Toyohara Kunichika (Japanese 1835-1900) Woodblock Print on paper, Features woman ascending stairs, with a cat tugging at her hem. A man stoops nearby, cleaning the floor. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of ukiyo-e actor-prints, which are woodblock prints of kabuki actors and scenes from popular plays of the time. Framed and matted in a black wood frame Weight: Approx. 4.5 lbs Measurements: Approx. Image 9" x 13.25, framed 17" x 22" Condition: No apparent issues, frame has some scuffs and display wear. (WSD). Domestic Shipping:$85
(1843-1894) und Kunichika, Toyohara (1835-1900), Ishibe: Iwau Kumesaburo III als Ohan, Farbholzschnitt. Sign. und Toshidama-Ring. Japan, 1867 (Keio 3). Oban-Format (36,1 x 24,2 cm). - Punktuell auf Träger montiert. - Aus der Serie "Tokaido hitome senryo" (Der Tokaido: Ein Blick ist 1000 Ryo wert), Station 51. Herausgeber: Enshuya Hikobei. Zensur-Stempel: Aratame mit Datum.
(Edo 1835-1900), Zwei Schauspieler in weiblichen Rollen. 2 Farbholzschnitte. Sign. "Kunichika ga" und mit Toshidama-Ring. Japan, 1864 (Bunkyu 4/Genji 1). Oban-Fromat (37 x 24,5 cm). - 1 Bl. unter Passepartout. - Herausgeber: Schimizuya Naojiro und Izutsuya Shokichi. Zensur-Siegel: Aratame mit Datum. - Ein Bl. linkes Blatt eines Triptychons zu dem Kabuki-Stück "Honchoshi Shirabe no Iroito". Es zeigt den Schauspieler Iwai Shijaku II als die Geisha Koito mit langer Schriftrolle vor einem Laden.
TOYOHARA KUNICHIKA (1835-1900). Genji Goju-yo Jo - No. 33 Fuji no Uraba. Size 9 1/3 by 13 3/4". Very good condition. Series: 54 Modern Feelings & Chapter of Genji. Title : No. 33 (Genji Chapter 33-Fuji-no-uraba). Circa: 1884.
(1835-1900). Ein Schauspieler der Bando Familie in der Rolle des Fuwa Banzaemon. Aus der Folge: Zen Aku Sanju-ni Kagami - Der Speigel von 32 guten u. bösen Helden. Farbholzschnitt 1867. Format: tate-ôban. Sign.: Kunichika hitsu. Verlag: Wakusaya Jingorô.
Toyohara Kunichika (1835-1900) antique Japanese woodblock print titled Chapter 51: Ukifune. This is part of his Fifty-Four Modern Feelings series. This piece was printed in 1884. This piece is matted and framed under glass, in a golden frame. With frame, it measures 18 inches x 24 inches. This was acquired from a Metro Washington DC estate.
Toyohara Kunichika (Japanese, 1835-1900). "Soga Brothers at the Hunting Camp" three hand-colored woodblocks, 1893. Signed in woodcut. An enticing triptych of woodblock prints by Toyohara Kunichika depicting a scene from the famous tale of the Soga Brothers. The story follows the brothers on their lifelong quest to avenge the death of their father at the hands of the nobleman Suketsune. Here, the pair arrives at Lord Yoritomo's hunting camp at the base of Mt. Fuji. The brothers stand on the porch of the lodge as they meet a beauty who will secretly let them in, shielding the light from her lamp with her kimono sleeve. At left, younger brother Sogo Goro holds a flaming torch aloft as a driving rain falls over the night sky, Mt. Fuji in gray silhouette in the distance. Soga Juro stands in the center, frowning intently. Size of woodcut: 27.25" W x 13.5" H (69.2 cm x 34.3 cm); of frame: 33.75" W x 19.75" H (85.7 cm x 50.2 cm) Woodblock prints were created in Japan as early as the 8th century to illustrate texts. By the 18th century, Japanese woodblock techniques had evolved and the first polychrome prints or nishiki-e were commissioned for wealthy patrons of the Edo period. This period is known for marvelous woodblock prints of female beauties, kabuki actors, sumo wrestlers, and courtesans of the infamous pleasure districts. In time, the repertoire expanded to include romantic landscapes, flora and fauna, and dramatic historical events. Ukiyo-e prints were known for birds-eye views, a penchant for strong line, and an appreciation for brilliant, saturated hues - all hallmarks of this fine Japanese artform. Works such as the examples featured in this lot played a major role in the West's perception of Japanese visual culture during the late 19th century when Japonisme exerted a powerful