Loading Spinner

Thomas (1769) Lawrence Sold at Auction Prices

Portrait painter, Miniature painter, b. 1769 - d. 1830

Artist Thomas Lawrence, 18th century England's preeminent portrait artist, had humble beginnings as an innkeeper's son. Despite his lack of education, Lawrence was an art prodigy who ably sketched faithful portraits of the inn's guests. In 1787, his talent led him to London's Royal Academy where, at the age of 18, Lawrence began his formal training as a painter. Two short years later, Thomas Lawrence's paintings had garnered such a reputation that Queen Charlotte commissioned him to paint her portrait. 

Thomas Lawrence's portraits are characterized by their accomplished brushstrokes, colors, and textures, but it was Thomas Lawrence the artist, with his refined manner and flare for the dramatic, that secured his position as the preferred portrait artist of the aristocracy. Collectors can find other classic portrait paintings for sale at auction and online by browsing Invaluable.

Read Full Artist Biography

0 Lots

Sort By:

Categories

            Auction Date

            Seller

            Seller Location

            Price Range

            to
            • Attributed to Sir Thomas Lawrence, English (1769-1830), Portrait of a Lady in Black Decollete Dress, oil on canvas, 30 x 25 in. (76.2 x 63.5 cm.)
              Dec. 18, 2024

              Attributed to Sir Thomas Lawrence, English (1769-1830), Portrait of a Lady in Black Decollete Dress, oil on canvas, 30 x 25 in. (76.2 x 63.5 cm.)

              Est: $500 - $700

              Attributed to Sir Thomas Lawrence English, (1769-1830) Portrait of a Lady in Black Decollete Dress oil on canvas

              Maynards Fine Art & Antiques
            • C. TURNER (*1774) after LAWRENCE (*1769), Portrait of William Knighton, 1823, Mezzotint
              Dec. 07, 2024

              C. TURNER (*1774) after LAWRENCE (*1769), Portrait of William Knighton, 1823, Mezzotint

              Est: €450 - €600

              Charles Turner (1774 Woodstock, Oxfordshire - 1857 London) after Thomas Lawrence (1769 - 1830 ): Portrait of Sir William Knighton (1776-1836), 1st Baronet, 1823, Mezzotint Technique: Mezzotint on Paper Inscription: At the lower part signed in the printing plate: "Painted by Sir Tho.s Lawrence. Principal Painter in Ordinary to His Majesty & President of the Royal Academie. / Engraved by Charles Turner, Warren Street, Fitzroy Square.". Lower middle dated: "Octr. 20. 1823". Date: 1823 Description: The artwork shows a portrait of a prominently dressed man against a neutral background, conveying an honourable attitude and dignity. The depiction of the individual reflects elements of social and cultural status. Keywords: portrait; man; dignified; neutral background; clothing; social status; culture; work of art; respectability; individuality; history; representation; expression; respectability; authenticity; art history; personality; depiction; art of representation; aesthetics, 19th century, Romanticism, Portraits, United Kingdom, Size: Paper: 60,2 cm x 43,7 cm (23,7 x 17,2 in), Plate: 38,6 cm x 30,4 cm (15,2 x 12 in), Depiction: 31,2 cm x 26,9 cm (12,3 x 10,6 in)

              Fichter Kunsthandel
            • Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of George Griffin Stonestreet, three-quarter-length, seated, in a brown coat and white cravat, a red brocade curtain behind
              Dec. 04, 2024

              Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of George Griffin Stonestreet, three-quarter-length, seated, in a brown coat and white cravat, a red brocade curtain behind

              Est: £8,000 - £12,000

              Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of George Griffin Stonestreet, three-quarter-length, seated, in a brown coat and white cravat, a red brocade curtain behind oil on canvas 128.6 x 102.9cm (50 5/8 x 40 1/2in).

              Bonhams
            • SIR THOMAS LAWRENCE (ENGLISH, 1769-1830) - PORTRAIT OF A GIRL, OIL ON CANVAS.
              Nov. 26, 2024

              SIR THOMAS LAWRENCE (ENGLISH, 1769-1830) - PORTRAIT OF A GIRL, OIL ON CANVAS.

              Est: $10,000 - $15,000

              Sir Thomas Lawrence (English, 1769-1830) - Portrait of a Girl, Oil on Canvas. 72x59cm. Went under professional restoration. Provenance: The estate of Israel's 6th President Chaim Herzog and his wife Ora. Sold at auction at - American Art Association Inc., New York, January 11-12, 1926, One Hundred and One French, English, Dutch and American Canvases Collected by the Late Senator W.A. Clark and hung in his famous Fifth Avenue Galleries at 77th Street, New York, Lot #96 (attached image from the catalog).

              Pasarel
            • Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of a lady, seated three-quart
              Nov. 20, 2024

              Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of a lady, seated three-quart

              Est: £700 - £900

              Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of a lady, seated three-quarter length, in a white dress;  oil on board, 34.9 x 27.4 cm.  Provenance:  Private Collection, UK.  Note:  The present work recalls Lawrence's romantic portraits, depicting an elegant figure, seated in a loosely painted, windswept landscape, gazing wistfully beyond the viewer. Indeed, the present composition resembles Lawrence's portrait of 'Mrs John Bardburne' which sold at Christie's, New York, on 1 May 2019 (lot 31). 

