Chris Jordan Sold at Auction Prices

Chris Jordan, Spools, Seattle

Chris Jordan Spools, Seattle 2007 inkjet print image: 20 h x 28.625 w in (51 x 73 cm) sheet: 21.625 h x 33.375 w in (55 x 85 cm) Signed, dated and numbered to lower right 'Chris Jordan 2007 4/9'. This work is number 4 from the edition of 9. This work will ship from Lambertville, New Jersey.

Chris Jordan, Spools, Seattle

Chris Jordan Spools, Seattle 2007 inkjet print image: 19.875 h x 28.5 w in (50 x 72 cm) sight: 20.625 h x 29.125 w in (52 x 74 cm) Signed, dated and numbered to lower right 'Chris Jordan 2007 4/9'. This work is number 4 from the edition of 9. This work will ship from Lambertville, New Jersey.

JORDAN, CHRIS (b. 1963) E-Waste, New Orleans, 2005, printed 2005

JORDAN, CHRIS (b. 1963) E-Waste, New Orleans, 2005, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 57 inches (1118 x 1448 mm), signed, titled, dated and numbered 4 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame. With Yossi Milo Gallery, Inc. C 

JORDAN, CHRIS (b. 1963) Glass, Seattle, 2004, printed 2005

JORDAN, CHRIS (b. 1963) Glass, Seattle, 2004, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 56 inches (1118 x 1425 mm), signed, titled, dated and numbered 9 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame. C 

JORDAN, CHRIS (b. 1963) E-Waste, New Orleans, 2005, printed 2005

JORDAN, CHRIS (b. 1963) E-Waste, New Orleans, 2005, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 57 inches (1118 x 1448 mm), signed, titled, dated and numbered 4 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame. With Yossi Milo Gallery, Inc. C 

JORDAN, CHRIS (b. 1963) Cell Phone Chargers, Atlanta, 2004, printed 2005

JORDAN, CHRIS (b. 1963) Cell Phone Chargers, Atlanta, 2004, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 66 inches (1118 x 1680 mm), signed, titled, dated and numbered 6 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame, with slight wear. C 

JORDAN, CHRIS (b. 1963) Glass, Seattle, 2004, printed 2005

JORDAN, CHRIS (b. 1963) Glass, Seattle, 2004, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 56 inches (1118 x 1425 mm), signed, titled, dated and numbered 9 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame. C 

JORDAN, CHRIS (b. 1963) Glass, Seattle, 2004, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumpti...

JORDAN, CHRIS (b. 1963) Glass, Seattle, 2004, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 56 inches (1118 x 1425 mm), signed, titled, dated and numbered 9 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame. C 

JORDAN, CHRIS (b. 1963) E-Waste, New Orleans, 2005, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Con...

JORDAN, CHRIS (b. 1963) E-Waste, New Orleans, 2005, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 57 inches (1118 x 1448 mm), signed, titled, dated and numbered 4 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame. With Yossi Milo Gallery, Inc. C 

JORDAN, CHRIS (b. 1963) Cell Phone Chargers, Atlanta, 2004, printed 2005 (from the series Intolerable Beauty: Portraits o...

JORDAN, CHRIS (b. 1963) Cell Phone Chargers, Atlanta, 2004, printed 2005 (from the series Intolerable Beauty: Portraits of American Mass Consumption). Epson Ultrachrome K3 pigmented inkjet print, Diasec mounted to plexiglass as issued, 44 x 66 inches (1118 x 1680 mm), signed, titled, dated and numbered 6 from the edition of 9 on the artist's label verso. No defects noted. In the artist's frame, with slight wear. C 

Chris Jordan, Spools, Seattle

Chris Jordan Spools, Seattle 2007 inkjet print Signed, dated and numbered to lower right 'Chris Jordan 2007 4/9'. This work is number 4 from the edition of 9. This work will ship from Rago in Lambertville, New Jersey. condition: Work is in very good overall condition and has not been examined outside of frame. Sheet is clean and work presents well. Framed behind acrylic measuring 30 x 38 inches.

Chris Doleman autographed Michael Jordan Celebrity Invitational jersey.

Chris Doleman autographed Michael Jordan Celebrity Invitational jersey. Pinstriped jersey has "Jordan" lettered across the front and "Doleman 56" on back. On the left sleeve is a "Jordan Celebrity Invitational" logo. Signed on the back number in marker rating 9 out of 10. Light evident usage wear. Includes signed letter of provenance from Chris Doleman and auction LOA from JSA: Jersey EX, Sig. NM

