Charles-Édouard Jeanneret, Known as Le Corbusier (French/Swiss, 1887-1965) Unité (Plate 11) Etching and aquatint in color; apparently in good condition. Framed.* Signed Le Corbusier in graphite l.r. and numbered 31/130 in graphite l.l.; also inscribed 11/ L-C/ and dated 11-8-53 in plate l.l.
Charles-Edouard JEANNERET dit LE CORBUSIER Quatre femmes debout - 1935 Gouache, encre et crayons de couleur sur papier Signé des initiales et daté en bas à gauche "L-C / 1935" 20.7 x 30.7 cm Provenance : Collection Francis Lamond, Paris Vente Paris, Artcurial, 22 octobre 2007, lot 513 Acquis lors de cette vente par l'actuel propriétaire Un certificat de Monsieur Eric Mouchet sera remise à l'acquéreur. Gouache, ink and colored pencils on paper; signed with the initials and dated lower left; 8 1/8 x 12 1/8 in. Charles-Edouard JEANNERET dit LE CORBUSIER 20.7 x 30.7 cm Gouache, ink and colored pencils on paper; signed with the initials and dated lower left; 8 1/8 x 12 1/8 in.
Charles-Edouard JEANNERET dit LE CORBUSIER Etude pour "Chute de Barcelone" - 1938 Aquarelle, crayon et encre sur papier Signé et daté en bas à droite "Le Corbusier /38" 20.5 x 30.5 cm Provenance : Vente Paris, Mathias, Le Roux-Morel, Baron Ribeyre & Associés, 30 novembre 2005, lot 75 Acquis lors de cette vente par l'actuel propriétaire Watercolor, pencil and ink on paper; signed and dated lower right; 8 1/8 x 12 in. Un certificat de Monsieur Eric Mouchet sera remis à l'acquéreur. Charles-Edouard JEANNERET dit LE CORBUSIER 20.5 x 30.5 cm Watercolor, pencil and ink on paper; signed and dated lower right; 8 1/8 x 12 in.
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) Dancer, cat and runner, 1938 Heliogravure Unsigned Edition Morancé On paper, approximately 22.5 x 27 cm Information: Genuine original edition from 1938, this is not a modern reproduction Blades from the portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" published in approximately 1000 copies Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) Danseuse, chat et coureur, 1938 Héliogravure Non signée Edition Morancé Sur papier, 22,5 x 27 cm environ Informations : Véritable édition originale de 1938, il ne s'agit pas d'une reproduction moderne Planche du portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" édité à environ 1000 exemplaires Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
LE CORBUSIER (Charles-Edouard Jeanneret, 1887-1965) et Joseph SAVINA (1901-1983) Tête de femme, vers 1953-1962 Signé des initiales "JS LC" à l'arrière du cou Bois sculpté et polychromé Pièce unique 47 x 35 x 15 cm Exposition : -Piacé le Radieux Bézard-Le Corbusier, 20 juin 30 août 2015 Provenance : -Descendance directe de Joseph Savina Bibliographie : -Yves Brand’honneur et Pascal Aumasson, "Savina Le Corbusier, de l’art celtique à la sculpture moderne", Édition Locus Solus, 2021, reproduite page 227 -"Le Corbusier 1887-1965, Dessins, Collages, Peintures, Sculptures", catalogue édité par la Galerie Zlotowski, à l'occasion XXVe Biennale des Antiquaires de Paris au Grand Palais (du 15 au 22 septembre 2010), reproduite page 105 Note: Il s'agit de la version finale de la tête de la fameuse sculpture "femme" où elle est posée sur le corps féminin. De nombreuses photos montrent les deux hommes dans l'atelier du sculpteur à Tréguier en compagnie de la sculpture entière. Certaines images sont reproduites dans l'ouvrage de la Fondation Le Corbusier et Philippe Sers, "Le Corbusier Savina dessins et sculptures" 1984
LE CORBUSIER (Charles-Edouard JEANNERET dit, 1887-1965) et Charlotte PERRIAND (1903-1999) Cassina Editeur, 2006 Modèle "LC4", créé en 1928 Chaise longue en acier tubulaire chromé, acier tubulaire peint, vachette et cuir noir Numéro de série (79618) et signature de Le Corbusier gravés sur le métal H. variable 160 x 56,4 cm
LE CORBUSIER; CHARLES ÉDOUARD JEANNERET-GRIS (Switzerland, 1887 - France, 1965). "Violin et bôite à violin rouge" , 1920. Mixed media on paper. Signed and dated in the lower margin. Measurements: 21 x 19 cm; 47 x 56 cm (frame). Before focusing on the architectural field and becoming the key figure of the modern movement, Le Corbusier was an avant-garde painter, founder of Purism along with Ozenfant. This early period is less known to the general public but in the context of modern art his contribution to the vindication of plastic simplicity was significant. Le Corbusier established a new standard of beauty with his still lifes of bottles, cups and musical instruments. In this work, "Violin et bôite à violin rouge", he reflects his interest in reducing the forms to essential geometry and in organizing the bottles and violins with precision, also refining the chromatic choice, alternating horizontal and horizontal lines that give rise to a simple but multi-layered composition. Le Corbusier and Ozenfant considered that cubism had degenerated into decorativism and proposed to recover the purity of forms. In their manifesto they write: "The work must not be