Magdalena Jetelová Sold at Auction Prices

Magdalena Jetelová (1946 Semily – lebt in Prag)

Ohne Titel. 1990. Tusche und Kohle auf Zeichen-Papier. Blattmaß: 33,5 x 47,5 cm. Im Passepartout freigestellt und unter Glas gerahmt: 65,5 x 79,5 cm.

Magdalena Jetelová (1946 Semily – lebt in Prag)

Ohne Titel. 1990. Tusche und Ruß auf Velin. Blattmaß: 29,5 x 42 cm. Im Objektrahmen freigestellt und unter Glas gerahmt: 42,5 x 54,5 cm.

Magdalena Jetelová (1946 Semily – lebt in Prag)

Ohne Titel. 1988. Zwei Zeichnungen in Buntstift, Wachsmalstift, Aquarell und mit collagiertem Polaroid, auf Papier. Verso mit einem Etikett der Galerie Kewenig. Blattmaß: jeweils 29,5 x 21 cm. Jeweils im Passepartout freigestellt und unter Glas gerahmt: 70 x 45 cm.

Magdalena Jetelová (1946 Semily – lebt in Prag)

Ohne Titel. 1992. Bromsilbergelatine-Abzug auf Bütten. Am unteren Blattrand mit Bleistift monogrammiert: MJ, 92. Blattmaß: 78,5 x 106 cm.

Magdalena Jetelová (1946 Semily – lebt in Prag)

Ohne Titel. 1990. Silbergelatine-Abzug, übermalt. Verso mit Bleistift monogrammiert und datiert: MJ, 90. Blattmaß: 24 x 30,3 cm.

Magdalena Jetelová: Why. From: Fire Ring - Essential is visible (Patagonia/Chile 2018)

JETELOVÁ, MAGDALENA 1946 Semil/Czech Republic Title: "Why". From: Fire Ring - Essential is visible (Patagonia/Chile 2018). Date: 2017. Technique: Mixed media (light box, wired for electricity). Measurement: 150 x 200 x 10cm. Number: 1/2. A certificate of authenticity signed by the artist is available for the work. The work is listed on the artist's official website (www.jetelova.de). Provenance: - Private collection South Germany (directly from the artist) Exhibition: - Ostdeutsche Galerie, Regensburg. Explanations to the Catalogue Magdalena Jetelová Czech Republic Post-War Art Sculptures 2010s Landscape Wall object Writing Estimated shipping costs for this lot: Arrangement after the auction.

Magdalena Jetelova, (1946), Untitled

smoke painting on canvas 150 x 120 cm verso signed: Magdalena Jetelova

Magdalena Jetelová: "Why". From: Fire Ring - Essential is visible (Patagonia/Chile 2018)

JETELOVÁ, MAGDALENA 1946 Semil/Czech Republic Title: "Why". From: Fire Ring - Essential is visible (Patagonia/Chile 2018). Date: 2017. Technique: Mixed media (light box, wired for electricity). Measurement: 150 x 200 x 10cm. Number: 1/2. A certificate of authenticity signed by the artist is available for the work. The work is listed on the artist's official website (www.jetelova.de). Provenance: - Private collection South Germany Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue

Jetelová, Magdalena

Jetelová, Magdalena Born 1946 Semily, lives and works in Munich, Düsseldorf and Prague. Untitled for the project «Translocation». 1987. Mixed media with watercolour, oil pastels and pencil on strong paper. Unsigned. Verso on the backboard a printed label of Galerie Jule Kewenig, Frechen, with the work's data. H 70, W 100 cm (sheet). Framed. Created in connection with the project «Translocation», which was carried out at the Kunstverein Hanover in 1994. Jetelová created a completely new spatial reality through temporary installations in Hanover by rotating the floor plan of the Kunstverein by 11 degrees. Her large installations, for which accompanying drawings are always an integral part of her works, are space dissolving and often colossal. Authentication: We would like to thank the artist for the kind remarks and for the verbal authentication, based on photos, 22.08.2023. Provenance: Galerie Jule Kewenig, Frechen; private collection Freiburg i.Br. Condition report: Very good overall impression. Mounted on backing cardboard. Sheet slightly undulated due to technique. DEUTSCH: Jetelová, Magdalena Geb. 1946 Semily, lebt und arbeitet in München, Düsseldorf und Prag. Ohne Titel für das Projekt «Translocation». 1987. Mischtechnik mit Aquarell, Ölkreide und Bleistift auf festem Papier. Unsign. Verso auf der Rahmenrückwand ein gedrucktes Etikett der Galerie Jule Kewenig, Frechen, mit den Angaben zum Werk. H. 70, B. 100 cm (Blattgröße). Gerahmt. Entstanden im Zusammenhang mit dem Projekt «Translocation», welches im Kunstverein Hannover im Jahr 1994 ausgeführt wurde. Jetelová schuf durch temporäre Einbauten in Hannover eine völlig neue Raumwirklichkeit, indem sie den Grundriss des Kunstvereins um 11 Grad drehte. Raumsprengend und oft kolossal sind ihre Großinstallationen, für die begleitende Zeichnungen stets ein integraler Bestandteil ihrer Arbeiten sind. Echtheitsbestätigung: Wir danken der Künstlerin für die freundlichen Hinweise und die mündliche Bestätigung der Echtheit, anhand von Photos, 22.08.2023. Provenienz: Galerie Jule Kewenig, Frechen; Privatsammlung Freiburg i.Br. Zustandsbericht: Sehr guter Gesamteindruck. Auf Unterlagekarton montiert. Blatt technikbedingt leicht wellig.

MAGDALENA JETELOVÁ 1946 - AN OPEN BOOK

The unique object called Opened Book is a very rare collector's example of the early work of the world-renowned Czech artist Magdalena Jetelová. After completing her studies at the Prague Academy, she clearly defined herself against the official scene by participating in several exhibitions. From the beginning, her works were close to landscape and land art, which became significant for her, especially after her emigration to Germany in 1985, where she still lives today. Her strength lies in her sensitivity to expanding space and her passion for the sculptural dimension of architecture. This distinctive handwriting can be read, for example, in the early wooden window objects created in the late 1970s. In the context of these works, the offered work Open Book can also be included, which allows two levels of view, two worlds - the external and the internal - to merge in an analogous way. The rich texture of the paper is juxtaposed with a working, subtly carved piece of wood, highlighted by a crack across the material. From 1990 to 2004 she taught at the State Academy of Art in Düsseldorf, and since 2004 she has been a professor at the Academy of Fine Arts in Munich. After the revolution, she was a consultant to the Prague Castle Council for three years, and in 1993 her installation was exhibited for the first time in the Czech Republic in the Belveder in Prague. The work comes from the important collection of Jiří Šetlík. Published: Šetlík, J., Vrba, T.: Jiří Šetlík: Provázejí mne životem. Muzeum umění a designu Benešov, 2019. str. 74 Signed: unsigned

Magdalena Jetelová – „Essential is no more visible (“Essential is no more visible”)

Mixed media with acrylic on canvas. (2015). Ca. 120 x 150 cm. Signed twice, titled and inscribed with two arrows to show hanging direction on the reverse on the overturn edge.

Magdalena Jetelová, Tischgespräch, 1985

The sculpture is dismantled and stored in Cologne. For further information: Tel +49 221 925729-32 Magdalena Jetelová attained international recognition with her monumental wooden sculptures during the 1980s. In 1983, Water Storms showed her works for the first time in a group exhibition. In 1987 she was represented at documenta 8. The human dwelling and its furnishings were one of her key topics – stairs, chairs or tables that far exceed the human scale and that, divested of their actual function, seem to develop a life of their own. They consist of very roughly processed wooden elements, which makes them highly abstract. This is also the case with “Tischgespräch” [table talk] (the title of a sculpture from 1985), a massive table lying upside down. The row of wooden slats springing from the centre of the table allows the sculpture to reach out into the room. The artist’s goal is the reduction to the essential, not the ironic alienation. Nonetheless, her works always contain an element of absurdity. ‘A staircase that winds impassably across the floor before it rises and ends in a void, a huge chair that prepares to descend a staircase, a table lying on its back with its legs in the air for a “Tischgespräch” (the title of a sculpture from 1985) - this is really undeniably absurd. [...] But she allows such associations [...] only as the first step to comprehension. As the second step, the surrealists rise up for her, who likewise refer the viewer from apparent banality to a metaphysical reality.’ (Martin Tschechne: art, 1988, loc. cit., p.44f) In its archaic expressiveness, this significant work offers room for a variety of interpretations. Thus, the upturned table legs may well be interpreted as people in conversation. With “Tischgespräch”, a large-format sculpture by this artist is on offer here for auction.

