Arthur (1832) Hughes Paintings & Artwork for Sale | Arthur (1832) Hughes Art Value Price Guide

Nov. 03, 2024
Arthur Hughes (UK,1832-1915) oil painting antique
Est: $5,250 - $6,750
ARTIST: Arthur Hughes (United Kingdom, 1832 - 1915) TITLE: Winter Village Scene YEAR: 1879 MEDIUM: oil on canvas CONDITION: Relined. Some scratches/paint losses. Some scattered inpaintings. One damage to lower edge. ART SIZE: 20 x 30 inches / 50 x 76 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right ATTENTION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 132419 US SHIPPING: $90 + insurance. BIOGRAPHY: Arthur Hughes (27 January 1832 - 22 December 1915) was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood. Hughes was born in London. In 1846 he entered the art school at Somerset House, his first master being Alfred Stevens, and later entered the Royal Academy schools.Here he met John Everett Millais and Holman Hunt, and became one of the Pre-Raphaelite group of painters. His first picture, Musidora, was hung at the Royal Academy of Arts, London, when he was only 17, and thenceforth he contributed almost annually not only to the Royal Academy but later also to the Grosvenor and New Gallery exhibitions.
Broward Auction Gallery LLC
Oct. 09, 2024
ARTHUR HUGHES (BRITISH 1832-1915), THE CONVENT BOAT
Est: £7,000 - £10,000
ARTHUR HUGHES (BRITISH 1832-1915) THE CONVENT BOAT Oil on canvas Signed (lower right) 44.5 x 72.5cm (17½ x 28½ in.)Provenance: Mrs. Ann Fleming by1963Sale Christie's, 25 March 1966, lot 145, as 'The last Farewell' (70gns)Naylor Leyland.Sale, Sotheby's, 26 July 1967, lot 361 (£160)David W. Hughes.Sale, Sotheby's, 30 October 1968, lot 118 (£190)Colson.Sale, Sotheby's Belgravia, 22 February 1972, lot 109 (£650)The Fine Art SocietyMichael Hasenclever.Galerie R. Hartmann by November 1973.Sale, Sotheby's Belgravia, 9 April 1980, lot 17 (£11,000)Private collection, UK Exhibited: London,The Aesthetic Movement and the Cult of Japan , The Fine Art Society, 3-27 October 1972 (no.24, repr. p.14)Munich, Burne-Jones und der Einfluß der Prä-Raffaeliten, Michael Hasenclever, 29 November 1972 -10 January 1973 (No.11, DM16,500, repr.)Baden-Baden, Germany, Staatliche Kunsthalle Baden-Baden 1973 (No.84, repr. colour, p.147)Literature:M. Amory, ed. The Letters of Evelyn Waugh, 1980, p.607.L. Roberts and S. Wildman, Arthur Hughes: His Life and Works, A Catalogue Raisonné, Woodbridge Suffolk: Antique Collectors' Club, 1997, no.131.3. ill., p.184Depictions of nuns proliferated in Victorian art. The opportunity for medievalism appealed to Victorian sensibilities but their popularity also speaks to the emergence of High Anglicanism and the conventual revival which had been cultivated by the Oxford Movement. The subject, having been relatively neglected for a couple of hundred years, was enthusiastically taken up by many of Hughes' contemporaries, including John Everett Millais and William Holman Hunt In a letter to Nancy Mitford, Evelyn Waugh once described the present work as a touching scene; it shows the emotional moment in which a young novice leaves her family for the convent. The ramifications of her decision are laid bare for the viewer. Dressed as a bride of Christ, the novice's austere clothing contrasts with the sumptuous garb of those standing on the river bank. While her family lament her departure, she holds a prayer book and looks away solemnly, appearing resolutein her choice. The deliberate negation of material wealth and familial or romantic ties was a recurrent theme in artistic and literary depictions of nuns. The works reveal a curiosity with autonomous female spaces and the eschewal of the secular world in favour of an interior, spiritual life. Indeed, we only see a small glimpse of the cloister she will be entering. The work invokes a harmonious vision of the pre-Reformation world. Soft evening light descends over the trees and reflects serenely across the water. The convent walls, overgrown with dense ivy, suggest the institution's agedness, connecting it with England's spiritual heritage. When a larger version of this painting was exhibited at the Royal Academy in 1874, critics praised Hughes' attention to organic detail and the romantic naturalism of the scene. One wrote that the picture provided the double fascination of a scene that belongs both to the present and the past, whilst another lauded the perception of beauty that belongs to the solemn and aged growth of undisturbed places. What is more, Hughes identified it as one of his best works in a letter to the French art critic Ernest Chesneau. The fact that the artist returned to the subject several times confirms his fondness for the composition.