Chris Jordan, Inkjet Print, 'Spools, Seattle', 2007

Epson inkjet print USA, 2007 Chris Jordan (b. 1963) - American photographer 'Spools, Seattle' Signed and dated in ink lower right 'Chris Jordan 2007' Numbered in ink lower right '#4/9' From Intolerable Beauty series Framed Dimensions: 20 x 28 ½ in. (50.8 x 72.4 cm.) Overall dimensions: 29 ¾ x 38 in. (75.6 x 96.5 cm.) Very good condition Using a large scale, American photograph Chris Jordan depicts the magnitude of consumerism and its impact on our environment. In "Spools, Seattle", Jordan explores the way waste can be kept neatly, instead of thrown in a heap. Jordan's work is reminiscent of Edward Burtynsky, who uses a large format camera to depict scenes of infrastructure and industrial waste that few experience in person. While Burtynsky's work revolves around e-recycling and man-made architecture, Jordan uses everyday commonalities to define the blind unawareness involved in American consumerism. Executed in 2007, this Epson inkjet print is signed, dated and numbered four from an edition of nine. It measures 20 x 28 ½ inches. Not examined out of frame, apparently excellent original condition. Chris Jordan (American, b. 1963) In his alluring photographs, Chris Jordan coaxes us into confronting our implication in "the collective trance of our consumerism and runaway industrial growth," as he has said, and the way in which it wreaks havoc on our environment and every living being dependent upon it. Through both documentary and digitally manipulated photographs, he shows us the results of unchecked mass consumption. He has photographed mountains of cell phones, cars, and other consumer waste products, as well as the autopsied bodies of albatrosses on Midway Island, overflowing with scraps of plastic they pick up from the Pacific Ocean. In his ongoing "Running the Numbers" series (begun 2006), he makes staggering social and environmental statistics visible by transforming problems into pictures, including the head of a whale composed entirely of plastic bags. "My hope is that these photographs can serve as portals to a kind of cultural self-inquiry," Jordan says.

CHRIS JORDAN (B. 1963) E-waste, New Orleans, 2005, from 'Intolerable Beauty' chromogenic print, face-mounted on plexiglass signed (on the verso); number 3 from an edition of 9 image/face-mount: 44 x 57in. (111.8 x 144.8cm.); artist's original frame

CHRIS JORDAN (B. 1963)

CHRIS JORDAN (B. 1963) E-waste, New Orleans, 2005, from the series, Intolerable Beauty chromogenic print, face-mounted on plexiglas signed (on the verso); number 3 from an edition of 9 44 x 57in. (111.8 x 144.8cm.); artist's original frame

CHRIS JORDAN (B. 1963)

CHRIS JORDAN (B. 1963) Pole Yard, Tacoma, 2004, from the series Intolerable Beauty digital inkjet print, flush-mounted on plexiglas, printed January 2005 signed, titled, dated and numbered '2/9' in ink on a label affixed (on the reverse of the flush-mount) 43 7/8 x 59 3/8in. (111.9 x 150.8cm.); artist's original frame

CHRIS JORDAN (B. 1963)

CHRIS JORDAN (B. 1963) E-waste, New Orleans, 2005, from the series, Intolerable Beauty chromogenic print, face-mounted on plexiglas signed (on the verso); number 3 from an edition of 9 44 x 57in. (111.8 x 144.8cm.); artist's original frame

CHRIS JORDAN (B. 1963)

CHRIS JORDAN (B. 1963) Pole Yard, Tacoma, 2004, from the series Intolerable Beauty digital inkjet print, flush-mounted on plexiglas, printed January 2005 signed, titled, dated and numbered '2/9' in ink on a label affixed (on the reverse of the flush-mount) 43 7/8 x 59 3/8in. (111.9 x 150.8cm.); artist's original frame

GABRIEL OROZCO

1, 2, 3, 4... Signed, titled, dated and numbered 20/25 in ink on the verso.

CHRIS JORDAN (B. 1963)

CHRIS JORDAN (B. 1963) Container Yard #1, Seattle, 2003 ultrachrome pigmented inkjet print signed (on the verso); number 5 from an edition of 9 44 x 59in. (111.8 x 150cm.)

CHRIS JORDAN (B. 1963)

CHRIS JORDAN (B. 1963) Pallets #2, Seattle, 2003 ultrachrome pigmented inkjet print, printed January 2005 signed, titled, dated and numbered '2/9' in ink on a label affixed (on the frame backing) 44 3/8 x 60in. (112.7 x 152.4cm.)

CHRIS JORDAN (B. 1963)

CHRIS JORDAN (B. 1963) Globe in Classroom, Chalmette neighborhood, 2005 inkjet print signed (on the verso); number 3 from an edition of 9 19¾ x 24¼in. (50.2 x 61.6cm.)

CHRIS JORDAN

Recycling Yard #5, Seattle from Intolerable Beauty: Portraits of American Mass Consumption

JORDAN, CHRIS (1963- ) "Grain Silos."

JORDAN, CHRIS (1963- ) "Grain Silos." Oversize Ultrachrome pigment inkjet print, 44x68 inches (111.7x172.7 cm.), printed by Jordan annd with his signature on a label affixed to verso and the edition notations 5/9; framed. 2004

CHRIS JORDAN Sawdust, Tacoma, 2004

CHRIS JORDAN Sawdust, Tacoma, 2004