Isaac de Jouderville Paintings & Artwork for Sale | Isaac de Jouderville Art Value Price Guide

Sep. 20, 2023
An officer standing in a guardroom before a doorway, with a still life of a barrel, a shield, a saddle and a flag in the foreground
Est: £4,000 - £6,000
Property from a German Private Collection Isaac de Jouderville Leiden 1612/13–1645/47 Amsterdam An officer standing in a guardroom before a doorway, with a still life of a barrel, a shield, a saddle and a flag in the foreground oil on panel unframed: 64 x 48 cm.; 25¼ x 18⅞ in. framed: 80.1 x 64.6 cm.; 31½ x 25½ in.
Sotheby's
Oct. 07, 2022
ISAAC DE JOUDERVILLE (LEIDEN 1612/3-1645/8 AMSTERDAM) A man, three-quarter
Est: $30,000 - $50,000
ISAAC DE JOUDERVILLE (LEIDEN 1612/3-1645/8 AMSTERDAM) A man, three-quarter length, in Oriental dress oil on panel 26 1/4 x 22 1/4 in. (66.5 x 56.5 cm.)
Christie's
May. 21, 2020
ISAAC DE JOUDERVILLE (after Rembrandt) Cupid Resting
Est: $1,000 - $1,500
ISAAC DE JOUDERVILLE (after Rembrandt) Cupid Resting. Etching, 1640s. 88x119 mm; 3 1/2x4 3/4 inches, narrow margins. Ex-collection Maximilian Fürst von Waldburg zu Wolfegg und Waldsee (Lugt 2542, verso). A superb, richly-inked impression of this extremely scarce etching. We have not found another impression at auction in the past 30 years. Originally identified as a work of Rembrandt by Bartsch and other early cataloguers, that attribution has since been rejected (the current impression is signed "Jouderville" in the plate lower right). White and Boon note that this etching reproduces a painting signed "Rembrandt f 1634" in the Museum Thyssen-Bornemisza, Madrid. The Rijksmuseum's, Amsterdam, impression of this etching is dated 1648 in ink. Jouderville (1612-1645) was an orphan whose parents had come from Metz. He became an apprentice of Rembrandt in November 1629 and traveled with him to Amsterdam in 1631. He painted mainly Rembrandtesque portraits and historical allegories. His paintings were so faithful to Rembrandt's style that, following his early death and later, many of his works were erroneously attributed to Rembrandt, a trend which continued over to this particular etching as well. Bartsch 132 (as Rembrandt); Nowell-Usticke 132.
Swann Auction Galleries
Sep. 28, 2018
JOUDERVILLE, ISAAC DE
Est: CHF30,000 - CHF50,000
JOUDERVILLE, ISAAC DE (Leiden 1613 - c. 1648 Amsterdam) Portrait of a lady in opulent dress. Circa 1631-35. Oil on panel. 64.3 x 47.8 cm. Provenance: - Christie's, London, 30.3.1962, Lot 22 (as Rembrandt). - European private collection. Exhibited: The Impact of a Genius: Rembrandt, his Pupils and Followers in the Seventeeth Century: Paintings from Museums and Private Collections, K.V. Waterman and Groningen, Groninger Museum, Amsterdam, 1983, No. 44a. Literature: - Bruyn, J. / Haak, B. / Levie, S. H. / Van Thiel, P. J. J. / Wetering, E. van: A Corpus of Rembrandt Paintings, Den Haag / Boston / London, vol. I, 1982, ill. 5, p. 308 and p. 506-507. - Sumowski, Werner: Gemälde der Rembrandt-Schüler, Landau 1983, vol. II, cat. no. 944, p. 1437 and 1443. --------------- JOUDERVILLE, ISAAC DE (Leiden 1613 - um 1648 