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      • Children with Basket (20th century) - Eugenio Hermoso, signed lower right corner - Fregenal de la Sierra, February 26, 1883 - Madrid, February 2, 1963
        Oct. 09, 2024

        Children with Basket (20th century) - Eugenio Hermoso, signed lower right corner - Fregenal de la Sierra, February 26, 1883 - Madrid, February 2, 1963

        Est: €12,000 - €15,000

        Oil on canvas measuring 84 x 72 cm. This painting represents two children with a basket, painted in oil on canvas. The scene shows a rural setting with green hills in the background, capturing the innocence and simplicity of childhood. The use of color and composition suggests the influence of the 20th century Spanish school, standing out for its focus on everyday life and realism.

        Templum Fine Art Auctions
      • EUGENIO HERMOSO (Fregenal de la Sierra, Badajoz, 1883 - Madrid, 1963), Retrato de caballero con barba
        Sep. 18, 2024

        EUGENIO HERMOSO (Fregenal de la Sierra, Badajoz, 1883 - Madrid, 1963), Retrato de caballero con barba

        Est: €3,200 - €3,600

        Firmado en el ángulo inferior derecho: "E. Hermoso".

        Isbilya Subastas
      • Children with Basket (20th century) - Eugenio Hermoso, signed lower right corner - Fregenal de la Sierra, February 26, 1883 - Madrid, February 2, 1963
        Sep. 12, 2024

        Children with Basket (20th century) - Eugenio Hermoso, signed lower right corner - Fregenal de la Sierra, February 26, 1883 - Madrid, February 2, 1963

        Est: €12,000 - €15,000

        Oil on canvas measuring 84 x 72 cm. This painting represents two children with a basket, painted in oil on canvas. The scene shows a rural setting with green hills in the background, capturing the innocence and simplicity of childhood. The use of color and composition suggests the influence of the 20th century Spanish school, standing out for its focus on everyday life and realism.

        Templum Fine Art Auctions
      • Children with Basket (20th century) - Eugenio Hermoso, signed lower right corner - Fregenal de la Sierra, February 26, 1883 - Madrid, February 2, 1963
        Jul. 25, 2024

        Children with Basket (20th century) - Eugenio Hermoso, signed lower right corner - Fregenal de la Sierra, February 26, 1883 - Madrid, February 2, 1963

        Est: €12,000 - €15,000

        Oil on canvas measuring 84 x 72 cm. This painting represents two children with a basket, painted in oil on canvas. The scene shows a rural setting with green hills in the background, capturing the innocence and simplicity of childhood. The use of color and composition suggests the influence of the 20th century Spanish school, standing out for its focus on everyday life and realism.

        Templum Fine Art Auctions
      • EUGENIO HERMOSO. Two girls. (d)
        Oct. 05, 2023

        EUGENIO HERMOSO. Two girls. (d)

        Est: €2,400 - €2,600

        Oil on canvas Signed. On the back, signed. Attached is a Christmas greeting signed by the artist and illustrated with an angel, undated. 45x34 cm.

        Balclis
      • Pair of children from Extremadura, Eugenio Hermoso (Fregenal de la Sierra, February 26, 1883 – Madrid, February 2, 1963), Spanish school of the 20th century
        Apr. 26, 2023

        Pair of children from Extremadura, Eugenio Hermoso (Fregenal de la Sierra, February 26, 1883 – Madrid, February 2, 1963), Spanish school of the 20th century