              Roseberys
            • Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait study of a gentleman, by repu
              Nov. 20, 2024

              Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait study of a gentleman, by repu

              Est: £800 - £1,200

              Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait study of a gentleman, by repute Joseph Farington, RA;  oil on canvas, oval, 51.8 x 44.7 cm.  Provenance: Private Collection, UK. Note:  The present sitter bears a striking resemblance to Joseph Farington (1747-1821), particularly in Lawrence's portrait of the artist which is now in the collection of the National Museum of Fine Arts in Buenos Aires, Argentina [2564].  Although many of Lawrence's studies are highly-finished, the somewhat looser handling which characterises the present work is also evident in a number of preparatory sketches by Lawrence, including one which sold at Christie's, London, on 29 October 2015 (lot 170), and another at Sotheby's, New York, on 9 June 2011 (lot 102). 

              Roseberys
            • Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait study of a lady, identified as Mrs John
              Nov. 20, 2024

              Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait study of a lady, identified as Mrs John

              Est: £8,000 - £12,000

              Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait study of a lady, identified as Mrs John Hodgkin;  black, white, and sanguine chalk on canvas laid down on card, bears label inscribed 'Sketch for a portrait (which was never finished) / of Mrs John Hodgkin / {nee Elizabeth Rickman / of Wellingham. Lewes. Sussex} / by Sir Thomas Lawrence. P.R.A / (given to me at Shelleys, Lewes, by my father / John Hodgkin in July 1873 / signed Alfred Hodgkin) / acquired by me from my brother Alfred Hodgkin / in 1896 signed Howard Hodgkin / Copied from Back of picture' attached to the backing board, bears further inscription to the reverse of the card, 30.6 x 28.5 cm.  Provenance: Private Collection, UK.  Note:  The present delicate drawing is a refined example of Lawrence's portrait studies, which the artist often produced as preparatory sketches for the large, flamboyant swagger portraits for which he is most renowned. Similarly delicate drawings include Lawrence's portrait studies of William Sotheby and Anne Wellesley, both of which are in the collection of the National Portrait Gallery [NPG 3955 and NPG 2665 respectively].  The present work reputedly depicts Elizabeth Hodgkin, née Rickman, who was married to the calligrapher and grammarian John Hodgkin (1766-1845), the first important member of the prominent Quaker family. Significant descendants of John and Elizabeth include the physician Thomas Hodgkin (1798-1866), the physiologist Alan Hodgkin (1914-1998), and the artist Howard Hodgkin (1932-2017). 

              Roseberys
            • Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of a gentleman, seated quarte
              Nov. 20, 2024

              Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of a gentleman, seated quarte

              Est: £300 - £500

              Circle of Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of a gentleman, seated quarter-length, wearing a black coat and a white stock;  oil on canvas, 61 x 50.5 cm.  Provenance:  Private Collection, UK.  Note:  The present work recalls Lawrence's distinctive style, with seemingly loose, free handling of the paint contrasting the sensitive, detailed treatment of the sitter's face. 

              Roseberys
            • Attributed to Sir Thomas Lawrence (1769-1830)
              Nov. 19, 2024

              Attributed to Sir Thomas Lawrence (1769-1830)

              Est: £600 - £800

              Attributed to Sir Thomas Lawrence (1769-1830) Portrait of a young lady, half-length pencil and coloured chalks 45.5 x 38cm, unframed Condition Report: Foxing and discolouration with staining and dirty marks to the edges, please refer to illustration. A horizonal fold mark to the centre. The top right corner is bent forward. Small tears to the centre of the left edge. A small rip to the top left corner and a diagonal crease mark to the lower left corner.

              Sworders
            • Girl with Harp, After Sir Thomas Lawrence, (1769-1830)
              Oct. 14, 2024

              Girl with Harp, After Sir Thomas Lawrence, (1769-1830)

              Est: $500 - $10,000

              Girl with Harp, After Sir Thomas Lawrence, (1769-1830). Watercolor, gouache, ink on paper. Framed size 14" x 17.25". Art piece size 8.75" x 11". Entire top edge glued down. Part two of a single-owner Lancaster, Ohio collection. We sold the first part of this collection last July. All sales final. Invoices above $2500 must be paid with cash, cashier's check or wire transfer. In-house shipping is available. Pickup is Tuesday, Oct. 15 from 1 pm to 3 pm in Carroll, OH or by appointment by Nov. 1. We can provide in-house shipping for this item. We pack once the lot is paid for. Once packed up we will send you an invoice for shipping and handling. Shipping questions: shipping@burnsbid.com Sales tax will be collected on all bidders. If tax exempt, make sure your certification is submitted with the bid platform.

              Burns Auction & Appraisal, LLC.
            • ATTRIBUTED TO SIR THOMAS LAWRENCE (BRITISH 1769 -1830), PORTRAIT OF A YOUND GIRL WITH A SHEEP
              Oct. 09, 2024