Jetelová, Magdalena

Jetelová, Magdalena Born 1946 Semily, lives and works in Munich, Düsseldorf und Prague. Untitled for the project «Translocation». 1987. Mixed media with watercolour, oil pastels and pencil on strong paper. Verso numbered «1». Verso on the backboard a printed label of Galerie Jule Kewenig, Frechen, with the work's data. H 70, W 100 cm (sheet). Framed. Created in connection with the project «Translocation», which was carried out at the Kunstverein Hanover in 1994. Jetelová created a completely new spatial reality through temporary installations in Hanover by rotating the floor plan of the Kunstverein by 11 degrees. Her large installations, for which accompanying drawings are always an integral part of her works, are space dissolving and often colossal. Authentication: We would like to thank the artist for the authentication via E-Mail, based on photos, 12.10.2022. Provenance: purchased at Galerie Jule Kewenig, Frechen, before 2005; since then private collection Freiburg i.Br. Condition report: Good overall impression. Sheet slightly undulated due to technique, partially lifting of the upper paint layer in the centre, barely noticeable crease (approx. 36 cm) along the right margin, faint squeezing (approx. 7 cm) at the lower right edge, limited by two small tears (approx. 1 cm). Verso remains of a former mounting. DEUTSCH: Jetelová, Magdalena Geb. 1946 Semily, lebt und arbeitet in München, Düsseldorf und Prag. Ohne Titel für das Projekt «Translocation». 1987. Mischtechnik mit Aquarell, Ölkreide und Bleistift auf festem Papier. Verso «1» num. Verso auf der Rahmenrückwand ein gedrucktes Etikett der Galerie Jule Kewenig, Frechen, mit den Angaben zum Werk. H. 70, B. 100 cm (Blattgröße). Gerahmt. Entstanden im Zusammenhang mit dem Projekt «Translocation», welches im Kunstverein Hannover im Jahr 1994 ausgeführt wurde. Jetelová schuf durch temporäre Einbauten in Hannover eine völlig neue Raumwirklichkeit, indem sie den Grundriss des Kunstvereins um 11 Grad drehte. Raumsprengend und oft kolossal sind ihre Großinstallationen, für die begleitende Zeichnungen stets ein integraler Bestandteil ihrer Arbeiten sind. Echtheitsbestätigung: Wir danken der Künstlerin für die Bestätigung der Echtheit via E-Mail, anhand von Photos, 12.10.2022. Provenienz: erworben vor 2005 in der Galerie Jule Kewenig, Frechen; seitdem Privatsammlung Freiburg i.Br. Zustandsbericht: Guter Gesamteindruck. Blatt technikbedingt leicht wellig, partiell Abhebungen der oberen Malschicht in der Bildmitte, kaum merklicher Knick (ca. 36 cm) entlang des rechten Bildrandes, schwache Papierstauchung (ca. 7 cm) an der rechten unteren Blattkante, begrenzt von zwei kl. Randeinrissen (ca. 1 cm). Verso Reste einer früheren Montierung.