accidental, exceptional, impressionistic, inorganic or picturesque, but on the contrary, general static and expressive of the invariant." Architectural theorist, architect, designer and painter Swiss, naturalized French, Le Corbusier is considered one of the clearest exponents of the Modern Movement in architecture, and one of the most influential architects of the twentieth century. He developed a new architecture based on five points that would be key to the development of this discipline from then on: the free plan, the garden-terrace, the "pilotis", the longitudinal window and the free facade. Among his most outstanding architectural projects are the Swiss Pavilion of the Cité Universitaire de Paris, the Unité d'Habitation in Marseille and the chapel of Notre Dame du Aut. in Ronchamp. As a furniture designer, Le Corbusier made his first creations with Pierre Jeanneret and Charlotte Perriand, obtaining the definitive impulse in the Paris Decorative Arts Exhibition of 1925. Already his first chairs and armchairs were conceived in terms of comfort, and based on anthropometric studies that guarantee a total adaptability to the body. The first design that Le Corbusier created, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928 and characterized by a height-adjustable backrest that allowed the user to choose the most comfortable posture. He would continue to work along these lines, and at the 1929 Salon d'Automne du Design he presented his LC4 chaise longue, a purist and radical design that has become a classic today. Equally well known are his LC2, LC3 and LC5 designs, one-, two- and three-seater sofas designed to revolutionize the mass production of modern furniture. We must also highlight the design of stools and dining chairs, such as the LC7, presented at the 1929 Salon d'Automne or the LC8. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a stool for the bathroom, very simple, with fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently edited by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London.
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) Pensive Man, 1938 Heliogravure Unsigned Edition Morancé On paper, approximately 22.5 x 27 cm Information: Genuine original edition from 1938, this is not a modern reproduction Blades from the portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" published in approximately 1000 copies Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) Homme pensif, 1938 Héliogravure Non signée Edition Morancé Sur papier, 22,5 x 27 cm environ Informations : Véritable édition originale de 1938, il ne s'agit pas d'une reproduction moderne Planche du portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" édité à environ 1000 exemplaires Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) Pavilion of the new times - solidarity, 1938 Heliogravure Unsigned Edition Morancé On paper, approximately 22.5 x 27 cm Information: Genuine original edition from 1938, this is not a modern reproduction Blades from the portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" published in approximately 1000 copies Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) Pavillon des temps nouveaux - la solidarité, 1938 Héliogravure Non signée Edition Morancé Sur papier, 22,5 x 27 cm environ Informations : Véritable édition originale de 1938, il ne s'agit pas d'une reproduction moderne Planche du portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" édité à environ 1000 exemplaires Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : "Modulor"; Farblithografie; 71x49 cm (LM), gerahmt; im Stein sig. u. dat. "20.2." (19)56 u.r.
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : "Entre-Deux ou propos toujours reliés", Éditions Forces-Vivres, o.O. (Paris) o.J. (um 1964). Num. Auflage 183/200 auf Vélin d'Arches (Gesamtauflage 340 Exemplare). Vierfarbig lithografierter Titel, Text mit einigen Farbflächen und 2 Farblithografien sowie 17 Lithografien auf losen Blättern, je im Stein mgr. u. num., je ca. 42,5x35,5 cm (Blattgrösse). Lose, unpaginierte Doppelbogen. Rote Leinenmappe, Pappschuber, Folio
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) * : Sans titre; Bleistift auf Seidenpapier; 20,5x27 cm (BG), gerahmt
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) * : Sans titre; Bleistift auf Seidenpapier; 27x21,5 cm (BG), gerahmt
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) * : Sans titre; Bleistift auf Seidenpapier; 21x27 cm (BG), gerahmt
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) * : Têtes de femmes; Bleistift auf Seidenpapier; 27x21 cm (BG), gerahmt
Artist/Designer; Manufacturer: Le Corbusier (Charles-Édouard Jeanneret)(French, 1887-1965), attributed Marking(s); notes: no marking(s) apparent Materials: wood Dimensions (H, W, D): 17"h, 12.75"w, 9.75"d Additional Information: The Le Corbusier designed stool/tabouret, model LC-14, was created for Maison du Bresil, France and Chandigarh, India. The stool was purchased from a private collector in Chandigarh.