Amsterdam) Porträt einer Dame in kostbarer Kleidung. Um 1631-35. Öl auf Holz. 64,3 x 47,8 cm. Provenienz: - Auktion Christie's, London, 30.3.1962, Los 22 (als Rembrandt). - Europäische Privatsammlung. Ausstellung: The Impact of a Genius: Rembrandt, his Pupils and Followers in the Seventeeth Century: Paintings from Museums and Private Collections, K.V. Waterman and Groningen, Groninger Museum, Amsterdam, 1983, Nr. 44a. Literatur: - Bruyn, J. / Haak, B. / Levie, S. H. / Van Thiel, P. J. J. / Wetering, E. van: A Corpus of Rembrandt Paintings, Den Haag / Boston / London, Bd. I, 1982, Abb. 5, S. 308 und S. 506-507. - Sumowski, Werner: Gemälde der Rembrandt-Schüler, Landau 1983, Bd. II, Kat. Nr. 944, S. 1437 und 1443. Das hier angebotene qualitätsvolle Frauenbildnis, welches in der Vergangenheit als ein Werk Rembrandts angesehen wurde, gilt seit den 1980er Jahren eindeutig als eine Arbeit seines Schülers Isaac de Jouderville (siehe Literatur). Der in Leiden geborene Maler Isaac de Jouderville studierte ab 1629 unter Rembrandt und reiste 1631 mit ihm nach Amsterdam. Er gilt als einer seiner besten Schüler und die Nähe des Meisters ist in diesem Porträt deutlich spürbar, besonders zu Rembrandts Arbeiten der 1630er Jahre. Werner Sumowski vermutet, dass dieses Bildnis am Ende der Lehrzeit Joudervilles oder am Anfang seiner Selbständigkeit, sprich um 1631-35 entstanden ist. Die weibliche Figurendarstellung geht dabei auf ein verschollenes Bildnis der Schwester Rembrandts zurück, welches durch eine Kopie überliefert ist.
Koller Auctions
Nov. 15, 2013
Isaac de JOUDERVILLE (Leyde 1612-1645) Portrait de femme en buste
Est: €3,000 - €4,000
Isaac de JOUDERVILLE (Leyde 1612-1645) Portrait de femme en buste Panneau de chêne, une planche, non parqueté 37,5 × 29 cm (Restaurations importantes) Provenance : Collection privée belge. Isaac de Jouderville est un peintre dont les oeuvres sont assez rares. On connaît de sa main un Portrait de jeune homme conservé à la National Gallery of Ireland à Dublin (panneau, 48 × 37 cm) dont les traits du visage de notre modèle sont assez proches. De même, l'utilisation de la même palette de couleur ocre et terre marque la grande influence de Rembrandt dont Isaac de Jouderville est l'élève entre 1627 et 1631. Les jeux de clair-obscur visibles sur notre tableau nous permettent de le situer dans cette période. Le professeur Ernst van de Wetering a reconnu l'authenticité de notre tableau après examen d'une photographie
Piasa
Jan. 28, 2010
ISAAC DE JOUDERVILLE
Est: $20,000 - $30,000
TRONIE OF A YOUNG MAN, POSSIBLY A PORTRAIT OF THE YOUNG REMBRANDT inscribed with a red inventory number lower left: 153
Sotheby's
May. 09, 2006
f - ISAAC DE JOUDERVILLE LEIDEN 1612/13 - 1645/48 AMSTERDAM
Est: €30,000 - €50,000