              ATTRIBUTED TO SIR THOMAS LAWRENCE (BRITISH 1769 -1830), PORTRAIT OF A YOUND GIRL WITH A SHEEP

              Est: £3,000 - £5,000

              ATTRIBUTED TO SIR THOMAS LAWRENCE (BRITISH 1769 -1830)PORTRAIT OF A YOUND GIRL WITH A SHEEP, POSSIBLY LOUISA CLARA BOSANQUET (1826-1922), LATER MRS HORACE MEYEROil on canvas76.2 x 63.5cm (30 x 25 in.)Provenance:Probably Sir Michael WalkerPrivate collection, UK. Recent research into the chalk inscription to the stretcher of the present lot, suggests that the picture was probably owned by the British diplomat Sir Michael Walker (1916 - 2001). One of Walker's ancestors, David Bevan (1774 - 1846) was one of the bankers who founded Barclay, Bevan and Co., which went on to become Barclays Bank. Bevan's wife, Favell Bourke Lee was painted by Lawrence (see, Bonhams, Old Master Pictures, 25 October 2017, lot 44), and it is therefore reasonable to suggest that her granddaughter Louisa Clara Bosanquet (B.1826), may also have been painted by the artist. The suggestion of Louisa as a candidate for the sitter in the present lot becomes even more compelling when we learn that, though her aunt Mrs. Thomas Mortimer, she had a link to a pet sheep which she is known to have helped to bathe in the sea. In addition to a sheep, Mortimer, who wrote some of the most educational children's books of the nineteenth century (such as The Peep of Day), had a menagerie of pets including a parrot which she took to bed, and a donkey. As Mortimer's favourite niece the pair went on to write two books together. The present lot is comparable to Sir Thomas Lawrence's portrait of Lady Alexandrina Vane, No. 785, and George Vane-Tempest, No. 512 (Garlick, Sir Thomas Lawrence - A Complete Catalogue of the Oil Paintings).

              Dreweatts 1759 Fine Sales
            • SIR THOMAS LAWRENCE (BRITISH 1769-1830), PORTRAIT OF A LADY IN PROFILE
              Oct. 09, 2024

              SIR THOMAS LAWRENCE (BRITISH 1769-1830), PORTRAIT OF A LADY IN PROFILE

              Est: £2,500 - £3,500

              SIR THOMAS LAWRENCE (BRITISH 1769-1830) PORTRAIT OF A LADY IN PROFILE Pencil and red chalkSigned with initials and dated '1818' (lower right)22 x 17.5cm (8½ x 6¾ in.)Strong similarities are identifiable with Lawrence's portrait of Mrs Huddlestone

              Dreweatts 1759 Fine Sales
            • Attributed to THOMAS LAWRENCE (Bristol, 1769 - London, 1830). Portrait. Oil on canvas.
              Sep. 25, 2024

              Attributed to THOMAS LAWRENCE (Bristol, 1769 - London, 1830). Portrait. Oil on canvas.

              Est: €5,000 - €6,000

              Attributed to THOMAS LAWRENCE (Bristol, 1769 - London, 1830). Portrait. Oil on canvas. Measurements: 73,5 x 63 cm; 96 x 84 cm (frame). The author offers us a portrait of great sobriety, dominated by a palette of cold tonalities, which are only qualified with the use of rounded forms that contribute delicacy to the piece as it is observed in the treatment of the handkerchief in the neck. Both the composition and the pictorial execution of this excellent portrait fit with the characteristics of the best English portrait painting of the first quarter of the 19th century, and especially with the work of Sir Thomas Lawrence and his closest circle. Sir Thomas Lawrence was, after the death of Joshua Reynolds in 1792, Britain's foremost portraitist. His early training took place in Bath, where he learned from William Hoare the technique of pastel, and from Thomas Barker the correct handling of oil paint. In 1787 he moved to London, where he exhibited his first works at the Royal Academy. He began to triumph thanks to his female portraits, such as the one of Elizabeth Farren, where we can already guess certain traits of sensitivity that he would develop in his more mature production. In 1791 he was admitted to the Royal Academy and the following year, after the death of Joshua Reynolds, he became the king's painter. In 1815 he was knighted and that same year the royal family commissioned a series of portraits for the Waterloo Chamber at Windsor Castle. In 1820 he succeeded Benjamin West as president of the Royal Academy. Lawrence's portraits were based on the "great style" of Reynolds, but the Bristol painter opened the way to a new concept of portraiture with respect to the model, his personal demeanor and his emotional portrayal. He knew how to rescue a very personal vision of his clients, typical of the romantic portrait and of the Victorian era. His models are presented in relaxed and natural attitudes, the brushstroke is delicate, imperceptible in the faces and lighter and sketched in the clothes and the landscape, which almost always has an important role.

              Setdart Auction House
            • Lawrence, Sir Thomas (1779-1830) , Art des
              Sep. 19, 2024

              Lawrence, Sir Thomas (1779-1830) , Art des

              Est: €100 - €120

              Junge Dame mit schleifengeschmücktem Hut Brustbildnis. Bleistift. 31,5×22 cm. Auf dem Passepartout bez. R. (54588)

              Leo Spik
            • THOMAS LAWRENCE - Portrait of Lady Peel
              Sep. 17, 2024

              THOMAS LAWRENCE - Portrait of Lady Peel

              Est: -

              THOMAS LAWRENCE United Kingdom 1769 - 1830 Portrait of Lady Peel Phototype on paper Signed and titled Measurements 260 x 200 mm

              Subastas Segre
            • T. LAWRENCE (1769-1830), Portrait of J.W. Croker (1780-1857), Steel engraving
              Aug. 31, 2024

              T. LAWRENCE (1769-1830), Portrait of J.W. Croker (1780-1857), Steel engraving

              Est: €75 - €125

              Thomas Lawrence (1769 - 1830 ): Portrait of John Wilson Croker (1780 Galway - 1857 Hampton, London), 19th century, Steel engraving Technique: Steel engraving on , rolled-on on Paper Inscription: Lower right inscribed by another person: "Croker". Date: 19th century Description: The artwork shows a portrait of the politely smiling John Wilson Croker with curly hair and a coat, wearing a necklace. The background is shaded and plain, which draws the focus to the sitter's finely drawn face and expression. Person: Depicted: John Wilson Croker (1780 Galway - 1857 Hampton, London) Keywords: portrait; man; artistic; calm; dignity; background; coat; chain; historical figure; expression; face; curly hair; shading; drawing; fine lines; polite; smiling; dignitary, 19th century, Romanticism, Portraits, United Kingdom, Size: Paper: 25,9 cm x 19,7 cm (10,2 x 7,8 in), Plate: 23,1 cm x 14,4 cm (9,1 x 5,7 in), Depiction: 11,5 cm x 8,9 cm (4,5 x 3,5 in)

