Kipton Kumler Paintings & Artwork for Sale | Kipton Kumler Art Value Price Guide

Nov. 21, 2024
Ten: Kipton Kumler (American B.1940) from "A Portfolio of Plants", published 1977
Est: $300 - $500
Ten: Kipton Kumler (American B.1940) from "A Portfolio of Plants", published 1977 "Elephant Ear, Wellesley, 1970" "Fronds, Wellesley, 1972" "A Succulent, Wellesley, 1977" "Reeds, Wellesley, 1971" "Textured Leaves, Wellesley, 1970" "Grant Leaves, Lexington" 1974 "Architect's Leaves, Wellesley, 1971" "Alternating Leaves, Wellesley, 1970" "Cabbage, Wellesley, 1972" "New Philodendron, Wellesley, 1974" Platinum print, edition 43/50 each 13 1/2" x 10 1/2" each Provenance: Stroock & Stroock & Lavan
Nadeau's Auction Gallery
Jun. 08, 2024
Ten: Kipton Kumler (American B.1940) from "A Portfolio of Plants", published 1977
Est: $1,000 - $2,000
Ten: Kipton Kumler (American B.1940) from "A Portfolio of Plants", published 1977 "Elephant Ear, Wellesley, 1970" "Fronds, Wellesley, 1972" "A Succulent, Wellesley, 1977" "Reeds, Wellesley, 1971" "Textured Leaves, Wellesley, 1970" "Grant Leaves, Lexington" 1974 "Architect's Leaves, Wellesley, 1971" "Alternating Leaves, Wellesley, 1970" "Cabbage, Wellesley, 1972" "New Philodendron, Wellesley, 1974" Platinum print, edition 43/50 each 13 1/2" x 10 1/2" each Provenance: Stroock & Stroock & Lavan Condition: Overall good condition This is a quick condition report, please call or email for any additional information
Nadeau's Auction Gallery
May. 16, 2024
Kipton Kumler (b. 1940), ELEPHANT EAR, 1970
Est: $200 - $300
Kipton Kumler (b. 1940), American ELEPHANT EAR, 1970 platinum palladium print signed, titled, dated and editioned "print #3" to margin; printed 1978 10.9 x 14 in — 27.7 x 35.5 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $200—300
Waddington's
Apr. 27, 2024
KIPTON KUMLER, REEDS, WELLESLEY, GELATIN SILVER PRINT PHOTOGRAPH
Est: $1,200 - $1,600
Artist: Kipton Kumler, American (1940 - ) Title: Reeds, Wellesley Year: 1971 Medium: Gelatin Silver Print Photograph, signed Image Size: 9.5 x 7.75 inches Size: 10 x 8 in. (25.4 x 20.32 cm) Description: Kipton Kumler seems to have photographed many of his plant studies in and around Boston, MA including these reeds in Wellesley. This black and white print is signed in pen by the artist.
RoGallery
Oct. 28, 2023
KIPTON KUMLER, (American, b. 1940), Collection of Five Photographs, gelatin silver print
Est: $500 - $1,000
KIPTON KUMLER (American, b. 1940) Collection of Five Photographs gelatin silver print Col d'Ichere signed, titled, and dated verso 16 x 20 in. Ali Qapu, Isfohan, Persia signed, titled, and dated verso 20 x 16 in. Hill, Near Asasp, France signed, titled, and dated verso 16 x 20 in. Near Barcus, France signed, titled, and dated verso 16 x 20 in. New Brunswick signed, titled, and dated verso 20 x 16 in.
Grogan & Company
May. 22, 2022
KIPTON KUMLER (B. 1940)
Est: $300 - $500
LOT OF TWO: A. "Grant Leaves, Lexington"; 1974; Platinum Print; 13.25" x 10.5"; Signed Lower Right; Unframed / B. "New Philodendron, Wellesley"; 1974; Platinum Print; 13.5" x 10.5"; Signed Lower Right; Unframed; Provenance: From the Estate of Marcuse "Cusie" Pfeifer (1936 - 2020).
