEWITT 30.0 x 30.0 cm Ink on paper; signed and dated lower right, titled lower left Lot en importation temporaire. L'acquéreur devra acquitter des frais d'importation, soit 5,5% en sus du prix d'adjudication sauf s'il réexporte immédiatement le lot hors de l'Union Européenne. This work is in temporary import. The buyer will have to pay import fees of 5.5% in addition to the hammer price, unless the buyer immediately re-exports the lot outside the European Union.
Sol LEWITT Sans titre Feutre sur papier Signé en bas à droite "LeWitt" 69.0 x 50.0 cm Provenance : Collection particulière, Paris Felt pen on paper; signed lower right Sol LEWITT 69.0 x 50.0 cm Felt pen on paper; signed lower right
SOL LEWITT (Hartford, 1928 - New York, 2007) "Tangled Bands "2002. Gouache on paper, framed. Unique piece 31x114cm ERIC BAUDELAIRE (Utah, 1973) "Barrage"2005. c- Print siliconada bajo metacrilato y sobre aluminio, bastidor de madera Serie: Etats Imaginés Edición de 5 ejemplares + 1 P.A. Medidas:110x140cm
Sol LeWitt (American 1928 - 2007) Untitled (Fold drawing), 1973 folded wove paper signed and dated 'Sol LeWitt 2/2/73' (lower right) and inscribed 'Not to be sold for more than $100,-' (on the reverse) 38 x 38 cm.
Sol LeWitt (American 1928 - 2007) R95 (Rip drawing), 1973 ripped wove paper signed, dated and titled 'S. LeWitt 1/31/73' (lower right) and inscribed 'Not to be sold for more than $100,-' (on the reverse) 34 x 34 cm.
Sol LeWitt (American 1928 - 2007) Composite series, complete set of five screenprints, 1970 five screenprints on Strathmore each signed 'S. LeWitt' (lower right) and numbered '17/150' (lower left), printed by John Campione, published by Sarah Lawrence Press, New York sheet size 505 x 505 mm., frame size 51.5 x 51.5 cm., each
SOL LEWITT (Hartford 1928–2007 New York) Untitled. Ink on handmade paper. Signed and inscribed lower right: II/1234 S. Lewitt. Image 24.6 × 25 cm on handmade paper 29.8 × 30.2 cm. Provenance: Private collection, Switzerland. ------------------------------------------------- SOL LEWITT (Hartford 1928–2007 New York) Ohne Titel. Tusche auf Büttenpapier. Unten rechts signiert und bezeichnet: II/1234 S. Lewitt. Darstellung 24,6 × 25 cm auf Büttenpapier 29,8 × 30,2 cm. Provenienz: Privatsammlung Schweiz.
SOL LEWITT (Hartford 1928–2007 New York) Cube. 1997. Gouache on thin cardboard. Signed and dated upper right: S. Lewitt 1997. 154 × 154 cm. Provenance: - Artist's studio. - Dranoff Fine Art, New York. - Private collection, Switzerland, acquired from the above gallery in 1999. The American artist Sol LeWitt was born in Hartford, Connecticut, studied at Syracuse University and moved to New York City in 1953. There he became part of a vibrant art scene that was shaped by profound changes in the 1960s. While the Found Object or Found Art was at its peak at the beginning of the 1960s, a new, radical movement was emerging in New York. Everything that artists such as Rauschenberg, Duchamp and the exponents of Pop Art integrated into their art from the streets, flea markets or everyday life, suddenly seemed to be erased. The term "object" was increasingly removed from its origin in the "objet trouvé". Donald Judd claimed it for a new fundamentalism of three-dimensionality: machine-made cubes and boxes occupied the space, floor plates such as those by Carl André or shaped fluorescent tubes such as those of Dan Flavin filled the rooms and lined up monumentally next to each other. There was a proliferation of modular grids and open spatial structures. Sol LeWitt