Jan van Hemessen Paintings & Artwork for Sale | Jan van Hemessen Art Value Price Guide

May. 29, 2024
JAN SANDERS VAN HEMESSEN (c. 1500 - c. 1566). "The Last Supper." Oil on oak panel. Cradled. Reproduced work Revue belge d'archéologie et d'histoire de l'art. No. 70, 2001. Brussels.
Est: €35,000 - €40,000
JAN SANDERS VAN HEMESSEN (c. 1500 - c. 1566). "The Last Supper." Oil on oak panel. Cradled. Reproduced work Revue belge d'archéologie et d'histoire de l'art. No. 70, 2001. Brussels. It presents restorations on the pictorial surface and faults in the frame. Measurements: 59,7 x 73,5 cm; 94 x 107 cm (frame). Although all the characters are located as a frieze, the author has established several planes that provide great depth to the whole. These are defined by the apostles in front of or behind the table and the large windows open to the landscape, which is defined by a precise drawing and a very specific chromatic range typical of the Flemish school. The Last Supper is one of the most relevant representations in the history of Western art. In the first place, because it is the concrete moment in which the sacrament of the Eucharist is established, since Jesus made the analogy between his body and the bread, and the wine and his blood. Secondly, the mythical scene that was painted by Leonardo, established the basis of Renaissance aesthetics, thus providing a conception of perspective that was hegemonic until well into the twentieth century. In this particular case, the scene reflects this aesthetic based on the Leonardesque composition, and the characters present a similar disposition to the one mentioned above. Formally, the scene is part of the academicism, and therefore follows classical rules, the first of which is the high technical quality. Thus, the drawing is rigorous and firm, of great anatomical perfection. Jan Sanders van Hemessen was an outstanding Flemish Renaissance painter, belonging to the group of Italianizing Flemish painters called the Romanists, influenced by Italian Renaissance painting. Van Hemessen had visited Italy during the 1520s, and also Fontainebleau, near Paris, in the mid-1530s, where he was able to contemplate the work of the colony of Italian artists known as the First School of Fontainebleau, who were working on the decorations of the Palace of Fontainebleau. Van Hemessen's works show his ability to interpret Italian models in a new Flemish visual vocabulary. Hemessen played an important role in the development of genre painting, through his large scenes with religious or mundane subjects, set in cities with contemporary clothing and architecture. These works depict human flaws, such as greed and vanity, and some show interest in financial themes. His genre scenes develop the "mannerist inversion," which Pieter Aertsen later developed, in which a small religious scene in the background reveals the true meaning of the painting, which is dominated by a large foreground scene apparently devoted to a profane genre subject. One of his best known works, the Parable of the Prodigal Son, expresses a religious theme through a pure genre painting set in a tavern. It presents restorations on the pictorial surface and faults in the frame.
Setdart Auction House
May. 23, 2024
CIRCLE OF JAN SANDERS VAN HEMESSEN (HEMIKSEM C. 1500-1556 / 7 ANTWERP) - A pawn shop
Est: $60,000 - $80,000
CIRCLE OF JAN SANDERS VAN HEMESSEN (HEMIKSEM C. 1500-1556 / 7 ANTWERP) A pawn shop oil on panel 42 x 54 ¾ in. (106 x 138 cm.)