influence on French Impressionists such as Degas, Manet, and Monet, Post-Impressionists including Van Gogh, and pioneering Art Nouveau artists such as Toulouse-Lautrec. About the artist: "Kunichika Toyohara was one the most important woodblock print artists of the Meiji period (1868-1912). Best known for his dramatic actor portraits (yakusha-e.), Kunichika ushered ukiyo-e into a new era of color printmaking. At his hand, the floating world came to life in rich purples and deep reds. Even as new artistic mediums became popular in Japan, Kunichika championed the genres and aesthetics of ukiyo-e in vivid color. Born as Yasohachi Oshima in 1835, Kunichika's father was a public bathhouse proprietor in Kyobashi district, home to many artists and merchants. He assumed his mother's family name, Arakawa, during his youth. Kunichika began his artistic training around the age of 12 under Chikanobu Ichiosai Toyohara. Roughly two years later, Kunichika apprenticed under Kunisada Utagawa (1786-1865) and began to produce actor prints in the 1850s. Though he worked in the style of the Utagawa school, he never used the Utagawa name. Kunichika took his artist name from the names of his two teachers. After more than a decade in Kunisada's studio, Kunichika's popularity rose as he stepped out as an independent artist in the 1860s and 1870s. Though Kunichika produced some bijin-ga (pictures of beautiful women), historical prints, and journalistic illustrations, his passion lay with the kabuki theater. From sprawling triptychs to okubi-e (large-head portraits) rich in emotion, Kunichika established himself as the leading artist of yakusha-e (actor prints). He immersed himself in the kabuki world, regularly spending time backstage, sketching the actors, socializing with the theatrical figures, and watching the plays. This wealth of personal experience in the theater lent an intimacy to his bold designs. Kunichika's notable students include Chikanobu Yoshu (1838-1912) and Chikashige Morikawa (fl. 1869-1882)" (source: Ronin Gallery website) Woodblock prints were created in Japan as early as the 8th century to illustrate texts. By the 18th century, Japanese woodblock techniques had evolved and the first polychrome prints or nishiki-e were commissioned for wealthy patrons of the Edo period. This period is known for marvelous woodblock prints of female beauties, kabuki actors, sumo wrestlers, and courtesans of the infamous pleasure districts. In time, the repertoire expanded to include romantic landscapes, flora and fauna, and dramatic historical events. Ukiyo-e prints were known for birds-eye views, a penchant for strong line, and an appreciation for brilliant, saturated hues - all hallmarks of this fine Japanese artform. Works such as the examples featured in this lot played a major role in the West's perception of Japanese visual culture during the late 19th century when Japonisme exerted a powerful influence on French Impressionists such as Degas, Manet, and Monet, Post-Impressionists including Van Gogh, and pioneering Art Nouveau artists such as Toulouse-Lautrec. About the artist: "Kunichika Toyohara was one the most important woodblock print artists of the Meiji period (1868-1912). Best known for his dramatic actor portraits (yakusha-e.), Kunichika ushered ukiyo-e into a new era of color printmaking. At his hand, the floating world came to life in rich purples and deep reds. Even as new artistic mediums became popular in Japan, Kunichika championed the genres and aesthetics of ukiyo-e in vivid color. Born as Yasohachi Oshima in 1835, Kunichika's father was a public bathhouse proprietor in Kyobashi district, home to many artists and merchants. He assumed his mother's family name, Arakawa, during his youth. Kunichika began his artistic training around the age of 12 under Chikanobu Ichiosai Toyohara. Roughly two years later, Kunichika apprenticed under Kunisada Utagawa (1786-1865) and began to produce actor prints in the 1850s. Though he worked in the style of the Utagawa school, he never used the Utagawa