Jose Iranzo Paintings & Artwork for Sale | Jose Iranzo Art Value Price Guide

Oct. 04, 2023
ANZO. JOSE IRANZO (Utiel, Valencia, 1931 - 2006) "Untitled"
Est: €100 - €150
ANZO. JOSE IRANZO (Utiel, Valencia, 1931 - 2006) "Untitled" Screen print Signed on plate and numbered 53/75 50 x 35 cm 100 - 150 €
Bayeu Subastas
May. 18, 2023
José "ANZO" Iranzo ( Utiel, 1931 - Valencia, 2006) "Still life with egg basket"
Est: €500 - €700
José "ANZO" Iranzo ( Utiel, 1931 - Valencia, 2006) "Still life with egg basket" Oil on panel Signed 31 x 54 cm 500 - 700 €
Greco Subastas
Apr. 26, 2023
Anzo. Untitled
Est: -
Silkscreen on heavyweight paper. Signed and numbered (48/75) in the lower left corner.
Duran Arte y Subastas
Apr. 26, 2023
Anzo. Untitled
Est: -
Silkscreen on heavyweight paper. Signed and numbered (58/65) in the lower left corner.
Duran Arte y Subastas
Nov. 16, 2021
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). Untitled. Mixed media on paper adhered to cardboard.
Est: €3,500 - €3,700
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). Untitled. Mixed media on paper adhered to cardboard. Signed in the lower right corner. Attached certificate of authenticity issued by the artist's daughter. Provenance: Private collection of the artist. Measurements: 84 x 120 cm; 85 x 121 cm (frame). Anzo made his first works known with the illustration of the mural diary of the Escolapios school, where he studied high school thanks to a scholarship. He attended the School of Arts and Crafts in Valencia, and later moved to study architecture in Barcelona. In 1954 he returned to Valencia with the firm idea of entering definitively in the plastic arts. Anzo belongs to that group of Valencian artists who emerged during the long Spanish post-war period, and trained in the midst of Franco's regime. Pop Art took an increasingly predominant role in his artistic production. He began to experiment with different printing procedures, in a social framework clearly influenced by an economic development accompanied by an inherent change in the cultural dynamics of the moment. The fact of turning the world of everyday mass-media myths into a reference in his works, opened a new artistic door in his production in which television images would play a decisive role. Anzo thus became the introducer of pop in Valencian artistic culture, and the maximum representative of the current at a national level. The artist was driven by the need to combine science and art to assert a message about a reality that he embraced and from which his new creations drank. This new artistic dimension gradually distanced him from Pop Art and brought him closer to what in Europe was known as "Mec Art". Enthusiastic with the use of the new media, Anzo began a series of paintings that he called "Aislamientos" (Isolations). In the 80's he began what would become his last stage. After definitively closing the latent struggle of his isolations, he began a new stage which he called "Lyrical Geometry". In the apparent coldness of the geometric lines, a poetic sensibility could be glimpsed, rediscovering color and lyricism. His work is still linked to abstraction and offered an optimistic vision: "I believe that beauty arises from the balance between the mathematical and the lyrical". In 2003 he received the Plastic Arts Award from the Generalitat Valenciana. Anzo had been retired from art for some years. The death of his wife and other personal circumstances plunged him into a process of introspection. Finally, a long illness ended his life in 2006. Anzo has had exhibitions in more than thirty countries around the world, in addition to most of the national capitals. His work can be found in several museums and notorious public collections, such as: Museo Español de Arte Contemporáneo (Madrid), Amsterdam Stedelijk Museum, Basel Kunstmuseum, Oslo Nasjonalgalleriet, New York Museum of Modern Art, Rio de Janeiro Museu de Arte moderna, Tel Aviv Museum, Ljubljana Moderna Galerija, etc.
Setdart Auction House
Oct. 19, 2021
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006).