Le Corbusier (Charles-Edouard Jeanneret-Gris, 1887-1965) 'Table des Ministres' desk Teak Painted inventory no. 'HC / SECC / T-004' and dated '1960' Model created circa 1958 H 79×L 365×W 121 cm Provenance: Model created for the High Court of Justice, Chandigarh, India Bibliography: 'Le Corbusier Pierre Jeanneret -L'Aventure indienne', E. Touchaleaume and G. Moreau, Gourcuff Granedigo, 2010, similar model referenced under no. LC-TAT-07-A pp. 164-166, 579 Le Corbusier (Charles-Edouard Jeanneret-Gris dit, 1887-1965) Bureau dit ‘Table des Ministres' Teck Numéro d'inventaire peint ‘HC / SECC / T-004' et daté ‘1960' Modèle créé vers 1958 H 79×L 365×P 121 cm Provenance : Modèle réalisé pour la Haute Cour de justice, Chandigarh, Inde Bibliographie : ‘Le Corbusier Pierre Jeanneret -L'Aventure indienne', E. Touchaleaume et G. Moreau, Gourcuff Granedigo, 2010, modèle similaire sous la référence LC-TAT-07-A pp. 164-166, 579
Le Corbusier (Charles-Édouard Jeanneret-Gris) (1887 La Chaux-de-Fonds - 1965 Roquebrune-Cap-Martin), 'Taureau', 1965, Etching on paper. 64.0 x 49.0 cm (plate), 91.0 x 71.0 cm (frame). Signed in reverse on the plate bottom left: Le Corbusier, inscribed: 54/59 and dated: 28 février 1965; hand-numbered bottom left: 49/75 and signed bottom right: Le Corbusier (pencil). Copy 49 of 75 copies. Framed in a double-glass frame. ,
Os 2 (1930/59/64) Farblithographie auf Arches Bütten. Sign. u. num. 83/150. Im Stein monogr. Ca. 53,5×71,5 cm (leicht gebräunt, kl. Wasserrand an unterer Blattkante). Unter Glas gerahmt. WVZ Weber 2004, S. 80/81, dort betitelt: "Bone 2". R. (60292)
Charles-Edouard Jeanneret-Gris (Le Corbusier) (1887-1965) L'Étrange oiseau et le taureau Tapestry Wool Woven by the Atelier Pinton Frères Woven monogram, 'PF' on the bottom left and woven signature, 'LE CORBUSIER' on the bottom right Titled on the bolduc and numbered '6/6' on the reverse Model created in 1957 217 × 357 cm Charles-Edouard Jeanneret-Gris dit Le Corbusier (1887-1965) L'Étrange oiseau et le taureau Tapisserie Laine Tissée par l'Atelier Pinton Frères Monogramme tissé 'PF' en bas à gauche et signature tissée 'LE CORBUSIER' en bas à droite Titrée sur son bolduc et numérotée '6/6' sur l'envers Modèle créé en 1957 217 × 357 cm
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) Still life Bottle and book, 1938 Heliogravure Signed in the plate Edition Morancé On paper, approximately 22.5 x 27 cm Information: Genuine original edition from 1938, this is not a modern reproduction Plate from the portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" published in approximately 1000 copies Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) Nature morte Bouteille et livre, 1938 Héliogravure Signée dans la planche Edition Morancé Sur papier, 22,5 x 27 cm environ Informations : Véritable édition originale de 1938, il ne s'agit pas d'une reproduction moderne Planche du portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" édité à environ 1000 exemplaires Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) Two women by the sea, 1938 Heliogravure Unsigned Edition Morancé On paper, approximately 22.5 x 27 cm Information: True original edition from 1938, this is not a modern reproduction Plate from the portfolio "Le Corbusier, Plastic Work, Paintings and Drawings" published in approximately 1000 copies Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) Deux femmes au bord de la mer, 1938 Héliogravure Non signée Edition Morancé Sur papier, 22,5 x 27 cm environ Informations : Véritable édition originale de 1938, il ne s'agit pas d'une reproduction moderne Planche du portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" édité à environ 1000 exemplaires Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
Charles-Edouard "Le Corbusier" Jeanneret (1887-1965) An "LC4" chaise lounge by Cassina, mid/late 20th century; Italy Designed 1928 With partial Cassina label to underside of base; impressed to chrome bar: Le Corbusier [in script] / LC/4 / 9381 The black leather upholstered cushion with headrest set in a chromed metal frame with rubber strapping, set on a black powder-coated metal frame 2 pieces
▲ Charles-Édouard Jeanneret aka 'Le Corbusier' (Swiss-French 1887-1965) 'Tinosaure' (Dinosaur), 1948 etching with engraving and drypoint on wove, signed with initials in pencil l.r., a proof for the original 1948 edition of 100 plate 17.5 x 12.5cm Provenance: With William Weston Gallery, London. Condition Report: Framed: 40 x 33.5cm A little time staining however presents well overall. On close inspection there are a couple of very slight marks to the marginn in the upper left corner, please see images. Not viewed out of glazed frame.