        Est: €12,000 - €15,000

        Oil on canvas, canvas measures: 70 x 43, framed measures: 79 x 62 cm. Spanish painter, academic at the San Fernando Royal Academy of Fine Arts, of which he became a professor. Very soon, at the same time that he was working in the fields, he began to stand out in painting at the Fregenal school. In January 1898 he traveled to Seville to study at the Santa Isabel de Hungría School of Fine Arts. During his training, he received a scholarship from both the Fregenal City Council and the Badajoz Provincial Council, which allowed him to expand his studies abroad. Both institutions are now part of the board of trustees of the Eugenio Hermoso-Legado Rosario Hermoso Foundation. A student of Gonzalo Bilbao and José Jiménez Aranda in Seville, in 1901 he moved to Madrid. In 1905 he traveled to Paris where he met the avant-garde. In 1905 he led the Exhibition of the Círculo de Bellas Artes: El Colegio e Hijas del Terruño, which is praised by the critic José Francés. In his studio he received and met Juan Gris and Pío Baroja. That same year he traveled to France and Belgium. In 1941, he was elected Academician of the Royal Academy of Fine Arts of San Fernando in Madrid, occupying the chair of his former teacher in Seville, Gonzalo Bilbao. He and appointed professor by opposition at the Superior School of Fine Arts, of which Eduardo Chicharro was director. He dedicated his admission speech to the Academy to a gloss on Zurbarán's painting.8 His pedagogical facet transmitted his experience of modernity to generations of Spanish artists, but always preserving his deep-rooted classicist sense in his painting and in his teaching work. . El Colegio e Hijas del terruño which is praised by the critic José Francés. In his studio he received and met Juan Gris and Pío Baroja. That same year he traveled to France and Belgium. In 1941, he was elected Academician of the Royal Academy of Fine Arts of San Fernando in Madrid, occupying the chair of his former teacher in Seville, Gonzalo Bilbao. And appointed professor by opposition of the Superior School of Fine Arts, of which Eduardo Chicharro was director. He dedicated his admission speech to the Academy to a gloss on Zurbarán's painting.8 His pedagogical facet transmitted his experience of modernity to generations of Spanish artists, but always preserving his deep-rooted classicist sense in his painting and in his teaching work. . El Colegio e Hijas del terruño which is praised by the critic José Francés. In his studio he received and met Juan Gris and Pío Baroja. That same year he traveled to France and Belgium. In 1941, he was elected Academician of the Royal Academy of Fine Arts of San Fernando in Madrid, occupying the chair of his former teacher in Seville, Gonzalo Bilbao. And appointed professor by opposition of the Superior School of Fine Arts, of which Eduardo Chicharro was director. He dedicated his admission speech to the Academy to a gloss on Zurbarán's painting.8 His pedagogical facet transmitted his experience of modernity to generations of Spanish artists, but always preserving his deep-rooted classicist sense in his painting and in his teaching work. . That same year he traveled to France and Belgium. In 1941, he was elected Academician of the Royal Academy of Fine Arts of San Fernando in Madrid, occupying the chair of his former teacher in Seville, Gonzalo Bilbao. He and appointed professor by opposition at the Superior School of Fine Arts, of which Eduardo Chicharro was director. He dedicated his admission speech to the Academy to a gloss on Zurbarán's painting.8 His pedagogical facet transmitted his experience of modernity to generations of Spanish artists, but always preserving his deep-rooted classicist sense in his painting and in his teaching work. That same year he traveled to France and Belgium. In 1941, he was elected Academician of the Royal Academy of Fine Arts of San Fernando in Madrid, occupying the chair of his former teacher in Seville, Gonzalo Bilbao. He and appointed professor by opposition at the Superior School of Fine Arts, of which Eduardo Chicharro was director. He dedicated his admission speech to the Academy to a gloss on Zurbarán's painting.8 His pedagogical facet transmitted his experience of modernity to generations of Spanish artists, but always preserving his deep-rooted classicist sense in his painting and in his teaching work. And appointed professor by opposition of the Superior School of Fine Arts, of which Eduardo Chicharro was director. He dedicated his admission speech to the Academy to a gloss on Zurbarán's painting.8 His pedagogical facet transmitted his experience of modernity to generations of Spanish artists, but always preserving his deep-rooted classicist sense in his painting and in his teaching work. . And appointed professor by opposition of the Superior School of Fine Arts, of which Eduardo Chicharro was director. He dedicated his admission speech to the Academy to a gloss on Zurbarán's painting.8 His pedagogical facet transmitted his experience of modernity to generations of Spanish artists, but always preserving his deep-rooted classicist sense in his painting and in his teaching work. .

        Templum Fine Art Auctions
      • Eugenio Hermoso. Family of peasants
        Jun. 21, 2022

        Eugenio Hermoso. Family of peasants

        Est: -

        Oil on canvas. Signed in the lower right corner.