Dreweatts 1759 Fine Sales
Jul. 04, 2024
The Lady of Shalott
Est: £100,000 - £150,000
Property from a Canadian Private Collection Arthur Hughes British 1832 - 1915 The Lady of Shalott signed and dated ARTHUR. HUGHES. 1873. lower left oil on canvas Unframed: 95.5 by 160cm., 37½ by 63in. Framed: 126 by 191cm., 49½ by 75in.
Sotheby's
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), LANDSCAPE
Est: £600 - £800
ARTHUR HUGHES (BRITISH 1832-1915)LANDSCAPEOil on board20 x 35cm (7¾ x 13¾ in.)Painted circa early 1880s.Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Catalogue Raisonne, probably p. 194, No. 173
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), COASTAL LANDSCAPE
Est: £500 - £800
ARTHUR HUGHES (BRITISH 1832-1915)COASTAL LANDSCAPEOil on boardSigned (lower left)17 x 35cm (6½ x 13¾ in.)Painted circa late 1890s.Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Complete Catalogue Raisonne, p.229, No. 347
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), FIGURES IN A FLOWER MEADOW
Est: £500 - £800
ARTHUR HUGHES (BRITISH 1832-1915)FIGURES IN A FLOWER MEADOWOil on board18.5 x 31.5cm (7¼ x 12¼ in.)
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), AUTUMNAL WOODLAND, POSSIBLY BURNHAM BEECHES
Est: £500 - £800
ARTHUR HUGHES (BRITISH 1832-1915)AUTUMNAL WOODLAND, POSSIBLY BURNHAM BEECHESOil on board21 x 36cm (8¼ x 14 in.)Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Catalogue Raisonne, probably p. 249, No. 548
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), SPRING
Est: £500 - £800
ARTHUR HUGHES (BRITISH 1832-1915)SPRINGOil on boardSigned (lower left)21 x 34cm (8¼ x 13¼ in.)Painted circa late 1890s, retouched in 1904.Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Exhibited:Dunthorne, 1904, No. 27Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Catalogue Raisonne, p. 209, ill. No. 251
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), SEACOAST SCENE, POSSIBLY LAND'S END
Est: £600 - £800
ARTHUR HUGHES (BRITISH 1832-1915)SEACOAST SCENE, POSSIBLY LAND'S ENDOil on boardSigned (lower left)17 x 35cm (6½ x 13¾ in.)Painted circa early 1890s.Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Catalogue Raisonne, probably p. 212, No. 270
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), NORTH CORNWALL
Est: £700 - £1,000
ARTHUR HUGHES (BRITISH 1832-1915)NORTH CORNWALLOil on board25 x 39cm (9¾ x 15¼ in.)Painted after circa 1895.Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Complete Catalogue Raisonne, p.225, No. 326
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), NORTH CORNWALL
Est: £800 - £1,200
ARTHUR HUGHES (BRITISH 1832-1915)NORTH CORNWALLOil on board28 x 38.5cm (11 x 15 in.)Painted circa 1902.Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Catalogue Raisonne, probably p. 236, No. 413
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), PORTRAIT OF THE ARTIST WILLIAM BELL SCOTT (1811 - 1870)
Est: £2,000 - £3,000
ARTHUR HUGHES (BRITISH 1832-1915)PORTRAIT OF THE ARTIST WILLIAM BELL SCOTT (1811 - 1870)Oil on canvasboard laid to board25 x 35.5cm (9¾ x 13¾ in.)Painted in October 1886.Provenance:The collection of Eleanor Margaret Courtney-Boyd, niece of Alice BoydThence in 1946 to her sister Evelyn May Courtney-BoydGifted by her to a private collection circa 1965Literature:Fredeman 1967, pp.15, 30, 34H. Taylor, p.2Roberts, Leonard, Arthur Hughes, His Life and Works, A Catalogue Raisonne, p.202, No. 215A second, finished version of this portrait painted on canvas, from the same year is listed in Roberts, p. 202, No 215.2., ill. p. 105, pl. 86.