Le Corbusier, "UNITÈ XV", sign. Farbaquatinta- Radierung von 1953 Le Corbusier, 1887 La Chaux-de-Fonds, Schweiz - 1965 Roquebrune-Cap-Martin, Frankreich, eigentlich Charles-Édouard Jeanneret-Gris, schweizerisch-französischer Architekt, Architekturtheoretiker, Stadtplaner, Maler, Zeichner, Bildhauer und Möbel-Designer, hier: "UNITÈ XV", abstrakte Komposition, Farbradierung von 1953, 42 x 32 cm, num. 45/130, sign. Zum Künstler: Le Corbusier war einer der einflussreichsten Architekten des 20. Jahrhunderts. Mit 13 Jahren begann er an der Kunstgewerbeschule seiner Geburtsstadt eine Lehre zum Graveur und Ziseleur und entdeckte dabei sein Interesse an Malerei und Architektur. Es folgte eine Ausbildung zum Architekten. Wenig später entstehen die ersten Bauwerke nach Le Corbusiers Entwürfen. Um seine Ausbildung zu vervollständigen, unternahm Le Corbusier Reisen zu architekturhistorisch bedeutenden Stätten in Norditalien, Frankreich, Wien und Budapest. Dort studierte er wichtige Bauwerke und traf zeitgenössische Architekten und Stadtplaner wie Josef Hoffmann, Architekt und Wortführer der Wiener Secession, und Tony Garnier, der den Entwurf einer 'Idealstadt' entwickelt hatte. Die Kenntnisse, die Le Corbusier in dieser Zeit sammelte, beeinflussten seine spätere Arbeit.
LE CORBUSIER (CHARLES-ÉDOUARD JEANNERET-GRIS) (La Chaux-de-Fonds 1887–1965 Roquebrune-Cap-Martin) Deux autres dames grecques. 1959. Oil on panel. Entitled, inscribed and dated verso: "Deux autres Dames Grecques" / 22 / 27 pas signé /1959. 22 × 27 cm. Certificate: Jean-Pierre Jornod, Geneva, 18.1.2003 (a copy provided). Provenance: - Mourlot collection, Paris. - Private collection, Liechtenstein. Literature: Naïma Jornod and Jean-Pierre Jornod: Le Corbusier. Catalogue raisonné de l'œuvre peint, vol.II, Milan 2005, p. 936, no. 430 (ill.). The work is registered with the archive of the Fondation Le Corbusier under number FLC 271. In the 1950s, at the special request of Indian Prime Minister Jawaharlal Nehru, Le Corbusier was commissioned to design Chandigarh, the new capital of the Indian province of Punjab, which was divided in 1947. Here Le Corbusier was able to turn his urban planning visions into reality for the first time. This small-format but especially charming work by Le Corbusier was probably created during the planning phase. There are several drawings and collages with the same subject that Le Corbusier created during his numerous visits to Chandigarh. ------------------------------------------------- LE CORBUSIER (CHARLES-ÉDOUARD JEANNERET-GRIS) (La Chaux-de-Fonds 1887–1965 Roquebrune-Cap-Martin) Deux autres dames grecques. 1959. Öl auf Holz. Verso betitelt, bezeichnet und datiert: "Deux autres Dames Grecques" / 22 / 27 pas signé /1959. 22 × 27 cm. Gutachten: Jean-Pierre Jornod, Genf, 18.1.2003 (in Kopie vorhanden). Provenienz: - Sammlung Mourlot, Paris. - Privatsammlung Liechtenstein. Literatur: Naïma Jornod und Jean-Pierre Jornod: Le Corbusier. Catalogue raisonné de l'œuvre peint, Bd. II, Mailand 2005, S. 936, Nr. 430 (mit Abb.). Das Werk ist im Archiv der Fondation Le Corbusier unter der Nummer FLC 271 registriert. In den 1950er Jahren wird Le Corbusier auf besonderen Wunsch des indischen Ministerpräsidenten Jawaharlal Nehru damit beauftragt, die neue Hauptstadt Chandigarh der 1947 geteilten indischen Provinz Punjab zu gestalten. Hier kann Le Corbusier erstmals seine städtebaulichen Visionen in die Realität umsetzen. Dieses kleinformatige aber äusserst charmante Werk von Le Corbusier ist wohl während dieser Planungsphase entstanden. Es existieren einige Zeichnungen und Collagen mit demselben Sujet, die Le Corbusier während seiner zahlreichen Besuche Chandigarhs schuf.