Christie's
Feb. 29, 2024
Jan Sanders van Hemessen (Hemiksem, Bélgica, 1500 - Haarlem, Netherlands, 1566) "The Last Supper"
Est: €50,000 - €60,000
Jan Sanders van Hemessen (Hemiksem, Bélgica, 1500 - Haarlem, Netherlands, 1566) "The Last Supper" Oil on panel 59.5 x 73.5 cm 50.000 - 60.000 € Literature: BUIJSEN, Edwin "Een onbekend vroeg werk van Jan van Hemessen", Fig.1, Page 114. 2001
Greco Subastas
Sep. 20, 2023
JAN SANDERS VAN HEMESSEN
Est: CHF50,000 - CHF70,000
JAN SANDERS VAN HEMESSEN (Hemiksem circa 1500–circa 1557 Antwerp) Lucretia. Oil on panel. 41.2 × 33.7 cm. Provenance: - With Colnaghi, London. - Private collection, Switzerland. - Sale Koller, Zurich, 18.3.2008, Lot 3008. --------------- JAN SANDERS VAN HEMESSEN (Hemiksem um 1500–um 1557 Antwerpen) Lucretia. Öl auf Holz. 41,2 × 33,7 cm. Provenienz: - Kunsthandel Colnaghi, London. - Privatsammlung, Schweiz. - Auktion Koller, Zürich, 18.3.2008, Los 3008. Diese hier angebotene Tafel war wohl Teil einer grösseren Komposition mit der Darstellung von Tarquinus und Lucretia. Die Gesamtkomposition kann im Palais des Beaux-Arts in Lille betrachtet werden (Inv.-Nr. P 838). Jan Sanders van Hemessen war einer der führendsten Maler im zweiten Viertel des 16. Jahrhunderts in Antwerpen. Er lernte unter Hendrik van Cleve (activ in Antwerpen 1489–1519) zwischen 1519–20 . Jan Gossaert genannt Mabuse (um 1478–1532) hatte grossen Einfluss auf ihn, insbesondere in den monumentalen Figurendarstellungen und der Chiarascuro-Bearbeitung. Um 1520 reiste Hemessen nach Italien, was sein Spätwerk beeinflusste und wo er Kopien von Werken Andrea del Sartos (1486–1531) anfertigte. Die hier angebotene Lucretia zeichnet sich durch ein zartes Inkarnat und eine feine Gestaltung der Oberfläche aus, die der Darstellung einen natürlichen und lebendigen Ausdruck verleiht. Die Zuschreibung an Jan Sanders van Hemessen lässt sich durch einen Vergleich mit der "Madonna der Demut" im Nationalmuseum Stockholm (Inv.-Nr. NM 2140) sowie mit der jungen Frau aus einer "Fröhlichen Gesellschaft" in der Staatlichen Kunsthalle Karlsruhe (Inv.-Nr. 152) bestätigen. Vermutlich ist unser Gemälde in den frühen 1540er Jahren entstanden. ---------------
Koller Auctions
Jun. 28, 2023
JAN SANDERS VAN HEMESSEN (cerchia di)
Est: €1,000 - €2,000
(Hemixen, 1504 circa ; Haarlem?, 1567) Ecce homo Olio su tavola applicata su tavola, cm 112X80 Nato a Hemixen nei pressi di Anversa, Hemessen fu allievo dal 1519, di Hendrick van Cleve e dal 1524 risulta registrato come maestro nella locale Gilda di San Luca, della quale divenne decano nel 1548. La sua produzione conta soprattutto scene storiche e fu un esponente importante della corrente 'romanista' durante il secondo quarto del XVI secolo suggerendo un suo possibile soggiorno in Italia avvenuto tra il 1520 e il 1530.
Wannenes Art Auctions
May. 20, 2023
Jan Sanders van Hemessen, The Penitent St Jerome
Est: €150,000 - €200,000
Certificate Dr. Till Holger Borchert, Aachen (spoken confirmation, January 2023). - Dr. Lars Hendrikman, Maastricht, 12th March 2023. "A student of Hendrick van Cleve (I) in 1519, Jan van Hemessen became a freemaster of the Guild of St Luke in Antwerp in 1524. In the same year he appointed his first apprentice, followed by at least five others, including two of his sons. His most famous and successful student however was his daughter, Catharina van Hemessen (1528 – after 1583). Jan van Hemessens core oeuvre consists of 20 fully signed and dated paintings, dating from 1525 or 1531 to 1557, of which five are different compositions of the Penitent St Jerome. Besides some more traditional religious topics, Van Hemessen painted interpretations of The Parable of the Prodigal Son, thereby bridging the gap towards his more mundane, even burlesque depictions of “everyday life.” Among the body of some 35 unsigned and undated, yet generally accepted works of Jan van Hemessen sits another composition of the Penitent St Jerome, of which the painting