found himself at the dawn of a new era. As one of the pioneers and most important exponents of conceptual art, he played a key role in establishing minimal art and had a lasting influence on art history. Sol LeWitt's central principle was that the idea or concept of a work of art is of greater importance than its physical execution. By emphasising strict forms, often primary squares, and a reduction to the essentials of the sujet, his use of geometric structures and repetitive patterns helped to focus the viewer's perception. His art thus aimed to elicit an intellectual and conceptual response. The primacy of the cube runs through Sol LeWitt's entire oeuvre in various media, opening up countless possibilities within narrowly defined parameters. His ‘Cubes’ series explores the numerous variations of two-dimensional representations of a three-dimensional form. In some works, the cube appears in a fully isometric projection, as in the present work ‘Cube’ from 1997. The floating cube, depicted in all its geometric rigour and clarity, seems to permeate the space. The uniform, monochrome background that frames the work enhances the three-dimensional visual effect of the cube, creating a contrast that generates both calm and tension and evokes the idea of infinity and weightlessness. The preferred medium of thinly applied gouache on paper, with a limited colour spectrum, allows the geometric sujet to take precedence in the viewer's perception. This outstanding work by Sol LeWitt powerfully embodies his minimalist and conceptual artistic philosophy, which explores the relationship between colour, form and space, or even beyond that, and can also be interpreted as a metaphor for the concepts of structure and order in the world. Ultimately, this is a space for interpretation, a space for what Sol LeWitt sought to achieve: stimulating thought beyond the square. ------------------------------------------------- SOL LEWITT (Hartford 1928–2007 New York) Cube. 1997. Gouache auf dünnem Karton. Oben rechts signiert und datiert: S. Lewitt 1997. 154 × 154 cm. Provenienz: - Künstlerstudio. - Dranoff Fine Art, New York. - Privatsammlung Schweiz, in obiger Galerie 1999 erworben. Der amerikanische Künstler Sol LeWitt, geboren in Hartford, Connecticut, studiert an der Syracuse University und zieht 1953 nach New York City. Dort wird er Teil einer lebendigen Kunstszene, die in den 1960er Jahren von tiefgreifenden Veränderungen geprägt ist. Während die Objektkunst zu Beginn der Sechzigerjahre ihren Höhepunkt erreicht, entsteht in New York eine neue, radikale Strömung. Alles, was Künstler wie Rauschenberg, Duchamp und die Vertreter der Pop Art von den Strassen, Flohmärkten oder alltäglichen Gegenständen in die Kunst integrieren, scheint plötzlich wie ausgelöscht. Der Begriff "Objekt" entfernt sich zunehmend von seiner Herkunft aus dem "objet trouvé". Donald Judd beansprucht ihn für einen neuen Fundamentalismus der Dreidimensionalität: Maschinengefertigte Kuben und Kästen versperren den Raum, Bodenplatten wie die von Carl André oder geformte Leuchtstoffröhren wie die von Dan Flavin füllen die Räume und reihen sich monumental aneinander. Modulare Gitter und offene Raumstrukturen breiten sich aus. Sol LeWitt steht zu diesem Zeitpunkt am Beginn einer neuen Ära. Als einer der Pioniere und bedeutendsten Vertreter der Konzeptkunst spielt er eine Schlüsselrolle bei der Etablierung der Minimal Art und übt einen nachhaltigen Einfluss auf die Kunstgeschichte aus. Sol LeWitts zentrales Prinzip besagt, dass