Est: €5,000 - €6,000
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). "Memoria nº17", 1993. Mixed media on canvas. Signed, dated and titled on the back. Attached certificate of authenticity issued by the artist's daughter. Provenance: Private collection of the artist. Measurements: 100 x 81 cm. Anzo made his first works known with the illustration of the mural diary of the Escolapios school, where he studied high school thanks to a scholarship. He attended the Escuela de Arte y Oficios in Valencia, and later moved to Barcelona to study architecture. In 1954, he returned to Valencia with the firm idea of definitively entering the plastic arts. Anzo belongs to that group of Valencian artists who emerged during the long Spanish post-war period, and who were trained in the midst of Franco's regime. Pop Art took on an increasingly predominant role in his artistic production. He began to experiment with different printmaking procedures, in a social framework clearly influenced by economic development accompanied by an inherent change in the cultural dynamics of the time. The fact of turning the world of everyday mass-media myths into a point of reference in his works opened a new artistic door in his production, in which television images would play a decisive role. Anzo thus became the introducer of pop art in Valencian artistic culture, and the maximum representative of the trend at a national level. The artist was driven by the need to combine science and art in order to assert a message about a reality that he embraced and from which his new creations drank. This new artistic dimension gradually led him away from Pop Art and towards what was known in Europe as "Mec Art". Enthusiastic about the use of the new media, Anzo began a series of paintings which he called "Aislamientos" (Isolations). In the 1980s he began what was to become his last stage. After definitively closing the latent struggle of his isolations, he began a new stage which he called "Lyrical Geometry". In the apparent coldness of the geometric lines, a poetic sensibility could be glimpsed, rediscovering colour and lyricism. His work is still linked to abstraction and offered an optimistic vision: "I believe that beauty arises from the balance between the mathematical and the lyrical". In 2003 he was awarded the Premio de las Artes Plásticas de la Generalitat Valenciana. Anzo had been retired from art for some years. The death of his wife and other personal circumstances plunged him into a process of introspection. Finally, a long illness ended his life in 2006. Anzo has had exhibitions in more than thirty countries around the world, as well as in most national capitals. His work can be found in various museums and well-known public collections, such as: Museo Español de Arte Contemporáneo (Madrid), Amsterdam Stedelijk Museum, Basel Kunstmuseum, Oslo Nasjonalgalleriet, New York Museum of Modern Art, Rio de Janeiro Museu de Arte moderna, Tel Aviv Museum, Ljubljana Moderna Galerija, etc.
Setdart Auction House
Oct. 19, 2021
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). Untitled. Mixed media on canvas.
Est: €3,000 - €4,000
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). Untitled. Mixed media on canvas. Signed in the lower right corner. Attached certificate of authenticity issued by the artist's daughter. Provenance: Private collection of the artist. Measurements: 61 x 46 cm. Anzo made his first works known with the illustration of the mural diary of the Escolapios school, where he studied high school thanks to a scholarship. He attended the School of Arts and Crafts in Valencia, and later moved to study architecture in Barcelona. In 1954 he returned to Valencia with the firm idea of entering definitively in the plastic arts. Anzo belongs to that group of Valencian artists who emerged during the long Spanish post-war period, and trained in the midst of Franco's regime. Pop Art took an increasingly predominant role in his artistic production. He began to experiment with different printing procedures, in a social framework clearly influenced by an economic development accompanied by an inherent change in the cultural dynamics of the moment. The fact of turning the world of everyday mass-media myths into a reference in his works, opened a new artistic door in his production in which television images would play a decisive role. Anzo thus became the introducer of pop in Valencian artistic culture, and the maximum representative of the current at a national level. The artist was driven by the need to combine science and art to assert a message about a reality that he embraced and from which his new creations drank. This new artistic dimension gradually distanced him from Pop Art and brought him closer to what in Europe was known as "Mec Art". Enthusiastic with the use of the new media, Anzo began a series of paintings that he called "Aislamientos" (Isolations). In the 80's he began what would become his last stage. After definitively closing the latent struggle of his isolations, he began a new stage which he called "Lyrical Geometry". In the apparent coldness of the geometric lines, a poetic sensibility could be glimpsed, rediscovering color and lyricism. His work is still linked to abstraction and offered an optimistic vision: "I believe that beauty arises from the balance between the mathematical and the lyrical". In 2003 he received the Plastic Arts Award from the Generalitat Valenciana. Anzo had been retired from art for some years. The death of his wife and other personal circumstances plunged him into a process of introspection. Finally, a long illness ended his life in 2006. Anzo has had exhibitions in more than thirty countries around the world, in addition to most of the national capitals. His work can be found in several museums and notorious public collections, such as: Museo Español de Arte Contemporáneo (Madrid), Amsterdam Stedelijk Museum, Basel Kunstmuseum, Oslo Nasjonalgalleriet, New York Museum of Modern Art, Rio de Janeiro Museu de Arte moderna, Tel Aviv Museum, Ljubljana Moderna Galerija, etc.