        Duran Arte y Subastas
      • EUGENIO HERMOSO (Fregenal de la Sierra, Badajoz, 1883 – Madrid, 1963). "Portrait of a child", 1910. Oil on canvas. Presents restorations. Signed and dated in the lower right corner.
        Jun. 09, 2022

        EUGENIO HERMOSO (Fregenal de la Sierra, Badajoz, 1883 – Madrid, 1963). "Portrait of a child", 1910. Oil on canvas. Presents restorations. Signed and dated in the lower right corner.

        Est: €12,000 - €14,000

        EUGENIO HERMOSO (Fregenal de la Sierra, Badajoz, 1883 - Madrid, 1963). "Portrait of a child", 1910. Oil on canvas. With restorations. Signed and dated in the lower right corner. Size: 139 x 91 cm; 149 x 101 cm (frame). Country scene in which the undoubted protagonist is a boy dressed in a regionalist costume of Tyrolean type. It is a standing portrait in which the protagonist is the centre and occupies almost the entire canvas. The young boy in the scene is in the centre, staring straight ahead at the viewer posing before him, with one hand resting on his waist and the other holding a wooden stick. The boy, dressed in green trousers with braces and a white shirt, has two feathers protruding from his head. In the background of the composition, the silhouette of the mountains can be seen, which are defined in a misty atmosphere in the last plane of the scene. Eugenio Hermoso painted this painting with a loose, doughy brushstroke based on patches of colour, with a rich chromatic palette in which greens and browns predominate in all their shades, with the red of the tie worn by the boy standing out. The personal and unmistakable style of the modernist and colourist impressionism of his early works can be appreciated. As an exceptional portraitist, he created a valuable iconographic gallery, the contemplation of which brings us closer to the way of life of the simple people of the village. Eugenio Hermoso began his studies at the Santa Isabel de Hungría School of Fine Arts in Seville, with a scholarship from the City Council and the Diputación de Badajoz. In 1901 he moved to Madrid to continue his training at the San Fernando School, where he also devoted himself to making copies of the great masters in the Prado Museum. During these years he frequented the Ateneo and the Círculo de Bellas Artes, and was praised by intellectuals such as Pío Baroja, Díaz Canedo and Juan Ramón Jiménez. He then embarked on a study trip that took him to France and Belgium, as well as to the most important Italian cities: Genoa, Pisa, Rome, Naples, Florence, Venice and Milan. On this trip Eugenio Hermoso came into contact with the European avant-garde, meeting the Impressionists and admiring the portraits of Egyptian sarcophagi from the Roman period. In 1912 he embarked for England, exhibiting his work in London that same year. In 1918 he settled permanently in Madrid. From then on he frequented the evening gatherings at the café Nuevo Levante, attended by the brothers Ricardo and Pío Baroja, Ignacio Zuloaga, José Gutiérrez Solana and Rafael de Penagos, among others, and the café Maisón Doré, together with Jacinto Benavente, Manuel and Antonio Machado and Francisco Villaespesa. In 1922 he held his first major exhibition at the Museo de Arte Moderno in Madrid, which was a great success with the public and sales. A professor at the San Fernando School of Fine Arts in Madrid, he was appointed an academician in 1941. Seven years later he was awarded the medal of honour at the National Academy. Under the pseudonym of Francisco Teodoro de Nertóbriga he published his "Autobiography" in 1955, and signed his satirical paintings. He is mainly represented in the Fine Arts Museums of Badajoz and Seville, as well as in other public and private collections.

        Setdart Auction House
      • EUGENIO HERMOSO (1883 / 1963) "Girl of the pitcher"
        Jan. 26, 2022

        EUGENIO HERMOSO (1883 / 1963) "Girl of the pitcher"

        Est: €1,500 - €2,000

        Signed and dedicated in the lower left corner "With my affection for/the girl of the pitcher/E.Hermoso". . 80 x 67 cm.. Oil on canvas

        Ansorena
      • EUGENIO HERMOSO MARTÍNEZ (Fregenal de la Sierra, Badajoz, 1883 - Madrid, 1963). "Young man with flowers". Oil on canvas.
        Nov. 10, 2021

        EUGENIO HERMOSO MARTÍNEZ (Fregenal de la Sierra, Badajoz, 1883 - Madrid, 1963). "Young man with flowers". Oil on canvas.