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), STUDY FOR 'EVENING'
Est: £1,500 - £2,500
ARTHUR HUGHES (BRITISH 1832-1915)STUDY FOR 'EVENING'Oil on boardSigned (lower right); label inscribed 'Finished sketch [for the] picture exhibited at the Royal Academy, 1871, entitled Evening So service shall with steeled sinews toil, And labour shall refresh itself with hope (verso)34 x 46cm (13¼ x 18 in.)Painted circa 1870, possibly retouched in 1904.Provenance:Sale, Sotheby's Belgravia, 11 November 1975, lot 58, sold for £140Sale, Sotheby's Belgravia, 14 December 1976, lot 236, sold for £100A Private CollectionLiterature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Catalogue Raisonne, p. 179, ill. No. 109.2Exhibited:Dunthorne, 1904, No. 14Evening was painted circa 1870, and exhibited at the Royal Academy, London in 1871. The work is now in the Russell Coates Museum, Bournemouth, No. BORGM 01112.
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), AGNES CECILY NADÉZHDA WHITE
Est: £1,500 - £2,500
ARTHUR HUGHES (BRITISH 1832-1915)AGNES CECILY NADÉZHDA WHITEOil on boardSigned (lower left), inscribed and dated '1898' (upper edge)45.5 x 29.5cm (17¾ x 11½ in.)Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Literature:Roberts, Leonard, Arthur Hughes, His Life and Works, A Complete Catalogue Raisonne, p.228, No. 337
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), TRYPHENA FOORD, THE ARTIST'S WIFE
Est: £2,000 - £3,000
ARTHUR HUGHES (BRITISH 1832-1915),TRYPHENA FOORD, THE ARTIST'S WIFEOil on canvas38 x 27cm (14¾ x 10½ in.)Provenance:By descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975Roberts suggests this could be Emily Hughes, and lists another version of this unfinished portrait, as being oil on canvas laid to panel, p. 194, No. 175 (ill.)
Dreweatts 1759 Fine Sales
Jun. 12, 2024
ARTHUR HUGHES (BRITISH 1832-1915), SELF PORTRAIT AGED 18
Est: £3,000 - £5,000
ARTHUR HUGHES (BRITISH 1832-1915)SELF PORTRAIT AGED 18Oil on board18 x 14.5cm (7 x 5½ in.)Provenance:Gifted to the artist's GodmotherThence by descent to the artist's daughter, Agnes then in turn by descent to the artist's granddaughter Agnes Cecily Nadézhda White Thence gifted to a private collection in 1975The second version of the self-portrait at the National Portrait Gallery, London, No. NPG 2759. The present lot was presented to the artist's Godmother. On her death the portrait was given to the artist's daughter Agnes Hughes; and subsequently to her daughter Cecily.The majority of the works offered in this collection come directly from the collection of the artist, inherited in turn by his daughter Agnes Hughes, and then by her daughter Agnes Cecily Nadézhda White, who gifted the works to a friend and Hughes scholar, connoisseur, and collector Leslie Cowan, in 1974-5.Arthur Hughes (1832 - 1915) was one of the most consistent exhibitors at the Royal Academy within the Pre-Raphaelite circle. His most notable exhibit being Ápril Love in 1856 (Tate Britain, N02476), and of which he produced several versions, one smaller example being in the collection of Sir Lloyd Webber. Of the work, which was bought from the exhibition by the then Oxford student, William Morris, Ruskin described it as 'exquisite in every way' 1. Despite not belonging to the inner circle of the Pre-Raphaelites, Hughes was converted to the movement in around 1850-1 after reading The Germ. It was at the same time that he met Dante Gabriel Rosetti, William Holman Hunt and Ford Madox Brown, and produced the self-portrait offered here as lot 143.The description of Huges by William Michael Rosetti fits well with the young artist's self-portrait: 'His face, giving evidence of his Welsh parentage, was singularly bright and taking - dark, abundant hair, vivid eyes, good features, and ruddy cheeks which earned him among his fellow-students the nickname of Cherry. 