Thomas Musgrave Joy Paintings & Artwork for Sale | Thomas Musgrave Joy Art Value Price Guide

Jun. 12, 2024
ATTRIBUTED TO THOMAS MUSGRAVE JOY (BRITISH 1812-1866), THE BOATING PARTY
Est: £2,000 - £3,000
ATTRIBUTED TO THOMAS MUSGRAVE JOY (BRITISH 1812-1866)THE BOATING PARTY Oil on canvas73 x 92cm (28½ x 36 in.)Thomas Musgrave Joy was commissioned by Queen Victoria to paint portraits of the Prince and Princess of Wales and went on to paint The Meeting of the Subscribers of Tattersall's before the races which depicted the great and good of British racing. He is, however, best remembered for his subject pictures including Le Bourgeois Gentilhomme and A Medical Consultation.
Dreweatts 1759 Fine Sales
Oct. 03, 2023
THOMAS MUSGRAVE JOY (1812-1866)
Est: €800 - €1,000
'Comparing notes'. Oil on canvas. Signed with monogram 'TMJ' in a circle. Label on verso stretcher with initials and title. Provenance: Private collection, England Private collection, Dilbeek Description FR 'Comparing notes'. Huile sur toile. Signée avec son monogramme 'TMJ' dans un cercle. Étiquette au revers avec initiales et titre. Provenance: Collection privée Angleterre Collection privée Dilbeek Beschrijving NL 'Comparing notes'. Olie op doek. Getekend met monogram 'TMJ' in cirkel. Label op verso spieraam met initialen en titel. Herkomst: Privé-verzameling Engeland Privé-verzameling Dilbeek
Bernaerts Auctioneers
Feb. 14, 2023
THOMAS MUSGRAVE JOY (1812-1866)
Est: €3,000 - €4,000
'Comparing notes'. Canvas. Signed with monogram 'TMJ' in circle. Label on verso stretcher with initials and title. Provenance: Private collection, England; Private collection, Dilbeek Description FR 'Comparing notes'. Toile. Signée avec son monogramme 'TMJ' dans un cercle. Étiquette au revers du avec initiales et titre Provenance: Collection privée, Angleterre Collection privée, Dilbeek Beschrijving NL 'Comparing notes'. Doek. Getekend met monogram 'TMJ' in cirkel. Label op verso spieraam met initialen en titel. Herkomst: Privécollectie, Engeland; Privécollectie, Dilbeek
Bernaerts Auctioneers
Dec. 14, 2022
THOMAS MUSGRAVE JOY (BRITISH 1812-1866), SMILES AND TEARS
Est: £2,000 - £3,000
THOMAS MUSGRAVE JOY (BRITISH 1812-1866) SMILES AND TEARSOil on canvasSigned with a monogram (lower right) and inscribed as titled (label on the reverse)92 x 92cm (36 x 36 in.)
Dreweatts 1759 Fine Sales
Jul. 17, 2019
Attributed to Thomas Musgrave Joy (British, 1812-1866) The fortune teller
Est: £1,000 - £1,500
Attributed to Thomas Musgrave Joy (British, 1812-1866) The fortune teller oil on canvas63.5 x 76cm (25 x 30in).
Bonhams
Sep. 27, 2017
Circle of Thomas Musgrave Joy (1812-1866) Three-quarter length portrait of Clementina Royds married Reverend C. Smyth (1827-1903) 49.5
Est: £1,000 - £1,500
Circle of Thomas Musgrave Joy (1812-1866) oil on canvas Three-quarter length portrait of Clementina Royds married Reverend C. Smyth (1827-1903) Agnews label verso 49.5 x 39.5in.
Gorringes
Jul. 12, 2016
Thomas Musgrave Joy [1812-1866]- Young lady studying in a library interior
Est: £600 - £800
Thomas Musgrave Joy [1812-1866]- Young lady studying in a library interior:- signed with a monogram bottom left oil on canvas 62.5 x 45cm.
Bearnes Hampton & Littlewood
Jun. 14, 2016
THOMAS MUSGRAVE JOY, (BRITISH 1812-1866), OFF TO SCHOOL
Est: $5,000 - $7,000
THOMAS MUSGRAVE JOY (british 1812-1866) OFF TO SCHOOL Signed with monogram and dated '1860' bottom right, oil on canvas 36 1/8 x 24 in. (91.8 x 61cm) provenance: Christopher Wood, London. The Artist's sale, Christie's, June 18, 1866, lot 19. The Estate of Richard M. Scaife.