name. Kunichika took his artist name from the names of his two teachers. After more than a decade in Kunisada's studio, Kunichika's popularity rose as he stepped out as an independent artist in the 1860s and 1870s. Though Kunichika produced some bijin-ga (pictures of beautiful women), historical prints, and journalistic illustrations, his passion lay with the kabuki theater. From sprawling triptychs to okubi-e (large-head portraits) rich in emotion, Kunichika established himself as the leading artist of yakusha-e (actor prints). He immersed himself in the kabuki world, regularly spending time backstage, sketching the actors, socializing with the theatrical figures, and watching the plays. This wealth of personal experience in the theater lent an intimacy to his bold designs. Kunichika's notable students include Chikanobu Yoshu (1838-1912) and Chikashige Morikawa (fl. 1869-1882)" (source: Ronin Gallery website) Provenance: private Park City, Utah, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #188621
Toyohara Kunichika (Japanese 1835-1900) Woodblock Print on paper, Features woman ascending stairs, with a cat tugging at her hem. A man stoops nearby, cleaning the floor. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of ukiyo-e actor-prints, which are woodblock prints of kabuki actors and scenes from popular plays of the time. Framed and matted in a black wood frame Weight: Approx. 4.5 lbs Measurements: Approx. Image 9" x 13.25, framed 17" x 22" Condition: No apparent issues, frame has some scuffs and display wear. (WSD). Domestic Shipping: $60
Set of 2 prints: Artist: Kunichika Toyohara (1835-1900) / Kunisada III Utagawa (1848-1920) Title: Kabuki play, Jitsugetsu Seikyo Waseidan / Kabuki play, Yaguradaiko Narita Revenge Publisher: Hayashi Kichizo / Takekawa Date: 1878 / late 19th century Size: (L)35.8 x 23.8 (C) 35.8 x 24.1 (R)35.8 x 23.7 cm / (L)36 x 23.5 (C)36.9 x 25 (R)37 x 25.3 cm Condition: Backed, wear and tear, paper residue on the back, vertical crease on the centre panel and left panel, slightly soiled. / Paper residue on the back, horizontal creases, pinholes, colour partly running. Ref: C-091903-2 / C-012054
Set of 2 prints: Artist: Chikashige Morikawa (1869-1880s) / Kunichika Toyohara (1835-1900) Title: The Ranking of Famous Actors' Salaries / Powerful Men with Sake Casks Series title: None / Ranking of Actors' Salaries Publisher: Tsujiokaya Bunsuke Date: 1876 / 1875 Size: (L) 37.1 x 24.9, (C) 37.2 x 24.9, (R) 37.1 x 25.0 cm / (L) 36.9 x 25.0, (C) 37.0 x 24.9, (R) 36.9 x 25.0 cm Condition: Some creases and stains around the margins, foxing (centre panel). / Wormholes, light wear, creases and horizontal folds, small paper on the back. Ref: JG0621YA23 / JG0621YA26
Set of 2 prints: Artist: Kunichika Toyohara (1835-1900) Title: Actor Onoe Kikugoro as Hotaro, Kurama Waterfall / Actor Bando Hikosaburo as Otsuji, Shido-ji Temple Waterfall Publisher: Tsujiokaya Kamekichi Date: 1875 Size: 36.8 x 24.8 cm / 37.0 x 24.5 cm Condition: Minor pinholes and creases. / Light soiling, some margin wear and creases, pinhole. Ref: JG072307-1 / JG072307-2
Set of 4 prints: Artist: Kunichika Toyohara (1835-1900) Title: Atokuchigakakariso, Leaving a bad taste Shiraseteyaritasou, Looking like she wants to tell someone Sleepy See you in my dream Series: Thirty-two Fashionable Physiognomies Publisher: Yorozuya Magobei Date: 1869 Size: 36.1 x 24.0 cm / 35.9 x 24.1 cm / 35.9 x 24.2 cm / 36.1 x 24.1 cm Condition: Light soiling, minor paper residue on the back. / Soiling, light creases, some worn-out areas. / Some stains and creases, minor paper residue on the back. / Glue stains, minor soiling, some paper residue on the back. Ref: CMWA165 / CMWA172 / CMWA168 / CMWA171
Toyohara Kunichika (1835-1900) antique Japanese woodblock print titled Chapter 51: Ukifune. This is part of his Fifty-Four Modern Feelings series. This piece was printed in 1884. This piece is matted and framed under glass, in a golden frame. With frame, it measures 18 inches x 24 inches. This was acquired from a Metro Washington DC estate.