2Another known version of this portrait from 1851, exists and is currently in the collection of the National Portrait Gallery, London (NPG 2759). The NPG version is signed, inscribed, and dated; however, it has been acknowledged that the inscription is in a later hand, and the date has been strengthened. Two years later, in 1852, Hughes exhibited his first Pre-Raphaelite painting Ophelia (Manchester Art Gallery) and met John Everett Millais. It was during this decade that Hughes produced his most significant works.Both April Love and another of Hughes' masterpieces, The Long Engagement (1854-9, Birmingham Art Gallery and Museum) appear to have been inspired by earlier works by both Hunt and Millais. The way the figure is housed in the arched frame, lit in this case with natural light creeping through the far-right corner, against a darker backdrop of foliage and nature, is reminiscent of Hunt's Light of the World (1851-54, Keble Collage). The figure herself recalls Millais' earlier figural paintings such as Mariana (1851, Tate Britain) and The Prescribed Royalist 1651 (1852 - 1853). Indeed, Hughes sat as the Royalist for the latter work so would have been very familiar with the work. While the composition of The Long Engagement is clearly inspired by Millais' A Huguenot, on St. Bartholomew's Day (1851-2, Private Collection)Between 1852 and 1857, Hughes shared a studio with the sculptor Alexander Munro, and in 1855, married Tryphena Foord, the pair being the seated male figure in the shadows, and the female model for April Love respectively 3. A portrait of Foord is offered in lot 144. Hughes and Foord went on to have five children including Agnes Huges, whose daughter (Hughes' granddaughter), Agnes Cecily Nadézhda White, is depicted in lot 145. The oil paintings produced after 1860, such as Home from Work (circa 1870, Russel Cotes Museum), a study for which is offered in lot 146, were less well received. Nonetheless, Hughes produced several 'holiday pictures' of coastal paths in Cornwall and around the British coastline which were shown at two later exhibitions. A small group are offered here (lots 148-155). Later in his career, Hughes went on to enjoy a success as an illustrator, working with artists such as Christina Rosetti (Sing Song 1872) and George Macdonald (At the Back of the North Wind, 1871, and The Princess Goblin 1872). Pre-Raphaelite and Other Masters; The Andrew Lloyd Webber Collection, p.99, Fig 2. ill. William Michael Rosetti, Rosetti, 1906, Vol 1. p.147Pre-Raphaelites; Victorian Avant-Garde, p.68, Fig 43. ill.
Dreweatts 1759 Fine Sales
Jun. 02, 2024
Arthur Hughes (UK,1832-1915) oil painting antique
Est: $5,250 - $6,750
ARTIST: Arthur Hughes (United Kingdom, 1832 - 1915) TITLE: Winter Village Scene YEAR: 1879 MEDIUM: oil on canvas CONDITION: Relined. Some scratches/paint losses. Some scattered inpaintings. One damage to lower edge. ART SIZE: 20 x 30 inches / 50 x 76 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right ATTENTION: This lot is located at our Mamaroneck, NY office. CATEGORY: old antique vintage painting for auction sale online AD: ART WANTED: Consign, Trade In, Cash Offer SKU#: 132419 US Shipping $90 + insurance. BIOGRAPHY: Arthur Hughes (27 January 1832 - 22 December 1915) was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood. Hughes was born in London. In 1846 he entered the art school at Somerset House, his first master being Alfred Stevens, and later entered the Royal Academy schools.Here he met John Everett Millais and Holman Hunt, and became one of the Pre-Raphaelite group of painters. His first picture, Musidora, was hung at the Royal Academy of Arts, London, when he was only 17, and thenceforth he contributed almost annually not only to the Royal Academy but later also to the Grosvenor and New Gallery exhibitions.