        Est: €6,000 - €8,000

        EUGENIO HERMOSO MARTÍNEZ (Fregenal de la Sierra, Badajoz, 1883 - Madrid, 1963). "Young man with flowers". Oil on canvas. Signed in the lower left corner. Measurements: 75 x 48 cm; 91 x 63 cm (frame). Eugenio Hermoso began his studies at the School of Fine Arts of Santa Isabel de Hungría in Seville, with a scholarship from the City Council and the Provincial Council of Badajoz. In 1901 he moved to Madrid to continue his training at the School of San Fernando, and there he also dedicated himself to making copies of the great masters in the Prado Museum. During these years he frequented the Ateneo and the Círculo de Bellas Artes, being praised by intellectuals such as Pío Baroja, Díaz Canedo and Juan Ramón Jiménez. He then began a study trip that took him to France and Belgium, as well as the most important Italian cities: Genoa, Pisa, Rome, Naples, Florence, Venice and Milan. On this trip Eugenio Hermoso came into contact with the European avant-garde, meeting the Impressionists and admiring the portraits of Egyptian sarcophagi from the Roman period. In 1912 he embarked for England, exhibiting his work in London that same year. In 1918 he settled in Madrid forcibly and definitively. From then on he frequented the nightly gatherings of the Nuevo Levante café, attended by the brothers Ricardo and Pío Baroja, Ignacio Zuloaga, José Gutiérrez Solana and Rafael de Penagos, among others; and the Maisón Doré café, together with Jacinto Benavente, Manuel and Antonio Machado and Francisco Villaespesa. In 1922 he held his first major exhibition at the Museum of Modern Art in Madrid, with public and sales success. Professor at the Escuela Superior de Bellas Artes de San Fernando in Madrid, he was appointed academician in 1941. Seven years later he was awarded the medal of honor at the National. Under the pseudonym of Francisco Teodoro de Nertóbriga he published his "Autobiography" in 1955, and signed his satirical paintings. He is mainly represented in the Fine Arts Museums of Badajoz and Seville, as well as in other public and private collections.

        Setdart Auction House
      • HERMOSO, EUGENIO (Fregenal de la Sierra, Badajoz,
        May. 28, 2020

        HERMOSO, EUGENIO (Fregenal de la Sierra, Badajoz,

        Est: -

        HERMOSO, EUGENIO (Fregenal de la Sierra, Badajoz, 1883 - Madrid, 1963) Figura masculina 20 x 26.3 cm.

        Duran Arte y Subastas
      • Eugenio Hermoso
        Mar. 22, 2019

        Eugenio Hermoso

        Est: €1,200 - €1,800

        Eugenio Hermoso (Fregenal de la Sierra, Badajoz, 1883-Madrid, 1963). "Retrato de joven", óleo sobre lienzo, 51x43 cm.

        Sala de Ventas
      • Eugenio Hermoso
        Mar. 07, 2019

        Eugenio Hermoso

        Est: -

        Eugenio Hermoso (Fregenal de la Sierra, Badajoz, 1883-Madrid, 1963). "Retrato de joven", óleo sobre lienzo, 51x43 cm.

        Sala de Ventas
      • Eugenio Hermoso, A girl, Oil on wood
        Oct. 24, 2018

        Eugenio Hermoso, A girl, Oil on wood

        Est: €5,000 - €6,000

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 A girl Oil on wood Signed and dated 1922 40.5x32.5 cm

        Balclis
      • Eugenio Hermoso. Sketch
        May. 25, 2017

        Eugenio Hermoso. Sketch

        Est: -

        HERMOSO, EUGENIO (1883 - 1963). "Caricatura". Caricatura. Dibujo a color. Titulado:"Un pintor abstrasto para 1963". Firmado.. 20 x 26

        Duran Arte y Subastas
      • Eugenio Hermoso. Alfonso portrait
        May. 25, 2017

        Eugenio Hermoso. Alfonso portrait

        Est: -

        HERMOSO, EUGENIO (1883 - 1963). "Retrato de Alfonso". Óleo sobre lienzo. Firmado y dedicado en el ángulo inferior izquierdo.. 46 x 38 cm

        Duran Arte y Subastas
      • Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed
        Dec. 21, 2016