in the Palazzo Rosso in Genoa may be the first one (ill. 1). The present lot is another version of this composition. Fuelled by Erasmus’ publication of Jerome's letters in 1516, and Dürer’s famous painting of the saint in his Study (Museu Nacional de Arte Antiga, Lissabon, inv./cat. no. 828), especially Antwerp painters set out a new type of iconography which would become popular in the following decades. Almost in the manner of a devotional painting, the current work presents St Jerome in his purest form, in prayer in front of a crucifix, at the moment in which it appeared to him as a vivid vision, provoked by prayer. The onlooker only sees the back of the crucifix, which is rare, and adds to the serene quality of this composition. The cardinals hat and lion – which are common attributes of the saint, but strongly rejected by Erasmus – are nowhere to be found. Also the ageing, but not old or tired man with particularly strong hands, are in keeping with Erasmus’ Remarks of 1522. Only some key elements of the saint´s penitence are depicted. The stone with which he mortifies his chest lays in front of him, as if serving as a pedestal for the crucifix. As a subtle reminder of our mortality. With no further attributes or landscape, the red habit serves as sole identifier of the figure as St Jerome. Besides the fact that the current lot’s head and hands are closely related to the painting in Genoa, they also bear resemblance to other signed paintings by van Hemessen, such as the 1543 Penitent St Jerome in the Hermitage (N451, no. 911) and the signed painting of the same theme in Antwerp (Snijders&Rockoxhuis inv. 77.3). Several versions of the present Penitent St Jerome are known today. Besides the work in Genoa, there is also a similar, portrait format painting, formerly in the collection of Marquis de Victoire de Heredia in Madrid (until 1912) and from 1935 until 1955 in the the Minneapolis Institute of Arts, which is now in private ownership and on loan to the Groeningemuseum Brugge (pl. 000). Others are in Berlin (Gemäldegalerie, Staatliche Museen) and again in private ownership. A significantly smaller version on canvas also appeared on the art market in 2015 attributed to a follower of Van Hemessen."
Kunsthaus Lempertz KG
Jan. 25, 2023
JAN SANDERS VAN HEMESSEN (HEMIKSEM C. 1500-1556/7 ANTWERP) A Vanitas: As we are born, we die
Est: $1,000,000 - $1,500,000
JAN SANDERS VAN HEMESSEN (HEMIKSEM C. 1500-1556/7 ANTWERP) A Vanitas: As we are born, we die oil on panel 26 3/8 x 36 in. (67 x 91.5 cm.) inscribed ‘NASSE.^TES MO / RIMVR’ (upper center, on the banner) Read more
Christie's
Jun. 21, 2022
SANDERS JAN, DIT VAN HEMESSEN JAN (VERS 1504-VERS 1566) HUILE SUR PANNEAU DE CHÊNE PARTIELLEMENT PAR
Est: €6,000 - €8,000
Huile sur panneau de chêne partiellement parqueté "Saint Jérôme pénitent". Attribué à Jan Sanders dit van Hemessen. Ecole flamande, Anvers. Epoque: XVIème. Il existe plusieurs versions connues de ce tableau dont une conservée au Palazzo Rosso à Gênes. (Fissures). Dim.:51x66cm.
Vanderkindere
Jun. 10, 2022
JAN SANDERS VAN HEMESSEN (HEMESSEN C. 1504-1556 ANTWERP) The Bagpiper and M
Est: $1,000,000 - $1,500,000
JAN SANDERS VAN HEMESSEN (HEMESSEN C. 1504-1556 ANTWERP) The Bagpiper and Merry Wife oil on panel 18 x 23 5/8 in. (45.7 x 60 cm.)
Christie's
Apr. 12, 2022
Follower of Jan Sanders van Hemessen (Hemiksen 1500-1566 Haarlem) The Lamentation
Est: £4,000 - £6,000
Follower of Jan Sanders van Hemessen (Hemiksen 1500-1566 Haarlem) The Lamentation oil on panel 34.8 x 25.7cm (13 11/16 x 10 1/8in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 08, 2021
JAN SANDERS VAN HEMESSEN (HEMIKSEM C. 1500-1556/1557 ANTWERP) - Portrait of a gentleman, traditionally identified as Nathaniel Balmes,...
Est: £300,000 - £500,000
JAN SANDERS VAN HEMESSEN (HEMIKSEM C. 1500-1556/1557 ANTWERP) Portrait of a gentleman, traditionally identified as Nathaniel Balmes,... oil on panel 42 3/8 x 28 1/8 in. (107.5 x 71.4 cm.)