Setdart Auction House
Sep. 20, 2021
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). "The Bullfighter", 1982
Est: €7,000 - €8,000
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). "The Bullfighter", 1982. Oil on canvas. Signed, dated and titled on the back. Attached certificate of authenticity issued by the artist's daughter. Provenance: Private collection of the artist. Measurements: 100 x 80 cm. Anzo made his first works known with the illustration of the mural diary of the Escolapios school, where he studied high school thanks to a scholarship. He attended the Escuela de Arte y Oficios in Valencia, and later moved to Barcelona to study architecture. In 1954, he returned to Valencia with the firm idea of definitively entering the plastic arts. Anzo belongs to that group of Valencian artists who emerged during the long Spanish post-war period, and who were trained in the midst of Franco's regime. Pop Art took on an increasingly predominant role in his artistic production. He began to experiment with different printmaking procedures, in a social framework clearly influenced by economic development accompanied by an inherent change in the cultural dynamics of the time. The fact of turning the world of everyday mass-media myths into a point of reference in his works opened a new artistic door in his production, in which television images would play a decisive role. Anzo thus became the introducer of pop art in Valencian artistic culture, and the maximum representative of the trend at a national level. The artist was driven by the need to combine science and art in order to assert a message about a reality that he embraced and from which his new creations drank. This new artistic dimension gradually led him away from Pop Art and towards what was known in Europe as "Mec Art". Enthusiastic about the use of the new media, Anzo began a series of paintings which he called "Aislamientos" (Isolations). In the 1980s he began what was to become his last stage. After definitively closing the latent struggle of his isolations, he began a new stage which he called "Lyrical Geometry". In the apparent coldness of the geometric lines, a poetic sensibility could be glimpsed, rediscovering colour and lyricism. His work is still linked to abstraction and offered an optimistic vision: "I believe that beauty arises from the balance between the mathematical and the lyrical". In 2003 he was awarded the Premio de las Artes Plásticas de la Generalitat Valenciana. Anzo had been retired from art for some years. The death of his wife and other personal circumstances plunged him into a process of introspection. Finally, a long illness ended his life in 2006. Anzo has had exhibitions in more than thirty countries around the world, as well as in most national capitals. His work can be found in various museums and well-known public collections, such as: Museo Español de Arte Contemporáneo (Madrid), Amsterdam Stedelijk Museum, Basel Kunstmuseum, Oslo Nasjonalgalleriet, New York Museum of Modern Art, Rio de Janeiro Museu de Arte moderna, Tel Aviv Museum, Ljubljana Moderna Galerija, etc.
Setdart Auction House
Jul. 27, 2021
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). "The bullfighter", 1982. Oil on canvas.