Toyohara Kunichika (1835-1900) Japanese, Antique Framed Woodblock. Depicts the kabuki actor Bandô Mitsugorô VI (1841-1873) in a role from 1872. Print has kanji in the upper left and right corners. Label on reverse with information about the piece and its origins. Overall Size: 21 3/4 x 16 in. Sight Size: 14 x 9 1/4 in. #4746 . Toyohara Kunichika was born Åshima Yasohachi in June 1835 in the Kyobashi district, a merchant and artisan area of Edo, Japan. He abandoned an apprenticeship at a thread and yarn store at age ten to work at a dry goods shop, painting and sketching items. His father lost the bathhouse he ran shortly thereafter, and the family changed their surname to distance themselves from this failure, making him Arakawa Yasohachi. At twelve he began to design kabuki actor portraits for local artist Toyohara Chikanobu, who recommended him at thirteen to become a student of Tokyo’s leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of actors and scenes from popular plays of the time. In 1854 he took the name “Kunichika,” a composite of the names of his two teachers, Kunisada and Chikanobu. In 1861 Kunichika married his first wife, Ohana, and in that same year had a daughter, Hana. He fathered two out-of-wedlock children with whom he had no contact, but remained strongly attached to Hana after divorcing Ohana. By the 1870s he was known as a womanizer and alcoholic, sometimes performing in amateur burlesque shows. He enjoyed partying with the geishas and prostitutes of the Yoshiwara district, and was a backstage regular at numerous theaters. He was constantly in debt and often borrowed money from the kabuki actors he depicted so admiringly. Only one photograph of him exists, taken in his brother’s photo shop the year before he died in Honjo in July 1900. His work is credited with bridging the tumultuous gap between the Edo and Meiji periods.
Group of Three Japanese Ukiyo-e Woodblock Prints on Paper, comprising: Toshusai Sharaku (Japanese, XVIII), "Sawamura Sojuro III As Ogishi Kurando" circa 1795, Toyohara Kunichika (Japanese, 1835-1900), Center Panel of "Morning Pilgrimage to Mount Minobu" (Minobusan asamairi no zu), 1863, and Woodcut of Mother and Child, 19th century, in black frames. Largest: 15.25" H x 9.75" W; frame: 23.5" H x 18.25" W. Provenance: From an East 81st Street Estate. Keywords: Prints, Multiples, Asian Art, Figural, Figurative, Figural, Maternal, Polychrome, Okubi-e, Kabuki, Festival, Antique,
Two Antique Japanese Woodblock Prints by Koyohara Kunichika. (1): A tryptch by Toyohara Kunichika (1835 - 1900 Japan). Depicting a scene of a Kabuki play, with courtesan, samurai, and scholar together in interior with red backdrop. Pasted to board. Tear to center print; small tears to print at right. Measures 14" x 28.5" approx. (2): "Ichimura Kakitsu as Fuywa Bansalen". Depiction from a series of half-length portraits of Kabuki actors. Printed calligraphy at reverse. Small hole at left, minor tear at upper left. Measures 13.5" x 9.25" approx.
Artist: Toyohara Kunichika, Japanese (1835 - 1900) Title: Man in Floral Kimono Medium: Color Woodblock, signed in block Image Size: 13.25 x 8.5 inches Size: 18.5 x 13 in. (46.99 x 33.02 cm) Description: Color Woodblock depicting a man participating in Kabuki theater, wearing a floral kimono. By an unknown artist.
Toyohara Kunichika (1835-1900) antique Japanese woodblock print titled Chapter 51: Ukifune. This is part of his Fifty-Four Modern Feelings series. This piece was printed in 1884. This piece is matted and framed under glass, in a golden frame. With frame, it measures 18 inches x 24 inches. This was acquired from a Metro Washington DC estate.
Toyohara Kunichika (1835-1900) Ukiyo-e Woodblock Print, Man standing near the sea, wood pilings in background. (This print appears to be a scene to the right of another Kunichika print we have available.) Framed, mat and glazed. 3lbs Measures Approx.: image area 9 inches x 13.25 inches ; framed 15 inches x 21 inches . Domestic Shipping: $50
TOYOHARA KUNICHIKA (1835 - 1900) Japan, late Edo period 36,5 x 25 cm Ôban tate-e. Coloured woodblock print. Series: ‘’Edo kio tôsei sugata‘’ (Figures animated by Edo). Depiction of the actor Ichimura Kakitsu IV. Signature: Kunichika hitsu. Publisher: Hiranoya Shinzô. Censorship: aratame. Date: 3/1866 From a German private collection, assembled between the 1960s and 2022 - One short tear to the upper edge, three small areas backed, strong colours - Unframed Toyohara Kunichika (1835 - 1900) Japan, späte Edo - Periode 36,5 x 25 cm Ôban tate-e. Farbholzschnitt. Serie: ''Edo kio tôsei sugata'' (Von Edo beseelten Gestalten). Darstellung des Schauspielers Ichimura Kakitsu IV. Signatur: Kunichika hitsu. Verlag: Hiranoya Shinzô. Zensur: aratame. Datierung: 3/1866 Aus einer deutschen Privatsammlung, gesammelt zwischen den 1960er Jahren und 2022 - Ein kurzer Riss an der Oberkante, drei kleine Partien hinterlegt, kräftige Farben - Ungerahmt
Toyohara Kunichika (1835-1900) antique Japanese woodblock print titled Chapter 51: Ukifune. This is part of his Fifty-Four Modern Feelings series. This piece was printed in 1884. This piece is matted and framed under glass, in a golden frame. With frame, it measures 18 inches x 24 inches. This was acquired from a Metro Washington DC estate.