Christie's
Mar. 25, 2021
Jan Sanders van Hemessen, 1500/04 Hemiksem bei Antwerpen - 1566/75
Est: €15,000 - €18,000
DER BETENDE HEILIGE HIERONYMUS IN LANDSCHAFT Öl auf Holz, teilparkettiert. 86 x 63,5 cm. Beigegeben ein Gutachten von Dr. Klaus Ertz, Lingen, vom 3. September 2020 (hier der Dargestellte fälschlicherweise als Heiliger Antonius bezeichnet). In weiter hügeliger Landschaft der an einem Gesteinsbrocken vor einem kleinen Kruzifix nach rechts kniende ältere Kirchenvater in rotem Gewand mit freiem Oberkörper. Seinen Kopf hat er auf seine linke Hand gestützt und sein Blick ist ehrfürchtig auf das Corpus Christi am Kreuz gerichtet, das an einen Baumstamm gelehnt ist. Dargestellt sind die typischen Attribute des Heiligen: auf der rechten unteren Seite der Löwe, der fast menschliche Gesichtszüge trägt, seine leuchtend rote Kardinalstracht, die hinter ihm auf einem großen Stein liegt, sowie der am Baum über einem Ast hängende rote Kardinalshut; in der linken Ecke zwei Bücher und eine Sanduhr, die an die Vergänglichkeit erinnert. Weitere Attribute sind das Kruzifix, ein Totenschädel, der daneben liegt und ein Stein in seiner rechten Hand, mit dem er sich, als Zeichen der Buße, auf die Brust schlägt. Im Hintergrund, links sind auf einer Anhöhe, einige mit Mauer und Torbogen umgebene Gebäude zu erkennen; ein kleiner Weg führt zu dieser Anlage, auf dem wohl der Heilige in Kardinalstracht und ein weiterer Mann zu sehen sind. Die Darstellung des knienden Hieronymus in der Natur ist in der Kunstgeschichte ein beliebtes Motiv, das sich bei Künstlern wie Domenico Ghirlandaio (1449-1494), Leonardo da Vinci (1452-1519) und bei Albrecht Dürer (1471-1528) wiederfindet; bei diesem Gemälde jedoch mit einer Vielzahl von Attributen. Rest., Risssp., kleine Retuschen, am rechten Rand berieben, an Ecken kleine Absplitterungen. (1250453) (18) Jan Sanders van Hemessen, 1500/04 Hemiksem near Antwerp - 1566/75 SAINT JEROME PRAYING IN LANDSCAPE Oil on panel, partially parquetted. 86 x 63.5 cm. Accompanied by an expert's report by Dr Klaus Ertz, Lingen, dated 3 September 2020 (the report erroneously refers to the depicted as Saint Antonine). The depiction of Saint Jerome kneeling outdoors is a popular subject throughout the history of art and has been painted by artists such as Domenico Ghirlandaio (1449-1494), Leonardo da Vinci (1452-1519) and Albrecht Dürer (1471-1528). This painting, however, includes numerous attributes. Restored, with traces of tears, minor retouching, rubbed along edges and corners with minor chips.
Hampel Fine Art Auctions
Dec. 03, 2020
Jan Sanders van Hemessen, 1500/04 Hemiksem bei Antwerpen - 1566/75
Est: €30,000 - €50,000
DER BETENDE HEILIGE HIERONYMUS IN LANDSCHAFT Öl auf Holz, teilparkettiert. 86 x 63,5 cm. Beigegeben ein Gutachten von Dr. Klaus Ertz vom 3. September 2020 (hier der Dargestellte fälschlicherweise als Heiliger Antonius bezeichnet). In weiter hügeliger Landschaft der an einem Gesteinsbrocken vor einem kleinen Kruzifix nach rechts kniende ältere Kirchenvater in rotem Gewand mit freiem Oberkörper. Seinen Kopf hat er auf seine linke Hand gestützt und sein Blick ist ehrfürchtig auf den Corpus Christi am Kreuz gerichtet, das an einen Baumstamm gelehnt ist. Dargestellt sind die typischen Attribute des Heiligen: auf der rechten unteren Seite der Löwe, der fast menschliche Gesichtszüge trägt, seine leuchtend rote Kardinalstracht, die hinter ihm auf einem großen Stein liegt, sowie der am Baum über einem Ast hängende rote Kardinalshut; in der linken Ecke zwei Bücher und eine Sanduhr, die an die Vergänglichkeit erinnern. Weitere Attribute sind das Kruzifix, ein Totenschädel, der daneben liegt und ein Stein in seiner rechten Hand, mit dem er sich, als Zeichen der Buße, auf die Brust schlägt. Im Hintergrund links sind auf einer Anhöhe einige mit Mauer und Torbogen umgebene