Est: €7,000 - €8,000
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). "The bullfighter", 1982. Oil on canvas. Signed, dated and titled on the back. Attached certificate of authenticity issued by the artist's daughter. Provenance: Private collection of the artist. Size: 100 x 80 cm. Anzo made his first works known with the illustration of the mural diary of the Escolapios school, where he studied high school thanks to a scholarship. He attended the School of Arts and Crafts in Valencia, and later moved to study architecture in Barcelona. In 1954 he returned to Valencia with the firm idea of entering definitively in the plastic arts. Anzo belongs to that group of Valencian artists who emerged during the long Spanish post-war period, and trained in the midst of Franco's regime. Pop Art took an increasingly predominant role in his artistic production. He began to experiment with different printing procedures, in a social framework clearly influenced by an economic development accompanied by an inherent change in the cultural dynamics of the moment. The fact of turning the world of everyday mass-media myths into a reference in his works, opened a new artistic door in his production in which television images would play a decisive role. Anzo thus became the introducer of pop in Valencian artistic culture, and the maximum representative of the current at a national level. The artist was driven by the need to combine science and art to assert a message about a reality that he embraced and from which his new creations drank. This new artistic dimension gradually distanced him from Pop Art and brought him closer to what in Europe was known as "Mec Art". Enthusiastic with the use of the new media, Anzo began a series of paintings that he called "Aislamientos" (Isolations). In the 80's he began what would become his last stage. After definitively closing the latent struggle of his isolations, he began a new stage which he called "Lyrical Geometry". In the apparent coldness of the geometric lines, a poetic sensibility could be glimpsed, rediscovering color and lyricism. His work is still linked to abstraction and offered an optimistic vision: "I believe that beauty arises from the balance between the mathematical and the lyrical". In 2003 he received the Plastic Arts Award from the Generalitat Valenciana. Anzo had been retired from art for some years. The death of his wife and other personal circumstances plunged him into a process of introspection. Finally, a long illness ended his life in 2006. Anzo has had exhibitions in more than thirty countries around the world, in addition to most of the national capitals. His work can be found in several museums and notorious public collections, such as: Museo Español de Arte Contemporáneo (Madrid), Amsterdam Stedelijk Museum, Basel Kunstmuseum, Oslo Nasjonalgalleriet, New York Museum of Modern Art, Rio de Janeiro Museu de Arte moderna, Tel Aviv Museum, Ljubljana Moderna Galerija, etc.
Setdart Auction House
Jul. 27, 2021
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). Untitled. Polychrome wood.
Est: €4,500 - €5,000
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). Untitled. Polychrome wood. Signed on the base. Attached certificate of authenticity issued by the artist's daughter. Provenance: Private collection of the artist. Measurements: 56 cm (total height). Anzo made his first works known with the illustration of the mural diary of the Escolapios school, where he studied high school thanks to a scholarship. He attended the Escuela de Arte y Oficios in Valencia, and later moved to study architecture in Barcelona. In 1954 he returned to Valencia with the firm idea of entering definitively in the plastic arts. Anzo belongs to that group of Valencian artists who emerged during the long Spanish post-war period, and trained in the midst of Franco's regime. Pop Art took an increasingly predominant role in his artistic production. He began to experiment with different printing procedures, in a social framework clearly influenced by an economic development accompanied by an inherent change in the cultural dynamics of the moment. The fact of turning the world of everyday mass-media myths into a reference in his works, opened a new artistic door in his production in which television images would play a decisive role. Anzo thus became the introducer of pop in Valencian artistic culture, and the maximum representative of the current at a national level. The artist was driven by the need to combine science and art to assert a message about a reality that he embraced and from which his new creations drank. This new artistic dimension gradually distanced him from Pop Art and brought him closer to what in Europe was known as "Mec Art". Enthusiastic with the use of the new media, Anzo began a series of paintings that he called "Aislamientos" (Isolations). In the 80's he began what would become his last stage. After definitively closing the latent struggle of his isolations, he began a new stage which he called "Lyrical Geometry". In the apparent coldness of the geometric lines, a poetic sensibility could be glimpsed, rediscovering color and lyricism. His work is still linked to abstraction and offered an optimistic vision: "I believe that beauty arises from the balance between the mathematical and the lyrical". In 2003 he received the Plastic Arts Award from the Generalitat Valenciana. Anzo had been retired from art for some years. The death of his wife and other personal circumstances plunged him into a process of introspection. Finally, a long illness ended his life in 2006. Anzo has had exhibitions in more than thirty countries around the world, in addition to most of the national capitals. His work can be found in several museums and notorious public collections, such as: Museo Español de Arte Contemporáneo (Madrid), Amsterdam Stedelijk Museum, Basel Kunstmuseum, Oslo Nasjonalgalleriet, New York Museum of Modern Art, Rio de Janeiro Museu de Arte moderna, Tel Aviv Museum, Ljubljana Moderna Galerija, etc.