Broward Auction Gallery LLC
Feb. 22, 2024
ARTHUR HUGHES (BRITISH 1832-1915)
Est: £500 - £800
ARTHUR HUGHES (BRITISH 1832-1915) THE TRESPASSER Signed twice, oil on board 30.5cm x 41cm (12in x 16in)
Lyon & Turnbull
Nov. 16, 2023
ARTHUR HUGHES (LONDRES 1832-1915) La parade nuptiale; et Les spectateurs aq
Est: €4,000 - €6,000
ARTHUR HUGHES (LONDRES 1832-1915) La parade nuptiale; et Les spectateurs aquarelle et gouache 34,6 x 29 cm. (13 5⁄8 x 11 ½ in.); une paire
Christie's
Jul. 13, 2023
ARTHUR HUGHES (BRITISH, 1830-1915) En Pénitence oil on canvas 37 1/4 x 24 3
Est: £30,000 - £50,000
ARTHUR HUGHES (BRITISH, 1830-1915) En Pénitence oil on canvas 37 1/4 x 24 3/8 in. (96 x 62 cm.)
Christie's
Jul. 13, 2023
ARTHUR HUGHES (BRITISH, 1830-1915) Head of a girl sanguine chalk on paper 1
Est: £2,500 - £3,500
ARTHUR HUGHES (BRITISH, 1830-1915) Head of a girl sanguine chalk on paper 14 3/8 x 10 5/8 in. (36.4 x 27 cm.)
Christie's
Jul. 13, 2023
ARTHUR HUGHES (BRITISH, 1830-1915) Head study of a girl, drawn for Charles
Est: £4,000 - £6,000
ARTHUR HUGHES (BRITISH, 1830-1915) Head study of a girl, drawn for Charles Rowley sanguine chalk on paper 12 1/4 x 9 3/8 in. (31 x 23.7 cm.)
Christie's
Dec. 13, 2022
ARTHUR HUGHES (BRITISH, 1830-1915) Uncertainty oil on canvas 39 x 26 in. (9
Est: £70,000 - £100,000
ARTHUR HUGHES (BRITISH, 1830-1915) Uncertainty oil on canvas 39 x 26 in. (99.1 x 66.1 cm.)
Christie's
Sep. 21, 2022
Arthur Hughes (British, 1832-1915) Study for Sir Galahad, the Quest for the Holy Grail
Est: £4,000 - £6,000
Arthur Hughes (British, 1832-1915) Study for Sir Galahad, the Quest for the Holy Grail signed 'AHughes' (lower left) oil on panel 27.5 x 39.8cm (10 13/16 x 15 11/16in). For further information on this lot please visit the Bonhams website
Bonhams
Sep. 21, 2022
Arthur Hughes (British, 1832-1915) Portrait of Mrs Waring Finch and two of her children
Est: £40,000 - £60,000
Arthur Hughes (British, 1832-1915) Portrait of Mrs Waring Finch and two of her children signed and dated 'ARTHUR HUGHES-1872' (lower right) oil on canvas 112 x 132cm (44 1/8 x 51 15/16in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 15, 2022
ARTHUR HUGHES (BRITISH, 1832-1915) Gurnard's Head, from St Ives side oil o
Est: £8,000 - £12,000
ARTHUR HUGHES (BRITISH, 1832-1915) Gurnard's Head, from St Ives side oil on board 7 3/4 x 12 3/4 in. (19.8 x 32.4 cm.)
Christie's
Jul. 15, 2022
ARTHUR HUGHES (BRITISH, 1830-1915) Summer is a coming in oil on canvas 32 1
Est: £10,000 - £15,000
ARTHUR HUGHES (BRITISH, 1830-1915) Summer is a coming in oil on canvas 32 1/4 x 52 1/4 in. (81.9 x 132.7 cm.)