Gebäude zu erkennen; ein kleiner Weg führt zu dieser Anlage, auf dem wohl der Heilige in Kardinalstracht und ein weiterer Mann zu sehen sind. Die Darstellung des knienden Hieronymus in der Natur ist in der Kunstgeschichte ein beliebtes Motiv, das sich bei Künstlern wie Domenico Ghirlandaio (1449-1494), Leonardo da Vinci (1452-1519) und bei Albrecht Dürer (1471-1528) wiederfindet; bei diesem Gemälde jedoch mit einer Vielzahl von Attributen. Rest., Risssp., kleine Retuschen, am rechten Rand berieben, an Ecken kleine Absplitterungen. (1250453) (18) Jan Sanders van Hemessen, 1500/04 Hemiksem near Antwerp – 1566/75 SAINT JEROME PRAYING IN LANDSCAPE Oil on panel, partially parquetted. 86 x 63.5 cm. Accompanied by an expert’s report by Dr Klaus Ertz dated 3 September 2020 (the report erroneously refers to the depicted as Saint Antonine). The depiction of Saint Jerome kneeling outdoors is a popular subject throughout the history of art and has been painted by artists such as Ghirlandaio, Leonardo da Vinci and Albrecht Dürer. This painting, however, includes numerous attributes. Restored, with traces of tears, minor retouching, rubbed along edges and corners with minor chips.
Hampel Fine Art Auctions
Dec. 04, 2019
Jan Sanders van Hemessem (Hemixem, Near Antwerp c. 1504-1566 Haarlem) - The Virgin of Humility
Est: £15,000 - £20,000
Jan Sanders van Hemessem (Hemixem, Near Antwerp c. 1504-1566 Haarlem) The Virgin of Humility oil on panel 36 7/8 x 25 5/8 in. (93.7 x 65 cm.)
Christie's
May. 01, 2019
Jan Sanders van Hemessen (Hemessen c. 1504-1556 Antwerp) Double portrait of
Est: $4,000,000 - $6,000,000
Jan Sanders van Hemessen (Hemessen c. 1504-1556 Antwerp) Double portrait of a husband and wife, half-length, seated at a table, playing... oil on panel 43 ¾ x 50 3/8 in. (111.1 x 127.9 cm.)
Christie's
Jan. 30, 2019
JAN SANDERS VAN HEMESSEN | Christ as triumphant Redeemer
Est: $400,000 - $600,000
oil on panel
Sotheby's
Dec. 07, 2018
Jan Sanders van Hemessem (Hemixem, Near Antwerp c. 1504-1566 Haarlem) - The Virgin of Humility
Est: £30,000 - £50,000
Jan Sanders van Hemessem (Hemixem, Near Antwerp c. 1504-1566 Haarlem) The Virgin of Humility oil on panel 36 7/8 x 25 5/8 in. (93.7 x 65 cm.)
Christie's
Nov. 13, 2018
Attribué à Jan Sanders van Hemessen Hemiksem, vers 1500 - Haarlem, vers 1566 Le sacrifice d'Isaac Huile sur panneau de chêne, deux p..
Est: €4,000 - €6,000
Attribué à Jan Sanders van Hemessen Hemiksem, vers 1500 - Haarlem, vers 1566 Le sacrifice d'Isaac Huile sur panneau de chêne, deux planches, renforcées The Sacrifice of Isaac, oil on panel, attributed to J. S. van Hemessen h: 73,50 w: 55 cm Provenance : Collection particulière, Autriche Estimation 4 000 - 6 000 €
Artcurial
Oct. 08, 2018
ECOLE HOLLANDAISE 16ème SIECLE ATTRIBUE A JAN SANDERS VAN HEMESSEN (c.1500-c.1566) Saint-Jérôme
Est: €10,000 - €15,000
ECOLE HOLLANDAISE 16ème SIECLE ATTRIBUE A JAN SANDERS VAN HEMESSEN (c.1500-c.1566) Saint-Jérôme Huile sur panneau parqueté coulissant On retrouve d’autres versions de cette œuvre attribuées à Pieter Coecke dont une à Trieste au Musée Municipal Rivoltella mais qui est décrite dans le livre « Tableaux Flamands en Italie de 1420-1570 » par Licia Collobi Ragghianti comme un modèle avec plus de détails et d’éléments caricaturaux, plus proche du style de Van Hemessen. P.198 - Fig. 387-388. Condition : Restaurations, fentes Dimensions : 83,5 x 99,5 cm
Accademia Fine Art
Nov. 15, 2017
Jan Sanders van Hemessen (Hemiksem 1500 - Haarlem 1566), Ecce Homo
Est: €8,000 - €10,000
olio su tavola, cm 62x46, reca monogramma apocrifo AD
Cambi Casa d'Aste
Sep. 27, 2016
Jan van Hemessen (1500-1566)-school of, Saint Jero
Est: €1,800 - €2,500
Jan van Hemessen (1500-1566)-school of, Saint Jerome in the wilderness with book, cross, skull head, sand clock and candle; in front of landscape; oil on canvas, framed.