PROPERTY OF AN AMERICAN PRIVATE COLLECTOR A PORTRAIT OF AN OLD WOMAN HOLDING A BOOK A PORTRAIT OF AN OLD WOMAN HOLDING A BOOK measurements note 49.8 by 37.1 cm. oil on panel PROVENANCE Sir Delves Broughton, Bart., Doddington Hall, Nantwich, Cheshire; With Schaeffer Galleries, New York, By whom (anonymously) sold, New York, Parke-Bernet Galleries Inc., 26 May 1943, lot 84, for $525, to Crafton Galleries, as by Gerrit Dou, and so certificated by W.R. Valentiner; Captain Harold Paikin, New York, By whose Estate sold, New York, Parke-Bernet Galleries Inc., 23 January 1952, lot 66, for U$500, to Maloof; Fred Maloof, Oxon Hill Manor, Oxon Hill, Maryland, His sale, Silver Spring, Maryland, American Estate Auctions, 24, 25 & 26 September 1965, lot 1147 (all the above as by Gerrit Dou); Acquired by a family member of the present owners from the above. LITERATURE W. Sumowski, Gemälde der Rembrandt-Schüler, vol. VI, Landau/Pfalz 1983, p. 3720, cat. no. 2328, reproduced p. 3927. NOTE De Jouderville was apprenticed to Rembrandt in Leiden between 1629 and 1631, and is thus one of his earliest known pupils. He was also one of Rembrandt's most faithful followers, since he continued to paint in a style wholly derived from Rembrandt's own when in Leiden in circa 1630, long after (or presumably so given the paucity of dated works) his Master had moved on. Not surprisingly, given that Gerrit Dou was also probably a Rembrandt pupil at the same time, De Jouderville's physiognomies also resemble those found in Dou's early work, as can be seen in the present picture, which was thought by Walther R. Valentiner to be by Dou. Professor Dr Werner Sumowski considers this to be an early work, painted while De Jouderville was still in Rembrandt's studio, circa 1630-31. He compares it with other early pictures, such as A young man with a coloured scarf, in the National Gallery of Ireland, Dublin (see Literature, vol. II, p. 1439, cat. no. 940, reproduced) or A laughing man with a golden chain, in Museum Bredius, The Hague (ibid., p. 1440, cat. no. 941, reproduced).
Sotheby's
Jan. 26, 2006
ISAAC DE JOUDERVILLE LEIDEN 1612/13 - 1645/48 AMSTERDAM
Est: $80,000 - $120,000
PORTRAIT OF AN OLD WOMAN HOLDING A BOOK PORTRAIT OF AN OLD WOMAN HOLDING A BOOK measurements note 19 5/8 by 14 5/8 in.; 49.8 by 37.1 cm. oil on panel PROVENANCE Sir Delves Broughton, Bart., Doddington Hall, Nantwich, Cheshire; With Schaeffer Galleries, New York; By whom (anonymously) sold, New York, Parke-Bernet Galleries Inc., May 26, 1943, lot 84 (as by Dou), for $525, to Crafton Galleries; Captain Harold Paikin, New York; By whose Estate sold, New York, Parke-Bernet Galleries Inc., January 23, 1952, lot 66 (as by Dou), for $500, to Maloof; Fred Maloof, Oxon Hill Manor, Oxon Hill, Maryland; His sale, Silver Spring, Maryland, American Estate Auctions, September 24, 25 & 26, 1965, lot 1147 (as by Dou); Acquired by a family member of the present owners from the above. LITERATURE W. Sumowski, Gemälde der Rembrandt-Schüler, Vol. VI, Landau-Pfalz 1983, p. 3720, cat. no. 2328, reproduced p. 392. NOTE Dr. Werner Sumowski (see Literature below) dates this painting to 1630/31. At the time of the 1943 sale (see Provenance below), this painting was accompanied by a certificate from W. R. Valentiner, dated March 28, 1943, ascribing it to Geritt Dou.
Sotheby's
Nov. 03, 2004
Isaac de Jouderville (Leyden 1613-c. 1648 Amsterdam)
Est: €6,000 - €8,000
A shepherdess holding a staff oil on panel 49.1 x 37.1 cm.