Lot of 6 antique Japanese woodblock prints circa 1860's by Toyohara Kunichika (1835-1900) depicting dramatic actors. Unframed, each about 13.75 x 9.5 in.
Toyohara Kunichika (Japanese, 1835-1900), Broken Sake Bottle - Ukiyo-e Kabuki Triptych, 19th century color woodblocks, each sheet approximately 13.75 x 9.25 inches, for a total width of 28 inches, unframed. Provenance: purchased in Japan before 1910.
(1835-1900). Halbportrait eines Kabuki-Schauspielers in der Rolle eines Samurai mit shakuhachi-Flöte. Farbholzschnitt um 1860. Format: tate-ôban. Signatur: Knichika hitsu. siegel: Toshidama-in. D
TOYOHARA KUNICHIKA (1835-1900), signing Kunichika ga , depicting from right to left the actors Ôtani Yûshô, Sawamura Tanosuku and Nakamura Shikan, Japan, framed, triptych. H.: 36 cm - W.: 75 cm
TOYOHARA KUNICHIKA (1835-1900), signing Toyohara Kunichika hitsu, portrait (posthumous?) of the actor Kataoka Ichizô, Japan, framed, ôban-tate. H.: 35 cm - W.: 23 cm
A Set Of Antique Japanese Woodblock Prints 19th Century Toyohara Kunichika 1835-1900. Each Measure 9.5" & 13.5". Provenance: One Person Private Estate Central Florida.
Toyohara Kunichika (1835-1900)Two Japanese Kabuki Woodblock Prints, represent actors in signature roles. An avid Kabuki patron, he was especially known for his prints of actors. One of the prints depicts an actor who specializes in araogoto ("rough style") portrayals of heroic characters. With the kumadori (red and white make-up) the actor brings to life  an imperial warrior. The red background intensifies the moment when he strikes a mie pose on stage. The vivid colors are due to his use of aniline dyes imported from Germany. The artist frequently used  the strong red as a background color. The other print with dynamic composition captures a dancer with an assistant behind him performing in unison to give the illusion of a four-armed dancer. The actor probably specializes in onnagata (female impersonator roles). Mica is added to both prints to enliven the surfaces. It is gives the illusion of falling cherry blossoms in the latter print. Dimensions: Both prints; Frames: 20.5 in. x 16.5 in.; Prints: 13.75 in. x 9 in. Condition: Borders have been trimmed; one print has damage to top edge.