              Fichter Kunsthandel
            • C. TURNER (*1774) after LAWRENCE (*1769), Portrait of William Knighton, 1823, Mezzotint
              Aug. 17, 2024

              C. TURNER (*1774) after LAWRENCE (*1769), Portrait of William Knighton, 1823, Mezzotint

              Est: €450 - €600

              Charles Turner (1774 Woodstock, Oxfordshire - 1857 London) after Thomas Lawrence (1769 - 1830 ): Portrait of Sir William Knighton (1776-1836), 1st Baronet, 1823, Mezzotint Technique: Mezzotint on Paper Inscription: At the lower part signed in the printing plate: "Painted by Sir Tho.s Lawrence. Principal Painter in Ordinary to His Majesty & President of the Royal Academie. / Engraved by Charles Turner, Warren Street, Fitzroy Square.". Lower middle dated: "Octr. 20. 1823". Date: 1823 Description: The artwork shows a portrait of a prominently dressed man against a neutral background, conveying an honourable attitude and dignity. The depiction of the individual reflects elements of social and cultural status. Keywords: portrait; man; dignified; neutral background; clothing; social status; culture; work of art; respectability; individuality; history; representation; expression; respectability; authenticity; art history; personality; depiction; art of representation; aesthetics, 19th century, Romanticism, Portraits, United Kingdom, Size: Paper: 60,2 cm x 43,7 cm (23,7 x 17,2 in), Plate: 38,6 cm x 30,4 cm (15,2 x 12 in), Depiction: 31,2 cm x 26,9 cm (12,3 x 10,6 in)

              Fichter Kunsthandel
            • Sir Thomas Lawrence (English, 1769-1830) - Portrait of a Girl, Oil on Canvas.
              Jul. 22, 2024

              Sir Thomas Lawrence (English, 1769-1830) - Portrait of a Girl, Oil on Canvas.

              Est: $10,000 - $15,000

              Sir Thomas Lawrence (English, 1769-1830) - Portrait of a Girl, Oil on Canvas. 72x59cm. Went under professional restoration. Provenance: The estate of Israel's 6th President Chaim Herzog and his wife Ora. Sold at auction at - American Art Association Inc., New York, January 11-12, 1926, One Hundred and One French, English, Dutch and American Canvases  Collected by the Late Senator W.A. Clark and hung in his famous Fifth Avenue Galleries at 77th Street, New York, Lot #96 (attached image from the catalog).  

              Pasarel
            • LAWRENCE, Thomas (*1769 Bristol †1830 London), zugeschrieben,
              Jul. 20, 2024

              LAWRENCE, Thomas (*1769 Bristol †1830 London), zugeschrieben,

              Est: -

              LAWRENCE, Thomas (*1769 Bristol †1830 London), zugeschrieben, Öl/Holz, Hüftbild des Sir Robert Peel, 37 x 29 cm, StuckGR (dieser min besch) mit späterem Messingschild, Krakelee, Spannungsriss, dieser altrest bzw verso geklammert

              zeitGenossen Antiquitäten - Kunst - Design
            • Attributed to Thomas Lawrence Oil on Canvas Juliet
              Jul. 18, 2024

              Attributed to Thomas Lawrence Oil on Canvas Juliet

              Est: $4,000 - $6,000

              Attributed to Thomas Lawrence (British, 1729-1830). Oil on canvas, Juliet. Unsigned, with handwritten label "Sir Thomas Lawrence / Study in oils for the portrait of [illegible] O'Neil (famous actress) in the character of Juliet", Galerie A. Imbert Rome wax seal, and additional illegible stamps and paper labels all on verso and Sir T. Lawrence written in pencil on stretcher. 16 1/2" x 12 1/2" (with frame 24 1/2" x 20 1/2"). Heavily varnished, scratches upper right, tears and losses to the canvas along the edges and sides, crazing throughout, chip to the paint to the left of the bottom of the dress, some inpainting to dress; chips and losses to frame, painting loose in frame. Provenance: Estate of Princess Maria "Mimi" Romanoff.

              Willow Auction House
            • After Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of Willi
              Jul. 09, 2024

              After Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of Willi

              Est: £500 - £700

              After Sir Thomas Lawrence, PRA FRS,  British 1769-1830-  Portrait of William Lock as a child, full-length, with a dog;  oil on cradled panel, 40.5 x 29.5 cm.  Provenance:  Private Collection, UK.  Note:  The present work appears is a copy after Lawrence's original, which was painted in 1814 and exhibited at the Royal Academy in the same year, and which sold at Christie's, London, on 7 July 2022 (lot 35). The portrait depicts William Lock III (1804-1832), the grandson of William Lock (1732-1810) who was himself one of Lawrence's most important patrons. Indeed, three generations of the family (William Lock, William Lock II (1767-1847), and William Lock III) all sat for Lawrence, their portraits spanning the course of the artist's career. 