LE CORBUSIER (CHARLES-ÉDOUARD JEANNERET-GRIS) (La Chaux-de-Fonds 1887–1965 Roquebrune-Cap-Martin) Femme et taureau. 1959. Enamel on metal. Monogrammed and dated lower centre: L–C / 19 Mai / 59. Dedicated, signed and with date of the gift verso: pour Alfons Studer / amicalement / Le Corbusier / 23-1-61. 56 × 64.5 cm. Provenance: - Alfons Studer, Zurich, received from the artist as a gift on 23.2.1961. - Private collection, Liechtenstein. Literature: Pierre Imhasli: Alfons Studer oder Ein Eros in allen Dingen, Bern 1984 (ill.). Greek mythology with all its dramatic stories and characters is a theme that Le Corbusier repeatedly incorporates into his works. The enamel work here is a wonderful example of this. The scene depicted could be either the creation of the Minotaur, i.e. the union of the Cretan queen Pasiphaë with Poseidon's bull, or the rape of Europa. From 1952 onwards, Le Corbusier dedicated himself to a group of bull sculptures, the so-called "Taureaux" series, which would include around 21 sculptures by the end of his life. This shifting of the bull motif into sculpture does not happen by chance, but is preceded by intensive study of this theme in drawing and painting. Le Corbusier's well-known "Le Poème de l'Angle Droit" was created between 1947 and 1953. In the book, first published in 1955, Le Corbusier presents his ideas and philosophy of architecture. The texts are each accompanied by illustrations. On page ninety-nine of the book there is an image of a bull and a woman, which is probably a preliminary study for the present painting. According to Jornod, Le Corbusier depicts himself as a bull and his wife Yvonne as the nymph Europa, sitting on his lap. Le Corbusier depicts this scene again here in a wonderfully abstract way. For the work, created in 1959, he used a metal plate left over from Chandigarh, India. The artwork remained in the artist's possession for around 10 years until he gave it to Alfons Studer in 1961. Studer, a dentist, architecture enthusiast and true Le Corbusier fan, wrote the "Poème du Cimetière" during a three-week stay in a cell at the Corbusier monastery "La Tourette" in the early 1960s. After its completion, he sent it to Le Corbusier, who was so enthusiastic that he invited the previously unknown man to Paris and gave him the painting. Studer recorded this event in his 1984 book "Alfons Studer or an Eros in All Things". ------------------------------------------------- LE CORBUSIER (CHARLES-ÉDOUARD JEANNERET-GRIS) (La Chaux-de-Fonds 1887–1965 Roquebrune-Cap-Martin) Femme et taureau. 1959. Email auf Metall. Unten mittig monogrammiert und datiert: L–C / 19 Mai / 59. Verso gewidmet, signiert und mit dem Datum der Schenkung: pour Alfons Studer / amicalement / Le Corbusier / 23-1-61. 56 × 64,5 cm. Provenienz: - Alfons Studer, Zürich, am 23.2.1961 direkt vom Künstler als Geschenk erhalten. - Privatsammlung Liechtenstein. Literatur: Pierre Imhasli: Alfons Studer oder Ein Eros in allen Dingen, Bern 1984 (mit Abb.). Die griechische Mythologie mit ihren dramatischen Geschichten und Figuren ist ein Thema, das Le Corbusier immer wieder in seine Werke einfliessen lässt. Die hier vorliegende Email-Arbeit ist ein wunderbares Beispiel dafür. Bei der dargestellten Szene könnte es sich entweder um die Entstehung des Minotaurus, also um die Vereinigung der kretischen Königin Pasiphaë mit dem Stier des Poseidon, handeln oder um den Raub der Europa. Ab 1952 widmet sich Le Corbusier einer Reihe von Stier-Plastiken, der sogenannten "Taureaux"-Serie, die bis zu seinem Lebensende rund 21 Plastiken umfassen wird. Diese Übertragung des Stier-Sujets in die Skulptur findet nicht zufällig statt, sondern ihr geht eine intensive Auseinandersetzung mit diesem Thema in der Zeichnung und der Malerei voraus. Zwischen 1947 und 1953 entsteht Le Corbusiers bekanntes "Le Poème de l'Angle Droit". In dem Buch, das 1955 erstmals veröffentlicht wird, präsentiert Le Corbusier seine Ideen und Philosophien zur Architektur. Die Texte werden jeweils von Illustrationen begleitet. Auf Seite 99 des Buches findet sich eine Darstellung eines Stiers und einer Frau, bei der es sich wohl um eine Vorstudie zu dem vorliegenden Gemälde handelt. Laut Jornod stellt sich Le Corbusier hier selbst als Stier dar, während seine Frau Yvonne als Nymphe Europa auf seinem Schoss sitzt. Diese Szene malt Le Corbusier hier erneut in wunderbar abstrahierter Weise. Für das im Jahr 1959 entstandene Werk verwendet er eine aus dem indischen Chandigarh übriggebliebene Metallplatte. Das Werk blieb rund 10 Jahre im Besitz des Künstlers, bis er es im Jahr 1961 Alfons Studer schenkte. Studer, ein Zahnarzt, Architektur-Enthusiast und grosser Le Corbusier-Fan, verfasste Anfang der 1960er Jahre während eines dreiwöchigen Aufenthalts in einer Zelle im Corbusier-Kloster „La Tourette“ das „Poème du Cimetière“. Nach der Fertigstellung schickte er es Le Corbusier zu, der so begeistert war, dass er den bis dahin Unbekannten nach Paris einlud und ihm dieses Gemälde schenkte. Dieses Ereignis hielt Studer 1984 in seinem Buch "Alfons Studer oder Ein Eros in allen Dingen" fest.