Christie's
Sep. 29, 2004
Isaac de Joudreville (Leyden 1613 - vor 1648 Amsterdam)
Est: €30,000 - €50,000
Portrait of a young man, oil on canvas, 66.2 x 51.6 cm, unframed, (Wo) This suggestive portrait of a young man facing the spectator with the calm earnestness of his dark eyes, and whose face is surrounded by a white lace collar, has traditionally been regarded as an autograph Rembrandt (see under Provenance and Literature). Only Werner Sumowski found it to be a work by Isaac de Joudreville, who, like Rembrandt, was born in Leyden. Together with Gerard Dou, he was one of Rembrandt's first students. According to Sumowski, the present work is reminiscent of Lieven in the late 1620s. In the Amsteram corpus it is compared with cat. nos. 1286 (Constantijn Huygens, Amsterdam) and 1260 (Portrait of Rembrandt, Cevat Collection). Here one can observe an early Joudreville under the influence of Jan Lievens. The painting belongs to the same group as the female tronies in Helsinki und Augsburg (cat. nos. 942 and 943). The artist depicted the same model one more time (Sumowski, cat. no. 2330). The contact between the young Joudreville and Rembrandt was established by Joudreville's father, a Frenchman who had been running the well-known inn Schilt van Vrankrijk in Leyden as from 1607. When Rembrandt left Leyden in 1631, Joudreville followed his teacher to Amsterdam. Provenance: sale, Paley, London (as Rembrandt); sale, Christie’s, London, 16 June 1900, lot 65 (as Rembrandt); P. & D. Colnaghi, London (as Rembrandt); Steinmeyer, Cologne (as Rembrandt); Theodor Fleitmann Collection, New York (died 1975); Minusio, Switzerland; private property, Switzerland Certificate: In his written communication of 21 November 2003 Professor Werner Sumowski confirms the authenticity of the present work and refers to its publication in his volume on the pupils of Rembrandt (see under Literature). Literature: Wilhelm Bode, Hofstede de Groot, no. 559, repr. (as Rembrandt); Wilhelm R. Valentiner, Klassiker der Kunst, volume devoted to Rembrandt, Stuttgart 1908, p. 67, repr. (as well as supplements of 1921, 1923 and 1931 [as Rembrandt]); Abraham Bredius, Rembrandt, 1935 (Englisch edition 1937), p. 154 (as Rembrandt); Bauch, Rembrandt, no. 350 (as Rembrandt); Cornelis Hofstede de Groot, Gesamtkatalog, des beschreibenden und kritischen Verzeichnisses der Werke der hervorragendsten holländischen Maler des 17. Jahrhunderts, vol. 6, Esslingen 1915 (and London 1916), p. 319, no. 762 (as Rembrandt); Wilhelmn Bode, Beschreibendes Verzeichnis der Werke Rembrandts, (as Rembrandt); Jakob Rosenberg, Rembrandt, London 1964 (as Rembrandt); Werner Sumowski, Gemälde der Rembrandt-Schüler, 1983, vol. VI, no. 2329, repr. (as Isaac de Joudreville) See also the preface to this catalogue.
Dorotheum
Oct. 02, 2002
Isaac de Joudreville (Leiden c.1612-1645/8)
Est: $12,000 - $18,000
Portrait of a man, bust-length, with a white beard and turban, wearing a gold chain oil on panel 183/4 x 141/4 in. (47.6 x 36.2 cm.) PROVENANCE presumably E. Roberts; sale, American Art Association, New York, 15 November 1928, lot 74, as Salomon Koninck. Anon. Sale, Christie's, New York, 10 October 1990, lot 30. LITERATURE W. Sumowski, Gem„lde der Rembrandt-Schler, Landau, 1983, VI, pp. 3720 and 3926, no. 2327. NOTES This colorful portrait of a man in a turban had been attributed for the most of the last century to Salomon Koninck, an Amsterdam artist known for painting portraits in the style of Rembrandt. In 1990, Professor Werner Sumowski convincingly reattributed the portrait to Isaac Jouderville, an artist associated with Rembrandt's final years in Leiden and first years in Amsterdam. Jouderville has the distinction of being one of Rembrandt's best documented pupils. His guardian paid Rembrandt an annual fee of 100 guilders for a two-year apprenticeship that Jouderville completed in November 1631. At that time, some art historians propose, that Jouderville followed Rembrandt to Amsterdam and worked as an active assistant to the master.
Christie's
Oct. 27, 1993
ISAAC DE JOUDREVILLE Leiden 1613 - 1648 Amsterdam
Est: -
A SOLDIER IN A GUARDROOM Oil on panel 63.5 by 48 cm.; 25 by 19 in. Provenance: Anonymous sale, London, Sotheby's, 16 February 1983, lot 27, as Circle of Rembrandt, for £5,000. Literature: W. Sumowski, Gemalde der Rembrandt-Schuler, 1983, vol. II, pp. 1438, 1449, no. 950, illustrated, as Isaac de Joudreville.
Sotheby's