              Roseberys
            • Portrait of a lady in a wooded landscape
              Jul. 04, 2024

              Portrait of a lady in a wooded landscape

              Est: £6,000 - £8,000

              Sir Thomas Lawrence, P.R.A. Bristol 1769 - 1830 London Portrait of a lady in a wooded landscape pastel on vellum 320 by 275 mm

              Sotheby's
            • Painting, Attributed to Thomas Lawrence
              Jun. 20, 2024

              Painting, Attributed to Thomas Lawrence

              Est: $800 - $1,200

              Attributed to Thomas Lawrence (British, 1769-1830), Untitled (Young Gentleman with Horse), oil on canvas, unsigned, canvas: 36"h x 43"w, overall (with frame): 40.5"h x 47.5"w. Provenance: Estate of Harvey Clar (Orinda, California)

              Clars Auctions
            • Painting, Attributed to Thomas Lawrence
              Jun. 20, 2024

              Painting, Attributed to Thomas Lawrence

              Est: $800 - $1,200

              Attributed to Thomas Lawrence (British, 1769-1830), Portrait of Sir Walter Scott, oil on canvas, unsigned, canvas: 36"h x 28"w, overall (with frame): 47.5"h x 40"w. Provenance: Estate of Harvey Clar (Orinda, California).

              Clars Auctions
            • ANTIQUE AUTOGRAPHED LETTER SIGNED BY THOMAS LAWRENCE
              Jun. 15, 2024

              ANTIQUE AUTOGRAPHED LETTER SIGNED BY THOMAS LAWRENCE

              Est: $100 - $150

              A rare antique autographed letter signed by Sir Thomas Lawrence, 1769 to 1830, the esteemed English portrait painter and fourth president of the Royal Academy. Dated circa 1825, Paris, France, this letter addressed to an unidentified recipient. Accompanied by a certificate of authenticity. Antique Letters And Historical Document For Collectors.

              Antique Arena Inc
            • Attributed to THOMAS LAWRENCE (Bristol, 1769 - London, 1830). Untitled. Oil on canvas.
              May. 29, 2024

              Attributed to THOMAS LAWRENCE (Bristol, 1769 - London, 1830). Untitled. Oil on canvas.

              Est: €5,000 - €6,000

              Attributed to THOMAS LAWRENCE (Bristol, 1769 - London, 1830). Untitled. Oil on canvas. Measurements: 73,5 x 63 cm; 96 x 84 cm (frame). The author offers us a portrait of great sobriety, dominated by a palette of cold tonalities, which are only qualified with the use of rounded forms that contribute delicacy to the piece as it is observed in the treatment of the handkerchief in the neck. Both the composition and the pictorial execution of this excellent portrait fit with the characteristics of the best English portrait painting of the first quarter of the 19th century, and especially with the work of Sir Thomas Lawrence and his closest circle. Sir Thomas Lawrence was, after the death of Joshua Reynolds in 1792, Britain's foremost portraitist. His early training took place in Bath, where he learned from William Hoare the technique of pastel, and from Thomas Barker the correct handling of oil paint. In 1787 he moved to London, where he exhibited his first works at the Royal Academy. He began to triumph thanks to his female portraits, such as the one of Elizabeth Farren, where we can already guess certain traits of sensitivity that he would develop in his more mature production. In 1791 he was admitted to the Royal Academy and the following year, after the death of Joshua Reynolds, he became the king's painter. In 1815 he was knighted and that same year the royal family commissioned a series of portraits for the Waterloo Chamber at Windsor Castle. In 1820 he succeeded Benjamin West as president of the Royal Academy. Lawrence's portraits were based on the "great style" of Reynolds, but the Bristol painter opened the way to a new concept of portraiture with respect to the model, his personal demeanor and his emotional portrayal. He knew how to rescue a very personal vision of his clients, typical of the romantic portrait and of the Victorian era. His models are presented in relaxed and natural attitudes, the brushstroke is delicate, imperceptible in the faces and lighter and sketched in the clothes and the landscape, which almost always has an important role.

              Setdart Auction House
            • E. DESMAISONS (*1812) after LAWRENCE (*1769), A young mother, around 1840, Lithography
              May. 25, 2024

              E. DESMAISONS (*1812) after LAWRENCE (*1769), A young mother, around 1840, Lithography

              Est: €135 - €225

              Emile Desmaisons (1812 - 1880 ) after Thomas Lawrence (1769 - 1830 ): A young mother, c. 1840, Lithography Technique: Lithography on Paper Inscription: Lower right signed in the printing plate: "E. Desmaisons". At the lower part inscribed in the printing plate: "Sir Thoams Lawrence pinxt. Lith. de Lemercier. E. Desmaisons del.". Date: c. 1840 Description: The lithograph portrays a young mother and her children in an intimate embrace, expressed through intense encounters and delicate physicality. The style bears witness to a classicist ideal. Keywords: Lithography; Mother; Children; Portrait; Embrace; Eye contact; Physicality; Classicism; Ideal; Printmaking; Intimacy; Family; Maternity; Affection; Artwork; Femininity; Drawing; Print; Emotion; Tenderness, 19th century, Romanticism, Portraits, France, Size: Paper: 44,5 cm x 32,7 cm (17,5 x 12,9 in), Plate: 33,3 cm x 27,3 cm (13,1 x 10,7 in)

              Fichter Kunsthandel
            • J. NORDHEIM (*1804) after LAWRENCE (*1769), Portrait of Earl Grey, around 1831, Steel engraving
              May. 25, 2024