Freeman's | Hindman
May. 25, 2016
CHARLES MOTTRAM (1807-1876) British, After THOMAS MUSGRAVE JOY (1812-1866)
Est: £200 - £300
CHARLES MOTTRAM (1807-1876) British, After THOMAS MUSGRAVE JOY (1812-1866) British The Yard, Tattersalls, The Saturday Before The Derby Coloured engraving; together with a photocopy of the original key and typed list of personalities The plate 108.5 x 62 cm, the former framed and glazed
Rowley Fine Art Auctioneers and Valuers
Apr. 19, 2016
Thomas Musgrove Joy [1812-1866]- Bay Hunter resting by a pine tree, barns a
Est: £800 - £1,200
Thomas Musgrove Joy [1812-1866]- Bay Hunter resting by a pine tree, barns and landscape beyond: signed and dated 1845 oil on canvas 58 x 69cm.
Bearnes Hampton & Littlewood
May. 18, 2015
after Thomas Musgrave Joy (1812-1866) The Yard Tattersall's, the Saturday before the Derby
Est: €400 - €600
after Thomas Musgrave Joy (1812-1866) The Yard Tattersall's, the Saturday before the Derby engraving engraved by Chas Mottram, published London March 22nd 1870 by Henry Graves & Co. h:76 w:122 cm. Provenance: Private Collection
Morgan O'Driscoll
Dec. 17, 2014
Thomas Musgrove Joy
Est: £20,000 - £30,000
Thomas Musgrove Joy
Sotheby's
Oct. 28, 2014
Thomas Musgrave Joy [1812-1866]- Full-length
Est: £2,000 - £3,000
Thomas Musgrave Joy [1812-1866]- Full-length portrait of Arthur Scotland Yates, his mother and pet dog on a veranda:- signed and dated TM Joy 1844 bottom left oil on canvas 235 x 143cm. * Biography The jockey, Arthur Scotland Yates [1841-1822], won over 450 races and rode in the Grand National in 1870 and 1872. He did not win The National as a jockey, but did so as a trainer and claimed to have saddled 2,955 winners. * Provenance. Yates owned a house in Bishops Sutton, Hampshire called The Ruins, where he trained racehorses, kept a menagerie and used a zebra to pull his cart. After his death in 1922 it is unclear who the next owner was but in the 1960s, a Mrs Holden-Evens, an American lady of considerable wealth, sold The Ruins, her 'English Country Cottage', and some of the contents including the present lot which was hanging in the hall and at that time had a label to the reverse inscribed 'Mrs Yates and son No. 2'.
Bearnes Hampton & Littlewood
Nov. 16, 2013
THOMAS MUSGRAVE JOY (BRITISH, 1812 - 1866) AFTER THE BATTLE OF BANNOCKBURN
Est: $1,000 - $2,000
THOMAS MUSGRAVE JOY (BRITISH, 1812 - 1866) AFTER THE BATTLE OF BANNOCKBURN, oil on canvas, in oval reserve with gold painted surround, depicting a battlefield strewn with slain, armored knights being tended to by grieving figures and dog, castle on hill top in background, signed and dated "T. M. Joy / 1849" lower right. In old frame.
Jeffrey S. Evans & Associates
Jan. 29, 2011
Joy, Thomas Musgrave, 1812 Kent-1866, Mutter am
Est: €1,200 - €1,440
Joy, Thomas Musgrave, 1812 Kent-1866, Mutter am Bett Ihres Kindes, Öl/Lwd, auf der Lehne signiert, doubliert, ca. 44x54cm,R.
Henry's Auktionshaus
Sep. 28, 2010
Thomas Musgrove Joy, circa 1858, Master Walter
Est: €2,500 - €3,500
Thomas Musgrove Joy, circa 1858, Master Walter Grove, Oil on canvas Size 74 x 64 cms.
Sheppards
Jun. 15, 2010
Thomas Musgrave Joy (British, 1812-1866) A Boulogne carnival
Est: £2,000 - £3,000
A Boulogne carnival signed with monogram, inscribed and dated '18TMJ65.Boulogne 1862' (lower left), oil on canvas 79 x 97cm (31 1/8 x 38 3/16in).
Bonhams
May. 28, 2010
Oil Paintings: THOMAS MUSGROVE JOY (1812-1866)
Est: £2,500 - £3,000
Oil Paintings: THOMAS MUSGROVE JOY (1812-1866) BRITISH Oval portrait, half length Master Walter Crane, Aged 6. Signed and inscribed on reverse. 26 x 22ins.
John Nicholson's Fine Art Auctioneers & Valuers
May. 16, 2010
JOY, THOMAS MUSGRAVE (BRITISH, 1812-1866): Oil on canvas. Interior genre scene with fish net makers.