Christie's
Oct. 28, 2021
Arthur Hughes (British 1832-1915)
Est: £300 - £500
Arthur Hughes (British 1832-1915) The Blacksmith Workshop - possibly an illustration for The Princess and Goblin by George MacDonald, 1872 signed with initials (lower right) ink 20.5 x 14cm
Cheffins
Dec. 09, 2020
Attributed to Arthur Hughes (British, 1832-1915)
Est: £300 - £500
Attributed to Arthur Hughes (British, 1832-1915) A Young girl holding a basket of flowers signed lower right 'A. Hughes. / June / '04' watercolour on paper, unframed 17 x 11.5cm
Cheffins
Dec. 08, 2020
Arthur Hughes (1832-1915) 'A Flowery Corner' 9 x 14.75in.
Est: £800 - £1,200
Arthur Hughes (1832-1915) oil on panel ''A Flowery Corner'' signed 9 x 14.75in.
Gorringes
Jun. 26, 2020
Arthur Hughes, British (1832-1915), In the Forest of Arden, oil on canvas laid on millboard, 12 1/8 x 15 1/2 in. (30.8 x 39.4 cm)
Est: $10,000 - $15,000
Arthur Hughes British (1832-1915) in the forest of arden oil on canvas laid on millboard signed lower right, c. 1885 12 1/8 x 15 1/2 in. (30.8 x 39.4 cm) Provenance: -from the estate of Leonard Roberts, author of "Arthur Hughes: His Life and Works - A Catalogue Raisonne"
Maynards Fine Art & Antiques
Mar. 11, 2020
Arthur Hughes, British (1832-1915), Untitled - Two figures in an Interior, etching, 4 3/4 x 3 in. (12.1 x 7.6 cm)
Est: $100 - $150
monogram in plate
Maynards Fine Art & Antiques
Mar. 11, 2020
Arthur Hughes, British (1832-1915), Halt at the Well, India ink and pencil, 7 x 10 in. (17.8 x 25.4 cm)
Est: $200 - $300
unsigned
Maynards Fine Art & Antiques
Mar. 11, 2020
Arthur Hughes, British (1832-1915), The Guarded Bower, pencil on paper, 7 x 3 1/2 in. (17.8 x 8.9 cm)
Est: $300 - $500
unsigned, c.1865
Maynards Fine Art & Antiques
Mar. 11, 2020
Arthur Hughes, British (1832-1915), Portrait of Mary Theodora (Molly) Hale-White, oil on canvas, 10 1/2 x 8 in. (26.7 x 20.3 cm)
Est: $10,000 - $15,000
Arthur Hughes, British (1832-1915), Portrait of Mary Theodora (Molly) Hale-White, oil on canvas, 10 1/2 x 8 in. (26.7 x 20.3 cm)
Maynards Fine Art & Antiques
Mar. 11, 2020
Arthur Hughes, British (1832-1915), In the Forest of Arden, oil on canvas laid on millboard, 12 1/8 x 15 1/2 in. (30.8 x 39.4 cm)
Est: $15,000 - $20,000
signed lower right, c. 1885
Maynards Fine Art & Antiques
Dec. 12, 2019
Arthur Hughes (1830-1915) Summer is a coming in oil on canvas 32 ¼ x 52 ¼ in. (81.9 x 132.7 cm.)
Est: £10,000 - £15,000
Arthur Hughes (1830-1915) Summer is a coming in signed 'A Hughes Esq' (on the artist's label attached to the reverse) and further signed and inscribed '"Summer is a coming in"/Arthur Hughes' (on the artist's label attached to the reverse) oil on canvas 32 ¼ x 52 ¼ in. (81.9 x 132.7 cm.)