              J. NORDHEIM (*1804) after LAWRENCE (*1769), Portrait of Earl Grey, around 1831, Steel engraving

              Est: €45 - €75

              Johann Georg Nordheim (1804 Gehaus - 1853 Hildburghausen) after Thomas Lawrence (1769 - 1830 ): Bildnis des Charles Earl of Grey, c. 1831, Steel engraving Technique: Steel engraving on Laid paper Date: c. 1831 Description: Very fine bust portrait in uniform of Charles Earl of Grey. (1764-1845); the tea blend "Earl Grey" was named after him. Drawn from life. Original steel engraving by Nordheim after Thomas Lawrence; inscribed "J.G. Nordheim" in lead on verso. Keywords: 19th century, Romanticism, Portraits, Germany, Size: Laid paper: 29,1 cm x 20,3 cm (11,5 x 8 in), Plate: 17,7 cm x 11,7 cm (7 x 4,6 in), Depiction: 9,4 cm x 7,5 cm (3,7 x 3 in)

              Fichter Kunsthandel
            • SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) - Portrait of a gentleman, traditionally identified as Master Gregory Shaw,...
              May. 23, 2024

              SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) - Portrait of a gentleman, traditionally identified as Master Gregory Shaw,...

              Est: $30,000 - $50,000

              SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) Portrait of a gentleman, traditionally identified as Master Gregory Shaw,... oil on canvas, unlined 30 1⁄8 x 25 ¼ in. (76.5 x 64.3 cm.)

              Christie's
            • SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) - Portrait of Sarah Martha (Sally) Siddons (1775-1803), daughter of the actress,...
              May. 23, 2024

              SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) - Portrait of Sarah Martha (Sally) Siddons (1775-1803), daughter of the actress,...

              Est: $200,000 - $300,000

              SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) Portrait of Sarah Martha (Sally) Siddons (1775-1803), daughter of the actress,... oil on canvas 55 ¾ x 43 7⁄8 in. (136.5 x 101.5 cm.)

              Christie's
            • Portrait of a Woman in a White Dress
              May. 22, 2024

              Portrait of a Woman in a White Dress

              Est: $15,000 - $20,000

              Sold Without Reserve Sir Thomas Lawrence, P.R.A. Bristol 1769 - 1830 London Portrait of a Woman in a White Dress oil on canvas, unlined canvas: 30 by 25 in.; 76.2 by 63.5 cm. framed: 35 ⅛ by 30 ½ in.; 89.2 by 77.5 cm.

              Sotheby's
            • Painting, Attributed to Thomas Lawrence
              May. 17, 2024

              Painting, Attributed to Thomas Lawrence

              Est: $4,000 - $6,000

              Attributed to Thomas Lawrence (British, 1769-1830), Portrait of Sir Walter Scott, oil on canvas, unsigned, canvas: 36"h x 28"w, overall (with frame): 47.5"h x 40"w. Provenance: Estate of Harvey Clar (Orinda, California).

              Clars Auctions
            • Painting, Attributed to Thomas Lawrence
              May. 17, 2024

              Painting, Attributed to Thomas Lawrence

              Est: $3,000 - $5,000

              Attributed to Thomas Lawrence (British, 1769-1830), Untitled (Young Gentleman with Horse), oil on canvas, unsigned, canvas: 36"h x 43"w, overall (with frame): 40.5"h x 47.5"w. Provenance: Estate of Harvey Clar (Orinda, California)

              Clars Auctions
            • SIR THOMAS LAWRENCE P.R.A (BRITISH 1769-1830)
              May. 15, 2024

              SIR THOMAS LAWRENCE P.R.A (BRITISH 1769-1830)

              Est: £2,000 - £3,000

              SIR THOMAS LAWRENCE P.R.A (BRITISH 1769-1830) PORTRAIT OF ELEANOR CARNE Inscribed extensively on a label verso, pastel on paper, oval 30cm x 24cm (11.75in x 9.5in) The note verso states: ‘Eleanor Carne born 13th Nov. 1769, only child of Rev. John Carne Nash by Eleanor his wife, daug.r of Rich. Carne Esq. This picture was taken by Sir Thos. Lawrence, President of the Royal Society when he was only 17 years old and Miss Carne was then 14 years. Miss Carne was married to Thomas Mark ….. of Cheltenham, 29th August 1790. He died 19th Nov. 1819 aged 70 at Nash. She died at Nash 10th Oct. 1842 aged 73’.

              Lyon & Turnbull
            • Lawrence, Thomas
              May. 04, 2024

              Lawrence, Thomas

              Est: €160 - €240

              (1769-1830) nach. Portrait of Catherine Gray, Lady Manners. Als Juno mit Pfau. - Pinkie. (Miss Sarah Moulton-Barrett). 2 farb. Mezzotinti von Clifford James (1936-1987) bei J.Cornwell, Ldn. 1925 bzw. v. Sydney Ernest Wilson (1869- ca. 1963) bei Vicars Brothers, Ldn. 1927. 49,5 x 30,5 bzw. 51 x 32,5 cm. Jwls. ubt. re. sign. Mit Trockenst. "JCYH" bzw. "FDA" unt. re. Jwls. unter Passep. u. Glas im ebonisierte Holzrahmen mit Metallapplikationen in den Ecken (1 Appl. zu retaurieren). 1 Bl. mit hs. aussgefülltem typogr. Etikett von Vicars Brothers. D

              Kiefer Buch- und Kunstauktionen
            • Marked with, Attributed to Sir Thomas Lawrence (British 1769-1830), Sketch page from sketchbook learning Michelangelo's technique, Brown ink on paper, Stamped lower left "TL", 5 1/2" x 8", Provenance: From the Martill...
              Apr. 27, 2024

              Marked with, Attributed to Sir Thomas Lawrence (British 1769-1830), Sketch page from sketchbook learning Michelangelo's technique, Brown ink on paper, Stamped lower left "TL", 5 1/2" x 8", Provenance: From the Martill...