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed

        Est: €10,000 -

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed. This is the last of the three studies that Hermoso painted before the final version that he showed at the National Exhibition of Fine Arts in Madrid in 1926 and which he won a Gold Medal at the exhibition of the Círculo de Bellas Artes in the same year. We thank Manuel Díaz de Antonio essential in cataloging this work. Reference Literature: "La Esfera", N. 653, 10-VII-1926, between p. 29-30; ''Noticias. Exposición de pintura: Eugenio Hermoso, Adelardo Covarsí'', "Revista de Estudios Extremeños", T. I, N. 2, May-August 1927, p. 229-230; Adelardo Covarsí, ''Un prestigio nacional: Eugenio Hermoso'', "Revista de Estudios Extremeños", T. XIV, N. 1, 1940, p. 102; B. de Pantorba, ''El pintor Eugenio Hermoso'', "Revista de Estudios Extremeños", T. XXI, N. 1, January-April 1965, p. 104 62x86 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Lavanderas (o Lavanderas extremeñas) Óleo sobre lienzo Firmado. Se trata del último de los tres estudios que Hermoso realizó para la versión definitiva que presentó en la Exposición Nacional de Bellas Artes de Madrid en 1926 y por la que consiguió una Medalla de Oro en la muestra del Círculo de Bellas Artes de ese mismo año. Agradecemos la colaboración de Manuel Díaz de Antonio, imprescindible en la catalogación de esta obra. Bibliografía de referencia: "La Esfera", Nº 653, 10-VII-1926, entre p. 29-30; ''Noticias. Exposición de pintura: Eugenio Hermoso, Adelardo Covarsí'', "Revista de Estudios Extremeños", T. I, Nº 2, mayo-agosto 1927, p. 229-230; Adelardo Covarsí, ''Un prestigio nacional: Eugenio Hermoso'', "Revista de Estudios Extremeños", T. XIV, Nº 1, 1940, p. 102; B. de Pantorba, ''El pintor Eugenio Hermoso'', "Revista de Estudios Extremeños", T. XXI, Nº 1, enero-abril 1965, p. 104 62x86 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Wäscherinnen (oder Wäscherinnen aus Extremadura) Öl auf Leinwand Mit Signierung. 1926 präsentierte Eugenio Hermoso die erste Version bei der Nationalausstellung der schönen Künste in Madrid. Er gewann im selben Jahr eine Goldmedaille während der Ausstellung des Círculo de Bellas Artes. Aufgrund des Erfolgs erstellte er gleiche Repliken, von denen dieses Werk eine ist. Referenzbibliografie: ""La Esfera"", Nr. 653, 10-VII-1926, auf S. 29-30; ''Notizen. Malereiausstellung: Eugenio Hermoso, Adelardo Covarsí'', ""Revista de Estudios Extremeños"", T. I, Nr. 2, Mai-August 1927, S. 229-230; Adelardo Covarsí, ''Un prestigio nacional: Eugenio Hermoso'', ""Revista de Estudios Extremeños"", T. XIV, Nr. 1, 1940, S. 102; B. de Pantorba, ''El pintor Eugenio Hermoso'', ""Revista de Estudios Extremeños"", T. XXI, Nr. 1, Januar-April 1965, S. 104 62x86 cm

        Balclis
      • Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 "Inconsciencia" (or "Melancolía")
        Dec. 21, 2016

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 "Inconsciencia" (or "Melancolía")