"LE CORBUSIER"; CHARLES ÉDOUARD JEANNERET-GRIS (Switzerland, 1887 - France, 1965). LC1 chair. Chrome-plated metal structure and ponyhide upholstery. It shows marks of use and the passage of time. Measurements: 64 x 59 x 64 cm. The first design created by Le Corbusier, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a very simple stool for the bathroom, with a fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently published by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London. Architectural theorist, architect, designer and painter Swiss, naturalized French, Le Corbusier is considered one of the clearest exponents of the Modern Movement in architecture, and one of the most influential architects of the twentieth century. He developed a new architecture based on five points that would be key to the development of this discipline from then on: the free plan, the garden-terrace, the "pilotis", the longitudinal window and the free facade. Among his most outstanding architectural projects are the Swiss Pavilion of the Cité Universitaire de Paris, the Unité d'Habitation in Marseille and the chapel of Notre Dame du Aut. in Ronchamp. As a furniture designer, Le Corbusier made his first creations with Pierre Jeanneret and Charlotte Perriand, obtaining the definitive impulse in the Paris Decorative Arts Exhibition of 1925. Already his first chairs and armchairs were conceived in terms of comfort, and based on anthropometric studies that guarantee a total adaptability to the body. The first design that Le Corbusier created, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928 and characterized by a height-adjustable backrest that allowed the user to choose the most comfortable posture. He would continue to work along these lines, and at the 1929 Salon d'Automne du Design he presented his LC4 chaise longue, a purist and radical design that has become a classic today. Equally well known are his LC2, LC3 and LC5 designs, one-, two- and three-seater sofas designed to revolutionize the mass production of modern furniture. We must also highlight the design of stools and dining chairs, such as the LC7, presented at the 1929 Salon d'Automne or the LC8. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a stool for the bathroom, very simple, with fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently edited by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London.
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : "Modulor"; Farblithografie; 70x52 cm (LM), gerahmt; im Stein sig. u. dat. "20.2." (19)56 u.r.
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : "Le poème de l'angle droit"; Farblithografie; 60,5x38,5 cm (LM), gerahmt; im Stein mgr. u. dat. (19)55 u.l., bez. "Mourlot"
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : Fauteuil LC PJ; Stahlrohr, verchromt und braunes Leder; H: 68 cm, B: 65 cm, T: 64 cm
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : Sessel "LC1" (Ausführung Cassina), Fauteuil Dossier Basculant; Stahl, verchromt, schwarzes Leder, schwarz-weisses Fell, a. Chromrohr l. graviert sig. sowie Serien-Nr. LC/1 14486; H: 64,5 cm, B: 55,5 cm, T: 64 cm
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : Sessel "Grand Confort LC2" (Ausführung Cassina); Stahl, verchromt, rotbrauner Lederbezug; H: 65 cm, B: 75 cm, T: 70 cm; Herstellerprägung u. Serien-Nr. 50329 a. Chromrohr r.
LE CORBUSIER (EIGTL. JEANNERET, CHARLES-ÉDOUARD) (La Chaux-de-Fonds 1887 - 1965 Roquebrune-Cap-Martin) : Sessel "Grand Confort LC2" (Ausführung Cassina); Je Stahl, verchromt, schwarzer Lederbezug, am Chromrohr l. graviert sig. sowie Serien-Nr. LC/2 43560; H: 68 cm, B: 76 cm, T: 70 cm
Le Corbusier, (Charles Ed. Jeanneret) 1887 - 1965 Le Corbusier - Modulor Lithograph 1956 27.9 x 21.2 in. (71 x 54 cm) Printer: no information Condition Details: (B+) on linen, small tears and creases mostly at the edges, one of them 2.5 in./6 cm at the lower left, small repaired losses along the right edge, right margin partially recreated/repainted, tiny hole at center right#France #Art #Modern #Le Corbusier
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) Still life Bottle and book, 1938 Heliogravure Signed in the plate Edition Morancé On paper, approximately 22.5 x 27 cm Information: True original edition from 1938, this is not a modern reproduction Plate from the portfolio "Le Corbusier, Plastic Work, Paintings and Drawings" published in approximately 1000 copies Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) Nature morte Bouteille et livre, 1938 Héliogravure Signée dans la planche Edition Morancé Sur papier, 22,5 x 27 cm environ Informations : Véritable édition originale de 1938, il ne s'agit pas d'une reproduction moderne Planche du portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" édité à environ 1000 exemplaires Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) The port, 1938 Heliogravure Unsigned Edition Morancé On paper, approximately 22.5 x 27 cm Information: True original edition from 1938, this is not a modern reproduction Plate from the portfolio "Le Corbusier, Plastic Work, Paintings and Drawings" published in approximately 1000 copies Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) Le port, 1938 Héliogravure Non signée Edition Morancé Sur papier, 22,5 x 27 cm environ Informations : Véritable édition originale de 1938, il ne s'agit pas d'une reproduction moderne Planche du portfolio "Le Corbusier, Oeuvre Plastique, Peintures et Dessins" édité à environ 1000 exemplaires Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: LE CORBUSIER (Charles-Edouard Jeanneret, known as) (1887-1965) The still (The jug), 1962 Original lithograph (Atelier Michel Cassé, Paris) Signed in the plate Limited to 120 copies (unnumbered) On Arches vellum: 56 x 49.5 cm INFORMATION: Lithograph created for the portfolio “The sea is always present” published by Forces-Vives (Geneva) in 1962 Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : LE CORBUSIER (Charles-Edouard Jeanneret, dit) (1887-1965) L'alambic (La cruche), 1962 Lithographie originale (Atelier Michel Cassé, Paris) Signée dans la planche Limité à 120 exemplaires (non numérotés) Sur vélin Arches 56 x 49.5 cm INFORMATIONS : Lithographie créée pour le portfolio "La mer est toujours présente" édité par Forces-Vives (Genève) en 1962 Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