              Est: $400 - $800

              Marked with, Attributed to Sir Thomas Lawrence (British 1769-1830) Sketch page from sketchbook learning Michelangelo's technique Brown ink on paper Stamped lower left "TL" 5 1/2" x 8" Provenance: From the Martilli and Lawrence Collections

              Nadeau's Auction Gallery
            • After Sir Thomas Lawrence (1769 - 1830), Portrait of Miss Meyrick, co-heiress of Badorgan, Anglesey, unsigned, oil on canvas, 143 x 112 cm, framed 176 x 146.5 cm
              Apr. 25, 2024

              After Sir Thomas Lawrence (1769 - 1830), Portrait of Miss Meyrick, co-heiress of Badorgan, Anglesey, unsigned, oil on canvas, 143 x 112 cm, framed 176 x 146.5 cm

              Est: £2,000 - £3,000

              After Sir Thomas Lawrence (1769 - 1830), Portrait of Miss Meyrick, co-heiress of Badorgan, Anglesey, unsigned, oil on canvas, 143 x 112 cm, framed 176 x 146.5 cm Private collection, from the estate of a large Oxfordshire country house. Label verso inscribed: Miss Jones SELBY-LOWNDES, 22 Church Lane, Aston Rowant, Oxford, Portrait of Miss Meyrick, co-heiress of Badorgan, Anglesey, N. Wales/ Original Portrait by Sir T. Lawrence circa 1790./ This painting is one of two copies made circa 1820 on the occasion of the marriage of two of her daughters (into the Selby-Lowndes family)./ Miss Meyrick married Mr Hartman, of Dutch Ancestry.

              Dawsons Auctioneers
            • KPM PORTRAIT ENAMEL PORCELAIN AFTER THOMAS LAWRENCE
              Apr. 21, 2024

              KPM PORTRAIT ENAMEL PORCELAIN AFTER THOMAS LAWRENCE

              Est: $100 - $150

              A vintage KPM porcelain plaque depicting a hand enamel portrait of a boy, after the original oil painting, Red Boy, 1825, by Sir Thomas Lawrence, 1769 to 1830, an English portrait painter and the fourth president of the Royal Academy. Signed by the artist, F.J. Carmona, lower right. Framed. The seven year old boy in the painting is Charles William Lambton, a representative of an influential British family. Vintage English and European Hand Painted Child Portraits, Wall Art, and Collectibles.

              Antique Arena Inc
            • Painting, Attributed to Thomas Lawrence
              Apr. 19, 2024

              Painting, Attributed to Thomas Lawrence

              Est: $5,000 - $7,000

              Attributed to Thomas Lawrence (British, 1769-1830), Untitled (Young Gentleman with Horse), oil on canvas, unsigned, canvas: 36"h x 43"w, overall (with frame): 40.5"h x 47.5"w. Provenance: Estate of Harvey Clar (Orinda, California) Provenance: Estate of Harvey Clar (Orinda, California)

              Clars Auctions
            • Painting, Attributed to Thomas Lawrence
              Apr. 19, 2024

              Painting, Attributed to Thomas Lawrence

              Est: $7,000 - $10,000

              Attributed to Thomas Lawrence (British, 1769-1830), Portrait of Sir Walter Scott, oil on canvas, unsigned, canvas: 36"h x 28"w, overall (with frame): 47.5"h x 40"w. Provenance: Estate of Harvey Clar (Orinda, California).

              Clars Auctions
            • Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of Mrs Huddlestone
              Apr. 10, 2024

              Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of Mrs Huddlestone

              Est: £3,000 - £5,000

              Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of Mrs Huddlestone inscribed, signed and dated 'To Mrs Huddlestone/ from her **liged friend/ Sir T. Lawrence/ 1824.' (lower left) pencil and red chalk on paper 28.5 x 23.6cm (11 1/4 x 9 5/16in).

              Bonhams
            • Attributed to Sir Thomas Lawrence, P.R.A. (British, 1769-1830), John and William Delavel, oil on canvas, 37 x 29in (94 x 74cm)
              Mar. 27, 2024

              Attributed to Sir Thomas Lawrence, P.R.A. (British, 1769-1830), John and William Delavel, oil on canvas, 37 x 29in (94 x 74cm)

              Est: $1,500 - $2,000

              Attributed to Sir Thomas Lawrence, P.R.A. (British, 1769-1830) John and William Delavel oil on canvas

              Andrew Jones Auctions
            • Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830) Lady Elizabeth Mary, Countess of Belgrave, afterwards Marchioness of Westminster
              Mar. 20, 2024

              Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830) Lady Elizabeth Mary, Countess of Belgrave, afterwards Marchioness of Westminster

              Est: $30,000 - $50,000

              Painted in 1818. Oil on canvas. Carved and giltwood frame. Catalogue Note: Colonel Charles Clifton (American, 1853-1928) was a major figure in shaping the automotive industry during its first decades. In 1897, he joined the George N. Pierce company - at that time a bicycle wheel manufacturer - and stayed on when it was reorganized as the Pierce-Arrow Motor Company, becoming chairman of the company’s board of directors in 1916. Clifton was also the founding president of the National Automotive Chamber of Commerce. Clifton joined the Albright Art Gallery Board in 1914, serving initially on the finance committee before becoming vice president and then president, a role he held from 1918 until his death in 1928. In addition to his dedication to the Buffalo AKG, Clifton also served as president of Buffalo General Hospital, and during World War I, he was president of the Allied War Relief and of the Fatherless Children of France. In recognition of his support, especially for children orphaned by the war, Clifton was made a Chevalier of the Legion of Honor by the French government.

