Max (1919) Huber Sold at Auction Prices

Max Huber (1919-1992) Abstraction geométrique, huile sur panneau, signée, 4

Max Huber (1919-1992) Abstraction geométrique, huile sur panneau, signée, 49x38 cm

Max Huber (1919-1992) Abstraction geométrique, huile sur panneau, signée et

Max Huber (1919-1992) Abstraction geométrique, huile sur panneau, signée et datée 1971, 56x36 cm

MAX HUBER (1919 BAAR - 1992 MENDRISIO), STUDY, AROUND 1975

Max Huber (1919 Baar - 1992 Mendrisio), Study, around 1975, Black and colored felt-tip pen on Hoesch Watt cardboard (study on both sides). 32.5 x 50.0 cm (sheet), 53.2 x 68.0 cm (frame). Each signed lower left: Max and inscribed: ETUDES DÉTAIL - CIMENT or ETUDE SUR - CIMENT DÉTAIL (black felt-tip pen). Framed in a Plexiglas double frame.,

Max Huber, 5.6.1919 Baar, † 16.11.1992 Mendrisio.

"Der Tag", Max Huber, 5.6.1919 Baar, † 16.11.1992 Mendrisio. Öl auf Leinwand, signiert und revers bezeichnet

MAX HUBER (1919-1992). 1 GRAN PREMIO / BERGAMO FILM FESTIVAL. 1958. 19x27 inches, 48¼x68½ cm. Industrie Grafiche Cattaneo, Bergamo.

MAX HUBER (1919-1992) 1 GRAN PREMIO / BERGAMO FILM FESTIVAL. 1958. 19x27 inches, 48 1/4x68 1/2 cm. Industrie Grafiche Cattaneo, Bergamo. Condition A-: small tear at upper left edge; minor creases at edges and along vertical fold. Printed on thin paper. Born in Zürich, Huber moved to Milan in the 1930s where he worked for Studio Boggeri. He returned to Switzerland briefly before settling again in Italy in 1946. He had a strong influence on Italian graphic design, mixing Constructivist principles with bold colors. His posters for La Rinascente, as well as those done for the Italian Automobile Club and Olivetti, can be considered masterpieces of a well-balanced, wild imagination.

MAX HUBER (1919 BAAR - 1992 MENDRISIO), STUDY, AROUND 1975

Max Huber (1919 Baar - 1992 Mendrisio), Study, around 1975, Black and colored felt-tip pen on Hoesch Watt cardboard (study on both sides). 32.5 x 50.0 cm (sheet), 53.2 x 68.0 cm (frame). Each signed lower left: Max and inscribed: ETUDES DÉTAIL - CIMENT or ETUDE SUR - CIMENT DÉTAIL (black felt-tip pen). Framed in a Plexiglas double frame.,

MAX HUBER (1919-1992). CONVEGNO SU GLI SVILUPPI DI MILANO. 1959. 26¾x39¼ inches, 68x99½ cm. N. Moneta, Milano.

MAX HUBER (1919-1992) CONVEGNO SU GLI SVILUPPI DI MILANO. 1959. 26 3/4x39 1/4 inches, 68x99 1/2 cm. N. Moneta, Milano. Condition B+: replaced losses in corners, minor tears and tape-staining at edges. Paper. Born in Zürich, Huber moved to Milan in the 1930s where he worked for Studio Boggeri. He returned to Switzerland briefly before settling again in Italy in 1946. He had a strong influence on Italian graphic design, mixing Constructivist principles with bold colors. His posters for La Rinascente, as well as those done for the Italian Automobile Club and Olivetti, can be considered masterpieces of a well-balanced, wild imagination.

Huber Max

Huber Max 1919 Baar - 1992 Mendrisio Costruzione Progressiva". Acryl auf Karton. Verso signiert. Datiert 1948. Vom Künstler betitelt. Dabei Künstlerwidmung. Diverse Farbverluste. Ungerahmt. Bildmasse 43.5 cm x 50 cm

MAX HUBER,

MAX HUBER (1919 - 1992) Il lotto è composto da due grafiche e un libro: Max Huber Senza titolo 1975-1976 Serigrafia su cartoncino, es. p.a. 50 x 50 cm Numerata, firmata e datata a matita in basso a destra, dedica in basso a sinistra Max Huber Senza titolo 1974-1977 Serigrafia su cartoncino, es. p.a. 70 x 50 cm Numerata, firmata e datata a matita in basso a destra, dedica in basso a sinistra Roberto Sambonet 1953 Libro d'artista con Testo di Emilio Villa e impaginazione di Max Huber, es. 138/500, Edizioni del Milione, Milano 30 x 23 cm PROVENIENZA: Collezione Felice Nava, Milano

MAX HUBER (1919-1992). LOTTERIA DI MONZA / 500 MIGLIA DI MONZA. 1957. 53x38 inches, 134x96 cm. M & G. Pirovano, Milan.