Magdalena Jetelova, geb. 1946

TIME PRESENT AND TIME PAST ARE BOTH PRESENT IN TIME FUTURE, TIME FUTURE CONTAINED IN TIME PAST, 1989 Mischtechnik auf Leinwand. 107 x 76 cm. Verso mit Galerieetikett der Galerie Walter Storms und Datierung „1989“. Verglast in einfachem Rahmen. Rußzeichnung mit Schriftzug im unteren Drittel der geschwärzten Fläche. (13009610) (13)

Table - Magdalena Jetelová (1946)

certificate of authenticity from Magdalena Jetelová attached, undetected

Jetelová, Magdalena: Ohne Titel

Ohne Titel -- Mischtechnik auf dickem Velin. 1989. -- 54,3 x 37,4 cm. -- Verso unten rechts mit Bleistift monogrammiert "M. J." und datiert. -- -- Die Bildhauerin Magdalena Jetelová ist bekannt für großformatige Skulpturen, die elementare Gegenstände aus dem alltäglichen Umfeld zum Thema machen. Durch sie werden Formen monumentalisiert und verzerrt, sodass ihre ursprüngliche Funktion ad absurdum geführt wird. Diese stets raumbezogenen Arbeiten werden von Zeichnungen und Skizzen der Künstlerin begleitet, welche als integraler Bestandteil ihrer Arbeit zu verstehen sind. Die vorliegende Zeichnung, ist, laut den Angaben der Künstlerin, in der Vorbereitungsphase zur Arbeit INSTALLATION in der Krypta der Katharinen Kirche entstanden. Die Installation bestand aus zwei großen quadratischen Skulpturen, die in Kombination mit einer roten Laserlinie den Grundriss der Kirche in den Gewölbetrakt und auf die gotische Decke projezierte. Dieses 3D Spiel mit dem Grundriss und die dabei entstandene, ständige räumliche Veränderung, wurde in der vorliegenden Zeichnung untersucht und mit Schriftsätzen beschrieben. -- Wir danken Magdalena Jetelová für ihre freundlichen Auskünfte. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Magdalena Jetelova, geb. 1946

TIME PRESENT AND TIME PAST ARE BOTH PRESENT IN TIME FUTURE, TIME FUTURE CONTAINED IN TIME PAST, 1989 Mischtechnik auf Papier. 107 x 76 cm. Verso mit Galerieetikett der Galerie Walter Storms und Datierung „1989“. Verglast in einfachem Rahmen. Rußzeichnung mit Schriftzug im unteren Drittel der geschwärzten Fläche. (13009610) (13)

JETELOVA MAGDALENA (° 1946) werk in gemengde techniek (lavis en houtskool) : "Abstracte compositie"

JETELOVA MAGDALENA (° 1946) werk in gemengde techniek (lavis en houtskool) : "Abstracte compositie" - 29,5 x 21 getekend en gedateerd 1986 Magdalena Jetelova signed abstract mixed media - dated 1986

Magdalena Jetelova, (1946), Untitled (From the cycle Sarka Valley), 1980s

smoke painting on canvas 100 x 120 cm verso signed and inscribed: "Project: 'SARECKE UDOLI' Magdalena Jetelova"

Magdalena Jetelová*, Grenzbegegnungen

Grenzbegegnungen (Border encounters). 1994. Large smoke drawing on canvas. Pyrotechnics and aniline paint. 170 x 250 cm. Signed, titled and dated verso on the upper edge: Magdalena Jetelová 'Grenzbegegegen' 1994.

Jetelová, Magdalena

Born 1946 Semily, lives and works in Munich, Düsseldorf and Prague. «Die Ortung (the location)». 1986/87. Mixed media with watercolour, oil pastel, felt-tip pen and wood on brown, strong paper. Verso signed and indistinctly dated. H 100, W 70 cm (sheet). Gallery frame. Authentication: We would like to thank the artist for the authentication via E-Mail, based on photographs, 01.09.2021. Provenance: Walter Storms Galerie, Munich; Kunst + Diakonie e.V., Wehr-Öflingen, in 1990; since then private collection High Rhine. Invoice: Kunst + Diakonie e.V., Wehr-Öflingen, 14.08.1990, invoice amount 5000 DM (ca. 2485 €), in copy. Beschreibung Geb. 1946 Semily, lebt und arbeitet in München, Düsseldorf und Prag. «Die Ortung». 1986/87. Mischtechnik mit Aquarell, Ölkreide, Filzstift und Holz auf braunem, festem Papier. Verso sign. und undeutlich dat. H. 100, B. 70 cm (Blattgröße). Galerierahmen. Echtheitsbestätigung: Wir danken der Künstlerin für die Bestätigung der Echtheit via E-Mail, anhand von Photos, 01.09.2021. Provenienz: Walter Storms Galerie, München; erworben 1990 bei Kunst + Diakonie e.V., Wehr-Öflingen; seitdem Privatsammlung Hochrhein. Rechnung: Kunst + Diakonie e.V., Wehr-Öflingen, 14.08.1990, Rechnungsbetrag 5000 DM (ca. 2485 €), in Kopie.

Magdalena Jetelová – Studie zur Arbeit für Dokumenta 8

Bleistift, Aquarell und Tusche auf Velin. (19)87. Ca. 24 x 32 cm. Am rechten Blattrand bezeichnet, verso monogrammiert und datiert. Insgesamt leicht braun- und stockfleckig, an den oberen Ecken mit kleinen Knickspuren, Blattecken teils leicht bestoßen. Monogramm und Datierung verso unter kleinem Montierungsband. Sonst in guter Erhaltung. Taxation: differenzbesteuert (VAT: Margin Scheme)

MAGDALENA JETELOVÁ 1946 - IMPLANTS

Magdalena Jetelová studied at the Academy of Fine Arts in Prague in 1967-1968, then studied in Italy for two years and graduated from the Academy after her return(1971). In 1985 she emigrated to West Germany, where she continues to live today. In 1990 – 2004 she taught at the Kunstakademie Düsseldorf, and since 2004 she has been a professor at the Academy of Fine Arts in Munich. After the Velvet Revolution she was a consultant for the Prague Castle Council. Her installation at Belvedere Summer Palace in 1993 marked the first time her work was exhibited to Czech audiences. Magdalena Jetelová is one of the most interesting and courageous artists of today. Her strength lies in her sensitivity to expanding space and passion for the sculptural dimension of architecture. Technique: Assemblage, hardboard, Signed: From behind "Magdalena Jetelová"

Magdalena Jetelovà*, Sculpture Steig

Steig. 1978. Wood, oak on a mahogany base. 94 x 67 x 54 cm. Signed and dated at the foot. Magdalena Jetelová has been dealing with the motif of the staircase in her artistic work since the late 1970s. The present work belongs to one of these early sculptures. In the following years she realized several large-format versions of this topic internationally. A 14 meter high iron path is located in the garden of the Pax-Christi-Church in Krefeld.

Magdalena Jetelova, (1946), Untitled (Pacific Ring of Fire)

acrylic on canvas 140, 5 x 180 cm verso signed: "Magdalena Jetelova"

Jetelová Magdalena *1946 - From the Pacific Ring of Fire series, 2020

Jetelová Magdalena *1946 From the Pacific Ring of Fire series, 2020 combined technique, paper, frame, glass, 60 × 80 cm, sign. on the reverse M. Jetelová Patagonia Provenance: the work comes from the author's studio.

Magdalena Jetelová - Window – Rags

wooden relief with applied photoemulsion, dated 1978,

Jetelová, Magdalena (geb. 1946 Semily)

Blauer Stuhl. Aquarell und Kohle mit Pastell gehöht/getöntem Karton (technikbedingt l. gewellt), re. u. monog. Bild-/Blattmaß ca. 102x 77 cm. Im Rahmen freistehend montiert, 120x 90 cm.

Magdalena Jetelova, Chairs, wood

Chairs. Wood. 52 x 48 x 81 cm. Signed on the underside and with indication of scale and location: For Luxembourg [..] 1:25 Model M. Jetelová.

Magdalena Jetelova, Grenzbegegnungen, large flame painting/ pyrotecnic drawing

Grenzbegegnungen / Border encounters. 1994. Large smoke drawing on canvas. Pyrotechnics and aniline color. 170 x 250 cm. signed, titled and dated on the upper margin: Magdalena Jetelová "Grenzbegegnungen" 1994.

Magdalena Jetelová, Soot painting on paper, Tichá Šárka, 1991

Russ drawing. Tichá Šárka. 1991. Russ on handmade paper. 47 x 75 cm. Signed lower right on the sheet: M. Jetelová. Verso on the frame on a label signed and dated 1991. Framed behind glass.

Magdalena Jetelová, Future contained in time past, Smoke Painting, pyrotecnic drawing

Future contained in time past. Smoke drawing on canvas. Pyrotechnics and aniline color. 120 x 150 cm. Verso signed on the right margin: Magdalena Jetelová.

MAGDALENA JETELOVA' Project Barcelona. Museu d'art contemporany. Mirades (sobre el Museu)

etichetta al verso con nome dell'Autore, titolo e anno. Firmata e datata al verso

Blue-black composition, 1991

gouache, pastel, paper, passe-partout, frame, glass, 38 × 53 cm, signed on reverse M. Jetelová 91

Jetelová Magdalena (born 1946) - Window

sculpture, mixed technique, wood, droit de suite

MAGDALENA JETELOVA (*1946): DAS FENSTER

1975 115 x 86 cm (h x w) Screenprint on wood panel. Signed on reverse: "Magdalena Jetelova 1975". A first work by Magdalena Jetelová, created shortly after her studies at the Academy of Fine Arts in Prague. The print reflects the artist’s entire future work. The view from a window – foreshadowing her Land Art projects – is connected with another fundamental area of her work, photography. Magdalena Jetelová studied at the Academy of Fine Arts in Prague in 1967-1968, then studied in Italy for two years and graduated from the Academy after her return(1971). In 1985 she emigrated to West Germany, where she continues to live today. In 1990 – 2004 she taught at the Kunstakademie Düsseldorf, and since 2004 she has been a professor at the Academy of Fine Arts in Munich. After the Velvet Revolution she was a consultant for the Prague Castle Council. Her installation at Belvedere Summer Palace in 1993 marked the first time her work was exhibited to Czech audiences. Magdalena Jetelová is one of the most interesting and courageous artists of today. Her strength lies in her sensitivity to expanding space and passion for the sculptural dimension of architecture. Since the mid-1980s her work has been shown at many foreign institutions and at art shows, including the Tate Modern, the Biennale of Sydney, documenta 8 in Kassel, and at solo exhibitions at Riverside Studios in London and MoMA in New York. Starting price: 250 000 CZK (9 804 EUR)

MAGDALENA JETELOVA (*1946): THE WINDOW

/ 1974 / Screenprint on wood panel / artist's certificate / 115 x 85,5 cm A first work by Magdalena Jetelová, created shortly after her studies at the Academy of Fine Arts in Prague. The print reflects the artist's entire future work. The view from a window – foreshadowing her Land Art projects – is connected with another fundamental area of her work, photography. Magdalena Jetelová studied at the Academy of Fine Arts in Prague in 1967–68, then studied in Italy for two years and graduated from the Academy after her return (1971). In 1985 she emigrated to West Germany, where she continues to live today. In 1990 – 2004 she taught at the Kunstakademie Düsseldorf, and since 2004 she has been a professor at the Academy of Fine Arts in Munich. After the Velvet Revolution she was a consultant for the Prague Castle Council. Her installation at Belvedere Summer Palace in 1993 marked the first time her work was exhibited to Czech audiences. Magdalena Jetelová is one of the most interesting and courageous artists of today. Her strength lies in her sensitivity to expanding space, passion for the sculptural dimension of architecture, and experience with power, which does not differentiate between truth and lies. Since the mid-1980s her work has been shown at many foreign institutions and at art shows, including the Tate Modern, the Biennale of Sydney, documenta 8 in Kassel, and at solo exhibitions at Riverside Studios in London and MoMA in New York.

Magdalena Jetelova (b. 1946) Untitled signed and dated 'M. Jetelova '86' (on the reverse) wax crayons, gouache and watercolour on paper 100 x 70 cm. Executed in 1986