James Cox Gallery
Mar. 13, 2022
Kipton Kumler (b.1940), Portfolio of Plants Photos
Est: $400 - $800
KIPTON KUMLER A Portfolio of Plants, 1977, 10 Gelatin Silver Prints, each print app. 13.2 x 10.3". Made on Strathmore Cerulean, laid on a paper mount with paper overmat 23x17.2", Maquette. Two-page letter press introduction by Hilton Kramer, Boston, December 1977. Comes with portfolio and fabric bound hinged case. The prints have been removed and individually matted for framing.:
District Auction
Sep. 30, 2020
KIPTON KUMLER Portfolio Plants 10 prints 1977
Est: $300 - $600
KIPTON KUMLER A Portfolio of Plants, 1977, 10 Gelatin Silver Prints, each print app. 13.2x10.3". Made on Strathmore Cerulean, laid on a paper mount with paper overmat 23x17.2", Edition 4/50 + 7 AP. Two-page letter press introduction by Hilton Kramer, Boston, December 1977. The prints: 1. Fronds, Wellesley 1972 2. Architect's Leaves, Wellesley 1971 3. Elephant Wear, Wellesley 1970 4. Alternating Leaves, Wellesley 1970 5. Textured Leaves, Wellesley 1970 6. Succulant Plant, Wellesley 1977 8. New Philodendron, Wellesley 1974 8. Grant Leaves, Lexington 1974 10. Reeds, Wellesley 1971 Kipton Kumler (b.1940) received degrees in Electrical Engineering and Business, studied at Cornell, Harvard and MIT, applying his precision to the plant life studies he published and exhibited in the 1970s.
Andrew Smith Gallery Photography Auctions, LLC
Jun. 04, 2020
KIPTON CORNELIUS KUMLER, United States, b. 1940, "A Portfolio of Plants", containing ten photographs., Each 13.25" x 9.5" sight.
Est: $1,000 - $1,500
KIPTON CORNELIUS KUMLER United States, b. 1940 "A Portfolio of Plants", containing ten photographs. Printed in 1977 as a limited edition of fifty, with seven artist proofs; this is artist proof "B". Signed by the artist. Prints made on Strathmore Cerulean. In a custom case. Each 13.25" x 9.5" sight.
Eldred's
May. 14, 2020
KIPTON CORNELIUS KUMLER, United States, b. 1940, "A Portfolio of Plants", containing ten photographs., Each 13.25" x 9.5" sight.
Est: $1,000 - $1,500
KIPTON CORNELIUS KUMLER United States, b. 1940 "A Portfolio of Plants", containing ten photographs. Printed in 1977 as a limited edition of fifty, with seven artist proofs; this is artist proof "B". Signed by the artist. Prints made on Strathmore Cerulean. In a custom case. Each 13.25" x 9.5" sight.
Eldred's
Feb. 07, 2020
KIPTON CORNELIUS KUMLER, United States, b. 1940, "A Portfolio of Plants", containing ten photographs., Each 13.25" x 9.5" sight.
Est: $1,500 - $2,500
KIPTON CORNELIUS KUMLER United States, b. 1940 "A Portfolio of Plants", containing ten photographs. Printed in 1977 as a limited edition of fifty, with seven artist proofs; this is artist proof "B". Signed by the artist. Prints made on Strathmore Cerulean. In a custom case. Each 13.25" x 9.5" sight.
Eldred's
Jun. 27, 2018
KIPTON KUMLER, "Palm Leaf," 1970's. 8 ½ x 10 ½ -inch platinum or platinum-palladian print archivally mounted to mat board.
Est: $600 - $1,000
KIPTON KUMLER, "Palm Leaf," 1970's. 8 ½ x 10 ½ -inch platinum or platinum-palladian print archivally mounted to mat board. Signed in pencil on the mat beneath the print, and also on the verso, though that is not presently visible because of the mounting. The richness of the print gives it a beautiful photographic quality that transcends the botanical subject.
Be-Hold