die Idee oder das Konzept eines Kunstwerks von grösserer Bedeutung ist, als dessen physische Ausführung. Durch die Betonung strenger Formen, oftmals primäre Quadrate, und die Reduktion auf das Wesentliche des Sujets, trägt der Künstler durch seine Verwendung geometrischer Strukturen und repetitiver Muster dazu bei, den Fokus auf die Wahrnehmung der Betrachtenden zu lenken. Seine Kunst zielt somit darauf ab, ein intellektuelles und gedankliches Konzept zu erwecken. Die Vorrangstellung des Würfels zieht sich in verschiedenen Medien durch Sol LeWitts gesamtes Œuvre und eröffnet unzählige Möglichkeiten innerhalb eng gefasster Anweisungen. Seine Serie "Cubes" untersucht die zahlreichen Variationen zweidimensionaler Darstellungen einer dreidimensionalen Form. In einigen Arbeiten erscheint der Würfel vollständig isometrisch projiziert, wie in dem vorliegenden Werk "Cube" aus dem Jahr 1997. Der schwebende Kubus, der in seiner geometrischen Strenge und Klarheit dargestellt wird, scheint den Raum zu durchdringen. Der einheitliche, monochrome Hintergrund, der das Werk umrahmt, verstärkt die visuelle dreidimensionale Wirkung des Kubus und schafft einen Kontrast, der sowohl Ruhe als auch Spannung erzeugt und die Idee von Unendlichkeit und Schwerelosigkeit hervorruft. Das bevorzugte Medium der dünn, teils fast transparent durchschimmernd aufgetragenen Gouache auf dünnem Karton in reduzierten Farben, lässt dem geometrischen Sujet in der Wahrnehmung der Betrachtenden den Vorrang. Dieses herausragende Werk von Sol LeWitt verkörpert auf eindrucksvolle Weise seine künstlerische minimalistische und konzeptionelle Philosophie, welche die Beziehung zwischen Farbe, Form und Raum erkundet oder sogar darüber hinaus, die sich auch als Metapher für die Konzepte von Struktur und Ordnung in der Welt interpretieren lässt. Schliesslich entsteht Raum für Interpretationen, Raum für das, was Sol LeWitt zu erzielen versucht: Gedanken ausserhalb des Quadrats zu erzeugen.
SOL LEWITT (Hartford 1928–2007 New York) Untitled. 1987. Gouache on paper. Signed and dated lower left: Sol Lewitt 1987. 24 × 16.7 cm. Provenance: - Swiss collection. - Private collection Switzerland, received by descent. ------------------------------------------------- SOL LEWITT (Hartford 1928–2007 New York) Ohne Titel. 1987. Gouache auf Papier. Unten links signiert und datiert: Sol Lewitt 1987. 24 × 16,7 cm. Provenienz: - Schweizer Sammlung. - Privatsammlung Schweiz, durch Erbschaft erhalten.
SOL LEWITT (Hartford 1928–2007 New York) Horizontal and Vertical Lines. 1971. Felt-tip pen on cardboard. Signed and dated lower right: Sol Lewitt May 19, 1971. 16.6 × 17 cm. Provenance: - Lisson Gallery, London. - Private collection, Switzerland. ------------------------------------------------- SOL LEWITT (Hartford 1928–2007 New York) Horizontal and Vertical Lines. 1971. Filzstift auf Karton. Unten rechts signiert und datiert: Sol Lewitt May 19, 1971. 16,6 × 17 cm. Provenienz: - Lisson Gallery, London. - Privatsammlung Schweiz.
SOL LEWITT (Hartford 1928–2007 New York) Lines in Two directions. 1971. Felt-tip pen on cardboard. Signed and dated lower right: Sol Lewitt May 19, 1971. 17.2 × 17.2 cm. Provenance: - Lisson Gallery, London. - Private collection, Switzerland. ------------------------------------------------- SOL LEWITT (Hartford 1928–2007 New York) Lines in Two directions. 1971. Filzstift auf Karton. Unten rechts signiert und datiert: Sol Lewitt May 19, 1971. 17,2 × 17,2 cm. Provenienz: - Lisson Gallery, London. - Privatsammlung Schweiz.