Toyohara Kunichika (Japanese, 1835-1900). "Soga Brothers Surprising Suketsune" three hand-colored woodblocks, 1890. Signed in woodcut. A lovely triptych of woodcuts by Toyohara Kunichika depicting a dramatic scene of four Kabuki actors from the famous tale of the Soga Brothers. The story follows the brothers on their lifelong quest to avenge the death of their father at the hands of the nobleman Suketsune. Here, the pair surprises Suketsune in his hunting camp at the foot of Mt. Fuji. Woken from his sleep, the murderer tosses his pillow at Soga Goro while reaching for his sword. Goro grips his sword overhead with both hands, wearing his trademark robe patterned with butterflies over his armor. His older brother Juro approaches at right, staring at his enemy with a look of pure disdain. At far left, Juro's lover, the courtesan Oiso no Tora peers around the corner, smiling happily. Rain falls heavily against the gray night sky behind her. Size of woodcut: 27.125" W x 13.5" H (68.9 cm x 34.3 cm); with frame: 33.6" W x 19.9" H (85.3 cm x 50.5 cm) Woodblock prints were created in Japan as early as the 8th century to illustrate texts. By the 18th century, Japanese woodblock techniques had evolved and the first polychrome prints or nishiki-e were commissioned for wealthy patrons of the Edo period. This period is known for marvelous woodblock prints of female beauties, kabuki actors, sumo wrestlers, and courtesans of the infamous pleasure districts. In time, the repertoire expanded to include romantic landscapes, flora and fauna, and dramatic historical events. Ukiyo-e prints were known for birds-eye views, a penchant for strong line, and an appreciation for brilliant, saturated hues - all hallmarks of this fine Japanese artform. Works such as the examples featured in this lot played a major role in the West's perception of Japanese visual culture during the late 19th century when Japonisme exerted a powerful influence on French Impressionists such as Degas, Manet, and Monet, Post-Impressionists including Van Gogh, and pioneering Art Nouveau artists such as Toulouse-Lautrec. About the artist: "Kunichika Toyohara was one the most important woodblock print artists of the Meiji period (1868-1912). Best known for his dramatic actor portraits (yakusha-e.), Kunichika ushered ukiyo-e into a new era of color printmaking. At his hand, the floating world came to life in rich purples and deep reds. Even as new artistic mediums became popular in Japan, Kunichika championed the genres and aesthetics of ukiyo-e in vivid color. Born as Yasohachi Oshima in 1835, Kunichika's father was a public bathhouse proprietor in Kyobashi district, home to many artists and merchants. He assumed his mother's family name, Arakawa, during his youth. Kunichika began his artistic training around the age of 12 under Chikanobu Ichiosai Toyohara. Roughly two years later, Kunichika apprenticed under Kunisada Utagawa (1786-1865) and began to produce actor prints in the 1850s. Though he worked in the style of the Utagawa school, he never used the Utagawa name. Kunichika took his artist name from the names of his two teachers. After more than a decade in Kunisada's studio, Kunichika's popularity rose as he stepped out as an independent artist in the 1860s and 1870s. Though Kunichika produced some bijin-ga (pictures of beautiful women), historical prints, and journalistic illustrations, his passion lay with the kabuki theater. From sprawling triptychs to okubi-e (large-head portraits) rich in emotion, Kunichika established himself as the leading artist of yakusha-e (actor prints). He immersed himself in the kabuki world, regularly spending time backstage, sketching the actors, socializing with the theatrical figures, and watching the plays. This wealth of personal experience in the theater lent an intimacy to his bold designs. Kunichika's notable students include Chikanobu Yoshu (1838-1912) and Chikashige Morikawa (fl. 1869-1882)" (source: Ronin Gallery website) Provenance: private Park City, Utah, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188623
Toyohara Kunichika (Japanese, 1835-1900). "Soga Brothers at the Hunting Camp" three hand-colored woodblocks, 1893. Signed in woodcut. An enticing triptych of woodblock prints by Toyohara Kunichika depicting a scene from the famous tale of the Soga Brothers. The story follows the brothers on their lifelong quest to avenge the death of their father at the hands of the nobleman Suketsune. Here, the pair arrives at Lord Yoritomo's hunting camp at the base of Mt. Fuji. The brothers stand on the porch of the lodge as they meet a beauty who will secretly let them in, shielding the light from her lamp with her kimono sleeve. At left, younger brother Sogo Goro holds a flaming torch aloft as a driving rain falls over the night sky, Mt. Fuji in gray silhouette in the distance. Soga Juro stands in the center, frowning intently. Size of woodcut: 27.25" W x 13.5" H (69.2 cm x 34.3 cm); of frame: 33.75" W x 19.75" H (85.7 cm x 50.2 cm) Woodblock prints were created in Japan as early as the 8th century to illustrate texts. By the 18th century, Japanese woodblock techniques had evolved and the first polychrome prints or nishiki-e were commissioned for wealthy patrons of the Edo period. This period is known for marvelous woodblock prints of female beauties, kabuki actors, sumo wrestlers, and courtesans of the infamous pleasure districts. In time, the repertoire expanded to include romantic landscapes, flora and fauna, and dramatic historical events. Ukiyo-e prints were known for birds-eye views, a penchant for strong line, and an appreciation for brilliant, saturated hues - all hallmarks of this fine Japanese artform. Works such as the examples featured in this lot played