Setdart Auction House
Jun. 17, 2021
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). No title. Polychrome wood. Signed at the base. Attach certificate of authenticity issued by the artist's daughter.
Est: €4,500 - €5,000
"ANZO" JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006). No title. Polychrome wood. Signed at the base. Attach certificate of authenticity issued by the artist's daughter. Provenance: Private collection of the artist. Measurements: 56 cm (total height). Anzo made his first works known with the illustration of the mural diary of the Escolapios school, where he studied high school thanks to a scholarship. He attended the Escuela de Arte y Oficios in Valencia, and later moved to study architecture in Barcelona. In 1954 he returned to Valencia with the firm idea of entering definitively in the plastic arts. Anzo belongs to that group of Valencian artists who emerged during the long Spanish post-war period, and trained in the midst of Franco's regime. Pop Art took an increasingly predominant role in his artistic production. He began to experiment with different printing procedures, in a social framework clearly influenced by an economic development accompanied by an inherent change in the cultural dynamics of the moment. The fact of turning the world of everyday mass-media myths into a reference in his works, opened a new artistic door in his production in which television images would play a decisive role. Anzo thus became the introducer of pop in Valencian artistic culture, and the maximum representative of the current at a national level. The artist was driven by the need to combine science and art to assert a message about a reality that he embraced and from which his new creations drank. This new artistic dimension gradually distanced him from Pop Art and brought him closer to what in Europe was known as "Mec Art". Enthusiastic with the use of the new media, Anzo began a series of paintings that he called "Aislamientos" (Isolations). In the 80's he began what would become his last stage. After definitively closing the latent struggle of his isolations, he began a new stage which he called "Lyrical Geometry". In the apparent coldness of the geometric lines, a poetic sensibility could be glimpsed, rediscovering color and lyricism. His work is still linked to abstraction and offered an optimistic vision: "I believe that beauty arises from the balance between the mathematical and the lyrical". In 2003 he received the Plastic Arts Award from the Generalitat Valenciana. Anzo had been retired from art for some years. The death of his wife and other personal circumstances plunged him into a process of introspection. Finally, a long illness ended his life in 2006. Anzo has had exhibitions in more than thirty countries around the world, in addition to most of the national capitals. His work can be found in several museums and notorious public collections, such as: Museo Español de Arte Contemporáneo (Madrid), Amsterdam Stedelijk Museum, Basel Kunstmuseum, Oslo Nasjonalgalleriet, New York Museum of Modern Art, Rio de Janeiro Museu de Arte moderna, Tel Aviv Museum, Ljubljana Moderna Galerija, etc.
Setdart Auction House
Jun. 03, 2020
ANZO. José Iranzo (Utiel, Valencia, 1931 - 2006) "Isolation"
Est: €900 - €1,000
"Isolation" Mixed media Signed and dated in 1972 Gallery label sealed on the back: Anzo, Valencia 96,5 x 97,5 cm
Goya Subastas
Jun. 20, 2018
JOSE IRANZO ALMONACID "ANZO"(Utiel 1931-Valencia 2006) Homenaje a Sempere Serigrafia de 70 x 50 cm. Firmada y numerada P.A.Sin marco
Est: -
JOSE IRANZO ALMONACID "ANZO" (Utiel 1931-Valencia 2006) Homenaje a Sempere. Serigraphy of 70 x 50 cm. Signed and numbered PA. Unframed.
Sala Retiro Subastas
Apr. 27, 2016
JOSE IRANZO "ANZO" (Utiel, Valencia 1931-2006) Geometry
Est: -
JOSE IRANZO "ANZO" (Utiel, Valencia 1931-2006) Geometria Serigrafia sobre papel de 55 x 75 cm. Firmada y numerada 62/75
Sala Retiro Subastas