SOL LEWITT (Heartford 1928–2007 New York) Linocut in colours. 33/50. Signed in pencil lower right: Lewitt. Image 40 × 117 cm on Somerset Velvet Radiant White 57.5 × 134 cm. Published by Arte Y Naturaleza, Madrid. Printed by Keigo Takahashi, assisted by Gabriel Hurier, Watanabe Studio, Brooklyn, New York. Exhibited: Online-Catalogue raisonné: www.sollewittprints.org,, no. 2005.03 ------------------------------------------------- SOL LEWITT (Heartford 1928–2007 New York) Whirls and Twirls (color). 2005 Farblinolschnitt. 33/50. Unten rechts mit Bleistift signiert: Lewitt. Darstellung 40 × 117 cm auf Somerset Velvet Radiant White 57,5 × 134 cm. Erschienen bei Arte Y Naturaleza, Madrid. Gedruckt bei Keigo Takahashi, mit der Assistenz von Gabriel Hurier, Watanabe Studio, Brooklyn, New York. Ausstellung: Online-Werkverzeichnis: www.sollewittprints.org, Nr. 2005.03
SOL LEWITT (Heartford 1928–2007 New York) Bands of Color in Four Directions (Vertical). 1995. Portfolio of 4 colour woodcuts. 27/50. Signed in pencil lower right: Lewitt. Image 78 × 30.3 cm on Japan paper by Awa Kozo 91.5 × 43 cm. Published by The Country School, Madison. Printed by Watanabe Studio, New York. Complete. Exhibited: Online-Catalogue raisonné: www.sollewittprints.org, no. 1995.02. ------------------------------------------------- SOL LEWITT (Heartford 1928–2007 New York) Bands of Color in Four Directions (Vertical). 1995. Portfolio mit 4 Farbholzschnitten. 27/50. Unten rechts mit Bleistift signiert: Lewitt. Darstellung 78 × 30,3 cm auf Japan von Awa Kozo 91,5 × 43 cm. Erschienen bei The Country School, Madson. Gedruckt bei Watanabe Studio, New York. Vollständig. Ausstellung: Online-Werkverzeichnis: www.sollewittprints.org, Nr. 1995.02.
Sol LeWitt (1928-2007) Untitled, 1988 Gouache and graphite on paper Signed and dated on the bottom right 43 x 75 cm Provenance: Galerie Yvon Lambert, Paris Sol LeWitt (1928-2007) Sans titre, 1988 Gouache et mine de plomb sur papier Signé et daté en bas à droite 43 x 75 cm Provenance : Galerie Yvon Lambert, Paris
Sol LeWitt (1928-2007) Color Grids (Krakow 1975.3), 1975 The complete portfolio, comprising 45 etchings in colors on wove paper, signed and numbered 4/10 (there were also 7 artist's proofs) on special Arches paper, each etching initialed in pencil verso, published by Parasol Press, New York, with the blindstamp of the printer, Crown Point Press, Oakland, with justification and title page, bound (as issued), with original slipcase. overall 11 1/8 x 10 7/8 x 1 1/4in (28.3 x 27.6 x 3.2cm)
Sheet 1 and 4 signed. All sheets inscribed on verso: Emblemata, tavola n. Numbered in sequence on verso: 1-13. Signed and numbered on the justification: 63. Total edition: 90 copies. Edizioni Eddegi, Ravenna 2000. All sheets in frame. Original cardboard box enclosed. (16).
SOL LeWITT [American] 1928-2007 [manner of] "Asymmetrical Pyramids" a pair, goauche on card, unsigned, each 10x25cms, framed. Condition fine, minor paint losses. Private Collection. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
Sol Lewitt, 1928-2007, small drawing in ink onpaper, inscribed for Harald, signed, dated 1997, approx. 10x15cm . German Description: Sol Lewitt, 1928-2007, kleine Zeichnung in Tinte auf Papier, bez. for Harald, signiert, dat. 1997, ca. 10x15cm
Sol LeWitt 1928 - 2007 Wavy Brushstrokes (Vertical) signed and dated 96 (upper right) gouache on paper laid on panel 61 ⅜ by 60 ½ in. 156 by 153.7cm. Executed in 1996.
The Collection of Cynthia Monaco Sol Lewitt 1928 - 2007 Untitled signed with the artist's initials (lower right of each) ink on paper, in 2 parts each sheet: 4 ½ by 5 in. 11.4 by 12.7 cm. Executed in 1968.
![SOL LEWITT [AMERICAN] 1928-2007 [MANNER OF] "ASYMMETRICAL PYRAMIDS" A PAIR, GOAUCHE ON CARD, UNSIGNED, EACH 10X25CMS, FRAMED. PRIVATE COLLECTION.](https://stageimg.invaluable.com/housePhotos/WAArtAuctions/50/782650/H4675-L389445422.jpg)