Est: $2,500 - $3,500
JOY, THOMAS MUSGRAVE (BRITISH, 1812-1866): Oil on canvas. Interior genre scene with fish net makers. Signed lower right, Port France, 1863. 34.5 x 44."
Braswell Galleries
Jan. 16, 2010
THOMAS MUSGRAVE JOY (British, 1812-1866), knitting
Est: -
THOMAS MUSGRAVE JOY (British, 1812-1866), knitting a fishing net, oil on canvas, signed and inscribed "Painted France 1863) l/r, bears old English label to verso and labels from Hiram H. Hoelzer New York restorer, 34"h, 44"w; relined and restored.
South Bay Auctions Inc
Apr. 27, 2009
Thomas Musgrove Joy, circa 1858 Master Walter
Est: €3,500 - €4,500
Thomas Musgrove Joy, circa 1858 Master Walter Grove Signed oil on canvas 74 x 65 cms.
Sheppards
Apr. 04, 2009
Thomas Musgrave Joy (British, 1812-1866) "See the
Est: $3,000 - $5,000
Thomas Musgrave Joy (British, 1812-1866) "See the Lillies How They Grow", oil on canvas, frame bears old label en verso "No. 3/See the Lillies How They Grow/TM Joy", monogrammed, titled and dated "1859" on canvas verso, 36-1/4" x 24-1/2". Presented in a period carved giltwood and plaster frame in the Beaux Arts taste, the convex primary molding modeled as ribbon-bound, overlapping oak leaves and acorns. Reference: Christopher Wood, "Dictionary of Victorian Painters".
New Orleans Auction Galleries
Nov. 27, 2007
Thomas Musgrove Joy 1812-1866 Oval portrait of a
Est: €4,500 - €5,500
Thomas Musgrove Joy 1812-1866 Oval portrait of a boy Signed oil on canvas 75 x 64 cms.
Sheppards
May. 24, 2006
Thomas Musgrove Joy (1812-1866)
Est: £5,000 - £8,000
A chance conversation signed and dated 'T M Joy 1843' (lower left) oil on canvas 40 x 50 in. (101.6 x 127 cm.)
Christie's
Jan. 19, 2005
Thomas Musgrove Joy (British, 1812-1866)
Est: £3,000 - £5,000
Portrait of a gentleman, seated half-length, in a black coat; and Portrait of a lady, seated three-quarter-length, in a black dress with lace trim, holding flowers, an extensive landscape beyond oil on canvas 36 x 28 in. (91.4 x 71.1 cm.) a pair (2)
Christie's
Feb. 19, 2003
Thomas Musgrove Joy (1812-1866)
Est: $28,620 - $39,750
The Charing Cross to Bank Omnibus signed with monogram (lower right) oil on canvas 30 x 25 in. (76.2 x 63.5 cm.) PROVENANCE with M. Newman Ltd, London. Anon. sale, Sotheby's, London, 12 March 1997, lot 74, when acquired by the present owner. LITERATURE C. Wood, Victorian Panorama, Paintings of Victorian Life, London, 1976, p. 218, pl. 230. C. Wood, Dictionary of Victorian Painters, Woodbridge, 1995 ed., vol. II, illus. p. 277. EXHIBITION Possibly London, British Institution, 1861, no. 185. The Defining Moment, 2000-1, no. 30. NOTES A well-dressed young lady is at the point of embarkation on her journey, holding her skirt off the ground in anticipation of climbing the step into the carriage. Her sense of propriety and dignity is about to be challenged by this inelegant and yet necessary gesture. She appears to be trying to persuade the conductor to allow her dog in the omnibus as he has indicated that the animal should be placed on the top. Whilst the girl and conductor exchange flirtatious glances, inappropriate given their different social status, they are being watched with great disapproval by the well-dressed gentlemen and the elderly lady seated further in the carriage. Travel was a popular subject amongst Victorian genre painters as it provided opportunities to depict many social classes in the same composition, each with potentially diverse characters and stories. It also offered a chance to explore the implications of modernity on social conduct and propriety. Unlike railway cars, the omnibus lacked separate first- and second-class compartments and required passengers to ascend steep stairs and to sit packed together and thus it necessitated a revised etiquette. Travelling in this new mode of transport was also the subject of William Maw Egley's Omnibus Life in London (1859; London, Tate Gallery) and later George William Joy's Bayswater Omnibus (1895; London, Kensington Palace). It is possible that the present work is The Omnibus - one in; one out which he exhibited at the British Institution in 1861 (no. 185), the same year as his famous pendant Travelling Past 1760 'Your Money or your Life'; and Travelling Present 1860 'Tickets Please' in which the safety of the modern system is contrasted against the perils of the past.
Christie's