MAX HUBER (1919-1992) LOTTERIA DI MONZA / 500 MIGLIA DI MONZA. 1957. 53x38 inches, 134 1/2x96 1/2 cm. M & G. Pirovano, Milan. Condition B-: replaced lower left corner; repaired tears at edges affecting image; creases, tears and restoration in image and along horizontal fold; staining in image. Born in Zürich, Huber moved to Milan in the 1930s where he worked for Studio Boggeri. He returned to Switzerland briefly before settling again in Italy in 1946. He had a strong influence on Italian graphic design, mixing Constructivist principles with bold colors. His posters for La Rinascente, as well as those done for the Italian Automobile Club and Olivetti, can be considered masterpieces of a well balanced, wild imagination. Here, in one of several posters he designed for this prestigious Italian car race, Huber seamlessly mixes the colors of the Italian flag with a photograph of Formula Three racing cars speeding around a track. This is a paragon of motion graphics, reminiscent of Moholy Nagy's 1924 photomontage Pneumatik, which features a nearly identical mise en page. Huber p. 57, Fotoplakate 82.

MAX HUBER, Baar 1919-1992 Mendrisio, spiral movement

MAX HUBER, Baar 1919-1992 Mendrisio, spiral movement, Unten rechts signiert "Max Huber" und unten links nummeriert "48.´93 f.c."., Farblithographie, 69 x 69 cm, in schwarzem Originalumschlag,

MAX HUBER

1919  -  1992 OHNE  TITEL UNTITLED Gemalt  1989. Dieses  Gemälde  begleitet  eine  Echtheitsbestätigung  der  Max  Huber-Kono  Foundation  (2004). Acryl  auf  Leinwand 81  x  81  cm

Max Huber (1919-1992)

Max Huber (1919-1992) UNESCO lithograph in colours, 1950, condition B+; backed on linen, framed 27½ x 39in. (70 x 99cm.)

Original 19660s MAX HUBER Swiss Graphic Design Poster

Huber, Max 1919 - 1992. die bühne als forum. Silkscreen 1972. Size 50.3 x 35.4 in. (128 x 90 cm). Printer: J.C. Müller, Zürich. Condition details: (A) tiny tears and minimal creasing at the right edge.

Original 1970s Swiss Typography Poster MAX HUBER

Huber, Max 1919 - 1992 die bühne als forum Serigraphie / Silkscreen 1972 50.3 x 35.4 in. (128 x 90 cm) Printer: Müller, Zürich Description / Details: (A)

[ Poster ]

Huber, Max 1919 - 1992:Monza: Druck: Fratelli, Milano(B+) wg, Farbabreibungen an den Faltstellen, nicht sign.: NY-231: 1970: 67 x 97 cm

MAX HUBER (1919- ) REMO MUNATORI (1912- ) SANADON FA LA DONNA SANA. 27x19 inches. Offiche Graphice Antonio Saita, Milan.

MAX HUBER (1919- ) REMO MUNATORI (1912- ) SANADON FA LA DONNA SANA.

27 1/2x19 1/2 inches. Offiche Graphice Antonio Saita, Milan. Condition A: minor creases in image. After studying in Zurich, Max Huber went to Italy as Director of the Studio Boggieri. He returned to Switzerland during the war, where he worked with Max Bill, and then finally settled, once again, in Italy where he worked for the Triennial (winning a gold medal there) and did work for major clients like Olivetti and the department store La Rinascente. Remo Muratore, himself a graphic designer and architect, won two gold medals at the Triennial of Milan in 1940 and 1954, and worked for RAI, Pirelli and the Piccolo Theater of Milan. Both men created visual arrangements based on a modern use of photography with bold colors. Working in the same city and on the same projects, they became friends and occasionally joined forces, as they did with this poster for medicine: A photograph with a slightly turned perspective, vivid colors and bold, progressive typography all combine to make for a rare and fine example of a post war Italian advertisement.