        Est: €10,000 -

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 "Inconsciencia" (or "Melancolía") Oil on canvas Firmado, localizado y fechado en Madrid en 1925. Exposición: "Exposición Nacional de Bellas Artes", Madrid, 1926. Bibliografía: Teresa Arce, ''Los pintores extremeños en las Exposiciones Nacionales de Bellas Artes (1924-1936)'', "Norba: revista de arte", nº 6, 1985, p. 213; Lola Caparrós Masegosa, "Prerrafaelismo, Simbolismo y Decadentismo en la pintura española de fin de siglo", Granada, Universidad de Granada, 1999, p. 385-386; José Eugenio Carretero Galán, "Eugenio Hermoso 1863-1963. Visión y realidad", Punto Rojo (Edición del autor), 2014, p. 24 y 153 (reproducido). Procedencia: perteneció a la famosa colección de desnudos del Dr. Andreu, Barcelona. Según su autor y en relación a la Exposición Nacional de 1926, "en Madrid pinté también con destino a la propia Exposición, otros desnudos, firmados en la primavera de 1926 poco antes de exponerse en unión de ''Las lavanderas''. / Los desnudos fueron pintados a la vez, uno en sesión de mañana, otro de tarde. / Uno, titulado ''Madreselvas'', [...]. / El otro, titulado "Inconsciencia", está inspirado en el mundo de la patología: Una joven que pierde la razón y huye al campo desnuda" 146,5x122 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 "Inconsciencia" Óleo sobre lienzo Firmado, localizado y fechado en Madrid en 1925. Bibliografía: Francisco Teodoro de Nerto´briga (Eugenio Hermoso), "Vida de Eugenio Hermoso", Madrid, [Ediciones Castilla], 1955, p.471, lám. 51 (reproducido); Teresa Arce, ''Los pintores extremeños en las Exposiciones Nacionales de Bellas Artes (1924-1936)'', "Norba: revista de arte", nº 6, 1985, p. 213; Lola Caparrós Masegosa, "Prerrafaelismo, Simbolismo y Decadentismo en la pintura española de fin de siglo", Granada, Universidad de Granada, 1999, p. 385-386; José Eugenio Carretero Galán, "Eugenio Hermoso 1863-1963. Visión y realidad", Punto Rojo (Edición del autor), 2014, p. 24 y 153 (reproducido). Procedencia: perteneció a la famosa colección de desnudos del Dr. Andreu, Barcelona. Según su autor y en relación a la Exposición Nacional de 1926, "en Madrid pinté también con destino a la propia Exposición, otros desnudos, firmados en la primavera de 1926 poco antes de exponerse en unión de ''Las lavanderas''. / Los desnudos fueron pintados a la vez, uno en sesión de mañana, otro de tarde. / Uno, titulado ''Madreselvas'', [...]. / El otro, titulado "Inconsciencia", está inspirado en el mundo de la patología: Una joven que pierde la razón y huye al campo desnuda" 146,5x122 cm

        Balclis
      • HERMOSO, EUGENIO. “Joven con sandías”
        Sep. 20, 2016

        HERMOSO, EUGENIO. “Joven con sandías”

        Est: -

        HERMOSO, EUGENIO. “Joven con sandías”. Acuarela, de 20x17 cm. Firmada y fechada 35.

        Subastas Galileo
      • Eugenio Hermoso (Attrib). Portrait of a gentlemen
        Jul. 21, 2016

        Eugenio Hermoso (Attrib). Portrait of a gentlemen

        Est: -

        HERMOSO, ATRIBUIDO A EUGENIO (1883 - 1963). "Retrato de caballero". Óleo sobre lienzo. 23,5 x 19 cm. Escrito al dorso "Pintado por Eugenio Hermoso".

        Duran Arte y Subastas
      • EUGENIO HERMOSO (Fregenal de la Sierra, Badajoz, 1883 - 1963), Lot y sus hijas - EUGENIO HERMOSO 1883 Fregenal de la Sierra, Badajoz, - 1963 Lot y sus hijas
        Jan. 21, 2016

        EUGENIO HERMOSO (Fregenal de la Sierra, Badajoz, 1883 - 1963), Lot y sus hijas - EUGENIO HERMOSO 1883 Fregenal de la Sierra, Badajoz, - 1963 Lot y sus hijas

        Est: -

        Firmado.

        Isbilya Subastas
      • Eugenio Hermoso (Badajoz, 1883 - Madrid, 1963) "La fortuna y sus prefe
        Apr. 27, 2015

        Eugenio Hermoso (Badajoz, 1883 - Madrid, 1963) "La fortuna y sus prefe

        Est: €1,000 - €1,500

        Eugenio Hermoso (Badajoz, 1883 - Madrid, 1963) "La fortuna y sus preferidos" Óleo sobre cartón Firmado con iniciales, titulado al reverso 23 x 29 cm

        Goya Subastas
      • Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Girl with cherries Oil on canvas Signed, located and dated in Madrid in 193
        Mar. 11, 2015

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Girl with cherries Oil on canvas Signed, located and dated in Madrid in 193