Charles-Edouard "Le Corbusier" Jeanneret (1887-1965) A pair of LC2 Petite Club Chairs for Cassina Designed 1928 by Le Corbusier, Pierre Jeanneret (1896-1967), and Charlotte Perriand (1903-1999) Each with Cassina tag to underside The lounge chairs with chrome-plated steel frame and foam cushions upholstered in brown leather with cording 2 pieces
Charles Edouard Jeanneret dit Le Corbusier (1887-1965) Rare tapis en laine mérinos fait main à décor de couleurs végétales d'aprés une oeuvre de Le Corbusier. Dimensions: H: 207; L: 197 cm
Charles-Edouard Jeanneret-Gris (Le Corbusier) (1887-1965) Mirror Wood and mirror glass Manufactured by the Établissements Charles Barberis Model created circa 1950 H 53,5×L 70×W 10,5cm Provenance: Model found in the 3 rd and 4 th floors of the Cité Radieuse, Marseilles Bibliography: "Le Corbusier & His Collaborators", H. Magen and G. Moreau, Magen H Gallery, 2019, model illustrated p. 55 Charles-Edouard Jeanneret-Gris dit Le Corbusier (1887-1965) Miroir Bois et verre miroir Fabriqué par les Établissements Charles Barberis Modèle créé vers 1950 H 53,5×L 70×P 10,5cm Provenance : Modèle équipant les studios des 3e et 4e étage de la Cité Radieuse, Marseille Bibliographie : "Le Corbusier & His Collaborators", H. Magen et G. Moreau, Magen H Gallery, 2019, modèle illustré p. 55
LE CORBUSIER: (1887-1965) 'I place as the cornerstone of all modern urban development the sacred respect for individual freedom' LE CORBUSIER: (1887-1965) Charles-Edouard Jeanneret. Swiss-French architect, designer and urban planner, a pioneer of modern architecture. An exceptional typescript MS, Le Corbusier, ten pages (separate leaves, typed to the rectos only), 4to, Paris, 1st March 1938 (although the place and date struck through in ink by Le Corbusier), in French. The working manuscript, with many holograph corrections, is titled Un Homme Chez Lui ('A Man at Home') and states, in part, 'C'est ici que la notion de liberte prend toute sa force. Au sein de cette organisation saine de la vie des hommes reunis en societe: "La Ville Radieuse", commandee par une discipline acceptee avec joie, la cellule d'habitation s'ouvre derriere une porte de logis. Et ici, la clef tournee, un homme est chez lui. Il est entre. Que fera-t-il? Ce qu'il voudra! Ce qu'il pourra.......Et il sera maitre de son destin, un un sens limite, bien entendu: celui de la libre expression de son imagination. Et nous trouverons alors, au pied du mur, ce terrible "Francais individualiste" dont les mechantes langues et les decides-a-rien-faire levent les fantomes innombrables a chacune de nos propisitions. J'avais mis en exergue a mon rapport sur l'urbanisation de la Ville de Moscou, en 1930, ceci: Je place comme pierre angulaire de toute urbanisation moderne le respect sacrede la liberte individuelle. On m'en avait voulu. Mais qu'importe!.......Cette gageure qui fut proposee dans "Urbanisme" en 1924 elle a ete meme: "La Ville Radieuse". Il existe desormais une doctrine d'equipement des villes dont la clef de voute est: soleil, espace, verdure, en chaque logis. En chaque logis! Voici donc ce que la societe moderne peut apporter a chacun de ses membres, par l'enterprise des grands travaux de readaptation des villes aux besoins d'une conscience nouvelle.......Une telle transformation dans la coupe du logis est une veritable revolution architecturale. Le logis devient une petite maison. Et que m'importe que ces petites maisons soient a dix, rangees les unes au-dessus des autres et qu'elles s'alignent innombrablement au long d'une "rue interienne": l'homme est entre chez lui, il a ferme la porte. Il a recu le choc de set amenagement architectural: grand et puis intime, et tout ce soleil, cet espace et ces verdures que cette reforme a precisement permis de capter. Je dis que cet homme desormais n'est plus jamais le chien battu qui hante les "boites locatives" de nos villes......cet homme chez lui a perdu le souvenir des lourdes tribulations que lui et sa famille ont vecu depuis toujours. Riche ou miserable, c'etait l'absence pour tous des "joies essentielles". Les "joies essentielles" sont apportees a la societe moderne par les techniques modernes, l'invitation urbanistique et la poesie de l'architecture. Ceci n'est pas d'utopie. Depuis 20 ans, des travaux limites ont ete accomplis, fixant les etapes constructives. Chez nous et ailleurs, par nous et par d'autres. Il existe deja des fragments - des jalons, des preuves - de "Ville Radieuse"......' (Translation: 'This is where the notion of freedom comes into its own. Within this healthy organisation of the life of men gathered in society: "La Ville Radieuse" (The Radiant City), governed by a discipline accepted with joy, the living cell opens