a major role in the West's perception of Japanese visual culture during the late 19th century when Japonisme exerted a powerful influence on French Impressionists such as Degas, Manet, and Monet, Post-Impressionists including Van Gogh, and pioneering Art Nouveau artists such as Toulouse-Lautrec. About the artist: "Kunichika Toyohara was one the most important woodblock print artists of the Meiji period (1868-1912). Best known for his dramatic actor portraits (yakusha-e.), Kunichika ushered ukiyo-e into a new era of color printmaking. At his hand, the floating world came to life in rich purples and deep reds. Even as new artistic mediums became popular in Japan, Kunichika championed the genres and aesthetics of ukiyo-e in vivid color. Born as Yasohachi Oshima in 1835, Kunichika's father was a public bathhouse proprietor in Kyobashi district, home to many artists and merchants. He assumed his mother's family name, Arakawa, during his youth. Kunichika began his artistic training around the age of 12 under Chikanobu Ichiosai Toyohara. Roughly two years later, Kunichika apprenticed under Kunisada Utagawa (1786-1865) and began to produce actor prints in the 1850s. Though he worked in the style of the Utagawa school, he never used the Utagawa name. Kunichika took his artist name from the names of his two teachers. After more than a decade in Kunisada's studio, Kunichika's popularity rose as he stepped out as an independent artist in the 1860s and 1870s. Though Kunichika produced some bijin-ga (pictures of beautiful women), historical prints, and journalistic illustrations, his passion lay with the kabuki theater. From sprawling triptychs to okubi-e (large-head portraits) rich in emotion, Kunichika established himself as the leading artist of yakusha-e (actor prints). He immersed himself in the kabuki world, regularly spending time backstage, sketching the actors, socializing with the theatrical figures, and watching the plays. This wealth of personal experience in the theater lent an intimacy to his bold designs. Kunichika's notable students include Chikanobu Yoshu (1838-1912) and Chikashige Morikawa (fl. 1869-1882)" (source: Ronin Gallery website) Woodblock prints were created in Japan as early as the 8th century to illustrate texts. By the 18th century, Japanese woodblock techniques had evolved and the first polychrome prints or nishiki-e were commissioned for wealthy patrons of the Edo period. This period is known for marvelous woodblock prints of female beauties, kabuki actors, sumo wrestlers, and courtesans of the infamous pleasure districts. In time, the repertoire expanded to include romantic landscapes, flora and fauna, and dramatic historical events. Ukiyo-e prints were known for birds-eye views, a penchant for strong line, and an appreciation for brilliant, saturated hues - all hallmarks of this fine Japanese artform. Works such as the examples featured in this lot played a major role in the West's perception of Japanese visual culture during the late 19th century when Japonisme exerted a powerful influence on French Impressionists such as Degas, Manet, and Monet, Post-Impressionists including Van Gogh, and pioneering Art Nouveau artists such as Toulouse-Lautrec. About the artist: "Kunichika Toyohara was one the most important woodblock print artists of the Meiji period (1868-1912). Best known for his dramatic actor portraits (yakusha-e.), Kunichika ushered ukiyo-e into a new era of color printmaking. At his hand, the floating world came to life in rich purples and deep reds. Even as new artistic mediums became popular in Japan, Kunichika championed the genres and aesthetics of ukiyo-e in vivid color. Born as Yasohachi Oshima in 1835, Kunichika's father was a public bathhouse proprietor in Kyobashi district, home to many artists and merchants. He assumed his mother's family name, Arakawa, during his youth. Kunichika began his artistic training around the age of 12 under Chikanobu Ichiosai Toyohara. Roughly two years later, Kunichika apprenticed under Kunisada Utagawa (1786-1865) and began to produce actor prints in the 1850s. Though he worked in the style of the Utagawa school, he never used the Utagawa name. Kunichika took his artist name from the names of his two teachers. After more than a decade in Kunisada's studio, Kunichika's popularity rose as he stepped out as an independent artist in the 1860s and 1870s. Though Kunichika produced some bijin-ga (pictures of beautiful women), historical prints, and journalistic illustrations, his passion lay with the kabuki theater. From sprawling triptychs to okubi-e (large-head portraits) rich in emotion, Kunichika established himself as the leading artist of yakusha-e (actor prints). He immersed himself in the kabuki world, regularly spending time backstage, sketching the actors, socializing with the theatrical figures, and watching the plays. This wealth of personal experience in the theater lent an intimacy to his bold designs. Kunichika's notable students include Chikanobu Yoshu (1838-1912) and Chikashige Morikawa (fl. 1869-1882)" (source: Ronin Gallery website) Provenance: private Park City, Utah, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #188621
TOYOHARA KUNICHIKA (Japanese, 1835-1900). Two works; 1896, Woodcut with colors. Verso notation confirming printing date of 1896. Framed. (Not examined out of frame. ) - Sight: 14 x 10 inches; frame: 21 x 16 inches
Toyohara Kunichika (1835-1900) antique Japanese woodblock print titled Chapter 51: Ukifune. This is part of his Fifty-Four Modern Feelings series. This piece was printed in 1884. This piece is matted and framed under glass, in a golden frame. With frame, it measures 18 inches x 24 inches. This was acquired from a Metro Washington DC estate.