        Est: €5,000 -

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Girl with cherries Oil on canvas Signed located and dated in Madrid in 1930 76,5x61 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Joven con cerezas Óleo sobre lienzo Firmado, localizado y fechado en Madrid en 1930 76,5x61 cm

        Balclis
      • Escuela española del siglo XVII Virgen con el Niño Grupo escultórico en nogal tallado
        Oct. 01, 2014

        Escuela española del siglo XVII Virgen con el Niño Grupo escultórico en nogal tallado

        Est: €600 -

        17th century Spanish school. The Virgin with Baby Jesus. Carved walnut sculptural group Alguna falta 105 cm alt Escuela española del siglo XVII Virgen con el Niño Grupo escultórico en nogal tallado 105 cm alt Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Wäscherinnen (oder Wäscherinnen aus Extremadura) Öl auf Leinwand Mit Sign

        Balclis
      • Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed
        Feb. 27, 2014

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed

        Est: €24,000 -

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed. This is the last of the three studies that Hermoso painted before the final version that he showed at the National Exhibition of Fine Arts in Madrid in 1926 and which he won a Gold Medal at the exhibition of the Círculo de Bellas Artes in the same year. We thank Manuel Díaz de Antonio, essential in cataloging this work. Reference Literature: "La Esfera", N. 653, 10-VII-1926, between p. 29-30; 'Noticias. Exposición de pintura: Eugenio Hermoso, Adelardo Covarsí', "Revista de Estudios Extremeños", T. I, N. 2, May-August 1927, p. 229-230; Adelardo Covarsí, 'Un prestigio nacional: Eugenio Hermoso', "Revista de Estudios Extremeños", T. XIV, N. 1, 1940, p. 102; B. de Pantorba, 'El pintor Eugenio Hermoso', "Revista de Estudios Extremeños", T. XXI, N. 1, January-April 1965, p. 104 62x86 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Lavanderas (o Lavanderas extremeñas) Óleo sobre lienzo Firmado. Se trata del último de los tres estudios que Hermoso realizó para la versión definitiva que presentó en la Exposición Nacional de Bellas Artes de Madrid en 1926 y por la que consiguió una Medalla de Oro en la muestra del Círculo de Bellas Artes de ese mismo año. Agradecemos la colaboración de Manuel Díaz de Antonio, imprescindible en la catalogación de esta obra. Bibliografía de referencia: "La Esfera", Nº 653, 10-VII-1926, entre p. 29-30; 'Noticias. Exposición de pintura: Eugenio Hermoso, Adelardo Covarsí', "Revista de Estudios Extremeños", T. I, Nº 2, mayo-agosto 1927, p. 229-230; Adelardo Covarsí, 'Un prestigio nacional: Eugenio Hermoso', "Revista de Estudios Extremeños", T. XIV, Nº 1, 1940, p. 102; B. de Pantorba, 'El pintor Eugenio Hermoso', "Revista de Estudios Extremeños", T. XXI, Nº 1, enero-abril 1965, p. 104 62x86 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Wäscherinnen (oder Wäscherinnen aus Extremadura) Öl auf Leinwand Mit Signierung. 1926 präsentierte Eugenio Hermoso die erste Version bei der Nationalausstellung der schönen Künste in Madrid. Er gewann im selben Jahr eine Goldmedaille während der Ausstellung des Círculo de Bellas Artes. Aufgrund des Erfolgs erstellte er gleiche Repliken, von denen dieses Werk eine ist. Referenzbibliografie: ""La Esfera"", Nr. 653, 10-VII-1926, auf S. 29-30; 'Notizen. Malereiausstellung: Eugenio Hermoso, Adelardo Covarsí', ""Revista de Estudios Extremeños"", T. I, Nr. 2, Mai-August 1927, S. 229-230; Adelardo Covarsí, 'Un prestigio nacional: Eugenio Hermoso', ""Revista de Estudios Extremeños"", T. XIV, Nr. 1, 1940, S. 102; B. de Pantorba, 'El pintor Eugenio Hermoso', ""Revista de Estudios Extremeños"", T. XXI, Nr. 1, Januar-April 1965, S. 104 62x86 cm

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      • Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Lot and his daughters
        Oct. 17, 2013