behind a door of dwelling. And here, with the key turned, a man is at home. He has entered. What will he do? Whatever he wants! Whatever he can.......And he will be master of his destiny, in a limited sense, of course: that of the free expression of his imagination. And then we'll have that terrible 'individualistic Frenchman' at our heels, whose nasty tongues and decide to do nothing raise countless ghosts at every one of our proprieties. In my report on the urbanisation of the City of Moscow in 1930, I wrote the following: I place as the cornerstone of all modern urban development the sacred respect for individual freedom. People were angry with me. But never mind!.......This challenge, which was proposed in "Urbanisme" in 1924, was even called "La Ville Radieuse". There is now a doctrine for equipping towns and cities, the key to which is sun, space and greenery in every home. In every home! Here, then, is what modern society can bring to each and every one of its members, by undertaking the great work of readapting cities to the needs of a new consciousness......Such a transformation in the cross-section of the dwelling is a real architectural revolution. The dwelling becomes a small house. And it doesn't matter to me that there are ten of these little houses, arranged one above the other and lined up innumerably along an "internal street": the man has entered his home, he has closed the door. He received the shock of the architectural layout: large and then intimate, and all the sun, space and greenery that this reform made it possible to capture. I'm saying that this man will never again be the beaten dog that haunts the 'rental boxes' of our cities.......this man at home has lost all memory of the heavy tribulations that he and his family have always endured. Rich or miserable, it was the absence for all of the "essential joys". These "essential joys" are brought to modern society by modern technology, inviting urban planning and poetic architecture. This is not utopia. Over the last 20 years, a great deal of work has been done to define the constructive stages. Here and elsewhere, by us and by others. There are already fragments - milestones, proof - of the "La Ville Radieuse"......'). A rare manuscript of excellent content. A few minor tears and light creasing to the edges of some pages and the final page with a small area of paper loss to the lower left corner. G Ville Radieuse (The Radiant City) was an unrealised urban design project designed by Le Corbusier in 1930. It constitutes one of the most influential and controversial urban design doctrines of European modernism. Le Corbusier's essay Un homme chez lui was published in Les Plans de Paris 1956-1922 in 1956.
"LE CORBUSIER"; CHARLES ÉDOUARD JEANNERET-GRIS (Switzerland, 1887 - France, 1965). LC1 chair. Chrome-plated metal structure and ponyhide upholstery. It shows marks of use and the passage of time. Measurements: 64 x 59 x 64 cm. The first design created by Le Corbusier, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a very simple stool for the bathroom, with a fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently published by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London. Architectural theorist, architect, designer and painter Swiss, naturalized French, Le Corbusier is considered one of the clearest exponents of the Modern Movement in architecture, and one of the most influential architects of the twentieth century. He developed a new architecture based on five points that would be key to the development of this discipline from then on: the free plan, the garden-terrace, the "pilotis", the longitudinal window and the free facade. Among his most outstanding architectural projects are the Swiss Pavilion of the Cité Universitaire de Paris, the Unité d'Habitation in Marseille and the chapel of Notre Dame du Aut. in Ronchamp. As a furniture designer, Le Corbusier made his first creations with Pierre Jeanneret and Charlotte Perriand, obtaining the definitive impulse in the Paris Decorative Arts Exhibition of 1925. Already his first chairs and armchairs were conceived in terms of comfort, and based on anthropometric studies that guarantee a total adaptability to the body. The first design that Le Corbusier created, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928 and characterized by a height-adjustable backrest that allowed the user to choose the most comfortable posture. He would continue to work along these lines, and at the 1929 Salon d'Automne du Design he presented his LC4 chaise longue, a purist and radical design that has become a classic today. Equally well known are his LC2, LC3 and LC5 designs, one-, two- and three-seater sofas designed to revolutionize the mass production of modern furniture. We must also highlight the design of stools and dining chairs, such as the LC7, presented at the 1929 Salon d'Automne or the LC8. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a stool for the bathroom, very simple, with fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently edited by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London.
Charles-Edouard "Le Corbusier" Jeanneret (1887-1965) An LC3 Fauteuil Grand Confort sofa for Cassina, Circa 2000s Designed 1928 by Le Corbusier, Pierre Jeanneret (1896-1967), and Charlotte Perriand (1903-1999) With Cassina tag to underside; further marked with applied sticker to metal frame: Cassina The three-seater sofa with chrome-plated steel frame and foam cushions upholstered in black leather with cording