Deutsch Auktionen
Sep. 24, 2016
AMBOISIUS BENSON ODER JAN VAN HEMESSEN
Est: -
AMBOISIUS BENSON ODER JAN VAN HEMESSEN Um 1495 Lombardei / 1550 Brügge - 1500 Hemiksen (bei Antwerpen) / 1566 Haarlem (attr.) BEWEINUNG CHRISTI MIT MARIA, JOHANNES UND NIKODEMUS Öl auf Eichenholztafel. 34,5 cm x 25 cm. Part. min. rest. Rahmen.
Hargesheimer Kunstauktionen Düsseldorf
Jan. 28, 2016
ATTRIBUTED TO JAN SANDERS VAN HEMESSEN | Portrait of a man, half-length, standing before a green curtain
Est: $150,000 - $200,000
oil on oak panel
Sotheby's
Sep. 18, 2015
HEMESSEN, JAN VAN (NACHFOLGER)(Heme
Est: CHF8,000 - CHF12,000
HEMESSEN, JAN VAN (NACHFOLGER) (Hemessen um 1500 - 1566 Haarlem) Heiliger Hieronymus. Öl auf Leinwand. 69,5 x 82 cm. Provenienz: Europäische Privatsammlung. Dieses Gemälde geht auf eine Komposition von Jan van Hemessen zurück, welche sich in der Galleria di Palazzo Rosso in Genua befindet (Inv. Nr. PR 69, Öl auf Holz, 51 x 81 cm). FOLLOWER OF HEMESSEN, JAN VAN (Hemessen c. 1500 - 1566 Haarlem) Saint Jerome. Oil on canvas. 69.5 x 82 cm.
Koller Auctions
Jun. 15, 2011
JAN SANDERS VAN HEMESSEN Dornengekrönter Christus mit dem Kreuz
Est: CHF24,000 - CHF30,000
JAN SANDERS VAN HEMESSEN Dornengekrönter Christus mit dem Kreuz Hemixen 1504-vor 1566 Haarlem Öl auf Holz, 86 x 71,5 cm
Galerie Fischer Auktionen AG
Nov. 19, 2010
Hemessen, Jan van1500/04 Hemessen - 1566/75 Haarlem - circle The Holy Family and John the Baptist as a child.
Est: €16,000 - €18,000
Hemessen, Jan van 1500/04 Hemessen - 1566/75 Haarlem - circle The Holy Family and John the Baptist as a child. Oil on oak. 110 x 87cm. Framed. The composition of this Madonna and John the Baptist as a child group on this remarkably well preserved oak panel is based on the Anna Selbdritt (Saint Anne) group by Leonardo da Vinci.
Van Ham Kunstauktionen
Sep. 13, 2010
HEMESSEN, JAN SANDERS VAN (FOLLOWER OF) (Hemessen
Est: CHF5,000 - CHF8,000
HEMESSEN, JAN SANDERS VAN (FOLLOWER OF) (Hemessen circa 1500 - 1566 Haarlem) Saint Jerome. Oil on panel. 65 x 48 cm. HEMESSEN, JAN SANDERS VAN (NACHFOLGER) (Hemessen um 1500 - 1566 Haarlem) Heiliger Hieronymus. Öl auf Holz. 65 x 48 cm.