              Cottone Auctions
            • Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830) Lady Fitzwilliam
              Mar. 20, 2024

              Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830) Lady Fitzwilliam

              Est: $15,000 - $25,000

              Oil on canvas. Lady Fitzwilliam, daughter of the Earl of Pembroke. Catalogue Note: Colonel Charles Clifton (American, 1853-1928) was a major figure in shaping the automotive industry during its first decades. In 1897, he joined the George N. Pierce company - at that time a bicycle wheel manufacturer - and stayed on when it was reorganized as the Pierce-Arrow Motor Company, becoming chairman of the company’s board of directors in 1916. Clifton was also the founding president of the National Automotive Chamber of Commerce. Clifton joined the Albright Art Gallery Board in 1914, serving initially on the finance committee before becoming vice president and then president, a role he held from 1918 until his death in 1928. In addition to his dedication to the Buffalo AKG, Clifton also served as president of Buffalo General Hospital, and during World War I, he was president of the Allied War Relief and of the Fatherless Children of France. In recognition of his support, especially for children orphaned by the war, Clifton was made a Chevalier of the Legion of Honor by the French government.

              Cottone Auctions
            • LAWRENCE, Sir Thomas (1769-1830). Autograph Note Signed wit...
              Mar. 07, 2024

              LAWRENCE, Sir Thomas (1769-1830). Autograph Note Signed wit...

              Est: $200 - $300

              LAWRENCE, Sir Thomas (1769-1830). Autograph Note Signed with Envelope. [Ca. early 19th century]. Note signed with initials (“T.L.”) and signed manuscript envelope. Sight of letter 5 ¼ x 4 ¼”, sight of envelope 2 ¾ x 4”. Matted and framed with a later portrait of Lawrence and a color print of his portrait of Elizabeth Farren, 17 x 25”. Letters a bit faded, soiled, two visible horizontal creases, some wear to frame. Very good. Lawrence was one of the greatest portrait painters of the Regency; two of his most famous paintings are his portraits of the Duke of Wellington (1814) and “Pinkie” (Sarah Barrett Moulton, 1794).

              Potter & Potter Auctions Inc.
            • SIR THOMAS LAWRENCE PRA (BRITISH 1769-1830), PORTRAIT OF ELIZABETH WILLIAMS OF GWERSYLT PARK
              Feb. 21, 2024

              SIR THOMAS LAWRENCE PRA (BRITISH 1769-1830), PORTRAIT OF ELIZABETH WILLIAMS OF GWERSYLT PARK

              Est: £20,000 - £30,000

              SIR THOMAS LAWRENCE PRA (BRITISH 1769-1830)PORTRAIT OF ELIZABETH WILLIAMS OF GWERSYLT PARK, DENBIGHSHIRE, WEARING A WHITE DRESSOil on canvas 76.2 x 63.5cm (30 x 25 in.)Provenance:By descent in the family of the sitter to Major W. G. Townsend Currie, CheshireHis sale, Christie's, London, 3rd June 1932, lot 64 where bought by Mr. Buttery With Leggatt Brothers, London Lilian S.WhitmarshHer sale, Sotheby's, New York, 7-8th April 1961, lot 294Anonymous sale: Sotheby's, London, 27th November 2003, lot 169, where purchased by the present ownerExhibited:London, Royal Academy Exhibition, 1804, No. 25Literature:W. Armstrong, Lawrence, London, 1913, p. 171K. Garlick, Sir Thomas Lawrence, London, 1954, p. 199K. Garlick, Sir Thomas Lawrence - A Complete Catalogue of the Oil Paintings, Oxford, 1989, p. 284, No. 825aElizabeth Williams, a celebrated beauty, was also painted by Lawrence in a full-length portrait as St. Cecelia in 1803. She was the daughter of William Currie of Boughton Hall, near Chester and married John Williams of Gwersylt Park, near Wrexham in 1804. He was the son of Thomas Williams (1737-1802) who was one of the most successful and important industrialists in Wales in the 18th century, becoming the richest man in Wales at the time of his death in 1802. He was described by Matthew Boulton as the despotic sovereign of the copper trade. His portrait by Lawrence, painted in 1789, is in the National Museum of Wales, Cardiff.

              Dreweatts 1759 Fine Sales
            • CIRCLE OF SIR THOMAS LAWRENCE, P.R.A. (BRITISH 1769-1830), PORTRAIT OF A NOBLE MAN
              Feb. 13, 2024

              CIRCLE OF SIR THOMAS LAWRENCE, P.R.A. (BRITISH 1769-1830), PORTRAIT OF A NOBLE MAN

              Est: £1,000 - £1,500

              CIRCLE OF SIR THOMAS LAWRENCE, P.R.A. (BRITISH 1769-1830)PORTRAIT OF A NOBLE MAN, THREE QUARTER LENGTHOil on canvas90 x 70cm (35¼ x 27½ in.)

              Dreweatts 1759 Fine Sales
            • Attrib. to Sir Thomas LAWRENCE: Portrait Painting
              Feb. 10, 2024

              Attrib. to Sir Thomas LAWRENCE: Portrait Painting

              Est: $1,000 - $1,500

              19th century framed oil on canvas painting of a gentleman, attributed to Sir Thomas Lawrence (British, 1769-1830), bearing labels verso. [Art: 30" H x 25" W; Frame: 37 1/2" H x 31 3/4" W]. In good condition.

              Roland Auctions NY
            Lots Per Page: