Roberto Marcello Iras Paintings & Artwork for Sale | Roberto Marcello Iras Art Value Price Guide

Dec. 03, 2024
ROBERTO MARCELLO IRAS BALDESSARI, FIGURA
Est: €3,000 - €6,000
ROBERTO MARCELLO IRAS BALDESSARI (1894 - 1965) Figura 1934 Oil on canvas applied on cardboard 34 x 24,5 cm Signed and dated upper right Signed, dated and titled on label on the reverse Work accompanied by a certificate of authenticity issued by Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari, Rovereto and signed by Maurizio Scudiero PROVENANCE: Private collection, Rovereto
Art-Rite
May. 31, 2024
Roberto Marcello "Iras" Baldessari (Innsbruck 1894 - Rom/Roma 1965)
Est: €1,000 - €1,300
Landhaus am Gardasee, 1940;Olio su tela, 60 x 80 cm, in cornice Firma Bibl.: I. Dusatti, F. Degasperi, L’indicibile bellezza - Il lago di Garda nella pittura tra Ottocento e Novecento, Riva del Garda 2021, p. 74/75 con immagine
Bozner Kunstauktionen
May. 22, 2024
Roberto Marcello Iras Baldessari *
Est: €20,000 - €30,000
(Innsbruck 1894–1965 Rome) I musicanti, 1918, signed and dated, oil and collage on cardboard, 46.7 x 39 cm, framed This work is registered in the Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari, Rovereto and is accompanied by a photo certificate of authenticity issued by Maurizio Scudiero Provenance: Alfredo Hess Collection (Indi Hess-Kron), Zurich (handwritten on the reverse) Galleria Farsetti, Cortina d‘Ampezzo-Milan Galleria Edieuropa, Rome (label on the reverse) Galleria Arte Centro, Milan (label on the reverse) European Private Collection Exhibited: Cortina d‘Ampezzo, Galleria Farsetti, Roberto Marcello Baldessari „Iras“ opere 1915–1934, 27 December 2008 – 14 February 2009, exh. cat. p. 67, no. 26 with ill. Milan, Arte Centro, Il secondo futurismo 1918–1940, 1 September – 9 November 2021, exh. cat. p. 23, no. 18 with ill.
Dorotheum
Dec. 01, 2023
Roberto Iras Baldessari (Innsbruck 1894 – Rom/Rome 1965
Est: €5,000 - €10,000
Dinamismo + Volo d’Uccelli, 1914/1915; Charcoal and pastel on paper, 18.2 x 20.1 cm Monogram The work is accompanied by an authentic photograph by Maurizio Scudiero dated Rovereto October 30, 2020 and archived in the "Drawings" section of the General Catalogue Reasoned Catalogue of the artist's Works with the entry number B15-117 Provenance: Private Collection
Bozner Kunstauktionen
Jun. 26, 2023
BALDESSARI ROBERTO MARCELLO IRAS (1894 - 1965) - Banca d'Italia Futur.
Est: €15,000 - €20,000
BALDESSARI ROBERTO MARCELLO IRAS (1894 - 1965). Banca d'Italia Futur. Circa 1922. Signature lower left. At the back Poma Gallery, Morcote. Roberto Marcello Baldessari Archive - Maurizio Scudiero, Rovereto, authenticity certificate. Provenance: Poma Gallery, Morcote; Private Collection, Morcote. In 1922 Baldessari began to travel around Europe. First in Germany, where he met Schwitters, and then also in Spain, where he instead got to know Flamenco and frequented cabarets in search of interesting subjects. But in Germany, in Hanover, while helping Schwitters in the construction of the Marzbau, he approaches Dadaism and his practice of collage, of the recovery of fragments of printed matter used to create other meanings than the one for which they were conceived. With this technique between 1922 and 1923 he created a certain number of works that are halfway between Futurism and Dadaism.. 34,50 x 44,50 cm.
Capitolium Art
Jul. 05, 2022
Roberto Marcello Iras Baldessari (1894 - 1965) NATURA MORTA
Est: €20,000 - €30,000
Roberto Marcello Iras Baldessari (1894 - 1965) NATURA MORTA (VASO DI FIORI) olio su tela, cm 52x34 sigla sul retro: etichetta Galleria Cadario, Milano eseguito nel 1915-1916 circa L'opera e' accompagnata da autentica dell'Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari ed e' archiviata nella sezione dipinti del Catalogo Generale Ragionato delle Opere dell'Artista con il numero B15 - 121 Provenienza Galleria Cadario, Milano Collezione privata Appartiene al lungo ciclo degli esperimenti su "dinamismo e simultaneita'" mutuati dallo studio dell'opera di Boccioni. Sara' via via questa sintesi, divenuta sempre piu' estrema e ricondotta alle forme elementari, che in seguito diverra' il "telaio" del ritorno alla figurazione futurista e della definizione del suo stile personale, cioe' quel figurativo dinamico a componenti geometrizzate che qui giu' si sta avvicinando ad una certa riconoscibilita', ovvero a quella del vaso e dei fiori. (Maurizio Scudiero)
Itineris
May. 26, 2022
ROBERTO MARCELLO IRAS BALDESSARI, Dinamismo - Lettura
Est: €30,000 - €60,000
ROBERTO MARCELLO IRAS BALDESSARI (1894 - 1965) Dinamismo - Lettura 1916 Pastel on cardboard 48,5 x 41,5 cm Initialled lower right Work registered at Archivio Unico per il Catalogo Generale Ragionato delle opere di Roberto Marcello Baldessari on May 24th, 2003 with the n. B16-41PROVENANCE: Alfred Heff Collection, Zurich (label on the reverse) Private collection, Lecco EXHIBITED: November 29th, 2008 - April 26th, 2009, 'Futurismi', Centro Saint-Bénin, Aosta (label on the reverse) LITERATURE: E. Di Martino, C. Rebeschini (curated by), Futurismi, catalogue of the exhibition held at Centro Saint-Bénin, Aosta, Skira, 2008, p. 46 (ill.)
Art-Rite
May. 19, 2022
Roberto Marcello Baldessarri Iras (Roma 1894-1965) - Horse+Ride+City, 1916-'17 ca.
Est: €30,000 - €40,000
painted wood Signed at the base: R.M.B. Artwork registered in the Single Archive for the Catalog of Futurist works by Roberto Marcello Baldessari, Rovereto, by M. Scudiero. Photo certificate issued by M. Scudiero n ° B16-104 This lot is subject to Artists Resale Rights
Finarte
Dec. 12, 2020
Roberto Marcello Iras Baldessari (1894-1965) Figura (1920)
Est: €1,600 - €1,900
Inchiostro acquerellato su carta, cm. 21x13 Studio per "La femme nue (Café Paris)". Sigla in basso a destra. Provenienza, Milano, Galleria Schettini.
Pananti Casa D'Aste SRL
Nov. 28, 2020
Roberto Iras Baldessari, 1894 Innsbruck-1965 Rome
Est: €450 - €900
Roberto Iras Baldessari, 1894 Innsbruck-1965 Rome, well-known Italian painter, studied academy, etc. in Venice, numerous exhibitions,multiple awards, here: Venice in the pink evening light, oil / canvas, signed lower right, also on the stretcher and the canvas edge, approx. 50x70cm, baroque style frame approx. 68x88cm . German Description: Roberto Iras Baldessari, 1894 Innsbruck-1965 Rom, bekannter italienischer Maler, Akademiestudium u.a. in Venedig, zahlreiche Ausst., mehrfach ausgezeichnet, hier: Venedig im rosa Abendlicht, Öl/Lwd, rechts unten signiert, ebenso auf dem Keilrahmen und der Leinwandkante, ca. 50x70cm, Barockstilrahmen ca. 68x88cm
Henry's Auktionshaus
Jun. 23, 2020
Roberto Marcello Iras
Est: €15,000 - €25,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Innsbruck 1894–1965 Rome) Venezia Chiesa di San Martino, c. 1914, signed R. M. Baldessari, oil on panel, 37.2 x 55.2 cm, framed This work is registered in the Archivio per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari under no. B14–20. It is accompanied by a certificate of authenticity issued by Maurizio Scudiero on 20/6/2017. Provenance: Luigi Colacicchi, Rome Private Collection, Rome This work is one of a pair, the other being “Venice, Rialto Bridge”, dated 1914 (here in the archive B14-17). Both works are rare, some of the first to document the very early Divisionist period, when Baldessari was still strongly influenced both by the painting of Attilio Basta, his fellow countryman and follower of Segantini, and that of Carlo Carrà, due to his emphasis on light and its radiance of pure colour. It is, therefore, a Divisionism that already looks to Futurism, even for those two delicate figures, taken from Russolo’s paintings. The Futurist-Divisionist treatment of light is also found in another important painting from this early period, the large canvas “Luce+Ambiente (Luna Park)” (see R.M.B. Cat. Gen., vol. 2, 1997, no. 7). This Venetian painting is also an important and evocative piece in the development of the artist’s career, marking the very moment of transition from Figurativism to Futurism. The work belonged to the musicologist Luigi Colachicchi, who collaborated with Igor Stravinsky and Carlo Ludovico Bragaglia. Maurizio Scudiero, curator of the Archivio R.M.B., 20/6/2017
Dorotheum