Koller Auctions
May. 14, 2010
Hemessen, Jan van 1500/04 Hemessen - 1566/75 Haarlem - 18th C. follower Madonna with the Christ Child.
Est: €2,500 - €2,800
Hemessen, Jan van 1500/04 Hemessen - 1566/75 Haarlem - 18th C. follower Madonna with the Christ Child. Oil on wood. 37,5 x 25,5cm. Framed.
Van Ham Kunstauktionen
Mar. 26, 2010
Follower of HEMESSEN, JAN SANDERS VAN (Hemessen
Est: CHF8,000 - CHF12,000
Follower of HEMESSEN, JAN SANDERS VAN (Hemessen circa 1500 - 1566 Haarlem) Saint Hieronymus. Oil on panel . 65 x 48 cm. HEMESSEN, JAN SANDERS VAN (NACHFOLGER) (Hemessen um 1500 - 1566 Haarlem) Heiliger Hieronymus. Öl auf Holz. 65 x 48 cm.
Koller Auctions
Mar. 27, 2009
HEMESSEN, JAN SANDERS VAN (Hemessen um 1500 - 1566
Est: CHF12,000 - CHF18,000
HEMESSEN, JAN SANDERS VAN (Hemessen um 1500 - 1566 Haarlem), Werkstatt Heiliger Paulus. Öl auf Holz. 97 x 82 cm.
Koller Auctions
Apr. 15, 2008
The Virgin and Child
Est: $10,000 - $15,000
Jan Sanders van Hemessen active Antwerp c. 1519-1556 The Virgin and Child oil on panel 16½ x 11¾ in. 41.9 x 29.9 cm.
Christie's
Mar. 13, 2008
HEMESSEN, JAN SANDERS VAN
Est: CHF40,000 - CHF60,000
HEMESSEN, JAN SANDERS VAN (Hemessen circa 1500 - 1566 Haarlem), workshop The unfortunate bride. Oil on panel. 66.2 x 78 cm. Provenance: - Lichtenham collection, Basel, c. 1950/1. Literature: - Wallen, B.: Jan van Hemessen. An Antwerp Painter between Reform and Counter - Reform, Ann Arbor 1983, No. 22b. HEMESSEN, JAN SANDERS VAN (Hemessen um 1500 - 1566 Haarlem), Werkstatt Die unglückliche Braut. Öl auf Holz. 66,2 x 78 cm.
Koller Auctions
Mar. 13, 2008
HEMESSEN, JAN SANDERS VAN
Est: CHF150,000 - CHF200,000
HEMESSEN, JAN SANDERS VAN (Hemessen circa 1500 - 1566 Haarlem) Lucretia. Oil on panel. 41.2 x 33.7 cm. Provenance: - Colnaghi, London. - Private collection, Switzerland. HEMESSEN, JAN SANDERS VAN (Hemessen um 1500 - 1566 Haarlem) Lucretia. Öl auf Holz. 41,2 x 33,7 cm.
Koller Auctions
Mar. 13, 2008
HEMESSEN, JAN SANDERS VAN
Est: CHF45,000 - CHF65,000
HEMESSEN, JAN SANDERS VAN (Hemessen circa 1500 - 1566 Haarlem), Circle of Saint Hieronymus in his study Oil on panel. Dated on the label: 1569. 66.2 x 54 cm. HEMESSEN, JAN SANDERS VAN (Hemessen um 1500 - 1566 Haarlem), Umkreis Heiliger Hieronymus im Gehäuse. Öl auf Holz. Auf dem Zettel datiert: 1569. 66,2 x 54 cm.
Koller Auctions
Sep. 18, 2007
*HEMESSEN, JAN SANDERS VAN
Est: CHF40,000 - CHF50,000
HEMESSEN, JAN SANDERS VAN (Hemessen circa 1500 - 1566), Workshop Allegory of Music. Oil on panel. 46 x 63 cm. HEMESSEN, JAN SANDERS VAN (Hemessen um 1500 - 1566), Werkstatt Allegorie der Musik. Öl auf Holz. 46 x 63 cm.
Koller Auctions
Dec. 14, 2004
Cerchia di Jan Sanders van Hemessen (Hemessen c. 1500-1556/6 Haarlem)
Est: €6,000 - €9,000
Tarquinio e Lucrezia olio su tavola 49.5 x 60.5 cm.
Christie's