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Lot and his daughters

        Est: €2,250 -

        Eugenio HermosoFregenal de la Sierra 1883 - Madrid 1963 Lot and his daughtersOil on boardSigned. From the original by Francesco Furini (h. 1634), housed in Museo del Prado, Madrid (inventory number P00144) 135x120 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Lot y sus hijas Óleo sobre tabla Firmado. A partir del original de Francesco Furini (h. 1634), conservado en el Museo del Prado, Madrid (nº inv. P00144) 135x120 cm

        Balclis
      • Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed
        Jul. 18, 2013

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed

        Est: €45,000 -

        Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Laundresses (or Laundresses from Extremadura) Oil on canvas Signed. This is the last of the three studies that Hermoso painted before the final version that he showed at the National Exhibition of Fine Arts in Madrid in 1926 and which he won a Gold Medal at the exhibition of the Círculo de Bellas Artes in the same year. We thank Manuel Díaz de Antonio, essential in cataloging this work. Reference Literature: "La Esfera", N. 653, 10-VII-1926, between p. 29-30; 'Noticias. Exposición de pintura: Eugenio Hermoso, Adelardo Covarsí', "Revista de Estudios Extremeños", T. I, N. 2, May-August 1927, p. 229-230; Adelardo Covarsí, 'Un prestigio nacional: Eugenio Hermoso', "Revista de Estudios Extremeños", T. XIV, N. 1, 1940, p. 102; B. de Pantorba, 'El pintor Eugenio Hermoso', "Revista de Estudios Extremeños", T. XXI, N. 1, January-April 1965, p. 104 62x86 cm Eugenio Hermoso Fregenal de la Sierra 1883 - Madrid 1963 Lavanderas (o Lavanderas extremeñas) Óleo sobre lienzo Firmado. Se trata del último de los tres estudios que Hermoso realizó para la versión definitiva que presentó en la Exposición Nacional de Bellas Artes de Madrid en 1926 y por el que consiguió una Medalla de Oro en la muestra del Círculo de Bellas Artes de ese mismo año. Agradecemos la colaboración de Manuel Díaz de Antonio, imprescindible en la catalogación de esta obra. Bibliografía de referencia: "La Esfera", Nº 653, 10-VII-1926, entre p. 29-30; 'Noticias. Exposición de pintura: Eugenio Hermoso, Adelardo Covarsí', "Revista de Estudios Extremeños", T. I, Nº 2, mayo-agosto 1927, p. 229-230; Adelardo Covarsí, 'Un prestigio nacional: Eugenio Hermoso', "Revista de Estudios Extremeños", T. XIV, Nº 1, 1940, p. 102; B. de Pantorba, 'El pintor Eugenio Hermoso', "Revista de Estudios Extremeños", T. XXI, Nº 1, enero-abril 1965, p. 104 62x86 cm

        Balclis
      • Eugenio Hermoso (Fregenal de la Sierra, 1883-Madrid, 1963)
        Dec. 17, 2009

        Eugenio Hermoso (Fregenal de la Sierra, 1883-Madrid, 1963)

        Est: €4,000 - €5,000

        Eugenio Hermoso (Fregenal de la Sierra, 1883-Madrid, 1963) Una joven con flores (A Young Lady with flowers) Signed and dated 1908. Oil painting on canvas. 88x63 cm.

        Balclis
      • EUGENIO HERMOSO BADAJOZ 1883-MADRID 1963
        Nov. 16, 2005

        EUGENIO HERMOSO BADAJOZ 1883-MADRID 1963

        Est: £6,000 - £8,000

        PROPERTY FROM THE HSBC CORPORATE ART COLLECTION EL CABRERILLO (THE LITTLE GOATHERD) 90 by 62.3cm., 35 1/2 by 24 1/2 in. signed and dated EUGENIO HERMOSO / 1920 l.r. oil on canvas PROVENANCE Sale: Christie's, London, 21 June 1985, lot 50 Purchased at the above sale by the present owner EXHIBITED Probably, London, Royal Academy, 1920-21 LITERATURE Probably, Elizabeth du Gué Trapier, Catalogue of Paintings in the Collection of the Hispanic Society of America, New York, 1932, p. 611, mentioned F.T. de Nertobriga, Eugenio Hermoso, Madrid, 1955, p. 430, pl. 38, illustrated

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