Hans (1582) Juncker Sold at Auction Prices

Sculptor, b. 1582 - d. 1624

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    • Juncker, Johannes (Hans) d. Ä., Paar museale, manieristische Putten mit Arma Christi - Um 1606/07
      Jul. 24, 2020

      Juncker, Johannes (Hans) d. Ä., Paar museale, manieristische Putten mit Arma Christi - Um 1606/07

      Est: -

      Juncker, Johannes (Hans) the Elder — Pair of museum-style mannerist putti with Arma Christi - About 1606/07 / Juncker, Johannes (Hans) d. Ä. Paar museale, manieristische Putten mit Arma Christi - Um 1606/07 (Wohl Walddürn 1582-um 1624) Auf Natursockel stehender, vollrund geschnitzter Putto, die ausladende Hüfte in virtuoser Drehung zum Oberkörper, das aufgeweckte Gesicht von lockigem Haar umgeben, ein Putto die Geiselsäule Christi haltend, der Zweite hielt wohl die Lanze. Lindenholz. H. 37 cm. - Flügel und Finger fehlen, Altersspuren. - Expertise: Prof. Dr. Walter Paatz, Heidelberg. - Lit. I. Lühmann-Schmid, Ein unbekanntes Schnitzwerk von Hans Juncker, in: Mainzer Zeitschrift 67/68, 1972/73, 195-200. - Vgl. M. H. v. Freeden (Hg.), Aus den Schätzen des Mainfränkischen Museums Würzburg, S. 85f. - Hans Juncker verstand es wie kein Zweiter die ''Springlebendigkeit'' von Kindern und Putten darzustellen und in Kombination mit der starken Drehbewegung des Körpers fügen sich die beiden Putten exemplarisch in den Kreis seiner Aschaffenburger Arbeiten ein. - Provenienz: ehemals Kunsthändler Heinemann, Wiesbaden; danach fränkischer Privatbesitz. - Anbei Sonderdruck Lühmann-Schmidt, Irnfriede: Ein unbekanntes Schnitzwerk von Hans Juncker, Mainzer Zeitschrift 67/68 (1972/73), S. 195-200. RefScu14720

      Kunstauktionshaus Schlosser
    • JUNCKER, HANS - Walldürn? 1582 - ca.
      Nov. 13, 2015

      JUNCKER, HANS - Walldürn? 1582 - ca.

      Est: €18,000 - €20,000

      JUNCKER, HANS Walldürn? 1582 - ca. 1623/24 - attributed Two Putti. Limewood, formerly polychromed. Wings and attributes of one putto are lost. Height: 35/ 35,5cm. Provenance: - Art Trade Heinemann, Wiesbaden, 1914 - Private collection Franconia. The present pair of putti of limewood is carved in the round. Originally it was polychromed. The wings and the attributes of the right putto do not exist anymore. There is an article concerning this work by Irnfriede Lühmann-Schmid in the "Mainzer Zeitschrift" dated 1972/73. Mrs. Lühmann-Schmid ascertained that the use of forms shows Mannerist characteristics (she broaches the "exaggerated, capricious characterisation") as well as baroque tendencies (that she calls the "soft plasticity of an alive body"). Therefore the pair of putti can be classified as a work from the 17th century. The putti correspond in both, their almost mirror-symmetric posture and their meaning representing the weapons of Christ. The way their bodies are shaped and their posture make Mrs. Lühmann-Schmid recognise the work as made by the Franconian sculptor Hans Juncker. In order to support her theory she mentions amongst others the putti of the Reinhelt epitaph of the Aschaffenburg Monastery cloister from 1606, for which Juncker's authorship is proven. Mrs. Lühmann-Schmid supposes that the original function of the two figures was to be a "figural decoration for an unknown and lost carved altar by Juncker". Literature: Special print of "Mainzer Zeitschrift 67/68, 1972/73", article: "Ein unbekanntes Schnitzwerk von Hans Juncker" by Irnfriede Lühmann-Schmid, p. 195-200, table 24, a-c.

      Van Ham Kunstauktionen
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