Christie's
Dec. 08, 2019
Follower of Arthur Hughes, (British, 1832-1915), Portrait of a Girl with Golden Hair, watercolor and gouache on paper, 20" x 15 1/2"
Est: $2,000 - $3,000
Follower of Arthur Hughes (British, 1832-1915) Portrait of a Girl with Golden Hair watercolor and gouache on paper unsigned 20" x 15 1/2" Provenance: The Collection of Wilbert and Marilyn Hasbrouck, Chicago, Illinois
Toomey & Co. Auctioneers
Jun. 19, 2019
ARTHUR HUGHES (BRITISH 1832-1915)
Est: £1,500 - £2,500
ARTHUR HUGHES (BRITISH 1832-1915) Summer pasture Signed Arthur Hughes lower right Oil on canvas laid on board 25 x 20cm (9 3/4 x 8in) Provenance: Acquired by the present owner, Sotheby's, London, 12th May 1999, Lot 98
Chiswick Auctions
Mar. 13, 2019
ARTHUR HUGHES (BRITISH 1832-1915) A SAFE HAVEN, CORNWALL 28cm x 44cm (11in x 17.25in)
Est: £1,000 - £2,000
ARTHUR HUGHES (BRITISH 1832-1915) A SAFE HAVEN, CORNWALL Signed, oil on board 28cm x 44cm (11in x 17.25in)
Lyon & Turnbull
Dec. 11, 2018
Arthur Hughes (1830-1915) - Summer is a coming in
Est: £25,000 - £35,000
Arthur Hughes (1830-1915) Summer is a coming in oil on canvas 32 ¼ x 52 ¼ in. (81.9 x 132.7 cm.)
Christie's
Dec. 11, 2018
Arthur Hughes (1832-1915) - Female head
Est: £10,000 - £15,000
Arthur Hughes (1832-1915) Female head oil on canvas 10 x 8 1/8 in. (25.4 x 20.6 cm.)
Christie's
Sep. 13, 2018
Arthur Hughes (British, 1832-1915), Cornish seasca
Est: £500 - £800
Arthur Hughes (British, 1832-1915), Cornish seascape, oil on canvas signed, 21cm x 40cm.See Arthur Hughes, his life and works, Pg.222. Provenance : Gifted on July 27th 1907, to Mary Finch; thence by descent.
Ewbank's
Jul. 11, 2018
Arthur Hughes (1830-1915) - In the Forest of Arden: Jaques and the Stag
Est: £7,000 - £10,000
Arthur Hughes (1830-1915) In the Forest of Arden: Jaques and the Stag oil on canvas laid down on board 14 x 22 ¾ in. (35.5 x 57.7 cm.)
Christie's
Jun. 21, 2018
Arthur Hughes (1832-1915), Cornish seascape, oil o
Est: £500 - £1,000
Arthur Hughes (1832-1915), Cornish seascape, oil on canvas signed, 21cm x 40cm.See Arthur Hughes, his life and works, Pg.222. Provenance : Gifted on July 27th 1907, to Mary Finch; thence by descent.
Ewbank's
May. 16, 2018
Muir (Percy H.). Printing and the Mind of Man, 2nd edition, Karl Pressler, München, 1983,
Est: £300 - £400
black and white illustrations, original red cloth in dust jacket and slipcase, large 8vo, together with Oak Knoll Press, Beyond Decoration, The Illustrations of John Everett Millais, by Paul Goldman, 2005, The Book and Periodical Illustrations of Arthur Hughes 'A Spark of Genius' 1832-1915, by Maroussia Oakley, 2016, both with numerous colour and black and white illustrations, both original cloth in dust jackets, 8vo, and Houfe (Simon), The Dictionary of British Book Illustrators and Caricaturists 1800-1914, revised edition, 1981, numerous colour and black and white illustrations, original blue cloth in dust jacket, spine lightly rubbed to head, 4to, plus other modern bibliographical and illustrator reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to - Quantity (5 shelves)
Dominic Winter Auctions
Jul. 11, 2017
Arthur Hughes (1832-1915) - Caedmon's awakening
Est: £20,000 - £30,000
Arthur Hughes (1832-1915) Caedmon's awakening oil on canvas 24 x 32 in. (61 x 81.4 cm.)
Christie's
Jul. 04, 2017
ARTHUR HUGHES (BRITISH, 1832-1915) Goats at play signed ‘ARTHUR HUGHES’ (lower left)
Est: £1,000 - £1,500
ARTHUR HUGHES (BRITISH, 1832-1915) Goats at play signed ‘ARTHUR HUGHES’ (lower left) and bears title on old label affixed to the reverse oil on panel 27.3 x 46.7cm (10 3/4 x 18 3/8in).
Bonhams