A GROUP OF TWO PRINTS TOYOHARA KUNICHIKA (1835-1900) 「濡髪長五郎 中村芝翫」「金門勝五郎 市川九蔵」part of triptych Edo period (1603-1868), 1864 Polychrome woodblock print, 35.5 x 24.2cm UTAGAWA KUNISADA (Toyokuni III) (1786-1864) Yakusha-e kabuki actor under a stormy and rainy night with butterfly design on his kimono Publisher : Shitaya Ai-to 1861 Edo period Superb printing with mica powder Ōban tate-e Japanese woodblock print, 36 x 24.4cm (2)
A GROUP OF TWO PRINTS BY TOYOHARA KUNICHIKA (1835-1900) From the series Mitate iroha awase “the Ta brigade, eighth group” - Kabuki actor Ichimura Kakitsu IV as Takemon no Tora, “Na Brigade, sixth group” - Kabuki actor Kawarazaki Gonjûrô I as Danshichi, from the series Mitate iroha awase Edo period (1603-1868), 1866 Polychrome woodblock prints, 35.4 x 24.1cm, 36.4 x 24cm (2) Reference https://collections.mfa.org/objects/471444
A GROUP OF THREE PRINTS UTAGAWA KUNISADA (1786-1865) Edo period (1603-1868), circa 1865 Polychrome woodblock print, 37 x 25.2cm together with two prints by: TOYOHARA KUNICHIKA (1835-1900) Tattooed kabuki actor Edo period (1603-1868), circa 1865 Polychrome woodblock print, 34.8 x 24cm Sleet on the Honmachi river bank” ”Sashichi Ichimura Hazaemon 「本町河岸のみぞれ」「御祭佐七 市村羽左衛門」 Edo period (1603-1868), 1864 Polychrome woodblock print, 37.3 x 25.2cm (3)
A GROUP OF THREE PRINTS UTAGAWA SCHOOL - possibly Utagawa Kunisada II (1823-1880) Kabuki scene in which a jinrikisha (rickshaw) shooter sports a tattoo Meiji era (1868–1912), circa 1870 Polychrome woodcut print, 36 x 23.4cm TOYOHARA KUNICHIKA (1835-1900) Tattooed jinrikisha (rickshaw) puller Miyako Chōkichi 人力都長吉 and Nakanochō Sankichi 仲ノ丁三吉 wear tattoos Meiji Era (1868-1912), 1871 Polychrome woodcut UTAGAWA KUNISADA II (1823-1880) The tattooed palanquin bearer Tomoe Nizō 巴二蔵 and Yoshichō Omasu よし町おます Edo period (1603-1868), 1865 Polychrome woodblock print, 37.7 x 26.8cm (3)
TOYOHARA KUNICHIKA (1835–1900) Scene from the kabuki play 'Hana no kaosugata taki no tsubo' 花の顔姿の滝壺 with the fictional characters of monk Mongaku Shōnin, Ōgata Shiraya, Takashima no Sama, the character on the left has tattoos Meiji Era (1868-1912), 1885 Polychrome woodblock print, 34.5 x 69cm
TOYOHARA KUNICHIKA (1835–1900) Scene from the kabuki parody play 'Mitate kijutsu kurabe' 見立奇術競 (A Contest of Magic Arts In the Know) with the characters of the tattooed sorcerer Jiraiya and the sorceress Yûfu-Tsunade. Meiji Era (1868-1912), 1885 Polychrome woodblock print, 36 x 73.5cm
TOYOHARA KUNICHIKA (1835–1900) The Kabuki Piece Kami no Megumi Wago no Torikumi Publisher: Fukuda Kumajiro Meiji Era (1868–1912), 1900 Polychrome woodblock print, 34.3 x 72.9cm
